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The Odyssey: Notes Towards an Analysis of Homer’s Poem
How is penelope depicted in the odyssey
How is penelope depicted in the odyssey
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Penelope's Enduring Faithfulness in Homer's Odyssey
Penelope, the wife of Odysseus, can be contrasted in various ways to the
other characters in Homer's poem The Odyssey. In many ways, Penelope
embodies the "ideal" woman, in that she conforms to the values and ideals of
her society. These ideals include faithfulness, loyalty, willpower,
long-suffering, pride in one's home and family, and hospitality to strangers.
The majority of the other characters in the poem lack one or more of these
attributes. Although Odysseus proves to be a character of strong will and
determination throughout the Trojan War and the trials he endured at sea, he
demonstrates weakness and wavering resolve when he is faced with sexual
temptation. For example, when enticed by Circe to "mingle and make love,"
Odysseus submits to her appeals and enters her "flawless bed of love," thus
committing adultery against his wife Penelope (Book X). When Circe tells
Odysseus to remain with her, he "could not help consenting." Odysseus
remains with Circe and continues to be unfaithful to Penelope for the duration
of a year. It is only after hearing the appeals of his men that Odysseus
decides to head back out to sea. Later, Odysseus has another adulterous
relationship with the nymph Kalypso. This relationship endures for seven
years. Throughout his stay on Kalypso's island, Odysseus weeps for
Penelope, yet he continues to lie with Kalypso every night (Book V). In
contrast, Penelope exemplifies tremendous will power and resourcefulness in
that she remains faithful to Odysseus throughout his exile. While awaiting her
husband's return, Penelope endures perpetual insolence and sexual
advances from the suitors who invade her household. Penelope rebuffs the
advances of the suitors and remains a devoted and faithful wife. Deferring the
suitors is no easy task; therefore Penelope is very resourceful and goes to
great lengths to postpone marriage to one of them. She puts the men off for
three years by promising to marry one of them upon her completion of a burial
shroud for her father-in-law, Laertes. In order to delay the completion of the
shroud, she unravels her work every night (Book II, p. 223). Penelope also
privately sends promises to each of the suitors in order to divide them so that
they will not unanimously demand a decision from her as to which one she
You are permitted on settle on your choices yet you need support not permitted to lift those results" that quote recognizes for a few pieces in the odyssey. The subject "Through Also through flexibility is An all the all the more persuading move over destiny" may be for a few encounters in the odyssey: those secured proprietor, eating up Hyperions dairy creatures, Moreover The minute that odysseus returns home.
Shakespeare constructs King Richard III to perform his contextual agenda, or to perpetrate political propaganda in the light of a historical power struggle, mirroring the political concerns of his era through his adaptation and selection of source material. Shakespeare’s influences include Thomas More’s The History of King Richard the Third, both constructing a certain historical perspective of the play. The negative perspective of Richard III’s character is a perpetuation of established Tudor history, where Vergil constructed a history intermixed with Tudor history, and More’s connection to John Morton affected the villainous image of the tyrannous king. This negative image is accentuated through the antithesis of Richards treachery in juxtaposition of Richmond’s devotion, exemplified in the parallelism of ‘God and Saint George! Richmond and victory.’ The need to legitimize Elizabeth’s reign influenced Shakespeare’s portra...
The undeniable pursuit for power is Richard’s flaw as a Vice character. This aspect is demonstrated in Shakespeare’s play King Richard III through the actions Richard portrays in an attempt to take the throne, allowing the audience to perceive this as an abhorrent transgression against the divine order. The deformity of Richards arm and back also symbolically imply a sense of villainy through Shakespeare’s context. In one of Richard’s soliloquies, he states how ‘thus like the formal Vice Iniquity/ I moralize two meanings in one word’. Through the use of immoral jargons, Shakespeare emphasises Richard’s tenacity to attain a sense of power. However, Richard’s personal struggle with power causes him to become paranoid and demanding, as demonstrated through the use of modality ‘I wish’ in ‘I wish the bastards dead’. This act thus becomes heavily discordant to the accepted great chain of being and conveys Richard’s consumption by power.
know that she has a lot of suitors staying at her house and they all want to
this, for once the suitors are gone Odysseus is free to reclaim is post in
The Odyssey - Scylla and Charybdis & nbsp; One of the most difficult tasks as a parent is to teach your child life lessons. Many have tried, and many have failed. But over the ages, the most successful ideas have come in the form of a story or tale. Aesops Fables, nursery rhymes, and other tales of caution are used even today to teach this common knowledge one must have. In the Greek civilization, thousands of years ago, many children were taught through these fun and interesting stories.
To start, within the course of The Odyssey, Odysseus displays hubris through many of his actions. The most prominent instance in which Odysseus shows hubris is while he and his men are trying to escape from the Cyclops Polyphemus. They drug the monster until it passes out, and then stab him with a timber in his single eye. Polyphemus, now blinded, removes the gigantic boulder blocking Odysseus’ escape, and waits for the men to move, so he can kill them. The men escape from the cave to their boat by tying themselves under flocks of rams, so they can easily slip by. Odysseus, now proud after beating the giant, starts to yell at Polyphemus, instead of making a silent escape. Odysseus’ men ask him to stop before Polyphemus would “get the range and lob a boulder” (436). But Odysseus shows hubris by saying that if they were to meet again, Odysseus would “take your life” and “hurl you down to hell!” (462; 463). Polyphemus, now extremely angry with Odysseus, prays to his father, Poseidon, to make Odysseus “never see his home” again, and after which, throws a mountain towards the sound of Odysseus’ voice. (470). Because of Odysseus’ hubris after blinding Polyphemus, Poseidon grants the prayer, and it takes Odysseus 20 years to return home, at the cost of the lives of all his men.
