Franz Kafka’s The Trial: Human Institutions and the Absurd
In his novel The Trial, Franz Kafka describes Josef K.’s encounter with a hidden totalitarian government and his transformation under the noted government’s pressures and disturbances in his life. The ongoing madness and Josef K.’s personal destruction captures the vulnerability of human institutions like the church, family, and state to human desires and the absurd, an existential idea that gives no meaning in the world besides the one that humans assign to it. Kafka criticizes mankind’s innate and destructive logic to create societal institutions that confine citizens and inevitably lead to the failure of human values and beliefs. These institutions attempt to deceive citizens by hiding life’s chaos and uncertainty, a process highlighted by the court system.
Throughout the book, Josef K. meets multiple characters who maintain their own different roles in society and possess exclusive knowledge of the court system. Their respective influence in the court system varies by character, but all of their interactions in the court system lead to minimal progress for Josef K.’s trial. All of them have inconsequential effect in Josef K.’s trial because they are subservient to the totalitarian government (Emen). Josef K.’s interactions vary with the characters given their role in society. Block the Merchant signifies a citizen who is enslaved to human institutions and causes his own self-destruction because he is attached to ideals designed to fail. He is overly conscious about his position in society and interactions with Josef K. because he establishes his opinion on artificial human values. When Josef K. asks him about his past with lawyers, he replies, “I’ll confide in part, bu...
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... thrive in the totalitarian driven society, like the executors, give up all instincts that would allow them to thrive in competitive, naturally selective reality and screams, “Like a dog!...as if the shame of it should outlive him” (Kafka Ch. 10). People’s perspectives and influences on an individual are more important than how an individual lives their lives, and that was Josef K.’s weakness in this totalitarian and bureaucratic environment.
Franz Kafka’s descriptive characters and their roles in the court system, the confinement of superstitions and traditions, the cathedral allegory, and Josef K.’s transformation highlights his vulnerability to manmade institutions like the totalitarian government and bureaucracy. This criticism of mankind’s innate and destructive logic places the importance of reality below the absurd and its ability to deceive all individuals.
Several conflicting frames of mind have played defining roles in shaping humanity throughout the twentieth century. Philosophical optimism of a bright future held by humanity in general was taken advantage of by the promise of a better life through sacrifice of individuality to the state. In the books Brave New World, 1984, and Fahrenheit 451 clear opposition to these subtle entrapments was voiced in similarly convincing ways. They first all established, to varying degrees of balance, the atmosphere and seductiveness of the “utopia” and the fear of the consequences of acting in the non-prescribed way through character development. A single character is alienated because of their inability to conform – often in protest to the forced conditions of happiness and well being. Their struggle is to hide this fact from the state’s relentless supervision of (supposedly) everything. This leads them to eventually come into conflict with some hand of the state which serves as the authors voice presenting the reader with the ‘absurdity’ of the principles on which the society is based. The similar fear of the state’s abuse of power and technology at the expense of human individuality present within these novels speaks to the relevance of these novels within their historical context and their usefulness for awakening people to the horrendous consequences of their ignorance.
In “A Hunger”, “The Penal Colony”, and Metamorphosis by Franz Kafka, Kafka succeeded in showing his individuals as obsessed with their profession; however their obsession caused their doom because society asks so much from an individual, only so much can be done. However, regardless of that, these individuals choose their work over themselves, and not even bad health or death can stop them. Because society places immures pressure on Kafka’s work obsessed character, they neglect their well-being and cause their own downfall.
Although the exact story in Kafka’s novella could not possibly occur outside of the realm of fiction, it represents the extremely real scenario in which a worker is abandoned by his or her family and employer after being rendered unable to work or provide financial support. By viewing The Metamorphosis from a Marxist perspective, readers can very quickly distinguish the underlying issues between the proletariat class and the bourgeoisie. Due to the fact that economics supercede almost everything else in a Capitalist society, including fundamental social values, citizens who are unable to commit to extensive labor or earn wages are quickly abandoned. More often than not, as was the case with Gregor Samsa, the result of this abandonment tends to be death.
