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The use of symbolism in Franz Kafka's Metamorphosis
The use of symbolism in Franz Kafka's Metamorphosis
The changes of gregor in metamorphosis
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Gregor, in “The Metamorphosis”, was working as a travel salesman to pay off his parents’ debt to his boss, which was taken for granted by his family. However, all that changes as Gregor goes under metamorphosis. Now his family is forced to take care of him that is viewed as a burden. Gregor’s sister, Greta, picks up the responsibility of feeding him. He rarely eats the food which in his own words is explained as “realize it was not from any lack of hunger and bring him in some other food that was more suitable?” (Kafka II par.7) although he felt “urge to rush forward from under the couch, throw himself at his sister's feet and beg her for something good to eat.” (Kafka II par.7) He never once did so. These direct quotes show us not just the
fact that Gregor was not eating but also that his family lacked the drive to bring him something to eat. This led him to be malnourished and grow depressed as when the days grew it seemed that no one seemed to be concerned for his well-being. All this leads to the uneventful night that his parents and sister actions, “He was hardly inside his room before the door was hurriedly shut, bolted and locked” (Kafka II par.28), led him to feel so neglected that “without his willing it, his head sank down completely, and his last breath flowed weakly from his nostrils” (Kafka II par.28).
From the beginning of the tragic novella, it’s made clear that Gregor values the comfortability of his family over his own. Working as a traveling salesman his whole life, Gregor resents his monotonous job and manager who “...talks down from the heights to the employees…” (Kafka 4) Yet he still goes to his job every day to help pay off debts that his parents owe to his manager after his father’s business failed five years earlier.
The Metamorphosis Research paper Franz Kafka, in his novel The Metamorphosis, explores two conflicting ideas through his protagonist Gregor: unity and isolation. Gregor’s transformation created a whole life of distress for him, but on the other hand also formed a deeper and better relationship for the rest of the family. Gregor’s transformation to a Vermin created a new life of separation and isolation for him. Before Gregor’s transformation he already felt isolated and stressed out because he was the only one working and he didn’t have that good of a relationship within his family. Kafka states “Constantly seeing new faces, no relationships that last or get more intimate.”
From the beginning of The Metamorphosis Kafka offers a comical depiction of Gregor’s “squirming legs” (Kafka 13) and a body in which “he could not control” (7). Gregor’s initial reaction to this situation was the fact he was late to his dissatisfying job as a salesman, but Gregor knows that he has to continue his job in order to keep the expectation his family holds upon him to pay of the family’s everlasting debt. When Gregor’s family eventually realizes that Gregor is still lying in his bed, they are confused because they have expectations on Gregor that he will hold the family together by working. They know if Gregor was to quit his job there would be a great catastrophe since he is the glue to keeping their family out of debt. The communication between his family is quickly identified as meager and by talking to each other from the adjacent walls shows their disconnection with each other. Kafka introduces the family as lacking social skills in order to offer the reader to criticize and sympathize for Gregor’s family dynamics. Gregor’s manager makes an appearance quickly after experiencing the dysfunction within the fami...
“It has to go”, cried his sister. “That’s the only answer, Father. You just have to try to get rid of the idea that it’s Gregor. Believing it for so long, that is our real misfortune. But how can it be Gregor? If it were Gregor, he would have realized long ago that it isn’t possible for human beings to live with such a creature, and would have gone away of his own free will” (Kafka 52). The relationship between family member’s in Kafka’s Metamorphosis is an interesting theme addressed, and somewhat distressing subject. Why is it so hard to accept that this monstrous bug is Gregor? Is it so bad for him to want to stay and be near his family- the only thing he’s ever had and known? For the sister to even come out and say these words seems somewhat selfish. Why can’t it be turned around to a viewpoint through which we have a family loving their son, unconditionally, regardless of what state he’s in? The word love is definitely one which is not seen in close companionship with the Gregor family. And we can see that this lack of affection carries on to be one of the driving forces behind the theme of alienation in the novel.
In Franz Kafka's "The Metamorphosis," some might argue that Gregor was a terrible person and his metamorphosis was not real, but only an illustration of the terrible person he had become. However, it can much more strongly be argued that he was an extremely unselfish person and his actions were largely taken for granted by his family. Kafka was emphasizing the common practice of selfless actions being unappreciated through his story of Gregor and his family.
Grete Samsa, Gregor’s sister, most definitely underwent a metamorphosis. Before Gregor had become a bug, Grete was just there. She was ignored by the family. Grete was described as the “useless” sister. Grete took violin lessons, but she wasn’t very great. She does not leave or go out often. Grete is fearful, and pictured as timid and afraid of the world. When it is time for breakfast, she quietly whispers and whines for Gregor to get up and eat. As the “breadwinner” of the family, Gregor got all of the attention. The whole Samsa family was dependant upon Gregor for everything.
Strained, overworked and mistreated was all Gregor has known. His family needs him so they can live comfortably with as little effort as possible. There are no strong family bonds or relationships because there is no love and respect within the family. Gregor provides and makes a comfortable life for his able bodied family with little regard to his own well being. However, he gains no respect and continually puts up with the family de-humanizing him. In Franz Kafka’s “Metamorphosis”, the well being and financial stability of Gregor’s family rest solely on him by the consent of the family making it impossible for close family relationships to form.
