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When examining themes of freedom and captivity in the American canon, one would likely adduce the slave narratives as the authoritative texts of that aspect of American literature. However, Herman Melville and Edgar Allan Poe also harbour intriguing relationships with these contrasting themes, which are implicit within "Bartleby" and "The Black Cat" respectively. By inspecting the authors' own problems and fascinations, which are woven into the texts, we can appreciate their implicit use of the dichotomy between freedom and captivity. Furthermore, by analysing the characters within the texts with these themes, we can decipher what prompts their behaviour. Poe's fascination with captivity and premature burial is well-documented; as J. Gerald Kennedy writes: "That idea of premature burial exerted a persistent hold on Poe's imagination..."1. This recurrent motif wasn't a peculiarity of Poe's literature however, as premature burial was a legitimate fear in the 19th century. In a London medical journal, William Tebb ("London Association for the Prevention of Premature Burial") and Edward Perry Vollum had to allay public fears regarding untimely entombment by revealing "...new methods for distinguishing real from apparent death."2. Poe's fixation on premature burial conflated with his "... Oedipal infatuation with his mother"3 to form the recurring motif of the interred woman in his work. This motif manifests in "The Black Cat" as the narrator's wife, who acquiesces to her husband's domestic tyranny until the lethal arc of his axe towards their cat incites her to quit captivity by arresting the blow; this expression of freedom piques the narrator "...to madness"4, resulting in her death. Considering Poe's "Oedipal infatuation with ... ... middle of paper ... ..."Bartleby, the Scrivener" by Herman Melville, in Herman Melville - Billy Budd, Sailor And Other Stories, ed. Harold Beaver (Penguin Classics 1985; Penguin Books), p.70. 16. Ibid., p.94. 17. Ibid., p.69. 18. "Melville's Parable of the Walls" by Leo Marx, in Melville's Short Novels, ed. Dan McCall (A Norton Critical Edition 2002; W.W Norton & Company inc.), p.241. 19. "Bartleby, the Scrivener" by Herman Melville, in Herman Melville - Billy Budd, Sailor And Other Stories, ed. Harold Beaver (Penguin Classics 1985; Penguin Books), p.67. 20. "Melville's Parable of the Walls" by Leo Marx, in Melville's Short Novels, ed. Dan McCall (A Norton Critical Edition 2002; W.W Norton & Company inc.), p.245. 21. "Bartleby, the Scrivener" by Herman Melville, in Herman Melville - Billy Budd, Sailor And Other Stories, ed. Harold Beaver (Penguin Classics 1985; Penguin Books), p.74.
Bartleby- The Scrivener In Herman Melville’s “Bartleby the Scrivener”, the author uses several themes to convey his ideas. The three most important themes are alienation, man’s desire to have a free conscience, and man’s desire to avoid conflict. Melville uses the actions of an eccentric scrivener named Bartleby, and the responses of his cohorts, to show these underlying themes to the reader. The first theme, alienation, is displayed best by Bartleby’s actions. He has a divider put up so that the other scriveners cannot see him, while all of them have desks out in the open so they are full view of each other, as well as the narrator. This caused discourse with all of the others in the office. This is proven when Turkey exclaims, “ I think I’ll just step behind his screen and black his eyes for him.”(p.2411) The other scriveners also felt alienated by the actions of the narrator. His lack of resolve when dealing with Bartleby angered them because they knew that if they would have taken the same actions, they would have been dismissed much more rapidly. The narrator admits to this when he said, “ With any other man I should have flown outright into a dreadful passion, scorned all further words, and thrust him ignominiously from my presence.” (2409) The next theme is man’s desire to avoid conflict. The narrator avoids conflict on several occasions. The first time Bartleby refused to proofread a paper, the narrator simply had someone else do it instead of confronting him and re...
McCall focuses his argument within the way in which Melville has written Bartleby, The Scrivener, he goes into detail about the comical aspects within the story and uses Melville’s description of Bartleby’s saying “I prefer not to,’ he respectfully and slowly said, and mildly disappeared.” (272). McCall suggests that the adverbs Melville uses, “respectfully” , “slowly” and “mildly” , “create[s] a leisurely little excursion into the uncanny” (279). I agree that the lawyer must have had some wit and good intentions in making the claim about Bartleby up to a point, I cannot accept this fully because many people still believe that the lawyer is unreliable. Most critics within the majority, as McCall reinstates, “believe, “the lawyer is “self-satisfied”, “pompous”…”a smug fool” who is ‘terribly unkind to a very sick man’ “(2660. I disagree with the idea that the lawyer was unkind and Bartleby was sick. The lawyer was fascinated by Bartleby’s responses to the job, and Bartleby, I feel knew exactly what he was doing in stating his responses. McCall acknowledges that “these cure two central problems in the story: the nature of Bartleby’s illness and the lawyer’s capacity to understand it,”
Several comparisons and contrasts can be made concerning the two stories, Billy Budd and Bartleby, written by Herman Melville. The setting of the two stories reveals an interesting comparison and contrast between the British Navy on the open sea, and the famous Wall Street of New York. The comparison and contrast of characters, Billy Budd, Captain Vere, and Claggart in Billy Budd, and the `narrator' and Bartleby in Bartleby, at times are very much alike, and also very different. The conflict, climax and resolution of the two Melville stories contain similarities and differences. These two stories, on the exterior, appear to be very different, and on the interior are alike, especially if trying to analyze the stories by interpreting the symbolism that Melville may be trying to reveal in his writing. This essay will analyze the similarities and differences in Billy Budd and Bartleby.
