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A society is a group of people coming together to decide on the social norms of a community. A person’s greatest antagonist within a community is the society members. According to society, people need someone to tell them what to do, what to believe and even what to think. A story called The Metamorphosis, written by Franz Kafka expresses the idea that a daily routine dictated by a society leads to a meaningless life. Also, a poem called “The Unknown Citizen”, written by W.H. Auden, expressed the idea that “scientific data fails to capture the human quality of life” and that “our lives are largely shaped and dictated” by a greater society leading to the loss of a meaningful life (“The Unknown” 301). Despite differences in the plot of Kafka’s …show more content…
The Metamorphosis and Auden’s “The Unknown Citizen”, both authors express a similar idea that doing right and conforming to the social norm leads to the loss of a person’s personality and their quality of life.
Franz Kafka and W.H. Auden had successful lives, that led to countless accomplishments. Yet, their lives fell into a routine and became meaningless. Franz Kafka, born on July 3rd, 1883 in Prague, Czech Republic was the eldest of five children by his parents. Kafka graduated from German Karl-Ferdinand University in 1906 with a doctorate in jurisprudence. Post-graduation, he worked in “Worker’s Accident Insurance Office for the Kingdom of Bohemia” from 1908 until 1992. He died on June 3rd,1994 two years after he retired from the insurance office (Beetz 979-980). Kafka stayed with the insurance company his entire life, but he disliked the job, just like the character Gregor Samson in The Metamorphosis. Kafka did not become famous for the utmost of his works of writing until …show more content…
after his death when Max Brod refused to burn all his writing despite Kafka’s request for him to do so. Kafka is like the man in “The Unknown Citizen” because they were not recognized for their achievements until after their death. In contrast, W.H. Auden was born in 1907 in York, England, but later in his life moved to The United States where he became well known for his writing. He held religious values, that he later abandoned when he acknowledged himself as homosexual. Auden wrote during an era of economic and moral decay, however, after the 1940’s his daily life fell into a steady routine until his death from a heart attack on September 29, 1973 ("W.H. Auden" 73-74). Auden’s life being a routine is the connection to the life of Gregor and the unknown citizen. Gregor and the unknown citizen’s daily life were to go to work and to always do what is asked without question. To say the least, both Kafka and Auden’s personal life influenced their writings. Everybody in the world has something that differentiates them from others in a society, because no two people are alike.
However, these differences should not become suppressed. In The Metamorphosis, Kafka expressed that Gregor “had not been sick once in five years of service” revealing that Gregor is a diligent man who will do anything for the company (947). This is a personality trait of Gregor that is different to another employee at his company. In addition, in “The Unknown Citizen”, Auden states that the unknown citizen is a “modern sense of the old-fashion word, he was a saint” revealing that the man did the right thing, he was innocent, kind and selfless (Line 7). A person's personality is an essential part of life because they feel valued in society because without personality we are all “equal”. In The Metamorphosis, Gregor found pity in his room when looking “on the wall directly opposite hung a photograph of Gregor from his military days, which showed him dressed as a lieutenant, with a carefree smile, his hand on his dagger, his bearing and his uniform commanding respect” (953). He found pity because he realized that he morphed into an insect, which stripped his personality away from him. Gregor’s transformation was the result of him being too different from the social norm, so the “society” punishes him for being an abnormally to their system. Both authors’ articulated the idea that there are numerous variations of people’s personality that without their
personality, everybody is “equal”. In like manner, the human feeling of “fitting in” or “being equal” is what decreases a person’s potential to become different from someone else because it allows people to criticize us. Positive criticism is telling people what they excel in, which is always respectable. In “The Unknown Citizen”, the citizen characterized as “normal in every way”, meaning that he was perfect according to the social norm (Line 18). In addition, the man in “The Unknown Citizen” “never interfered with their education” meaning that he always let the teachers teach his children what the government wanted them to know (Line 30). The society wanted their people to follow everything they say so that people “fit in”, but the people who “fit in” are lowering their potential to do something extraordinary because they accept having someone tell them what to believe is true. Even so, there is also negative criticism. Negative criticism is telling people what they need to work on. Sometimes negative criticism is harsh when you think that you are doing the best job possible. In The Metamorphosis, Gregor has thought that he has done the best, that he has a work because he has devoted his life to his work; however, when the Deputy Director comes to visit him at his parents’ house the Director said: “I thought I knew you as a quite, reasonable person and now you suddenly begin exhibit extraordinary capriciousness” and now “your performance recently has been very unsatisfying” (950). This negative criticism from the Director made Gregor realize that what made him different at work was actually hindering his ability to work to the level of satisfaction of the Director. As a result of the negative criticism, Gregor in Part II and Part III