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Goodman Brown by Nathaniel Hawthorne analysis
Reflection about young goodman brown
Goodman Brown by Nathaniel Hawthorne analysis
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Psychological Analysis of Young Goodman Brown Most of the works can be analyzed by one of the three critical approaches: traditional, formalistic or psychological approach. When it comes to Young Goodman Brown (by Nathaniel Hawthorne), I think that psychological approach is the best one to use. The story is all about the three components of our unconscious (id, ego and superego) and the constant battle among them. It is true that psychological approach has its flaws. It was criticized unjustly for those flaws. The greatest limitation lies in its "aesthetic inadequacy." It also suffered because many critics of this approach tend to push their thesis overboard. However, the other two approaches have inadequacies of their own. The formalistic disregards the sociological and historical aspects of the related work. The traditional neglects the structure of the work itself. We could easily use the historical and the moral approaches, but we cannot get inside of the story and analyze it. Young Goodman Brown is a perfect character for the psychological approach. One can examine his mind and the three components of the unconscious. All three of those are represented in the story. Id is the one that stands out. In the beginning, Brown's id wins a battle over ego and superego when Young Goodman Brown decides to leave his wife Faith in order to meet the Devil. Even though he fears his actions, Goodman Brown goes along with his plan. He wants to fulfill his inner desires (or as Freud calls it: the pleasure principle) no matter what. It is interesting that Freud identifies the id with the Devil himself. Hawthorne uses Young Goodman Brown who is driven by his id to get to the Devil. Once Brown encounters the Devil in the forest, he starts to get to his senses. The psychological approach analyzes this occurrence as the emergence of the latent unconscious (Freud calls is the preconscious). I was shocked when I read that Goodman Brown resembles the Devil. "In truth, all through the haunted forest there could be nothing more frightful than the figure of Goodman Brown. On he flew among the black pines, brandishing his staff with frenzied gestures, now giving vent to an inspiration of horrid blasphemy, and now shouting forth such laughter as set all the echoes of the forest laughing like demons around him. The fiend in his own shape is less hideous than when he rages in the breast of man" (383). Young Goodman Brown was surprised to hear that his moral tutors and his family worship the Devil. His id, through the wish fulfillment of his dream, is driving him to satisfy his earthly pleasures. He wants to see what drives them all to turn against the Church, but he also wants to stay away from the Devil (this scene represents another conflict between the ego and the id). This picture very much resembles the Bible where Adam and Eve decide to disregard the order and eat the fruit. Finally, his ego prevails and he decides not to go any further. He says: "Friend, my mind is made up. Not another step will I budge on this errand. What if a wretched old woman do choose to go to the Devil when I thought she was going to heaven. Is that any reason why I should quit my dear Faith and go after her" (380). But once he finds out that Faith is going to join the Devil's worshippers, Brown decides to get her back. He goes and reveals himself by screaming: "Faith! Look up to the heaven and resist the wicked one" (386). The next thing Young Goodman Brown remembers is the deserted forest. Hawthorne knew enough about human psychology and presented Goodman's encounter with the Devil as a wish fulfillment through a dream. It turned out that our "hero" did not know whether it was a dream or not. It changed him drastically. He could not live the rest of his poor life in peace. He could not sing the holy psalms without hearing the songs of the Devil worshippers. Many years after Hawthorne wrote this story, Siegmund Freud was able to propose and prove his theory of wish fulfillment through the dreams. Even though Young Goodman Brown is a holy man, there was a repressed wish inside of him (id) that wanted to "eat the forbidden fruit" (in other words to explore the unknown). This wish came to him through a dream and changed the rest of his life dramatically. The story shows us one of the possible outcomes after the id and the superego get on the battlefield. It is a sad story about a man whose id prevailed and destroyed him from the inside.
The use of symbolism in "young Goodman Brown" shows that evil is everywhere, which becomes evident in the conclusion of this short story. Hawthorne's works are filled with symbolic elements and allegorical elements. "Young Goodman Brown" deals mostly with conventional allegorical elements, such as Young Goodman Brown and Faith. In writing his short stories or novels he based their depiction of sin on the fact that he feels like his father and grandfather committed great sins. There are two main characters in this short story, Faith and Young Goodman Brown. "Young Goodman Brown is everyman seventeenth-century New England the title as usual giving the clue. He is the son of the Old Adam, and recently wedded to Faith. We must note that every word is significant in the opening sentence: "Young Goodman Brown came forth at sunset into the street of Sale, Village; but put his head back, after crossing the threshold, to exchange a parting kiss with his young w2ife.
