Victor Frankenstein had friends who appeared to value his friendship more than he did. Shelley introduces Walton a captain upon a voyage to the North Pole. Walton is a lonely man who explains to his sister in a letter, “You … but I bitterly feel the want of a friend.” (19) Walton sees a potential friend in Frankenstein. He thinks highly of him even though he recognizes that he is ruined. Unfortunately, Frankenstein is unwilling to invest in any friendships because not only is he weak but he acknowledges that he has lost all his friends because of his actions. Elizabeth was supposedly everything to Victor. He described her as, “No word… -my more than sister, since till death she was to be mine only.” (37) Victor’s and Elizabeth relationship represented the highest form of friendship; love. However, Victor preferred being in isolation. He stayed away from Elizabeth for two years rarely taking the time to write or visit her. After learning the death of his brother he took his time returning to Geneva instead of rushing to be near his beloved cousin’s side. He enjoyed the isolation along the river as it was an escape from the questions and guilt he might face upon returning home. Victor selfishly watched his beloved cousin defend an innocent Justine for murder. He betrayed Justine by allowing her to confess to a murder that she did not commit because he was afraid of the judgments people would cast on him for making the monster. Victor was so isolated by his own wretchedness that he never gave Elizabeth the chance to help him. He confided in her that he had a huge secret but that he could not reveal it to the day after the marriage. Elizabeth obviously was more trusting of Victor than he was of her because she married him knowing he w...
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...ster revealed to Frankenstein that he would continue to wreak havoc in his life unless he created a friend. The monster demanded Frankenstein construct a female creature of his kind to end his misery. He explains, “I am alone, and miserable’ man will not associate with me, but one as deformed and horrible as myself would not deny herself to me.” (146) Victor felt somewhat compassionate for the monster and agreed to construct a companion for him. Guilt consumed Victor and he destroyed the female monster. By doing this Victor condemned the monster to a lonely and isolated life. Once again, the monster became enraged and declared that if he could not be happy, neither would Frankenstein. The monster’s loneliness led him to seek revenge and the destruction of Frankenstein. Frankenstein’s preference for solitude led to the destruction of himself as well as his friends.
The monster tells Frankenstein of the wretchedness of the world and how it was not meant for a being such as himself. At the end of his insightful tale the creature demands a companion of the same hideous features but of the opposite gender to become his. Victor only has the choice to make the monster or suffer a lifetime of horror his creation would bring upon him. Which the creator ultimately agrees to make the female monster to save the lives of his family but gains a conscious that fills with guilt of all the destruction he has created and creating. When the monster comes to collect the female he tears her apart and the monster vows to destroy all Victor holds dear. The monster’s emotional sense is consumed with rage against Victor, murdering Frankenstein’s best friend. Though when the monster’s framing ways do not work to lead to Victor being executed, he then murders Frankenstein’s wife on their wedding night. This tragedy is the last for Victor’s father who becomes ill with grief and quickly passes within a few days, leaving Victor with nothing but his own regret. Shelley doesn’t give the audience the monsters side of the story but hints that the remainder of his journey consisted of being a shadow to that of his creator. It is at the graves of the Frankenstein family when the creature makes an appearance in the solemn and
Frankenstein by Mary Shelly Part One = == == === A main theme in Mary Shelly’s Frankenstein is that of birth, childhood and parenthood, this is explored through Shelly’s choice of frame narrative and structure for the novel.
Compare and Contrast the episodes of the creation of the monster and the creation of the second monster in Mary Shelley's Frankenstein Mary Shelley finished her first edition of 'Frankenstein' in 1816, when she was nineteen years old. Since then her "monster" has become so popular in the twenty-first century that he appears in films, advertisements, comics and even computer games. So how is it that as such a young age she was able to write such a gripping novel, which has become more famous than any other work of 'Romantic' literature, and indeed, her own? It could have been a result of an intellectually stimulating childhood due to having free access to her fathers extensive library and literary connections; or it could have been a result of her being emotionally undernourished as a child. Whichever way, she has succeeded in writing a novel that 'speaks to the mysterious fears of our nature and awaken thrilling horror' (p.8 - author's introduction), as she wanted; and she has included many personal ideas about politics and familial relations as well as moral, philosophical and scientific ideas on the creation and 'elixir of life' (p.42).
...e seeking help and strength to take care of problems in their lives. Victor Frankenstein is a man with a loving and caring family. Family and friends are an important part of his life. He has his whole life in front of him, when creates his monster. He creates the monster in the likeness of man with same need of love and affection as man. Although, this is his creation, he lets the monster down and does not care for him. The monster begins to feel neglected and lonely and wants desperately to have a human relationship. The monster turns angry and revengeful because he is so sad and abandoned. He wants Victor to feel the way that he does, all alone. The monster succeeds and Victor ends up losing all the important in his life and his own life. In the end, the monster dies and the need for human relationship becomes the destruction for both the monster and Victor.
