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Literary interpretation of paradise lost by john milton
Analysis of Paradise lost by milton
Literary interpretation of paradise lost by john milton
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Paradise Lost as an Epic
The Oxford English Dictionary defines "cosmos" as "the world or universe as an ordered and harmonious system," from the Greek, "kosmos," referring to an ordered and/or ornamental thing. Though Pythagoras is credited with first using this term to describe the Universe, probably since he is also the one most commonly cited for ideas of harmony and the Musica Mundana, cosmos is generally a contrast to "chaos"-"the first state of the universe." In explaining the theology and cosmology of Paradise Lost, Milton writes, "the heavens and earth/ Rose out of Chaos," describing the move from the formless mass to the ordered whole. (I:9-10) As much as this delineates the structure of the world, however, its culmination seems to appear in the Spirit, as Milton has conceived it-the free, reasoning, integrated Consciousness. Though many have found a hero in the English epic from its dramatis personae-from Adam to Satan to God/Son himself-the most encompassing heroism seems that of Milton himself, as a manifestation of this most supreme of creations: the wholesome mind.
An instance in which Milton's views on the sovereignty of the Spirit appear in some of the conversations of the Arch Fiend himself with his fellows-which is quite ironic, considering that the story is an extrapolation upon Christian Scripture. One of Satan's "compeers" says, during a discussion after their exile from Heaven:
Too well I see and rue the dire event
That, with sad overthrow and foul defeat,
Hath lost us Heaven, and all this mighty host
In horrible destruction laid thus low,
As far as Gods and heavenly Essences
Can perish: for the mind and spirit remains
Invincible, and vigour soon returns,
Though all our glory extinct, and happy state
Here swallowed up in endless misery (I:135-140).
The invincibility of "the mind and spirit" is something which even the foes of God understand. Though the fallen angels corrupt their "heavenly Essences" with disobedience and revolt, they still have a keen understanding of the powers of perception, of personal reaction to one's environment-"for neither do the Spirits damned/ Lose all their virtue" (2:482-483). Satan boldly speaks to his fellows, asking
What though the field be lost?
All is not lost-the unconquerable will . . .
And courage never to submit or yield (I:105-108).
Like a true hero, Satan refers to conquest and courage, a response to the tyranny he and his cohorts have received from the hand of God.
One vital reason is that Lizzie Borden is guilty is because she knew that there was a axe in
Milton establishes himself as the legitimate teller of the tale – and this tale will take us beyond the mythology of the Greeks’Aonian Mount and inoculate us against Hell’s prodigiousness. He is taking us beyond mythological or explanatory pictures of ourselves, to an area where we may bask in a greater comfort:
The Matrix is considered by many people to be a cyberpunk triumph. Declan McCullagh from wired.com writes: "When Neo/Reeves wakes up from his VR slumber and unplugs from The Matrix, he joins a ragtag band of rebels led by the charismatic Morpheus (Lawrence Fishburne). Their plan: To overthrow the artificial intelligences that have robbed humanity of reality" (McCullagh). Entertainment weekly also sees The Matrix as a movie about rebellion against oppression: "Neo is, of course, The One, the prophesied leader of the oppressed who will lead the people of Zion (an underground city populated by the last free humans) from bondage--but only if he can believe in himself and trust in the power of love" (Bernadin).
The contrast between good and evil is evident in Beowulf and effectively characterizes the many diverse people and creatures featured in the poem. From the highest hero in Beowulf to the most vile villain in Grendel, the tendencies of the characters, as well as their environments and the motives behind their actions, illustrate the deep differences that run between the virtuous and the wicked in the epic poem
The Matrix is a 1999 action film, noted for its science fiction and special effects, about the life of an individual who has been chosen to discover the truth of the world he lived in and eventually save all humanity from the enslavement of their minds in the Matrix. The story begins with an average computer programmer, named Thomas Anderson, who begins to notice strange occurrences as he dabbles in deeper into the secretive life of computer hacking and illegal software encryption through the nickname ‘Neo’. He is tracked down by another hacker, Trinity, and warns him of the dangers that would occur if he chose to remain in his current life. After Thomas realizes that he was being hunted down by sinister agents, he agrees to follow the path
The seat of faith resides in the will of the individual and not in the leaning to our own reasoning, for reasoning is the freedom of choosing what one accepts as one’s will. In considering the will was created and one cannot accuse the potter or the clay, Milton writes to this reasoning, as “thir own revolt,” whereas the clay of humankind is sufficient and justly pliable for use as a vessel of obedience or disobedience (3.117). The difficulty of this acceptance of obedience or disobedience is inherent in the natural unwillingness in acknowledging that we are at the disposal of another being, even God. One theme of Paradise Lost is humankind’s disobedience to a Creator, a Creator that claims control over its creation. When a single living thing which God has made escapes beyond the Creator’s control this is in essence an eradicating of the Creator God. A Creator who would create a creature who the Creator would or could not control its creation is not a sovereign God. For who would not hold someone responsible for manufacturing something that could not be controlled and consider it immoral to do so? To think that God created a universe that he has somehow abdicated to its own devices is to accredit immorality to the Creator. Since the nucleus of Milton’s epic poem is to “justifie the wayes of God” to his creation, these ‘arguments’ are set in theological Miltonesque terms in his words (1. 26). Milton’s terms and words in Paradise Lost relate the view of God to man and Milton’s view to the reader. Views viewed in theological terms that have blazed many wandering paths through the centuries to knot up imperfect men to explain perfect God.