...ther serves to excite and stimulate our senses as we travel into the deranged mind of a killer ? offering us a unique perspective through the first person point of view. Similarly, the ending of ?Young Goodman Brown? offers a moral, but leaves the main character in a state of discord and callousness towards his wife, and his religion. The story is didactic, because the main character is punished for his transgressions. Symbolism, evident especially in Hawthorne?s allegory, and the repetition of Poe?s suspenseful tale serve to further the goals of each writer. Ultimately, Hawthorne?s Goodman Brown becomes isolated from humanity, an issue of the head and the heart, and Poe?s narrator withdraws inside himself, an issue purely of the mind. Recognizing this discord from the self and humanity is essential to understanding the behavior of these troublesome characters.
In "Young Goodman Brown," Nathaniel Hawthorne, through the use of deceptive imagery, creates a sense of uncertainty that illuminates the theme of man's inability to operate within a framework of moral absolutism. Within every man there is an innate difference between good and evil and Hawthorne's deliberate use of ambiguity mirrors this complexity of human nature. Hawthorne's Young Goodman Brown, is misled by believing in the perfectibility of humanity and in the existence of moral absolutes. According to Nancy Bunge, Hawthorne naturally centers his story upon a Puritan protagonist to convey the "self-righteous" that he regards as the "antithesis of wisdom"(4). Consequently, Young Goodman Brown is unable to accept the indefinable vision of betrayal and evil that he encounters in the forest. The uncertainty of this vision, enhanced by Hawthorne's deliberate, yet effective, use of ambiguity, is also seen in the character of Faith, the shadows and darkness of the forest, and the undetectable boundaries that separate nightmarish dreams from reality.
In Young Goodman Brown, Nathaniel Hawthorne tells the tale of a man and his discovery of evil. Hawthorne’s primary concern is with evil and how it affects Young Goodman Brown. Through the use of tone and setting, Hawthorne portrays the nature of evil and the psychological effects it can have on man. He shows how discovering the existence of evil brings Brown to view the world in a cynical way. Brown learns the nature of evil and, therefore, feels surrounded by its presence constantly.
In the story "Young Goodman Brown", Nathaniel Hawthorne uses a dream to illustrate a young man’s loss of innocence, understanding of religion and his community. Through this dream, the main character Young Goodman realizes that the people that he surrounds himself with are not who he believes them to be. The story of “Young Goodman Brown” focuses on the unconscious mind. The characters in this short-story are able to represent the struggle of Young Goodman’s superego, ego, and id.
In Nathaniel Hawthorne’s “Young Goodman Brown”, Goodman Brown struggles with staying pure and not giving in to the devil. Hawthorne utilizes allegory and ambiguity to leave unanswered questions for the reader.
...Brown, like all humans, sees that everyone can be corrupt and immoral, that it is possible for people to make mistakes. This is extremely disappointing to brown and ruins him. Brown felt that he made the right decision and did not follow the devil, but everyone else around him did. Even his own wife follows the devil. She is supposed to represent holiness and faith, and she is just as corrupt as everyone else. This portrays how even the church, which is supposed to be holy, can be corrupt. The story symbolizes that everyone in society is flawed and no one is perfect. However this idea drives Goodman brown to become insane. He dwells on this fact and loses his ability to see the good in people as well as the bad. Brown couldn't realize that even if people are evil at times, they can still be good people. This is what caused brown to change so drastically.
At the beginning of his journey, Goodman Brown’s will and pride were both embedded in the belief that he was a pious man. Goodman’s pride in piety evidently fails him, as he discovers that his faith was based on the principles of individuals who had sworn allegiance to the devil. This deplorable truth destroyed his conviction, and in this sense the devil prevailed against Goodman Brown.
