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Pursuit of knowledge in Frankenstein
The creatures mind in frankenstein
The theme of knowledge in Frankenstein
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The monster’s behavior was directly related to, his experiences with society and its treatment of him. All behavior is learned, therefore if the monster was to be good or evil depended on societies reaction to him. Even though the monster had a fully matured body, he was like a child because he had no memories or experiences of his own. When the monster was given life he had no concept of good or evil. Everything that he did or experienced was something new to him. All of the monster’s behaviors would have to be learned The monster’s first encounter with another being occurred the night that he was born. Shortly after the monster was given life, he was feared and hated. From the moment of the monster’s birth Victor hated and despised it, rather than embracing and loving it. In the monster’s crucial moments of development, he got his first experience of hate and fear. The monster had the same needs that a child would. Like a child at birth, the monster should have received love and care. Instead Victor, his father, hated the monster and ran from it.
The monster later encountered a poor farming family. The monster watched the way that the different family members interacted with one another. In his observation of them he learned the lessons that his father had neglected to teach him. The monster learned the concepts of love and affection. When the monster watched th...
In the novel, Victor is raised up by two happy parents in caring and indulgence. He receives a sister, an education, affection, and a wife from his family. However, unlike Victor, the Monster does not have any maternal or paternal figure to care and teach him values. When the Monster first escapes from Victor’s apartment and enters into the forest, he lives like an animal. He eats berries, drinks water from the streams when he gets thirsty, and sleeps in anywhere. These actions illustrate the Monster’s natural impulse for needs of food and shelters.
To begin, the monster longed for human connection so badly, he even begged Victor to create his wife: “You must create a female for me with whom I can live in the interchange of those sympathies necessary for my being. This you alone can do, and I demand it of you as my right which you must not refuse to concede,” (174). In this quote, the monster asks Victor to make him a companion, which Victor blatantly denies. This eventually leads to
If Victor had stayed around and showed the monster the real world, he might have not have went on to perform violent actions. This portrays Victor as a selfish character and gives more of an insight on his personal life. As a child, Victor is only interested in furthering his own knowledge and not worried about anyone else. He spent much of his time “drawing the picture of [his] early days... when [he] would account to [himself] for the birth of that passion which afterwards ruled [his] destiny” (Shelley 34), or otherwise a magnificent creation that would change his future. When constructing the Monster, he put all of his relatives in the back of his mind, and only focused on his own success and victory. This further explains the theme of being selfless and only doing certain things that will benefit
“.he declares 'everlasting war against the species, and, more than all, against him who had formed me, and sent me forth to this insupportable misery” (Bond). The monster is angry with Victor. He wants Victor to build him a companion, or he will kill everyone that Victor loves. After Victor rejects the idea, the monster wants Victor to feel the loneliness and isolation that the monster has felt all his life. “.if I cannot inspire love, I will cause fear; and chiefly towards you, my arch-enemy, because my creator, do I swear inextinguishable hatred” (Shelley, 204).
Like a child longs for a mother’s love, the monster longs for the love of his creator. When the monster was first created, Victor says that the monster looked at him “while a grin wrinkled his cheeks.” The monster looks at Victor with love and instead of receiving love in return, he receives complete rejection. The monster cannot understand why his own creator does not love him like God loved Adam. The monster believes he should be like Adam but is “rather the fallen angel.” God made man in his own image and loved Adam even with his flaws. Yet, victor made “a monster so hideous that [Victor] turned from [his creation] in disgust.” This rejection from Victor makes the monster angry and
... result, when the monster murders his companion, Victor becomes miserable and more isolated. Although the monster had no choice but to live alone, he observed a nearby neighbor, the Delacey’s, and desired to receive affection from that family. By the end of the novel, Victor and the monster were no indistinguishable from each other, both comparable to Satan from Paradise Lost.
The monster does not resemble Victor physically; instead, they share the same personalities. For example, Victor and the monster are both loving beings. Both of them want to help others and want what is best for others. Victor and the monster try to help the people that surround them. Victor tries to console his family at their losses, and the monster assists the people living in the cottage by performing helpful tasks. However, Victor and the monster do not reflect loving people. The evil that evolves in Victor’s heart is also present in the monster.