Paradise Lost is an epic poem portraying John Milton’s theological standpoints. The theme is knowledge and the fall of man. Milton uses his poem to state some of his theological beliefs and his personal reflections. Milton wrote Paradise Lost in the 17th century but uses influence from classic poets. Milton’s epic is an extremely important piece of literature. The excerpt used in this commentary takes on the subjects of sin and the punishment with regards to the atonement from God’s point of view. Milton’s states many of his own theological opinions but wants the reader to know that God is justified in everything that he does, and also wants them to know that man has free will.
Members of a group not voicing their opinions and use self-censorship when they believe that their ideas do not hold enough merit when the majority of the group believe in going in another direction.
Kant prescribes the Categorical Imperative, which has three maxims: in essence, (1) act so the maxim you are acting off of could be a universal law, (2) do not treat people as a means to an ends, and (3) act in harmony with nature’s laws and act as though you are the universal legislator. Aristotle simply states virtue resides in the mean. However, in practice, ethical actions would be similar regardless of if one follows virtue ethics or the Categorical Imperative. Take Aristotle’s example about temperance (13-14; bk. 3 ch. 10). Acting self-indulgently uses a person, namely the rational agent acting in this scenario, as a means to the ends of pleasure, which violates the second maxim of the Categorical Imperative and is thus immoral under Kant’s ethical framework. On the other hand, excessive deprivation contradicts with the natural will which desires to live healthily and with nature, rather than to deprive oneself of food and/or pleasure. Aristotle’s other example of bravery also holds true using Kantian ethics. Acting too confidently treats the lives of people (rational agents) flippantly, as a means to the ends of appearing brave. But acting cowardly in the face of danger is a direct contradiction if it were to be universalized. If the maxim is, “If I am afraid I will avoid the conflict,” everyone would avoid conflicts that cause fear. If everyone avoided the conflicts they would not exist,
In considering Aristotle’s idea of hamartia, someone who is a good person, but fell from grace, and apply it to Satan then it seems reasonable to interpret Satan as having hero like characteristics. Aristotle would say that a courageous person is inspired by confidence, faces dangerous, and acts appropriately to this courage (Nicomachean Ethics). Not only is Satan a courageous figure, but starts off as a good character even though he makes mistakes along the way. In the first two Books Milton does this very thing of portraying Satan as a hero to appeal to the readers so that they are able to identify with his charact...
The Matrix is a sci-fi action film about a computer hacker named Neo that has been brought into another world deemed “the matrix.” The Matrix is a prime example of cinematography. The film uses many different types of cinematography such as mise-en-scene, special effects, and camera shots to make it interesting and entertaining to the audience guiding their attention to the important aspects of the film.
The Epic of Gilgamesh, the Iliad, and Oedipus Rex all center on morality in terms of each character’s social behavior from the beginning to the end of the story. Gilgamesh, Achilles, and Oedipus are three central characters that embody strong qualities of strength, however carry different experiences of morality. Furthermore, all three characters hold different moral codes that are dependent on their ability to resolve the unique situations that they are in. Nevertheless, morality has ultimately impacted the character’s perception of their role in society in terms of whether or not their actions benefit someone or something. This paper will be examining the morality of the three main characters as they undergo major character transformations
In Paradise Lost, Milton uses many conventions of the classic epic, including an invocation of the Muse, love, wa, a solitary voyage, heroism, the supernatural and mythical allusion. Milton writes, "Sing, Heavenly Muse, that on the secret top of Oreb, or of Sinai, didst inspire that shepard who first taught the chosen seed in the beginning how the heavens and earth rose out of Chaos." Here he invokes the traditional muse of the epic, yet in the same sentence he identifies the muse as a Christian being and asks him to sing of Christian tales.
Although the epic poem centers around the story of the fall of man, it is interesting that Milton intertwines in this story the fall of Satan from heaven and the consequences it has not only for Satan himself, but for Adam, Eve, and the world as a whole. Milton allows the reader to see the fall from the point of view of Satan, God, as well as Adam and Eve. Because Milton gives insight into these characters feelings regarding the fall, it is no surprise that he uses “eternal providence” in conjunction with the stories of Satan, Adam, and Eve. The providence being described here is the knowledge of good and evil. However, ev...
First off, sexual assault can affect people physically. Common physical effects of sexual assault include bruising, bleeding, broken or dislocated bones, sexually transmitted