In the novel The Once and Future King, by T.H. White, the character, Queen Guenever, is depicted as a confused and lost woman in an arranged marriage. She had an internal struggle with a shameful secret, an affair with the ugly knight, Lancelot. In the time of King Arthur, women were limited to what they could do, and what decisions they were able to make. She ultimately made some wrong choices in her life, which led to the disapproval from those around her. She was in her marriage by force and had no malicious intensions, but did what she felt she needed.
When all the courtly love elements that flow through The Knight of the Cart are composed, in addition to a tale of love affair between Queen Guinevere and Lancelot of the Lake, a document revealing the enchanting history of the Twelfth Century Renaissance is created. Troyes, our powerful storyteller, was able to do this by taking us on a journey with Lancelot, not only though his exciting battles to Guinevere but, through his passionate and enamored thoughts and behaviors that yearns for his beloved.
In the ending chapters of The Odyssey Homer bring about many interesting points in which would bring us to believe that in fact Penelope had helped to slay the suitors. Penelope did not physically help to slay the suitors when Odysseus had been in the room killing them. It was Penelope’s actions leading up to this scene that may have helped Odysseus in his successful killing spree of the suitors. For the case of the argument we will discuss points in which it is believed that she had recognized him disguised as the old man, which gave her the ability to help Odysseus. On the other hand, the argument that she may have not recognized Odysseus would contribute us into believing that she did not help Odysseus to slay the suitors but that things
Most women in Greek culture are expected to marry a man and remain loyal while their husbands could have several concubines. The women were not allowed to sleep with other people because the father needs to pass on his heritage to his true son, not a son who belongs to another man. One model woman and wife was Penelope, loyal to king Odysseus. While Odysseus was gone for twenty years and assumed dead, Penelope had remained loyal to him all throughout those years. Even when the suitors had attempted to court her hand in marriage, Penelope would always found many new ways to avoid marriage. Penelope’s traits make her one of the most wanted women in Greek culture. In Queen Penelope, Homer illustrates the qualities of loyalty, cleverness, and endurance
The character of Penelope in Homer's Odyssey reflects the faithful wife who waits twenty years for the arrival of her husband. Only a strong woman could sustain the stress, anxiety and confusion resulting from the chaos of a palace with a missing king whose fate is unknown. Her responsibilities and commitments toward the man she loves are particularly difficult to keep, under the strain of the situation. Although she does not actively pursue an effort to find him, her participation in the success of Odysseus' homecoming can be seen in her efforts to defend and protect the heritage, reputation and the House of Odysseus in his absence. As Odysseus withstands his trial, Penelope withstands her trials against temptations to give in to the many anxious suitors, to give up on her faith and respect for her religion, her husband and even her self. Penelope's strength in keeping the highest standards in her function as a wife, woman and mother contributes to the success of Odysseus' homecoming by keeping the home and family for him to come back to.
Camelot, the musical adaptation of The Once and Future King, allows for an interesting twist on the portrayal of Guinevere’s personality, mindset, and desires. The use of song and excellent acting allows for a unique display of the different aspects that make Guinevere a complex and strong character. Analyzing “The Lusty Month of May” shows Guinevere as a woman driven by her desires for the fantastical aspects of romance. However, contrasting “The Lusty Month of May” with other songs paints her as a more dynamic character and explains her relationship dynamic with Arthur, Lancelot, and other men in the court. This verse by verse analysis characterizes Guinevere as a woman driven by feelings of dissatisfaction and destiny.
Gifted with the darkest attributes intertwined in his imperfect characteristics, Shakespeare’s Richard III displays his anti-hero traits afflicted with thorns of villains: “Plots have I laid, inductions dangerous / By drunken prophecies, libels, and dreams” (I.i.32-33). Richard possesses the idealism and ambition of a heroic figure that is destined to great achievements and power; however, as one who believes that “the end justifies the means”, Richard rejects moral value and tradition as he is willing to do anything to accomplish his goal to the crown. The society, even his family and closest friends, repudiate him as a deformed outcast. Nevertheless, he cheers for himself as the champion and irredeemable villain by turning entirely to revenge of taking self-served power. By distinguishing virtue ethics to take revenge on the human society that alienates him and centering his life on self-advancement towards kingship, Richard is the literary archetype of an anti-hero.
Richard’s political ambition is revealed through his strategic calculations based on the order of birth in his York family which puts him third away from the throne. Ahead of him is his elder brother, George Clarence, a barrier which will have to eradicate. His brother, King Edward, is another political barrier, by simply being alive, in power and equally by being the father of the two young princes . Richard’s creates a political mistrust between his two brothers without directly implicating himself to clear his way to power.