Frankenstein Relationships
Many stories have progressed enough to be the topic of conversation from time to time. The novel, Frankenstein or The Modern Prometheus has different relationships to many other topics. The author of the story, Mary Wollstonecraft Shelley who was born almost 200 years ago bringing with her the age of horror (Edison 5), used biographical strategies to write Frankenstein. Also, as time progressed, Frankenstein became a well-known story. It was turned into many different films that depicted the time period that it happened to be from. One final relationship that Frankenstein has happens to be the way that everyone can draw morals from the story, no matter what the reader’s age, or how the reader’s life has evolved.
Mary Wollstonecraft Shelley used biographical strategies to write her well-known novel. Frankenstein has plenty of tragedy included to form the storyline. Many women passed away throughout the entire novel. Perhaps the reason for these mishaps was because Shelley watched many women and children die all through her life. For instance, her mother died after giving birth to Shelley. Also, only one of Mary’s children survived infancy. Mary herself almost died after a miscarriage. Percy Shelley’s wife, Harriet, committed suicide. (Percy married Mary after his wife took her own life.) Shelley also demonstrated a bond between specifics such as names, dates and events. For example, the letters that form the narration of the novel were written to Margaret Walton Saville
(Whose initials M.W.S are those of Mary Wollstonecraft Shelley). These letters were written not only during the time that Mary was going through her third pregnancy, but also during the time when she was writing the novel itself. It appears that Mary tries to be a silent person in her story. Most of the important scenes revolve around her in some way. Certain dates had a large enough impact on Mary’s life that she integrated them into her novel. “Mellor discovered that the day and date on which Walton first sees the creature, Monday, 31 July, had coincided in 1797, the year in which Mary Shelley was born. This fact and other internal evidence led Mellor to conclude that the novel ends on 12 September 1797, two days after Mary Wollstonecraft’s death.
Mary Shelley was an extremely talented writer who used many different techniques to make Frankenstein so engaging. Her most notable tool was how she managed to entwine stories within each other. Other books may do this once in their story but Mary Shelley repeatedly does it allowing us to see the story in other peoples perspectives.
Most Americans have some idea of who Frankenstein is, as a result of the many Frankenstein movies. Contrary to popular belief Mary Shelley’s Frankenstein is a scientist, not a monster. The "monster" is not the inarticulate, rage-driven criminal depicted in the 1994 film version of the novel. Shelley’s original Frankenstein was misrepresented by this Kenneth branagh film, most likely to send a different message to the movie audience than Shelley’s novel shows to its readers. The conflicting messages of technologies deserve being dependent on its creator (address by Shelley) and poetic justice, or triumph over evil (showed by the movie) is best represented by the scene immediately preceding Frankenstein’s monster’s death.
Mary Shelley wrote ‘Frankenstein’ also known as ‘The Modern Prometheus’ in 1818, when she was seventeen. Shelley was born in 1797 and married Percy Bysshe in 1816. Shelley’s husband died in 1822 aged twenty-nine, Shelley died in 1851 aged fifty-four. Shelly was raised by her father, her mother died when she was just ten days old. Her mother was a famous feminist writer and philosopher, her father was an anarchist philosopher, atheist and journalist. Shelley had an excellent education when she was eleven.
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
Robert Walton (the first narrator) finds Victor Frankenstein adrift in the Arctic. After a week’s recovery Frankenstein tells his story. As Victor was growing up he had always been interested in alchemy and pseudo-sciences. He hoped to one day to be able overcome death and decay. Victor learned how to create life in the laboratory and collected parts from cadavers to create his creature. After giving his creation life, he was horrified and fled. He was hidden away for two years, then received a letter telling of his little brother’s death. He suspected the creature, but the police suspected a female friend of his family’s and hanged her. One day the being found Victor and told him of his survival and his knowledge. He requested Victor make him a companion and in return they would flee away never to be seen again. He eventually agrees to make the “bride,” but after much pondering destroys all the work he had done. The “monster” curses Frakenstein assuring revenge on his wedding night. Later another of his friends turns up dead. Victor still made plans to marry Elizabeth with whom he was raised. On their wedding night she is strangled by the monster. He follows the monster pledging to destroy it. The story leads to where he is taken aboard the ship. Soon after the story Victor dies. The monster s discovered on board and announces his plans to kill himself.
Born in Boston, Massachusetts on January 19, 1809, Edgar Allan Poe faced many hardships in his life beginning at nine months old, when his alcoholic father abandoned his mother and other two siblings. Once Poe had lost his wife Virginia to illnesses, his poems were noticeably growing darker and more gruesome, and her death “haunted Poe until the end of his life” (Erica). These are only a few hardships Poe faced throughout his life, and each one led him to become a more dramatic and disturbing person. Every suffering he faced was used as a prompt for his writings, and throughout his work he places his hurt and depression into each piece based off his own life. His famous poems are the results of his insanity based off his unfortunate life. Even though Poe lived a challenging and stressful life, his poems ...