of The Metamorphosis Gregor lost the motivation to live typically again and return back to work. In both works of literature, not “fitting in” leads to positive or negative criticism that hinders a person’s potential to do better. Finally, both authors emphasized that when people lose who they are, they are meaningless. Without a meaning behind an action people feel they are wasting time and they begin to dislike their work. In The Metamorphosis, Gregor complains about his job saying, ‘“Oh, God,’ He thought, ‘what a strenuous profession, I’ve chosen- traveling day in, day out!’” (946). The real reason Gregor hates his job and finds it meaningless is because he has to pay off his parent’s. At first, Gregor did not mind paying off his parent’s debt because “his successes at work translated directly into cash that he could lay on the table at home before his astonished and pleased family” (959). Gregor found meaning and joy in helping provide for his family in a time of need. However, he started to dislike working and providing for his family because “they simply got used to it” and the “special warmth” of providing for his family vanished (959). He lost emotional connections with his family and thus lost the meaning of his job. Even so, if a person follows what society wants them to do, they will find no meaning in performing these tasks. In “The Unknown Citizen”, the society described the man as he “served the Greater Community” because he was not a burden to society by messing with the status quo (Line 8). The society only cares about how the citizen did not mess with the status quo. At the end of the poem, W.H. Auden states: “Was he free? Was he happy? The question is absurd: / Had anything been wrong, we should certainly have heard” (Lines 31-32). Society does not care whether you are against or for the ways the society. This control allows society to not to listen to complaints. However, if people are following the societies, orders, they would stay “normal” (Line 18) and hold their “proper opinions” (Line 27) to themselves so that they please the society. When people try to keep the balanced order of the society by losing their differences from others, they tend to lose purpose in everything they do to “help” the society. Franz Kafka and W.H. Auden, through the works of literature called The Metamorphosis and “The Unknown Citizen”, express that the loss of a person’s personality and meaning of life relates to conforming to the society and doing what is right. The variances in personalities are why everyone is unique and original in the world. Gregor and the unknown citizen both wanted to “fit in” to society so that they could find meaning in their lives, but instead they ended up dying with a life full of meaningless action. People always say that we all need “equality”, but how far will the literal definition of the word “equal” apply to society? Is people’s personality going to be stripped away like Kafka stripped Gregor of his? Or are monuments going to be built in remembrance of people who are nameless to the community members, but because they conformed to the society they deserve a monument dedicated to them? Instead the community needs to stand up and embrace their different personalities and overthrow the social norms of a community created by a society.
Franz Kafka’s clear isolation of Gregor underlines the families’ separation from society. In The Metamorphosis, Kafka emphasizes Gregor’s seclusion from his family. However, Gregor’s separation is involuntary unlike the family who isolates themselves by the choices they make. Each family member has characteristics separating them from society. These characteristics become more unraveling than Gregor, displaying the true isolation contained in The Metamorphosis.
In “A Hunger”, “The Penal Colony”, and Metamorphosis by Franz Kafka, Kafka succeeded in showing his individuals as obsessed with their profession; however their obsession caused their doom because society asks so much from an individual, only so much can be done. However, regardless of that, these individuals choose their work over themselves, and not even bad health or death can stop them. Because society places immures pressure on Kafka’s work obsessed character, they neglect their well-being and cause their own downfall.
Gregor Samsa awakes one morning to discover that he has been transformed into a repugnant vermin. One may never know what initiated this makeover, but the simple truth is that Gregor is now a bug, and everyone must learn to live and move on in this strenuous situation. In Franz Kafka’s The Metamorphosis, the characters that interact with Gregor, including his mother, his father, and his sister Grete, must come to terms with his unfortunate metamorphosis, and each does so by reacting in a unique way. Gregor’s family members are constantly strained by this unusual event, and all three of them are pressed to their breaking point.
In Franz Kafka's "The Metamorphosis," some might argue that Gregor was a terrible person and his metamorphosis was not real, but only an illustration of the terrible person he had become. However, it can much more strongly be argued that he was an extremely unselfish person and his actions were largely taken for granted by his family. Kafka was emphasizing the common practice of selfless actions being unappreciated through his story of Gregor and his family.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
Kafka’s The Metamorphosis takes on an wide variety of main themes. One of the most important of these is the collapse of morality and mercy, even among those people who are expected to be most fair and compassionate. Gregor’s metamorphosis is indeed terrible, but more terrible still is the psychological corruption of Gregor’s family. Their inability to adapt to the changes that have occurred signal a total breakdown in the family structure, and offer a cautionary tale about the fragility of notions of justice and mercy and how a certain change can change a persons perception of them.
