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Character analysis of one of the characters from Canterbury Tales
The prologue to the canterbury tales summary characters
Chaucer canterbury tales prolouge
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Fraudulence Personified The Pardoner is the best representation of an allegorical character in “The Prologue” of Geoffrey Chaucer’s The Canterbury Tales. The Pardoner is the perfect personification of fraudulence. He shows this in three basic ways: his appearance, speech, and actions. If one just glances through the reading of the Pardoner than one will think that he is a good religious man, but if one look further into it than he will find the small double meanings that he is the exact opposite. Chaucer likes to use an allegorical style to add some comedy and sophistication to his writings. The comedy is most heavily used in the Pardoner’s description than in any other part of The Canterbury Tales. For example (page 135, line 712) “There was no pardoner of equal grace/ For in his trunk he had a pillow case.” When the words “no pardoner of equal grace” are used you are lead to believe that the Pardoner is a great man, but if you look back in the reading you will find totally different things. He is a dirty, immoral man that really does not have much grace. Another example of the sarcastic comedy is (page 135, line 727) “In church he was a noble ecclesiast. How well he read a lesson or told a story! But best of all he sang an Offertory, For well he knew that when that song was sung He’d have to preach and tune his honey-tongue That’s why he sang so merrily and loud.” Again the text seems to be saying he is a “noble ecclesiast” and that he likes to preach the word of God to others. If one looks at it closer one will find out that calling him a noble ecclesiast is a joke and that he only preaches and sings so that he can take the tithes for himself. There are quite a few examples of the Pardoner’s actions being the personification of fraudulence throughout lines 608-734. For instance (page 135, line 705) “He’d sewed a holy relic on his cap:/ His wallet lay before him on his lap,/ Brimful of pardon come from Rome all hot.” The relic sewed on his hat showed that he thought of himself as a righteous holy man, and that is one thing he was not. The wallet and the pardons was the most disturbing of his acts. Since he was holding his wallet on his lap, it shows that he is very interested in money.
In “Reporting the News” by George C. Edwards III, Martin P. Wattenberg, and Robert L. Lineberry, the main idea is how the media determines what to air, where to get said stories that will air, how the media presents the news, and the medias effect on the general public. “Reporting The News” is a very strong and detailed article. The authors’ purpose is to inform the readers of what goes on in the news media. This can be inferred by the authors’ tone. The authors’ overall tone is critical of the topics that are covered. The tone can be determined by the authors’ strong use of transitions, specific examples, and phrases or words that indicate analysis. To summarize, first, the authors’ indicate that the media chooses its stories that will air
“The old argument that the networks and other ‘media elites’ have a liberal bias is so blatantly true that it’s hardly worth discussing anymore…No we don’t sit around in dark corners and plan strategies on how we’re going to slant the news. We don’t have to. It comes naturally to most reporters.” (Bias: A CBS Insider Exposes How the Media Distort the News) This example is tremendously important in the author’s discussion because it proves that news stories do manipulate people through bias. Popular news networks are viewed by thousands of people every single day, thus making it have a huge impact on the public since they believe what they see. When news reporters present their news segments, it is natural for them to give their insights due to human nature being instinctively biased. “The news media is [sic] only objective if they report something you agree with… Then they’re objective. Otherwise they’re biased if you don’t agree, you know.” (CNN’s American Morning) In this quote, the readers are presented to current panelists agreeing that news consumers have a very hard time separating their own view of the news from the perspective of the news reporters because they are presenting their own opinions throughout their segments. This problem exists once again because of the bias that is contained in media
In “The Pardoner’s Tale,” Geoffrey Chaucer masterfully frames an informal homily. Through the use of verbal and situational irony, Chaucer is able to accentuate the moral characteristics of the Pardoner. The essence of the story is exemplified by the blatant discrepancy between the character of the storyteller and the message of his story. By analyzing this contrast, the reader can place himself in the mind of the Pardoner in order to account for his psychology.
Chaucer, Geoffrey. "The Canterbury Tales Study Guide : Summary and Analysis of The Pardoner's Tale | GradeSaver." Study Guides & Essay Editing | GradeSaver. N.p., n.d. Web. 10 May 2011. .
The question has been raised as to whether or not Odysseus, the hero of Homers The Odyssey, is an epic hero. An epic Hero portrays many classic properties, including being very strong and courageous. Odysseus is an epic hero, because he portrays many of these and other traits, such as having a goal that is foremost in his mind, and having descended into the underworld.
People get their identities from the people who they surround themselves with and from the society in which they live. Identity as far a race was created by this hierarchy where those who were white deemed themselves more powerful and superior. Honneth would say to Coates, identity is relational and because of this we cannot be indifferent to instances of disrespect from those who surround us in this country. We are all in some way vulnerable to instances of disrespect, but it is the way in which we respond to these instances of disrespect that matter. Not only is this true for those who are experiencing this disrespect but for those showing this disrespect as well. Honneth would say that once we gain awareness of these vulnerabilities of disrespect we can then provide ourselves with the motivation to change certain socially unjust situations. Coates discusses multiple times that by his son becoming “politically conscious” that he can recognize why blacks are experiencing these instances of disrespect and what he can do to deal with
However, after hearing his tale it is quite shocking about his frankness about his own hypocrisy. We know that he bluntly accuses himself of fraud, avarice, and gluttony, all things that he preaches against throughout this tale. It is in lines, 432-433 that the Pardoner states, “But that is not my principal intent; I preach nothing but for convenience.” It is here that we truly begin to learn that The Pardoner’s Tale is merely an example of a story that is often used by preachers to emphasize a moral point to their audience. That is why, this tale in particular helps to comprehend Chaucer’s own opinions, and how he used satire to display them.
