Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Themes in the epic of gilgamesh
Thematic statements in the epic of gilgamesh
Gilgamesh journey of immortality
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Themes in the epic of gilgamesh
The Epic of Gilgamesh: Underlying Meaning
Last time, we introduced the ancient mythical tale, The Epic of Gilgamesh. You read a brief account of the tale and learned a little of its origins and discovery. Now we are going to get into the tale itself and have a deeper look in an effort to decode some of its hidden or underlying meaning. We will explore the notion of "The Double" and the quest for immortality in our search for the meaning of life.
We remember from the epic tale that Enkidu, the wildman, was Gilgamesh's beloved friend. So what can Enkidu's injection into the story reveal to us then? Let's look more closely at this figure.
Enkidu is an innocent savage, a wildman, content to live among the beasts. After an encounter with a trapper he undergoes a kind of culture shock and is tamed by a harlot or sacred prostitute. Here, sex is sacred; it is a civilizing force that separates humans from Nature for the animals now reject Enkidu.
Paired with Gilgamesh, the two figures represent the Double. Enkidu embodies the instincts while Gilgamesh represents the intellect. Both of these aspects make up humankind. Through his friendship with Enkidu, Gilgamesh learns much about what it is to be human. He learns love and compassion, as well as death and loss as Enkidu dies. But Enkidu rages against his death! It is human instinct to fight death, to fight to live! Enkidu is soon appeased though by the sun god Shamash who gives death meaning in remembrance of those who have passed on, of Enkidu who will pass on. So we find in this story a meaning for death - meaning in being remembered.
Gilgamesh, however, is not so easily appeased in Enkidu's death. He grieves heavily over the loss of his dear friend and vows to find the key to everlasting life. So he sets out on his journey, his journey through the underworld, through the otherworld. Is Gilgamesh now just intellectual man without instinct, without Enkidu?
Death, loss, mortality are too much for Gilgamesh to bear. Why toil on earth to end up in a terrible afterlife? Gilgamesh will have none of it. He seeks to become immortal like the gods, after all, he himself is 2/3 god.
He does find answers to the questions of life and death on his journey.
Gilgamesh is restless, becomes fearsome of death, and stops having basic hygiene all because of Enkidu’s death . Without Enkidu Gilgamesh is nothing. When Gilgamesh and Jesus lose their followers/friend their life spirals out of control and they become more unstable than ever before.
The Epic of Gilgamesh is an epic poem dating from the Third Dynasty of Ur. From the ancient Mesopotamia, the poem is set where modern day Iraq is today. Composed of five Sumerian poems about Bilgamesh, which is Sumerian for Gilgamesh, Gilgamesh is two parts God and one part Man who is a hero. Gilgamesh encounters many challenges and situations during The Epic of Gilgamesh that cause him to evolve into a better king. Consequential, Gilgamesh recommences his position in Urk and evolves as an improved king.
True love and immortality in life would be a dream come true to many people. To spend time with a special someone; the person one feels closest to; the so-called soul mate and to never have that high feeling of emotion end mentally and physically would greatly appeal to most people. But when death steps into the picture, even with all the pain and devastation, one starts to re-evaluate themselves and realizes the important things in life and puts it all into perspective. In The Epic of Gilgamesh, the main character, Gilgamesh, is a powerful, arrogant king and part god. Enkidu, Gilgamesh’s partner, is animal-like but later takes on more humanistic traits such as his contemplation’s of death. The friendship between Gilgamesh and Enkidu is a very powerful, loving friendship. Enkidu is Gilgamesh’s soul mate, not only acting as his friend but as a lover too. Enkidu’s presence in Gilgamesh’s life allows Gilgamesh to see what is truly good in life and to accept his mortality much easier.
Before the coming of Enkidu, Gilgamesh was a man of great power. A being for which there was no equal match, Gilgamesh boasted about his overwhelming glory and power. However, his arrogance was accompanied with an extensive abuse of power, which pushed the city of Uruk into a state of rage. Still Gilgamesh felt no despair; he lived to display to others his majestic power. The first sign of a sincere change in Gilgamesh arises as a result of the birth of Enkidu. From the beginning, a powerful link developed between man and woman. The wise Ninsun said to Gilgamesh,"You will love him as a woman and he will never forsake you". Gilgamesh had finally met his match, a friend that would serve as his life-long companion. Upon the seal of this great friendship, Gilgamesh began to change his selfish ways. Nevertheless, he shared with Enkidu the luxuries of kindness. Setting aside his great pride and power, Gilgamesh had opened a place in his heart, and in his sumptuous life, for his beloved brother.
As Stephen Mitchell stated, “(Gilgamesh is) the oldest story in the world, a thousand years older than the Iliad or the Bible” (Mitchell, 1). Gilgamesh is the oldest text we have from the B.C./B.C.E times. Majority of scholars believe that the main theme of the book is Immortality. Therefore, it is arguable that other themes are much more important. Gilgamesh is by far the oldest known text in today’s age. Through analyzation, we know one of the main themes of the story is immortality; however, that is not the only theme nor is it the most important.The book stands the test of time because of a topical and relatable theme to today’s society. Numerous characters display that human growth is achieved through loss and journeys.
