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Media Analysis on Fun Home by Alison Bechdel: Whiteness and White Privilege The novel Fun Home: A Family Tragicomic by Alison Bechdel is about the Bechdel family, and the struggles that they endured during their lifetime. The Bechdel family lived in a town in Pennsylvania and directed a funeral home business. Alison’s father Bruce was having sexual relationships with men and boys, the mother Helen, was fully aware of Bruce’s adulterous actions. Alison discovered at an early age that she wanted to dress as a boy and she eventually concluded that she was attracted to women, and at the age of 19 she came out as a lesbian. Not too long after she told her mother that she was a lesbian, her mother revealed that she asked Bruce for a divorce, within two weeks of the revelation Bruce died. Alison suspected that it was a suicide when she began to discover evidence that would correlate to his death. The themes that were present in the novel range from gender identity, repression, …show more content…
artifice, and death. Alison attempted to analyze her father’s life, and compared it to her own regarding secrecy, relationships, publicizing personal affection, and the emotions that they struggled with daily due to their identities. In this paper, I argue that the novel Fun Home presents the Bechdel family as the archetype of American white privilege through their standard of living. White privilege is present in a variety of different forms, ranging from social class, opportunities, education, and more. In the novel Alison Bechdel and her family live a life that is built upon the social construct of white privilege. As Peggy McIntosh mentions, “whites are carefully taught not to recognize white privilege (McIntosh 88)”, the Bechdel family does not acknowledge the privileges that they acquired simply because of the whiteness of their skin. The indication of this unawareness is located on page 106 on the bottom panel where Alison thought to herself, “If the cops searched me could I pass the three-articles-of-women’s-clothing rule? (Bechdel 106)”. Alison did not have to worry about being discriminated against due to the color of her skin, social class appearance, or the fluidity of her language, this is a privilege that she is not aware of. In the Bechdel family it is apparent that the normalcy of whiteness in the household is transparent. Bruce could obtain a second job without hesitation due to white privilege, and he did not face any type of adversity when he took over the family business of funeral directing. In the second chapter of Women’s Voices, it was stated that individuals that are “white, heterosexual, highly literate, and upper and middle class (Shaw 52)” have privilege, the Bechdel family had these characteristics which allowed them to avoid oppression for most of their lives.
Regarding Alison’s education, it was essentially a given, there was no discussion on the difficulty of financing or applying for a college, she also had an accessible community of other white individuals which openly allowed her to explore her sexual and emotional identity without prejudice. In White Privilege Peggy states, “My skin color was an asset for any move I was educated to want to make (McIntosh 90).” not a single member in the Bechdel family struggled with progressing their careers due to social disadvantages of race. The mother never faced discrimination due to a lack of privilege in her acting career and the same can be said about the father and Alison, which allowed them to live comfortably and
safely. In conclusion, the Bechdel family exemplifies the social construct of whiteness and white privilege through their daily lives. The evidence that was provided included their exposure to educational institutions, financial and occupation privileges, and in public environments. All the scenarios presented from the novel were impacted by white privilege. If they would have had a different complexion the events would have consisted of far more adversity and distress than the struggle of heteronormativity.
Gina Crosley-Corcoran, author of Explaining White Privilege to a Broke White Person, informs her readers about her misinterpretation of white privilege. After being called out for her unknowing use of white privilege, Gina begins to plead her case. Beginning with her childhood, Gina explains how she grew up “on the go”. Travelling from place to place, Gina lived in a rundown trailer and her family obtained little to no money, had no access to hot water, survived on cheap, malnourished foods, and dealt with a bad home life. After evaluating her history when placed at the end of life’s spectrum, Gina finds it hard to pick out white privilege in her life and therefore argues she has none. Later, Gina is introduced to a woman named Peggy McIntosh
Alison Bechdel wrote Fun Home as a memoir so that people understood the impact her father had on her. She went into great detail in this memoir about her childhood and moments after her father’s death. Which she claims her dad was a suicidal. During the memoir, she describes her relationship with her father. All issues, lessons, and arguments she had with her father are really significant to her. She uses her relationship with her father as the main point in the memoir. Their relationship had its ups and downs but she had very strong feelings for her father. Even though her father did not treat her as a girl most of the time, she managed to get over the fact of her father’s behavior.
