Frankenstein, written by Mary Shelley, is about a man who is eager to do something memorable and never before done in the world. After two long years of experimenting and research, Victor Frankenstein creates a monster that will bring him misery from then on. In the novel Frankenstein, Shelley portrays Victor Frankenstein as selfish, weak, and ashamed when compared to the book of Genesis. To begin, Shelley conveys Frankenstein as selfish throughout the text when contrasted to the book of Genesis. Selfishness is highlighted in the text as Frankenstein sat silently when he knew his monster was a murderer but did not want his confession to be viewed by his peers as “madness by the vulgar” (Shelley 53). Justine Moritz took the blame for the murder, while Victor sat …show more content…
silently. Frankenstein thought of only himself instead of considering the fatal consequences of others. In the book of Genesis, God gives his creations “dominion over… every creeping thing that creepeth the earth” (Genesis 1:26). God gives his creations freedom even though he is superior. He is not selfish with his actions because he is giving to the things he cares about.
As God acts selfless towards his creations, it reveals that Frankenstein’s actions were indeed selfish. Furthermore, Shelley presents Frankenstein as weak when he is battling internal conflicts throughout the novel, which is apparent when compared to God in the book of Genesis. As Victor’s family and friends die one by one, his weakness prevails as he admits that “I am the cause of this- I murdered her” (Shelley 136). Instead of addressing the issue of his monster murdering numerous people, he bathes himself in self-pity. This weakness prevails as Frankenstein battles internal conflicts relating to the deaths caused by Frankenstein's monster. In the book of Genesis, God commanded “let there be light: and there was light” (Genesis 1:3). God shows that he is strong by simply speaking the universe into existence. Frankenstein wishes to have inhumane authority as he creates a monster, but his weakness shows the limitations of the human mind as Frankenstein cannot handle the repercussions of acting as a God. The contradiction made between the two texts exemplifies that Frankenstein is weak as a creator while God is
strong. Lastly, throughout the entire novel, Shelley’s texts illustrates that Frankenstein is ashamed of his creation. Frankenstein confessed that “breathless horror and disgust filled my heart”(Shelley35) after he succeeded in bringing his monster to life. Before Frankenstein's monster had come to life, Victor was blinded by his determination to achieve the impossible and only thought highly of his creation. Frankenstein burdened himself with shame when he realized he created a hideous and miserable monster. In opposition, in the book of Genesis, God proves he is proud of his creation by saying “let us create man in our own image” (Genesis 1:26) and therefore not ashamed. It is implied that God is confident in his own image and wants his creations to mirror him. When contrasting the two texts, it is made apparent that God has pride in what he created while Frankenstein does not. For this reason, the comparison of Genesis makes evident that Frankenstein acted selfishly when choosing not to confess his guilt, weak when Frankenstein feared potential consequences instead of doing the right thing, and ashamed when Frankenstein realized his creation was a monster. Genesis illustrates God as giving to his creations, strong in his power and abilities, and proud of what he created. The comparison of these two texts shows the different characteristics of the creators. In the novel Frankenstein, Mary Shelley portrays Victor Frankenstein as selfish, weak, and ashamed when compared to the book of Genesis.
Dr. Frankenstein pursues power and knowledge through experimentations that mock God’s power and enlarge Frankenstein’s pride to bursting levels. He creates life, an act that should only be left to God. The monster just wishes to be loved and accepted as anyone with emotions would, but is denied by his father. Ironically, something our God and Father would never do. He’s so proud that he gained fame, but yet he doesn’t get recognized by others because Frankenstein never accepts the responsibility for creating the monster
As Frankenstein explains, he declares that he deliberately neglects to communicate with his creation, based on its shockingly hideous appearance. Had Frankenstein taken the time to communicate and care for his creation, with all the knowledge that he possesses of the responsibility of a good parent, the creation would have never developed the sense of vindication and reprisal that lead him to murdering Victor's loved one's. The creation would henceforth account Frankenstein for all his sufferings succeeding his birth.