Gilgamesh is a man with no equal, so he feels superior. Although Gilgamesh starts out cruel, he develops into a very kindhearted man. He is extremely supportive of Enkidu and encourages him in various situations. When the men are fighting, Humbaba Gilgamesh says, [you] will surpass all of them. a friend who knows battle understands fighting.
Death and Immortality in The Epic of Gilgamesh The search for immortality has been a major concern for many men and women all throughout history. True love and immortality in life would be a dream come true to many. To spend time with a special someone, the person one feels closest to, and never have to say good-bye would greatly appeal to most people. But when death steps into the picture, even with all the pain and devastation, one starts to re-evaluate themselves. In The Epic of Gilgamesh, Gilgamesh explores the possibility of immortality following the saddening death of his friend and brother, Enkidu.
The stories of the hunt for immortality gathered in the Epic of Gilgamesh depict the conflict felt in ancient Sumer. As urbanization swept Mesopotamia, the social status shifted from a nomadic hunting society to that of a static agricultural gathering society. In the midst of this ancient "renaissance", man found his relationship with the sacred uncertain and precarious. The Epic portrays the strife created between ontological nostalgia for a simpler time and the dawn of civilization breaking in the Near East. In this Epic, Gilgamesh is seen trying to achieve immortality through the methods of both the old and the new. His journeys through the sacred and the profane in many ways characterize the confusion arising from the unstable social climate. Therefore, the society, by writing the story of Gilgamesh, guarantees not only his immortality, but the immortality of the new order being established.
The “Epic of Gilgamesh” is a historic story of the king of Uruk, Gilgamesh. The story portrays the short lived friendship of Gilgamesh and Enkidu. The story begins as Shamat the prostitute seduces Enkidu and convinces him to go to the city of Uruk and meet Gilgamesh. From that moment on, the two were very close. They planned a trip to the forest of cedars to defeat the monster known as Humbaba so that Gilgamesh could show his power to the citizens of Uruk. However, Enkidu tried vainly to dissuade Gilgamesh in going to the forest. Despite Enkidu’s plead, the two continued on their adventure to the forest where Humbaba lives. Once they arrived, they found the monster and killed him.
Enkidu was created to be Gilgamesh’s equal and his soul mate. ‘“You made him… now create his equal; let it be as like him as his own reflection, his second self, stormy heart for stormy heart’” (14). So the goddess of creation, Aruru “dipped her hands in water and pinched off clay, she let it fall in the wilderness” and created Enkidu (14). Before Gilgamesh had met Enkidu he loved him; ‘“… I bent down, deeply drawn towards… [Enkidu]… I loved it like a woman and wore it at my side”’ (16). Enkidu had “virtue in him” (14). He was also “innocent of mankind” (14). After Enkidu was civilized the wild animals would not be near him. He felt ...
The epic begins with Gilgamesh terrorizing the people of Uruk. They call out to the sky god Anu for help. In response Anu tells the goddess of creation, Aruru, to make an equal for Gilgamesh. Thus Aruru created Enkidu, a brute with the strength of dozens of wild animals. After being seduced by a harlot from the temple of love in Uruk, Enkidu loses his strength and wildness yet gains wisdom and understanding. The harlot offers to take him into Uruk where Gilgamesh lives, the only man worthy of Enkidu's friendship. After a brief brawl the two become devoted friends.
The first visit that Mr. Coffin made to the coast of Georgia was in 1910 to attend the Savannah Road Race. Early automobile manufacturers liked to watch their cars perform, but also they made it a vacation trip. While attending the races and enjoying their vacation, Mr. and Mrs. Coffin fell in love with the beauty and history of the Golden Isles of the Georgia coast. Since Mr. Coffin was well able to afford just about anything he wanted, he and his wife decided to purchase the 20,000 acres that made up Sapelo Island.
In Gilgamesh’s youth he is proud without fear of death, it is not until he watches his friend die that his own mortality becomes a fear. The story begins showing Gilgamesh as a strong warrior as shown when he first meets Enkidu who wants to stop Gilgamesh from having relations with a woman on her wedding night. “They grappled each other, holding fast like wrestlers, They shattered the doorpost, the wall shook. They grappled each other at the door to the wedding, They fought in the street, the public square. It was Gilgamesh who knelt for the pin, his foot on the ground” (23).
One of the main themes in the epic is that death is inevitable, which is shown through Enkidu's death. When Enkidu dies, Gilgamesh becomes very worried, because he realizes for the first time that everyone is going to die at some point in time. The fact that Enkidu is a close friend makes it even more visible to Gilgamesh that everyone is mortal. Then, along with this realization, comes the theme of denial. Gilgamesh does not want to accept the fact that he will die. He denies the truth, because he does not want to think about the truth or cope with the tragedy that has struck him. "And he-he does not lift his head. 'I touched his heart, it does not beat'" (Tablet VIII, Column II, 15-16). "'Me! Will I too not die like Enkidu? Sorrow was come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu. I approach the entrance of the mountain at night. Lions I see, and I am terrified. I lift my head to pray to the mood god Sin: For...a dream I go to the gods in prayer: ...preserve me!'" (Tablet IX, Column I, 3-12).
America had gone through a depression and a world war; Warhol had lived through this and saw the changes of development and manufacture. During the war production changed to mass production, and when the war was over they related this technique to modern advertising. What Warhol did was take this change in production and turned it into art.