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Recommended: Religion in the media
Holding onto the five fundamentals, as many Christian fundamentalists call them, is according to the doctrinal truths within the movement. They believe in the inerrancy of Scripture, which reveals Christ as the Messiah, His virgin birth, the atonement in His blood, and His bodily resurrection. Additionally, embedded within the movement is the belief that they, “the saved,” are engaged in a cosmic war that is taking place here and now. As Reza Aslan explains a cosmic war or religious war is, “an earthly battle between rival religious groups…a real, physical struggle in this world and an imagined, moral encounter in the world beyond.” This war is a continuous battle that takes place on all earthly fonts, even on the airwaves.
Since the early 1980’s and peaking in the 1990s, many fundamentalist Christians and other conservative religious persons of faith have warned about the evils of rock music. As commented by the Fundamentalist preacher Fletcher Brothers summarizes in his book The Rock Report,
“Sex and drugs equals rock and roll. Rebellion, Satan equals rock and roll. Homosexuality, incest equals rock and roll. Sado-masochism, mutilation equals rock and roll. Suicide, alchol equals rock and roll. Hopelessness, anti-godliness equals rock and roll. Murder, occultism equals rock and roll. The list goes on and on.”
With such strong comments, it is no wonder that Brothers proclaim that, “I make no apology when I say that I believe that rock music….is public enemy number one of our young people today.” It is true that in general rock and popular music has always flaunted its sexual and at times violent imagery. This has been true since the beginning of the music industry. Christian fundamentalists even criticized the great Buddy H...
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... larger cosmic forces-to win back the lost souls and to loosen the grip of Satan.
Works Cited
Aslan, R. (2010). Beyond Fundamentalism: Confronting Religious Extremism in the Age of Globalization. New York: Random House Trade Paperbacks.
Fletcher A. Brothers, The Rock Report (Lancaster, PA: Starburst Publishers, 1987), p. 141 see Fletcher A. Brothers, The Rock Report. 13
I Am In Love With You by Jesus Culture
David W. Stowe, No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism (Chapel Hill, NC: University of North Carolina Press, 2011), p. 1
2 Corinthians 10:3
Terry Watkins, “Christian Rock: Blessing or Blasphemy,” Dial-the-Truth Ministries n.d.(italics original), http://www.av1611.org/crock.html (accessed 11 May 2014) see Terry Watkins, “Christian Rock: Blessing or Blasphemy (bold within original text)
The purpose of this paper is to examine philosophical and theological themes in the work of two modern musical groups. The alternative rock bands Jane’s Addiction and Bush will be the focus of this study. I have chosen these two artists since I have observed what I believe to be contrasting ideas in their work. Perry Farrell was the songwriter for Jane’s Addiction. His band’s release in 1988, titled Nothing’s Shocking contains views on God, man’s place in the world, and instruction on living a life that adheres to Zen philosophical views. Songs on the album include “Ocean Size," a memoir about how life should be lived; “Had A Dad," Perry Farrell’s beliefs about God; and “Ted, Just Admit It...", that will be discussed in more detail below. Bush’s lyrics, written by Gavin Rossdale on the album Sixteen Stone, argue directly with the ideas contained on Nothing’s Shocking. I believe that his song “Everything Zen” is a response to Perry Farrell’s beliefs.
Rock n’ roll gave people the voice they did not have in the early years. As the genre of music became more wide spread, people actually began to speak out. Altschuler touches on the exploration of how the rock n' roll culture roughly integrated with replaced and conflicted with preceding cultural values. Many of these values were very touch topics. Besides black civil rights, sexuality were one of the most sensitive t...
In closing, the undoubtable influence of music, more specifically of Rock ‘n’ Roll on American society is responsible for a number of changes to the status quo. These range from sexual liberation and racial desegregation all culminating with other influences to create an intergenerational identity. Despite the desperate attempts of older generations to smother these influences, these changes ultimately shaped the years that followed, molding the country into what it is today. Along the way these changes as well as individual involvement in them has also eased the lives of many through empowerment and a feeling of community and purpose. Despite a lull and renewal Rock ‘n’ Roll continues to serve as an agent of influence and change in today’s youth culture and continues to burn in the heart of past generations of loyal fans.
Rock ‘n’ roll and 20th Century Culture According to Philip Ennis, rock ‘n’ roll emerged from the convergence of social transformations which resulted from World War II (Ryan 927). Despite its pop culture origins, rock music is arguably one of the strongest cultural factors to develop in this century. Artists such as Lennon, McCartney and Dylan defined the emotions of a generation and, in the last decade, it as even been acknowledged by members of the establishment which it hoped to change as a major influence in the country. In order to understand how rock went from a sign of rebellion to a cultural icon, it is necessary to understand where it came from.
In "On the concept of moral panic" Garland, David (2008) argues that, from subliminal messages to witch hunts, the moral panic has existed for many centuries especially when related to the music industry (25). Moral panic even predates television. A moral panic in particular that experienced much media presence and public reactions were in the1980s when allegations arose on how subliminal messages were being hidden in songs through the process of back masking. In the 1980s, Christian evangelists started noticing that there were some messages being passed in rock and roll music. This issue caused a moral panic as it was alleged that some rock band wrote and sang songs that when sang backwards held some particular messages. The songs were alleged to be containing satanic content or occult and encouraging drug and alcohol abuse. Back-masking created a moral panic in the country and had several effects in the rock roll music industry.