Literature often works as depicted act of betrayal. Many people, friends, and family may portray a protagonist, but they will likewise be guilty of treachery or betrayal to their own values. In the novel Frankenstein by Mary Shelley, there is acts of betrayal between Victor Frankenstein and the monster. In the Novel Victor Frankenstein is a betrayal of life itself because it should be given naturally and not created by a scientist man. The monster is actually the one who is majorly betrayed, he may look like a hideous dangerous monster on the outside but, not one within himself. From the beginning of the novel, Victor betrays the monster, and this betrayal is seen on many levels throughout the novel. The tragic figure in Mary Shelley’s horror novel Frankenstein, Victor Frankenstein, is truly the instrument of betrayal to his creation of the monster because life should be given naturally not by creation of suffering and horrific which is made by man.
Critic Northrop Frye says, “Tragic heroes tower as the highest points in their human landscape that they seem the inevitable conductors of the power about them, the great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divine lightning”. Mary Shelley’s Frankenstein greatly exhibits the theme of the consequence of knowledge and irresponsibility among others through its tragic hero, Victor Frankenstein. Northrop Frye’s quote is certainly true when looking at Frankenstein’s situation. Victor is a victim of his divine lightning, and ultimately causes much trouble for himself; however, Victor also serves as the tragic hero in the lives of the monster, his family, and his friends.
The fact that Frankenstein’s creation turns on him and murders innocent people is never overlooked; it has been the subject of virtually every popularization of the novel. What is not often acknowledged is the fact that Frankenstein himself embodies some of the worst traits of humankind. He is self-centered, with little real love for those who care about him; he is prejudiced, inflexible and cannot forgive, even in death. While some of these traits could be forgivable, to own and flaunt them all should be enough to remind a careful reader that there are two "monsters" in Frankenstein.
I can't believe that the creature killed himself. In Grus Grimly's Frankenstein, a creature was made by a man named Victor Frankenstein in a laboratory. The creature was created because Victor mother had passed, and Victor wanted to figure out the way of life and death. The creature ends up making Victor miserable since the creature was isolated from everyone and had a lot of indignation inside of him that Victor has caused. The creature didn't have a name he was just called "creature." In my opinion, Victor should have named him because of he, not a creature; if you think about it he was a human.
Victor Frankenstein from Mary Shelley’s Frankenstein is the embodiment of the Greek titan, Prometheus. Victor is controlled by his desire for results but he ignores his path to getting those results. It’s helpful that he is able to ignore reality when doing so because then he is able to focus more on the developments. Being on the selfish side, Victor Frankenstein never bothers with the questions such as “Why” but focuses on the “Why not”. Victor Frankenstein is the modern Prometheus because of his realization when reality does not match what he imagined, brute strength to compensate for his ignorance and constant reluctant to take responsibility for his actions.
Mary Shelly’s Frankenstein is a thought provoking story to read because the subject matter speaks to me. Dark, supernatural and gothic is exactly the style of reading I would choose in my own reading choices. It was only one step from my Victorian Vampire reading to Frankenstein therefore my choice to read the novel was almost a given to me. Several areas that I as a human can relate to are the human nature of each character, the unrelenting revenge the monster feels, and betrayal in the pursuit of self-preservation Victor bestows on his monster, his family, and mankind. The story speaks of betrayal, a strong an intense emotion that hurt the monster to the core so deeply he commits unspeakable acts. Frankenstein outlines Victor’s betrayal of his son, the monster. Victor literally created a child, a rebirth of flesh in his own design but he felt no love or sense of responsibility for the monsters well-being. This betrayal of the preverbal parent over their “child” is felt greatly by the monster and Frankenstein suffers at his own cost, unwilling and incapable to see he was his own destructor. A notable act of betrayal is when Victor can but does not save Justine from death. His own brother was dead and he was
True selflessness of character is something very infrequently possessed by people. It is a survival instinct and a part of human nature to make decisions that fit one's individual needs, rather than those of another. That being said, through the development of cultured and civilized society, it has become an assumption that with moving away from living in the wild, people will develop an altruistic sense of others' needs. In Mary Shelley's Frankenstein, Victor Frankenstein showed himself many times not only to be incapable of forward thinking, but also to not possess this ideal of responsibility to help others through his lack of guidance for his creation. The doctor could have helped his creature to acclimate to society by nurturing and teaching him at the time of his birth, publishing and spreading word of his findings, and escorting the monster around with him. Despite however hideous the monster was, it was Victor's duty to take responsibility for his creation, and doing so would have changed the outcome of the story drastically more in Victor's favor than anyone.