Every family has secrets. Taboo secrets are typically the one's we'd like to keep hidden the most. Unfortunately, what's done in the dark always finds itself resurfacing to the light. In Allison Bechdel "Fun Home", she recollects the memories that impacted her life the most when she was in the stage of discovering her true self. The memories we remember the most tend to play a major role in our life development. For Allison, one well-kept secret that her father contained well from her, unraveled many memories of the truth that laid before her eyes.
In the memoir, Fun Home, Alison Bechdel effectively depicted her life as a child all the way up to age nineteen when she finally decided to come out to her family. Growing up Alison’s path crossed paths with struggles that try to hinder her while she attempts to grasp on to the identity of being homosexual. Even though Bechdel encounter struggles she is able to overcome those struggles in a supportive environment. Despite her father, Bruce Bechdel homosexuality, which was unknown to Alison for the majority of her life could possibly be the emotional core of Fun Home. In actuality, it is Alison 's personal coming out party that assists her mother, Helen Bechdel, to expose Bruce 's hidden relationships to Alison. Effectively, the process of writing the memoir has really permitted Bechdel to reminisce about her father through the spectacles of her experiences, later giving her the chance to reveal clues about her father 's undercover desires that she was incapable of interpreting at the moment. In a scene where Bruce takes his openly queer daughter to a gay bar embodies the dissimilarities amongst Bruce and Alison 's attitudes of dealing with their homosexuality. Bruce tussles with the shame of hiding his
Sonsyrea Tate’s statement about “home” aligns with Sue Monk Kidd’s novel, The Secret Life of Bees. In this novel, the main character, Lily Owens, embarks on a Bildungsroman journey after leaving her birth home to find her true identity and “home.” The idea of “home” guides Lily on a path of self-discovery and leads her to the pink house and the feminine society that lies within, in which she finds true empowerment and womanhood in her life.
Throughout chapter one of Fun Home, Alison Bechdel portrays artifice and art as two very similar but distinct things; both overlapping and making it hard to differentiate between what is what. Art, in her view, is the truth, and a skill that has to be mastered. On the other hand, artifice contains partial, or full, amounts of falsehood; it covers up the truth in some way but contains art in itself. Artifice can be, like art, something mastered, but can also be a coping mechanism to cover up something good or bad. Bechdel turns both art and artifice into a very interlinked, combined, version of the two forms. When truth and falsehood are combined, after awhile, it becomes a challenge to distinguish between the two; evidently true to herself.
Picking up the book Fun Home, one would imagine that the novel would embellish some sort of comical life story of a misunderstood teenager. Although the short comic-book structured novel does have its sarcastic humor, Alison Bechdel explains her firsthand account of growing up with the difficulty of living of finding her true identity. Alison was a teenager in college when she discovered that she was a lesbian, however, the shock came when she also discovered her father was homosexual. I feel that the most influencing panel in Fun Home is where Alison and her father are in the car alone together. Not only does this panel explain the entirety of the novel in a few short speech bubbles, but it is the defining scene that connects both Alison and her father together for the first time (221). This explains the absences of Alison’s father in her life, and the scary realization that both characters are more alike than different. The car scene must be broken into spectrums to fully analyze what is happening. The only way to understand the Alison’s feelings to observe the illustrations and expressions she uses.