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
Victor refuses to create a companion for the monster, he says “their joint wickedness would be enough to destroy the world” (Shelley 104) Frankenstein saw the justness in the creature’s argument but he still neglected to allow him to have a true companion. Frankenstein became afraid of the end results, he didn’t want the world to suffer for his mistakes. By denying this monster a companion he has denied his creation happiness; Frankenstein would allow a human being to live in happiness without degrading them on their appearance or their standards but he could not do the same with the monster. This reason in itself has caused a disconnection between him and the thing that he created, by rejecting his creation he rejected a part of himself as well. Frankenstein created a thing, a monster with such a horrid form, overlooking that this monster may have a will of its own. One example of how he was neglected because of who he became, his origin, the way he was created, such a horrid way to bring life into the world. “Another circumstance strengthened and confirmed these feelings. Soon after my arrival in the hovel I discovered some papers in the pocket of the dress which I had taken from your laboratory. At first I had neglected them, but now that I was able to decipher the characters in
...od; misery made me a fiend. Make me happy and I shall again be virtuous" (Shelley 66). In the novel, Victor has two chances to provide this happiness for the creation. In both cases, all the creation desires was a companion, be it Victor or a new creation. And, in both cases, Victor is influenced by his initial reaction of disgust at the sight of his original creation. This reaction originates from a preconception, a fear caused by the human nature to prejudge based on past experience. This prejudice is indeed the source of the pain and torment in Mary Shelley’s Frankenstein. If a "monster" exists in the novel, it is this aspect of human nature.
Frankenstien Many punishments for crimes are often given to innocent people. In the novel Frankenstein by Mary Shelly, there are several instances in which the punishment is given to an innocent person. Justine, a maid at the Frankenstein residence, was killed for a crime she did not commit. Felix, a character the Monster encounters, was exiled from his country, for helping an innocent man escape from jail. Lastly, Victor himself was jailed for a murder, which he did not commit.
In Mary Shelly’s Frankenstein, Victor Frankenstein secretly creates a monster without considering the consequences. After the creation of the monster and throughout Victor’s life he and the monster suffer constantly. Because Victor keeps his monster a secret from his family, friends and society, he is alone and miserable. The monster is also alone and miserable because he is shunned by society due to his grotesque appearance.
Frankenstein by Mary Shelley is a very complex book riddled with underlying messages. From the characteristics of each individual to the main storyline Shelley depicts a world of opposites. Victor Frankenstein, a privileged young man, defies nature when his obsession with life and death has him attempting to bring someone/something to life. He succeeds and quickly goes from obsessed over its creation to disgust with its form. He then rejects his creation, which sets the stage for the terrifying events to come. This is the embodiment of a modern novel as it contains alienation, disillusionment, and a critique of science.
Mary Shelley’s, Frankenstein, was written during a period of dramatic revolution. The failed French Revolution and Industrial Revolution seriously mark the novel with hints of moral and scientific revolution. Through Frankenstein, Shelley sends out a clear message that morally irresponsible scientific development can unleash a monster that can destroy its creator.
The creator of the monster, Victor Frankenstein is a man full of knowledge and has a strong passion for science. He pushes the boundary of science and creates a monster. Knowledge can be a threat when used for evil purposes. Though Victor did not intend for the being to be evil, society’s judgement on the monster greatly affects him. As a result he develops hatred for his creator as well as all man-kind. Victor’s anguish for the loss of his family facilitates his plan for revenge to the monster whom is the murderer. While traveling on Robert Walton’s ship he and Victor continue their pursuit of the monster. As Victor’s death nears he says, “…or must I die, and he yet live? If I do, swear to me Walton, that he shall not escape, that you will seek him and satisfy my vengeance in his death…Yet, when I am dead if he should appear, if the ministers of vengeance should conduct him to you, swear that he shall not live-swear that he shall not triumph over my accumulated woes and survive to add to the list of his dark crimes” (pg.199). Victor grieves the death of William, Justine, Clerval, Elizabeth and his father. Throughout the novel he experiences the five stages of grief, denial/ isolation, anger, bargaining, depression and finally acceptance. Victor denies ...
The late 18th century was a time of enlightenment for Europe. All categories of learning improved in this enlightenment period. The most impressive advances were in the sciences. Newton had developed his laws of physics, and scientific method had been tuned to a point. These improvements gave people a new outlook on life and the world. Mary Shelley tries to tackle the intimidating nature of the enlightenment period in the book, Frankenstein.
1818 at the tender age of 18, it was often wondered how such a young
Friendship is one of the most common human desires found all over the world in every different type of people. In Mary Shelley's Frankenstein, this deep-seeded need is explored, especially as it manifests itself in the hearts of three great men. Captain Walden writes to his sister about the loneliness that he is experiencing on his journey at the very start of the book. Then, as the story progresses, a similar want can be found in Victor despite his tightly woven relationship with Henry Clerval. The Creature is constantly denied his lust for companionship demonstrates the horrible consequences of incessant loneliness. His amiable nature combined with his grotesque appearance proves to be a horrific collaboration that serves only in gaining rejection as he is shunned, quite irrationally, over and over again by all living beings. The Creature's suffering could only be abandoned if he were able to encounter an unprejudiced and completely tolerant friend. Shelley masterfully conveys the importance of a kindred spirit and the overall necessity of loyalty between people.