We as readers will never know the true reason behind Kafka’s Metamorphosis, but it is a masterpiece. It relates surprisingly well to today’s society, even though it was written between 1912 and 1915. The topic of metamorphosis is really universal, we as humans are constantly changing, growing and evolving. Works Cited Aldiss, Brian W. “Franz Kafka: Overview.” St. James Guide to Science Fiction Writers.
Stephens, J. “Franz Kafka’s personal life reflected in the Metamorphosis” The Kafka Project. 1999-2002. 13 November 2002. .
People want their family to love and support them during times of need, but if they are unable to develop this bond with their family members, they tend to feel alone and depressed. In the novel The Metamorphosis by Franz Kafka, Kafka describes the theme of alienation and its negative effect on people and their relationships with the people around them. This theme can be shown through Gregor Samsa, the main character in The Metamorphosis. After Gregor’s metamorphosis, or transformation, he is turned from a human being into a giant bug which makes him more and more distant from the people in his life. The alienation that Gregor experiences results in his eventual downfall, which could and would happen to anyone else who becomes estranged from the people around them. Gregor’s alienation and its effect on his relationship with his family can be shown through his lack of willing interaction with his family members due to his inability to communicate to them, the huge burden he puts on the family after his metamorphosis, and his family’s hope to get rid of him because he is not who he was before.
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
Franz Kafka, b. Prague, Bohemia (then belonging to Austria), July 3, 1883, d. June 3, 1924, has come to be one of the most influential writers of this century. Virtually unknown during his lifetime, the works of Kafka have since been recognized as symbolizing modern man's anxiety-ridden and grotesque alienation in an unintelligible, hostile, or indifferent world. Kafka came from a middle-class Jewish family and grew up in the shadow of his domineering shopkeeper father, who impressed Kafka as an awesome patriarch. The feeling of impotence, even in his rebellion, was a syndrome that became a pervasive theme in his fiction. Kafka did well in the prestigious German high school in Prague and went on to receive a law degree in 1906. This allowed him to secure a livelihood that gave him time for writing, which he regarded as the essence--both blessing and curse--of his life. He soon found a position in the semipublic Workers' Accident Insurance institution, where he remained a loyal and successful employee until--beginning in 1917-- tuberculosis forced him to take repeated sick leaves and finally, in 1922, to retire. Kafka spent half his time after 1917 in sanatoriums and health resorts, his tuberculosis of the lungs finally spreading to the larynx.
Both Gregor and Meursault have pivotal experiences with denial, the first stage of the grief process, in their respective novels. While Gregor refuses to accept his transformation in order to remain a part of society, Meursault denies God in the religious culture of Algeria, proving his individuality while isolating himself. Gregor’s denial takes place when he prepares for work, ignoring his transformation, “First of all he wanted to get up quietly, […] get dressed, […] have breakfast, and only then think about what to do next” (Kafka 6). By characterizing Gregor as determined, Kafka shows his protagonist’s resolve to remain firm in ignoring his transformation for his family’s sake. Typically, such a metamorphosis would warrant panic, but Gregor is so selfless that he denies his own emotions to be useful for his family. Through the sequential syntax employed in this quoate, Kafka shows that Gregor does not want to stray from his usual routine. This attribute, along with his physical transformation, separates Gregor from humanity. With his unfamiliar mindset, seen through the denial of his metamorphosis, and his lack of human physical charac...
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.
Franz Kafka’s famously translated novel The Trial was thought by many to be strongly influenced by his strong background and affiliations with theater and literature. Within the novel, Kafka refers to various types of the art form including, physical art, performing arts and acting, and the art of how a person moves and/or interacts with others. Critics have argued that Kafka’s background was the influence to the novel, while others strongly disagree. Was Kafka’s references to the performing arts within the novel his way of portraying life as a play, something that is scripted and planned out or was it simply the main character treating his situation as an unrealistic event and a joke?
No person that leads a normal life is likely to write a metaphorical yet literal story about a man transforming into a bug. That being said, no person that leads a normal life is likely to alter a genre as much as Franz Kafka did. With the unusual combination of declining physical health and a resurgence of spiritual ideas, Franz Kafka, actively yearning for life, allowed his mind to travel to the places that his body could not take him. In his recurring themes of guilt, pain, obscurity, and lucidity, are direct connections to his childhood and daily life. His family dynamic, infatuation with culture and theater, and his personal illnesses all shaped his imagination into the poignant yet energetic thing that made him so well-known. With all of his influences combined, Franz Kafka developed a writing style so distinct that he founded a semi-genre all his own: kafkaism.