Chaucer identifies a pardoner as his main character for the story and utilizes the situational and verbal irony found in the pardoner’s interactions and deplorable personality to demonstrate his belief in the corruption of the Roman Catholic Church during this time. Chaucer first begins his sly jab at the Church’s motives through the description of the Pardoner’s physical appearance and attitude in his “Canterbury Tales.” Chaucer uses the Pardoner as a representation of the Church as a whole, and by describing the Pardoner and his defects, is able to show what he thinks of the Roman Catholic Church. All people present in the “Canterbury Tales” must tell a tale as a part of a story-telling contest, and the pilgrim Chaucer, the character in the story Chaucer uses to portray himself, writes down the tales as they are told, as well as the story teller. The description of the Pardoner hints at the relationship and similarity between the Pardoner and the Church as a whole, as well as marks the beginning of the irony to be observed throughout the “Pardoner’s Prologue and Tale.”
Picture this: a hero of great legends who travels to the underworld and back to get directions to his home from a blind prophet. It sounds like quite an impossible journey, but that is exactly what makes Odysseus all the more fascinating. The Odyssey, an epic poem orally transmitted by Homer, a Greek poet who wrote The Iliad, had to contain some variety of attributes that Greeks valued in a person. That one embodiment of what the Greeks found intriguing in a character is Odysseus. Odysseus is known as what is called an epic hero. An epic hero is a protagonist of a story that represents the most important attributes of a civilization. Odysseus, being based in ancient Greece, is the embodiment of intelligence, loyalty, and strength.
In The Canterbury Tales, Chaucer indirectly depicts the characters through the stories they tell. The tale is a window upon the person that tells it. However, the Pardoner’s tale seems to contradict this situation. The Pardoner, an immoral man, tells a moral story because he believes that doing this will further his ultimate objective – revenge upon God for his anomalous physical attributes. “He had the same small voice a goat has got. / His chin no beard had harboured, nor would harbour, / smoother than ever chin was left by barber. / I judge he was a gelding, or a mare” (21).
The Pardoner, a greedy, corrupt religious official in The Canterbury Tales who swindles people out of their money, represents more than just a character; he represents an archetype that appears in several individuals, both in the past and the present. In the twelfth century, Geoffrey Chaucer, author of The Canterbury Tales, realized that the religious officials of his time were corrupt, wicked, and selfish, and hoped to satirize that with the Pardoner. In modern times, however, there is a more significant divide between church and state, and church officials do not hold the same amount of power today as they did in the past. Consequently, today’s career path that is most susceptible to corruption appears to be politics, not religion. No man
Chaucer, Geoffrey. "The Pardoner's Tale." Chaucer's Works. Ed. Walter W. Skeat. Vol. 4. London: U of Oxford, 2007. N. pag. Web. 24 Apr. 2014
The monk receives some scathing sarcasm in Chaucer’s judgment of his new world ways and the garments he wears “With fur of grey, the finest in the land; Also, to fasten hood beneath his chin, He had of good wrought gold a curious pin: A love-knot in the larger end there was.” (194-197, Chaucer). The Friar is described as being full of gossip and willing to accept money to absolve sins, quite the opposite of what a servant of God should be like. Chaucer further describes the friar as being a frequenter of bars and intimate in his knowledge of bar maids and nobles alike. The friar seems to be the character that Chaucer dislikes the most, he describes him as everything he should not be based on his profession. The Pardoner as well seems to draw special attention from Chaucer who describes him as a man selling falsities in the hopes of turning a profit “But with these relics, when he came upon Some simple parson, then this paragon In that one day more money stood to gain Than the poor dupe in two months could attain.” (703-706, Chaucer). Chaucer’s description of the pardoner paints the image of a somewhat “sleazy” individual “This pardoner had hair as yellow as wax, But lank it hung as does a strike of flax; In wisps hung down such locks as he 'd on head, And with them he his shoulders overspread; But thin they dropped, and stringy, one by one.” (677-681,
The Church is the first institution that Chaucer attacks using satire in The Canterbury Tales. Chaucer wants to attack the church’s hypocrisy. Chaucer decides to create the character of the pardoner to prove his point. Cawthorne conveys, “His Canterbury Tales collects together 24 narratives with a General Prologue and an epilogue or Retraction.” Chaucer describes the character before telling their tale. The Pardoner is a man who steals from the poor. Chaucer says on page 127 line 77, “For though I am a wholly vicious man don’t think I can’t tell moral tales.” The pardoner knows what he does is wrong, but he continues to do it anyway.
A hero like Odysseus has some traits in common with some of histories greatest heroes. These traits are show in different places throughout the novel. He shows his extreme strength capabilities when he is fighting off the suitors who are trying to court his wife. He battles alongside his son Telemachus, Athena, and two herdsmen to kill all of the suitors (over one-hundred). At one point in this battle he had to single handedly take out ten (or maybe a bit more). Before this, he and his men were sailing home from Troy when they encountered a Cyclops' cave. The cyclops trapped them in the cave and began eating the men. Odysseus kept his hopes up and courageously thought of a plan while he had to watch his men be eaten alive. But above all, one thing every hero has in common is a weakness. “I grieved, but held her off, through pang on pang of tears.” Odysseus laughs at the cyclops when he escapes, causing the cyclops to chuck rocks in the direction of the boat. This almost sunk the boat and would’ve killed everyone. This weakness shows how heroes are made to be imperfect. But what if there are lives at stake? It takes strength to stand up for what is right.