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In the novel 1984, George Orwell elaborates on the idea of an autocratic government. This novel describes Orwell’s views on the dark, twisted form of government that he believes will develop in future years. The culture he created for this story was the most horrifying, troubling place a person could reside. The goals of the Party consisted of keeping the citizens squared away and oblivious to the unethical actions taking place around them. This unrealistic society gave Orwell the opportunity to create a vision of what a future communist nation might resemble. The purpose of this work is believed to be informative to citizens of how the government impacts our way of thinking, living, and believing. Fear from the citizens is used as manipulation by the government; this means the government shapes the citizens that will not conform to their society. Throughout this writing, the author remains in a dark, cold mood; thus, creating the feeling of negativity and opposition to the government. Ethical appeal is revealed in this
as a form of hired help since he had taken the job to pay for his
We as readers will never know the true reason behind Kafka’s Metamorphosis, but it is a masterpiece. It relates surprisingly well to today’s society, even though it was written between 1912 and 1915. The topic of metamorphosis is really universal, we as humans are constantly changing, growing and evolving. Works Cited Aldiss, Brian W. “Franz Kafka: Overview.” St. James Guide to Science Fiction Writers.
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Franz Kafka, b. Prague, Bohemia (then belonging to Austria), July 3, 1883, d. June 3, 1924, has come to be one of the most influential writers of this century. Virtually unknown during his lifetime, the works of Kafka have since been recognized as symbolizing modern man's anxiety-ridden and grotesque alienation in an unintelligible, hostile, or indifferent world. Kafka came from a middle-class Jewish family and grew up in the shadow of his domineering shopkeeper father, who impressed Kafka as an awesome patriarch. The feeling of impotence, even in his rebellion, was a syndrome that became a pervasive theme in his fiction. Kafka did well in the prestigious German high school in Prague and went on to receive a law degree in 1906. This allowed him to secure a livelihood that gave him time for writing, which he regarded as the essence--both blessing and curse--of his life. He soon found a position in the semipublic Workers' Accident Insurance institution, where he remained a loyal and successful employee until--beginning in 1917-- tuberculosis forced him to take repeated sick leaves and finally, in 1922, to retire. Kafka spent half his time after 1917 in sanatoriums and health resorts, his tuberculosis of the lungs finally spreading to the larynx.
Franz Kafka’s “Before the Law” is often referred to as a parable. Thus, it is logical to approach Kafka’s work as an allegory and search for the deeper meaning underneath the story. We can then try to uncover the identity of the characters; of the gatekeeper, the man from the country, and the Law and subsequently relating them to something that fits the example of the plot; a man’s confused search for god, a man’s quest for happiness but never accomplishing it, a academic’s quest for recognition which never comes. Any given number of innovative readers...
One of the saddest aspects of Franz Kafka's novella, The Metamorphosis, concerns the fact that young Gregor Samsa genuinely cares about this family, working hard to support them, even though they do little for themselves. On the surface, Kafka's 1916 novella, seems to be just a tale of Gregor morphing into a cockroach, but a closer reading with Marx and Engels' economic theories , unveils an impressive metaphor that gives the improbable story a great deal of relevance to the structure of Marxist society. Gregor, the protagonist, denotes the proletariat, or the working class, and his unnamed manager represents the bourgeoisie. The conflict, that arises between the two after Gregor's metamorphosis, contributes to his inability to work. This expresses the impersonal and dehumanizing structure of class relations. Kafka's prose emphasizes the economic effects on human relationships, therefore, by analyzing the images of Gregor, we can gain insight into many of the ideas the writer is trying to convey.
In Franz Kafka’s The Trial, Josef K. is guilty; his crime is that he does not accept his own humanity. This crime is not obvious throughout the novel, but rather becomes gradually and implicitly apparent to the reader. Again and again, despite his own doubts and various shortcomings, K. denies his guilt, which is, in essence, to deny his very humanity. It is for this crime that the Law seeks him, for if he would only accept the guilt inherent in being human (and, by so doing, his humanity itself), both he and the Law could move on.
Neumann, Gerhard. "The Judgement, Letter to His Father, and the Bourgeois Family." Trans. Stanley Corngold. Reading Kafka. Ed. Mark Anderson. New York: Schocken, 1989. 215-28.
ii Kafka, F. The Trial. Translated by Willa and Edwin Muir. Introduction by George Steiner. New York, Schocken Books, 1992, 1.