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
Furthermore, Victor had a vision to create life out of death but didn’t fully comprehend his outcome then when the results came in then it was too late to destroy the atrocity he has made, he ran away from his creation and hid under his blanket as a victim instead of the criminal. In fact, Victor should’ve made it his main duty to take the responsibility as the creator of a benevolent being, but he ostracized his own creation and ran away like he had done to many of his problems throughout the story. Instead, Victor claimed himself a victim and personified the creature as a manipulative, murderous monster that was in evil entity and had a soul black as the vast night. For example, Victor mentioned to Captain Walton near the end of the story that the monster needed to be stopped and his actions will cause chaos in the world of man if Walton were to step down from Victor’s request to eliminate the monster before he were to murder again. Yet, the monster was in a constant circle of injustice from his own creator, Victor Frankenstein, from being abandoned to being characterized as a villain without being given the voice and care he needed to in order to change his path of violence into the generosity of a cordial
The Monster’s confusion about the world and his inability to understand why he cannot simply be accepted in society drives his actions. Dutoit elaborates on the not so apparent truth that The Monster goes to great lengths to assimilate by acquiring language, understanding mannerisms and participating in customs. The Monster grows fond of a family, at first he watches them carefully, paying close attention to the details of their life and even steals food, unaware of their poverty. Supporting evidence which allows for the conclusion that he is innately good and simply longing for domesticity is shown by The Monsters willingness to help the family with chores, in secret of course. Nevertheless, he is universally shunned by everyone he encounters, except for the old blind man who was willing to have a social connection with him, until his family returned home and in fear rebelled against The Monster. This constant exile only leads to a greater alienation from the social world he deeply longs to be a part of. Unfortunately, due to his outward appearance, his good intentions are ill received by the people he
However, that is not the case. White artists are taking the styles and genres of African Americans and turning them into a mockery, and on top of all that, they are being rewarded for it. When said they turn these styles into mockery, it means that they change up the style into something completely different than what it originally was. Macklemore and Ryan Lewis are prime examples of artists appropriating hip-hop. “During the 2013 MTV’s Video Music Award, artists Macklemore and Ryan Lewis won an award for best hip-hop video, beating popular African American hip hop artists. Two white men won an award for appropriating hip-hop. Hip hop originated from African Americans, and having a two white artists win an award for misusing our culture’s music is not acceptable” (Cadet). In hip hop, African American artists talked about their plight as African American men and about the struggles growing up. However, these white artists won an award for just taking the style and talking about anything important. They do not talk about their plight because they do not have one comparable to African Americans. They do like musicians did in the past: take the music from African Americans, and then take away the color. “But we cannot blame individual white artists for the inequitable way they are received by the American public—the way their performance of black cultures is
Understanding religious beliefs other than one’s own is a key element of tolerance, since faith traditions often define a significant part of a person’s identity. In the United States, the spectrum of religious diversity is a part of our culture as a whole, and religions can sometimes be at the center of political debate. By examining these different religions we can better begin to understand what motivates certain people and learn to hopefully live together in peace.
In his poem 'Mending Wall', Robert Frost presents to us the thoughts of barriers linking people, communication, friendship and the sense of security people gain from barriers. His messages are conveyed using poetic techniques such as imagery, structure and humor, revealing a complex side of the poem as well as achieving an overall light-hearted effect. Robert Frost has cleverly intertwined both a literal and metaphoric meaning into the poem, using the mending of a tangible wall as a symbolic representation of the barriers that separate the neighbors in their friendship.
As an example, Victor said, “ A mummy again endued with animation could not be so hideous as that wretch.” Victor refuses to see the monster as the intellectual being he truly is, instead Victor only focused on the monster's appearance. Although Victor is the monster's creator, he is no better than the rest of the humans, because Victor refuses to discover who the monster truly is. Therefore, the monster is never acknowledged by his creator.
Frost's call to question the walls we build is sound and timely advice. Frost shows us that we