McLeese, Don. “The Spirit of a Rocker.” New York Times. 18 October 1987. Web. 11
Rock 'n' roll came from a type of music called rhythm and blues (R&B), which consisted of doo-wop and gospel music. It was popular mostly in the south during the 40’s but it soon grew to urban cities. It was Les Paul’s invention of the electric guitar in 1952 that added a new sound and made rhythm and blues into the rock 'n' roll we all know and love today. Most of the artists from R&B were African American, and in their song they would reference sexual matters. So together it gave a bad connotation towards the music and their race, therefore both were never fully accepted in the north. The term “rock” was slang mostly used by African Americans meaning a form of music that was easily danced to. Meanwhile “roll” was usually a euphemism for sex, such as “a roll in the hay”. It was Alan Freed who first popularized the term “rock and roll” for this gen...
In the 1950s rock-n-roll established its own marks in history. It spread throughout the decade in a thrilling, substantial, and even livid to those Americans trying to get rid of all sorts of conflicts and challenges that occurred during this time period. As exciting as this music was, the novel “All Shook Up” portrays how rock-n-roll brought many changes to the American culture and later to the sixties. It expresses many concerns such as race relations, moral decays, and communism, but in ways that are partially true.
In conclusion this report has helped us understand the significance of Music in America. Also, the impact it has on music we listen too. Music is very much like a big chain reaction. Rock ‘N’ Roll, much like music today, stood out and was in a way rebellious. Parents now hate Rap and we love it. People in the 70’s loved Rock ‘N’ Roll and parents hated it. This shows that maybe no matter how much older people deny it, the time gap and generation gap is not too far apart. Without Rock ‘N’ Roll the World would without a doubt be changed. Any guess to that of which way would be a good one.
Although the style of ‘Rock music’ is easily adaptable to many different sounds, it is still thoroughly identified by its definingly amplified rhythm. The sudden worldwide popularity of rock and roll resulted in an unparalleled social impact. Rock ‘n’ Roll influenced lifestyles, fashion, attitudes, and language in a way few other social developments have equaled. The social impact is so large that rock stars are worshipped worldwide. In its early years, many adults condemned the style of music, placing a stigma on its name, and forbid their children from listening and following its ways.
African American religious music is the foundation of all contemporary forms of so called “black music.” African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.
Beginning with the late 1960’s counterculture in San Francisco, music and drugs will forever be inter-linked. Hippie bands such as the Grateful Dead, the Allman Brothers, and Phish are associated with marijuana, mushrooms, and LSD. Modern electronic “rave” , or club music is associated with MDMA or Ecstasy. When one thinks of rock and roll, sex and drugs immediately come to mind. While the use of drugs is not essential for the creation or performance of all new music, it was certainly in important factor for the counterculture music of the late 1960’s. While some of the most important and influential music was made with the help of psychoactive drugs, it was often to the detriment of the artist. Janis Joplin, Jimi Hendrix, Jim Morrison, and countless other tremendously talented artists had their lives cut short due to drug use. Drugs were most often good for the music, but deadly for the music makers.
Contemporary, as well as older, Gospel music originated from the “Spirituals.” The spirituals, also known as the “Negro Spirituals or African-American folk songs,” were religious songs sung by the African Americans slaves in Southern America. The spirituals spawned from teachings of Christianity from slave owners, the church and even hymns. The songs were usually about love, hope, peace, oppression, freedom and even used as a secret code. The African American slaves would sing while working so much so that slave o...
Religion can be viewed from many different perspectives. People throughout the world hold different religious values. One person’s religious value will not match the religious values of another person. Globalization as a whole has affected the way we view the different religions and our feelings towards them; it has moved towards a more symbolic representation of ideologies. Many have come to believe that the west is more superior to others. Martha Crenshaw argues that globalization is a key driver of terrorism because there is a comparison between countries having less access to means of production and others having more access. Furthermore, most religions go against each other’s beliefs and as for Islam; they have neglected the ideologies of the west. In order to understand how religious values are interconnected is through language games; we think in certain ways because of issues of power.
Religious Fundamentalism is not a modern phenomenon, although, it has received a rise in the late twentieth century. It occurs differently in different parts of the world but arises in societies that are deeply troubled or going through a crisis (Heywood, 2012, p. 282). The rise in Religious Fundamentalism can be linked to the secularization thesis, which implies that victory of reason over religion follows modernization. Also, the moral protest of faiths such as Islam and Christianity can be linked to the rise of Religious Fundamentalism, as they protest the influence of corruption and pretence that infiltrate their beliefs from the spread of secularization (Heywood, 2012, p. 283). Religious Fundamentalists have followed a traditional political thought process, yet, have embraced a militant style of activity which often can turn violent (Heywood, 2012, p. 291).