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The definition of friend
Summary and analysis of othello
Complete analysis of Othello
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“Friends, countrymen, lend me your ears.” This line is said by Mark Antony to garner the attention of his countrymen in arguably one of Shakespeare’s more popular plays, Julius Caesar. The iconic line is one of Shakespeare’s better known addresses. In his plays repetition functions as an indicator of something to which the audience should pay particular attention. Specifically, in the play Othello, the repetition of the word “friend” is relevant and draws the audience’s attention to relationships of a superficial or forced nature, as the relationship between Othello and Iago, Cassio and Bianca, and as a rhetorical device. Through close reading of the play, one sees that “friend” functions as a versatile device used for manipulation.
In Act I, Scene 2, “friend” functions in the same capacity as intimidation. Iago tells Othello, “Those are the raised father and his friends” (Shakespeare 1.2.28). This first instance of the word “friend” occurs after Brabanzio has been alerted to Desdemona’s elopement with Othello. Brabanzio brings his countrymen to argue his case against Othello, whom he believes has bewitched his daughter. In this quote, “friends” also serves as “reinforcements,” which keeps with the militaristic terminology and attitudes which are throughout Othello. These men may indeed be companions of Brabanzio, but given the textual evidence that before the counsel Brabanzio speaks alone, it seems that his companions are merely there for moral support and to show strength in numbers. This can be likened to the Disney film Beauty and the Beast where Gaston, the scorned suitor of Belle (the female protagonist) leads an angry mob to the house of the beast (Belle’s love interest). En route, the villagers in the mob sing that they ...
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...stablish that Desdemona has sacrificed many relationships for the sake of her marriage to Othello, though there is textual evidence that suggests that Desdemona might not have friends. Like Cassio, Emilia uses “friend” as a manipulative rhetorical device, though her use is more effective. Bianca uses “friend” to show her displeasure and provide insight into her relationship with Cassio, proving the superficiality of their relations. Most notably, Othello believes that he and Iago are mutual friends, which also shows that their relationship is superficial. Throughout Othello, the term “friend” is repeated to show that there is something wrong with these characters’ idea of what it is to be a friend or simply to advance one’s standing. In its truest sense, what we consider a friend is not referred to by name in Othello, the very reason its reiteration is unsettling.
The Tragedy of Julius Caesar by William Shakespeare is a historic tragedy about the brutal murder of the Roman senator, Julius Caesar. Within the play, Caesar has two close friends—Brutus and Antony. Antony is a loyal friend, supporting Caesar and encouraging him in his climb to kingship; Brutus is a king-fearing traitor who leads the plot to murder Caesar. After Caesar is murdered, both friends make speeches—Brutus to justify his actions and Antony to passive-aggressively disprove his claims. In the speeches, they use three rhetorical literary devices: ethos, the appeal to gain the crowd’s trust; pathos, stirring the crowd’s emotions to influence behavior; and logos, the use of logic to reason with the crowd. By comparing the use of ethos, pathos, and logos in each speech and by
Othello in William Shakespeare's Play Most of the characters in "Othello" perceive Othello as unclean and
Act iii, scene iii, lines 108-131 of William Shakespeare’s “Othello” unquestionably shows Iago’s trickery and deceptiveness which is masked through his reputation for honesty, reliability and direct speaking. This section not only shows Iago’s slow but powerful act of deception, but also shows the jealousy and insecurities slowly depriving Othello’s inner peace and balance.
Some traits of a jealous person are insecure, overly attached, spying, and low-self esteem. Othello’s jealousy started when he believed Iago’s lies about his wife infidelity. Iago’s claim became stronger when Othello found out his wife doesn’t have the handkerchief that symbolized their love. Iago exhibits jealousy in the play. Iago was jealous of Cassio’s rank as lieutenant. Roderigo was jealous of Othello’s union with Desdemona. Othello’s jealousy was based on false information. Iago’s jealousy was based on the desired job position and Roderigo’s jealousy was based upon his love for Desdemona. As human beings, I think it is almost impossible to avoid jealousy, but a person can overcome it. It is part of the human nature feel jealous, but
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
When Iago first sets out to deceive Othello, he tells him, "look at your wife; observe her well with Cassio" (3.3.196). He knows that if he can plant enough doubt and jealousy in Othello's mind, Othello only needs to look at Desdemona being friendly with Cassio to suspect infidelity. After this, when Desdemona asks for Cassio's reinstatement, it looks as though she is trying to get something better for her lover, as opposed to just helping a friend.