Elizabethan times in the 1600s was a progression for the world of the theater. A period named after Queen Elizabeth I of England, it is from this period that modern day society has its foundation for the entertainment industry. From the violence that was prevalent because of the Black Death, people turned to the theater for its poetry and romance. During this time period, there were two types of theatrical performances that were available for the people’s viewing, comedies or tragedies. These two genres were never really intertwined until the time of William Shakespeare. His play, Romeo and Juliet, is an example of both a comedy and a tragedy. It starts off as a comedy with Romeo weeping like a baby because of his love Rosaline, who did not love him back and ends as a tragedy when Romeo and Juliet, a pair of star crossed lovers, commit suicide because the lost of each other. It was also during Shakespeare’s time that writer were finally acknowledged by the people. Before this time, writers were not considered upper classman. Another group of people that began to rise into a higher social class were the actors. Actresses were not present back then because women were not allowed on stage. It was considered unladylike to have a female actor. Men played all the parts. Theater owners were dependent on actors to make them a profit. Rehearsals for the plays were fairly short, only lasting for about a week. The performances themselves would only show for three to four days.
It is true that psychological approach has its flaws. It was criticized unjustly for those flaws. The greatest limitation lies in its "aesthetic inadequacy." It also suffered because many critics of this approach tend to push their thesis overboard. However, the other two approaches have inadequacies of their own. The formalistic disregards the sociological and historical aspects of the related work. The traditional neglects the structure of the work itself. We could easily use the historical and the moral approaches, but we cannot get inside of the story and analyze it.
The story about Young Goodman Brown centers around the allegory of a man pitted against his past and his desires to reach beyond that which his benighted heaven would put before him. The allegory is Christian due to the references in Young Goodman Brown to the devil and Satan; it only seems logical that the crux of the story is based upon the religious imagery of Hawthorne's New England in the times of Salem and active religious strife. The beginning of the story mentions the goodman's wife, Faith. The names of the characters alone serve as an indication of what Hawthorne puts as an obvious religious allegory with the goodman and faith soon to be pitted against an unspeakable evil. The goodman even swears that after this night he will "cling to her skirts and follow her to heaven." The devil awaits Young Goodman Brown as he states that the clock of the old south was striking but a few minutes past (Hawthorne is stating how quickly the devil can move--intensifying the airs of the preternatural). Young Goodman Brown replies to the devil that faith was keeping him away--Hawthorne's play on words should not be overlooked as this also leads to the realization that a man (a good one) can deal with the devil and possibly win.
The Globe Theatre was where Shakespeare had most of his plays performed. It had many decorations to make it look appealing and to try and to make it seem expensive and luxurious. The Globe Theatre was built in just 6 months between 1597 and 1598 just outside central London. The Thames River separated it from St Paul’s cathedral. The Globe was made in a round circular shape. This meant that at least one actor would have their back to the audience, however, this would not have mattered because the audience came mainly to hear the play – not to see it. When you were buying a seat for the theatre, the most expensive seats would not be the ones with the best view, they would be the closest ones in order to hear better. Also, these seats would be facing towards the audience, which means that everyone would see them, meaning fame. The Globe would usually be packed with decorations and ornaments. These would have nothing to do with the play, it was used to make the theatre look more attractive/expensive. Lots of people would come to see the plays. They would do this because Shakespeare’s plays were not published at that time so the public would want to see it...
Greek theater buildings, which is also referred to as a theatron, were large and were built on the slopes of hill tops. The theatron was a an open-air structure and could hold 20,000. The theatron was also the main
Late one night he finds himself in the middle of the woods with the Devil, on his way to a meeting of the Devil's followers. After seeing respected townsfolk at the Devil's meeting, including his minister and his wife, Faith, he loses hope in humanity and all that he had known to be true or real. Goodman Brown wakes up in his bed immediately following the Devil's meeting and wonders if what had happened was reality or simply just a dream. Despite his confusion about the events that took place, he was unable to forget what had happened and lost faith in religion and his com... ...
‘Wuthering Heights’, although having survived the test of time as a work that is poignant and passionate, and eminently capable of holding the reader’s attention, received mixed criticism upon publication in 1847 under the pseudonym Ellis Bell. Apparently, the vivid description of mental and physical violence and agony was hard to stomach, and the atmosphere was too oppressive to merit popular liking. But many later readers and critics have given ‘Wuthering Heights’ the mantle of being the best of the works of the Bronte sisters, displacing Charlotte’s ‘Jane Eyre’. One of its prime merits, at least to my eyes, lies in Emily’s ability to make Nature an eloquent party to the story-corresponding closely with a character’s emotions, with the incidents, with the movement of the plot, and thus adding to the quality of the story. Emily was born in Thornton, Yorkshire, and her love for the landscape that she grew up with is reflected in the novel in the moors and the crags, the storms and the spring. One can see an extension of this one-ness with nature, this unity, in her choice of Wuthering Hei...