1. “Somebody’d written “F*** you” on the wall” (Salinger, 260) Salinger, J. D. The catcher in the rye. Boston: Little, Brown, 1951.
Reich, Charles A. “The Tragedy of Justice in Billy Budd.” Twentieth Century of Billy Budd. Ed. Howard P. Vincent. 56-66. Englewood Cliffs, N.J.: Prentice Hall Inc. 1971. Print. Martin, Robert. “Is Vere a Hero?” Melville’s short novels
Bartleby demonstrates behaviours indicative of depression, the symptoms he has in accordance with the DSM-IV are a loss of interest in activities accompanied by a change in appetite, sleep, and feelings of guilt (Diagnostic and Statistical Manual of Mental Disorders, 4th edition, 320). Very shortly after Bartleby begins his work as a Scrivener he is described by the narrator as having done “nothing but stand at his window in his dead-wall revery”. (Melville, 126) In contrast, Bartleby had previously been described as a very hard worker and this process of doing increasingly less shows how his a diminishing sense of interest both in his work but also of the perception others have of him. It is also noted that included in this lack of interest is a social withdrawal (DSM—IV, 321) which corresponds well to Bartleby in that his workspace becomes known as his “hermitage”. During small talk which included Bartleby he says that he “would prefer to be left alone”. (Melville, 120) Bartleby only emerges from his hermitage when called upon and quickly returns when faced with confrontation.
In Herman Melville's short story, Bartleby, the Scrivener, the narrator's attitude towards Bartleby is constantly changing, the narrator's attitude is conveyed through the author's use of literary elements such as; diction-descriptive and comical, point of view-first person, and tone-confusion and sadness.
In the short story “Bartleby, the Scrivener,” which was written by Herman Melville, the character named Bartleby is a very odd, yet interesting individual. In the story, Bartleby is introduced when he responds to a job opening at the narrator’s office. Although there is no background information given about him, it becomes very apparent that he will be the antagonist in this story. Unlike the usual image put on the antagonist, Bartleby causes conflict with a very quiet and calm temperament. This character’s attitude, along with the fact that he is a flat and static character, makes him a very unique antagonist, and this fact is shown through the way other characters approach and deal with his conflict.
Laskowski, Gene L. Masculine Sentimentality in the Early Novels of Herman Melville. Diss. University of Michigan, 1993. Ann Arbor: University Microfilms International, 1993. Print.
Melville, Herman. "Bartleby the Scrivener." The Norton Anthology of American Literature. Ed. Nina Baym. New York: Norton & Company, 2003. 2330-2355
Hugo, Victor. “Et nox facta est” The Norton Anthology: Western Literature. 2.8. Ed. Sarah Lawall and
Wendy Galeas Professor Geddes The Study of Literature: Essay 2 April 9, 2015 In Herman Melville’s work “Bartleby, the Scrivener: A Story of Wall-Street”, the idea of a capitalist agenda is intentionally reinforced. This short work tells the story of a lawyer on Wall-Street and those of his employees, but he is particularly fascinated by Bartleby. Bartleby at first a hard worker who divulged tirelessly in his job as a law-copyist begins to “ prefer not” to do what is asked of him.
Melville intends something less black and white with more gray shading. Melville uses dramatic irony and grim humor in “Bartleby, the Scrivener: A Story of Wall Street. This is to show the reader how the Lawyer assumes he is a safe, successful and powerful man with extensive control in his polite society until he hires a man named Bartleby. This relationship is slowly revealed to be quite a conundrum for the Lawyer and the reader. Melville shows how the Lawyer never had any power or control over Bartleby but quite the opposite; Bartleby held all the power and control in this relationship. I will explore the important of the power struggle and the fight to maintain control between the Lawyer and Bartleby.
Throughout Edgar Allan Poe’s life he experienced many things. Those experiences have shaped how he wrote and what he wrote about. Poe’s stories like “The Cask of Amontillado”, “The Black Cat”, “The Masque of the Red Death”, and “The Fall of the House Usher” have been about death. These stories also include symbolism of death, a mood of fear, illness, foreshadowing, and conflict. During Poe’s life people died all around him. The most devastating was his mother, sister, Mrs. Allan, and his wife, Virginia from tuberculosis. Poe wrote about what his life was about, heartbreak and death.
Throughout Edgar Allan Poe’s life, death was a frequent visitor to those he loved around him. When Poe was only 3 years old, his loving mother died of Tuberculosis. Because Poe’s father left when he was an infant, he was now an orphan and went to live with the Allan’s. His stepmother was very affectionate towards Edgar and was a very prominent figure in his life. However, years later she also died from Tuberculosis, leaving Poe lonely and forlorn. Also, later on, when Poe was 26, he married his cousin 13-year-old Virginia, whom he adored. But, his happiness did not last long, and Virginia also died of Tuberculosis, otherwise known as the Red Death, a few years later. After Virginia’s death, Poe turned to alcohol and became isolated and reckless. Due to Edgar Allan Poe’s loss of those he cared for throughout his life, Poe’s obsession with death is evident in his works of “The Tell-Tale Heart”, “The Black Cat”, and “The Fall of the House of Usher”, in which in all three death is used to produce guilt.