There is a theory that dream and myth are related which is conveyed through the writing of Douglas Angus’ Kafka's Metamorphosis and "The Beauty and the Beast" Tale and supported by Franz Kafka’s Metamorphosis. The stories are very symbolic when conveying the metamorphosis of a human being. Unlike Beauty and the Beast, in the Metamorphosis some suggest love is received through acts of cruelty yet in actuality it appears that cruelty results in heartache. Due to being a beast, the repulsiveness requires genuine love which can achieve the “magical transformation.” This “magical transformation” is not achieved and creates a twist in the plot derived from the concepts in the “Beauty and the Beast.”
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
house. This way of narrating it is very opened to us, and makes us feel like we
In Franz Kafka’s novel The Metamorphosis, the reader is told the story of a hard working business man, by the name of Gregor Samsa, who one day wakes up to a problem that changes his life. The readers are automatically hooked with the first line where Gregor is waking up from restless dreams to find that he has turned into a “monstrous verminous bug” overnight. As he struggles to move around and go back to sleep, to try and forget the situation, he starts to think of his job and how it has taken over his life but he cannot leave it because of his parent’s debt that he is trying to pay off. With the repetitive motifs of money and food, the story goes around the themes of alienation and the absurdity of life. The reader sees these themes being used when Gregor’s change happens. He isolates himself in his room without being able to speak to anyone if need be and when his sister, Grete, does go into his room to change his food and tidy the place up, he hides under the couch, with a blanket over him, so that his sister does not get
She was burdened by taking care of him. Gregor’s sister is the one who brings him food and takes care of him when he first became a bug. She cleans his room along with trying to make it more convenient for him to get around by removing furniture even though he does not want his furniture removed. After a while she begins to give up on taking care of him as well after going through her own changes in life and Gregor is left with nothing but one thought. He decides that it was time for his life to come to an end. Part of Gregor 's death consists of all the stress that took over him. From so much worry over his family and what has gone on through his relationship with them he eventually stops sleeping. “Gregor now hardly ate anything anymore. Only when he accidentally passed the food laid out for him would he take a bit into his mouth just for fun, hold it in for hours, and then mostly spit it out again” (Kafka 17). This is when one can really see the effect that the transformation put on his body. Gregor had stopped eating which also made an impact on his death. As this quote by Kafka states “He thought back on his family with deep emotion and love. His conviction that he would have to disappear was, if possible, even firmer than his sister 's. He remained in this state of empty and peaceful reflection until the tower clock struck three in the morning. He still saw that outside the
His family used to care about him but after the transformation, they were no longer concerned for him. Every time the family talks about money, Gregor feels guilty and embarrassed because he can no longer provide for them. When he was able to work before, he had brought money home and “They had simply got used to it, both the family and Gregor; the money was gratefully accepted and gladly given, but there was no special uprush of warm feeling” (Kafka Ch 2 pg 6). Now that he can no longer provide, the family had to come up with ways to keep up with finances. Gregor is dehumanized each time his sister Grete walks into the room to look after him because she cannot bear the sight of him so he hides each time. Each day following Gregor’s transformation, the family’s behavior towards him became more cynical and resentful towards him. They do not allow him to leave his room and worry about how they can go on living with him. They think of him as being a creature, losing their view of him as a human being and no longer important. When Grete decided to take his furniture out of his room, Gregor feels he is dehumanized because they are taking away the link to his humanity. When it came to Gregor’s father, Gregor would “run before his father, stopping when he stopped and scuttling forward again when his father made any kind of move.” His father then threw at apple at him which ‘landed right on his back and sank in; Gregor wanted to drag himself forward, as if this startling, incredible pain could be left behind him” (Kafka Ch 2 pg
...ally becomes so meager he starves to death. Upon hearing the news of Gregor's death, the family does not show sadness, but instead, relief. "Well... now we can thank God!" (Kafka 55). Gregor's father felt relief from the economic burden of supporting his son. Even though the exact story told in Kafka's The Metamorphosis could not occur outside the domain of fantasy, it represents the real course of events of a worker being abandoned by his employer and family, after becoming unable to work and support them financially. Examining the novella from a Marxist perspective, the underlying theme of the story shows a conflict between proletariat and bourgeoisie. Economics replace everything else in a capitalistic society, a citizen who is unable to labor and earn wages is quickly abandoned. The result of this abandonment is often, as it was in Gregor Samsa's case, death.
Gregor’s denial takes place when he prepares for work, ignoring his transformation, “First of all he wanted to get up quietly, […] get dressed, […] have breakfast, and only then think about what to do next” (Kafka 6). By characterizing Gregor as determined, Kafka shows his protagonist’s resolve to remain firm in ignoring his transformation for his family’s sake. Typically, such a metamorphosis would warrant panic, but Gregor is so selfless that he denies his own emotions to be useful for his family. Through the sequential syntax employed in this quoate, Kafka shows that Gregor does not want to stray from his usual routine. This attribute, along with his physical transformation, separates Gregor from humanity.