...ituation Iago is finding ways to twist the innocent actions of Desdemona and Cassio to make it seem as if they are flirting and carrying on this affair for almost everyone to see. Enraged and eventually consumed by his emotions Othello’s takes Desdemona’s life due to the manipulation of this so called friend and confidant. A ‘friend and confidant’ who has been to battle with Othello and fought side by side, yet Iago is the one who ultimately uses and betrays Othello.
There are many reasons why we study William Shakespeare’s plays today. There is the insight into human nature that he knows well, allusions to old mythology and legends, and others. However, one reason stands out above the rest: his power of language. Also, this power of language is clearly shown in his play, Othello, through Iago, the antagonist of the play. Iago, who is an ensign of Othello, is furious that he was not given the promotion of lieutenancy. As a result, he uses his craftiness and his “power of language” to take revenge on Othello. Although his plan foils, he causes Othello to kill his wife Desdemona and commit suicide, all the while he deceives and exploits other characters for his plan. In Othello, Iago demonstrates his power
Othello is one of Shakespeare’s four pillars of great tragedies. Othello is unique in comparison to the others in that it focuses on the private lives of its primary characters. When researching the subject of Othello being an Aristotelian tragedy, there is debate among some critics and readers. Some claim that Shakespeare did not hold true to Aristotle’s model of tragedy, according to his definition in “Poetics,” which categorized Othello as a classic tragedy as opposed to traditional tragedy. Readers in the twenty-first century would regard Othello a psychological thriller; it definitely keeps you on the edge of your seat creating the emotions of terror, heart break, and sympathy. This paper will focus on what Shakespeare actually intended regarding “Othello” and its Aristotelian influences.
“Othello”, by William Shakespeare, is a story of jealousy’s potential to manipulate thoughts and eventually lead to ultimate demise. The key to extremely detrimental jealousy lies within one’s ability to recognize it or deny it. It seems that the important theme of “Othello” is that if jealousy is not recognized and immediately dealt with, it receives a head start to commence the process of rotting away all normal human reason. Othello’s speech in Act III scene iii beginning with line 178 is the first and most important indicator of the trouble ominously looming on Othello’s horizon. His immediate response to Iago’s accusations is that of total denial. By depriving himself of that initial venting process, Othello gives his jealousy the perfect culture on which his jealousy can turn cancerous and grow out of control. Othello does not spit out the seed that Iago has planted within himself soon enough and thus lets Iago water it with smooth speech until its roots spread and cannot be uprooted. The only way to appropriately illustrate this point is through an in depth analysis of specific text from the play.
In his play Julius Caesar, Shakespeare employs various rhetorical strategies such as direct address, repetition, and apostrophe in Antony’s eulogy to convince the crowd into believing that Caesar was a good ruler. His excellent use of rhetoric begins before he starts his speech through the establishment of familiarity. Before Antony begins his speech, he refers to the crowd as “friends, romans, [and] countrymen” to establish a personal connection, indicating the use of direct address (3.2.82). By referring to the crowd as “friends,” Antony removes any separation between him and the audience, establishing a close bond by choice. As it came first on his list, it emphasizes the importance of his friendship with the audience as friendship implies
The Monster in Othello This essay is about William Shakespeare's Othello. It focuses on Iago's words to Othello, "O, beware, my lord, of Jealousy. It is the green-eyed monster." in act 3, scene 3 and just how important this warning was not only for Othello, but also for Roderigo and for Iago.
When Othello summons Desdemona and dismisses Emilia, “Leave procreants alone . . .; / Cough or cry hem if anybody come. / Your mystery, your mystery! . . .” (IV.2.28-30), he not only dismisses Emilia, accuses Desdemona of infidelity, and betrays his own insane bitterness, but he converts the marriage into a brothel arrangement in which all three are involved, and by so doing establishes imaginative lines of connection with the role of Bianca and particularly with the Iago philosophy of sexual conduct. (331)
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
Othello’s speech to Brabantio and the Duke in Act 1, Scene 3 is of major importance in describing Othello’s personality. This long speech, found in lines 149 to 196, shows Othello for the first time as a person with depth and less as a soldier. This speech is important to the book as a whole because it is a testimony to the strength of the love between Othello and Desdemona, which will later play a major role in the plot. It is also one of the first times that we see Othello trying to influence his audience with his words. The speech given by Othello is intended to convince Brabantio that Desdemona is with him willfully, and not by “spells and medicines bought of montebanks” (line 74).