In Alison Bechdel’s Fun Home, Bechdel uses the theme of appearance versus reality to highlight her relationship with her father. Bechdel utilizes her illustrations and short sentences to reveal these things about herself and her father. Bechdel opens her memoir with a chapter entitled “Old Father, Old Artificer”. Bechdel refers to her father, Bruce Bechdel, as an artificer because she sees him as a skilled craftsman. Bechdel describes, “His greatest achievement, arguably, was his monomaniacal restoration of our old house.” (Bechdel 4). Her father restored their old house to make it look like a huge mansion. Bechdel knows that this is just the appearance of their household because it is not an accurate representation of their family life inside the house. Bruce created an appearance that was the opposite of reality to cover up the actual wealth of their family. He hides the fact that his family may not be as wealthy and perfect as they appear to be. In this case, Bruce reveals he believes that appearance is more important than the reality of a situation. Appearance is also important on the inside of the home as well. Bechdel mentions, “Sometimes, when things were going well, I
In Fun Home, Alison principally characterizes her desire for a masculine life while trying to find herself in an environment
In the graphic novel Fun Home, by Allison Bechdel, sexual self-discovery plays a critical role in the development of the main character, Allison Bechdel herself; furthermore, Bechdel depicts the plethora of factors that are pivotal in the shaping of who she is before, during and after her sexual self-development. Bechdel’s anguish and pain begins with all of her accounts that she encountered at home, with her respective family member – most importantly her father – at school, and the community she grew up within. Bechdel’s arduous process of her queer sexual self-development is throughout the novel as complex as her subjectivity itself. Main points highlight the difficulties behind which are all mostly focused on the dynamics between her and her father. Throughout the novel, she spotlights many accounts where she felt lost and ashamed of her coming out and having the proper courage to express this to her parents. Many events and factors contributed to this development that many seem to fear.
In Fun Home: A Family Tragic Comic, Alison Bechdel uses the graphic novel technique of bringing visuals and concise text to her audience to reveal the relationship with her father in a perspective that can not be modified through the readers perspective and interpretation. Bechdel employs this type of writing style to help visualize a better interpretation of how she describes the differences in both her and her fathers’ gender roles throughout the novel. This tactic helps discuss and show how these gender roles were depicted as opposite from one another. But, in this case being opposite from one another made them gain a stronger relationship of understanding and reviling that these differences were actually similarities they also shared.
McIntosh, Peggy. White Privilege: Unpacking the Invisible Backpack. N.p.: Wellesley College Center for Research for Women, 1989. Print.
THOSE OF US WHO grew up in the 1950s got an image of the American family that was not, shall we say, accurate. We were told, Father Knows Best, Leave It to Beaver, and Ozzie and Harriet were not just the way things were supposed to be—but the way things were
Jeannette Walls reluctantly wrote Glass Castle in an attempt to show that even those with very different backgrounds and cultures really aren't all that different after all. Walls wrote of ridiculous situations and her experiences while growing up with a family that lacked the regular structural culture of other families, which included qualities such as morality, integrity, and a basic knowledge and feeling of obligation to follow the law of the land. Her parents both held values that were unique to each one of them as they lived their lives strongly expressing, through actions and words, that the normal values of other people simply weren’t right. Jeanette’s parents, though unconventional, were just as loving, if not more loving towards their kids as other parents. I think the reason the family was so strange, was simply because of the parents’ values that they taught their kids. The values your parents raise you with can greatly affect your future, and who you become as a person; this is what I can relate to. I’ve become conscious of how the values I grew up on evolved into more of a belief system, if not a stubborn pride-driven ability to deny handouts or help from people. Add this characteristic of mine to the fact that my parents wouldn’t allow me to drive until I turned eighteen, the fact that I lived on an isolated
In chapter one, “Old Father, Old Artificer”, of her graphic novel Fun Home: A Family Tragicomic, the young Bechdel generated her identity through the tensions and mysteries that engulfed her family the home. Masculinity, physical strength and a modern outlook were her personality traits as she grew, becoming the “Butch to [her father’s] Nelly” (269) and his opposite in several aspects. A conscious effort was made on her part to set her own pace from what her father expected of her. He was a strong, influential figure within her life. Expressing emotions towards her father was strictly not allowed in the home. Bechdel was left “rushing from the room in embarrassment” (273) on the one unforgettable occasion that she went to kiss him goodnight. She...