“Frankenstein” by Mary Shelly explores the concept of the body, life, ‘the self’ and most of importantly humanity, which is repeatedly questioned throughout the novel. The definition of humanity is the quality of being humane or in other words someone that can feel or possess compassion. Despite all the facts against the “monster” in “Frankenstein” he is indeed what one would consider being human. Humanity isn’t just about ones physical appearance but also includes intellect and emotion. Some people argue that the “monster” is not a human for he was not a creature that was born from “God” or from a human body. That being said, the “monster” is not only able to speak different languages, he can also show empathy - one of many distinct traits that set humans apart from the animals. Both the “monster” and his creator, Victor, hold anger and feel a sense of suffering throughout the novel. Victor is a good person with good intentions just like most individuals, but makes the mistake of getting swept up into his passion of science and without thinking of the consequences he creates a “monster”. After completing his science project, he attempts to move forward with his life, however his past – i.e., the “monster” continues to follow and someone haunt him. While one shouldn’t fault or place blame on Frankenstein for his mistakes, you also can’t help but feel somewhat sympathetic for the creature. Frankenstein just wants to feel accepted and loved, he can’t help the way he treats people for he’s only mimicking how people have treated him, which in most cases solely based on his appearance. Unlike most of the monsters we are exposed to in films past and present, the character of the “monster” ...
In the novel Frankenstein, by Mary Shelley, the main theme revolves around the internal and external consequences of being isolated from others. Being isolated from the world could result in a character losing his/her mental state and eventually causing harm to themselves or others. Because both Victor Frankenstein and the creature are isolated from family and society, they experienced depression, prejudice, and revenge.
Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein, is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise. Throughout the novel, Shelley investigates the idea of monstrosity. She makes the point that a monster does not have to be genuinely evil in order to be considered monstrous.
Victor Frankenstein serves as an instrument of suffering of others and contributes to the tragic vision as a whole in this novel. He hurts those surrounding him by his selfish character and his own creation plots against his master due to the lack of happiness and love. The audience should learn from Frankenstein’s tragic life and character to always remain humble. We should never try to take superiority that is not granted to us because like victor we shall suffer and perish. He had the opportunity to make a difference in his life and take responsibility as a creator but his selfishness caused him to die alone just like what he had feared.
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
Mary Shelley’s gothic novel Frankenstein is a novel narrated by Robert Walton about Victor Frankenstein and the Monster that he creates. Frankenstein grew up surrounding himself with what he loved most, science. He attended Ingolstadt University where he studied chemistry and natural philosophy, but being involved in academics was not enough for him. Frankenstein wanted to discover things, but did not think about the potential outcomes that could come with this decision. Frankenstein was astonished by the human frame and all living creatures, so he built the Monster out of various human and animal parts (Shelley, 52). At the time Frankenstein thought this creation was a great discovery, but as time went on the Monster turned out to be terrifying to anyone he came in contact with. So, taking his anger out on Frankenstein, the Monster causes chaos in a lot of people’s lives and the continuing battle goes on between the Monster and Frankenstein. Throughout this novel, it is hard to perceive who is pursuing whom as well as who ends up worse off until the book comes to a close.