We are shown that this ‘monster’ is a ‘creature’ and more of a human than we think. It is in the complex structure of the novel that Mary Shelley creates sympathy. We shift from Robert Walton to Victor Frankenstein to the monster and finally back to Walton. With each shift of perspective, the reader gains new information about both the facts of the story and the reliability of the narrator. Each perspective adds pieces of information that only they knows: Walton explains the circumstances of Victor’s last days, Victor explains his creation of the monster, the monster explains his turn to evil.
Edgar Allan Poe is able to show that Gothic literature can be taken very seriously but also that there are many faults to the genre. He is able to expertly write serious Gothic fiction and satirical Gothic fiction, as well as a peculiar medley of the two, wherein he combines the greater parts of the two genres. The way Poe uses Gothic devices in this story can be conveyed as both serious and parodic; showing both the horror and the comedy in the Gothic writing style.
Despite being faced with many hardships, Poe was able to harness his woes and transform them into works of art. Although quite sinister at times, the works of Poe have the power to leave readers breathless. It is with this power that “The Raven” was created. Poe created a way in which repetition would provoke meaning instead of boredom. He shaped symbols that would encourage the exact thoughts to occur to the reader that he had been thinking upon writing “The Raven.” His characters were crafted in a way that would be relatable to everyone and be easily understood. These characters not only make “The Raven” more universal, but they make the message of the poem more intense to the reader. In order to produce work that makes people feel and suffer, a stroke of genius is necessary. This stroke of genius was distinguished in the life of Edgar Allan Poe. It is works like this that encourage the literary world to expand. This inspires writers to fabricate their own claim to fame. “The Raven,” of course, has influenced many works (Bloom 49). To create a masterpiece as extraordinary as “The Raven” again is quite literally impossible. The use of characters, symbolism, and repetition sets this poem on its own little shelf, to be outshined,
Mary Shelly’s Frankenstein is a Gothic and Romantic novel written in the early 1800s. The novel opens with Captain Robert Walton as he is sailing on his ship on the search for new and undiscovered territory. During his exploration, Robert’s ship becomes trapped in ice, and he encounters Victor Frankenstein, who looks miserable. When Robert begins to talk to Victor, Victor starts to explain his life story, which ends up being a complete tragedy. Victor tells Robert of his desire to discover the secret to life, which ultimately leads to his creation of the Creature. However, Victor’s enormous creation and his ambitions do not bring him the fame and happiness that he had hoped to receive. He only receives pain and misery. The Creature ends up destroying all of Victor’s loved ones, which leads up to Victor’s death. From the beginning when he is born, the Creature is alone with no one to raise or take care of him, and he is forced to retreat and hide from civilization and the humans who fear him. As it can be seen, Victor and the Creature share miserable lives. In Shelley’s Frankenstein, the characters of Victor and the Creature are developed through the use of Romantic elements, which greatly influenced Shelly in creating her novel.
Poe wrote over 120 poems and is known very well for his morbid and grievous writings.
In the poem “The Raven” Edgar Allan Poe wrote about grief, sadness, and depression. He is writing about a young girl named Lenore. She is depicted as pure, beautiful, and the very thing that the main character lives for, his beloved Lenore. When he loses her, he is sent into a spiral of depression. This leads him to believe that a black raven pecking at his door was sent by Lenore. Through out the poem “The Raven” Poe uses many things to illustrate the theme darkness, such as the words he so carefully uses, the symbols that are chosen, and the description of everything.
Poe recurred to Personification to give human qualities to the raven. The main example is the ability of the raven to talk and Poe ilustarte it "as if his soul in that one word he did outpour"(932). Ravnes are uncapable of talking from their soul because usually people believe that only human beings have a souls, so giving the raven a soul is a use of personification. Also, the raven demostrated "mien of lord or lady"(932). Mien is a human quality of showing your mood through a look or a manner. Through history, ravens have had negative connotation. They are seen as a "thing of evil!" (933). Now, everyone knows that birds are capable of emitting sounds, but they cannot talk in a meaningful way. However, the unnamed narrator hear the raven saying the word nevermore constantly. This could mean two things. Firstly, it was just a normal response because he was "weak and weary" (931), or secondly, he had a mental illness that causes him to hear voices. Either way, it seems like his subconscious was trying to tell him something through the raven. In his case was the word nevermore. Consequently, the raven was a constant reminder that he will never see Lenore
Mary Wollstonecraft Shelley’s Frankenstein (sometimes also known as The Modern Prometheus) is the classic gothic novel of her time. In this eerie tale, Dr. Victor Frankenstein – suffering from quite an extreme superiority complex – brings to life a creature made from body parts of deceased individuals from nearby cemeteries. Rather than to embrace the Creature as his own, Frankenstein alienates him because of his unpleasant appearance. Throughout the novel, the Creature is ostracized not only by Frankenstein but by society as a whole. Initially a kind and gentle being, the Creature becomes violent and eventually seeks revenge for his creator’s betrayal. Rather than to merely focus on the exclusion of the Creature from society, Shelley depicts the progression of Dr. Frankenstein’s seclusion from other humans as well, until he and the Creature ultimately become equals – alone in the world with no one to love, and no one to love them back. Frankenstein serves as more than simply a legendary tale of horror, but also as a representation of how isolation and prejudice can result in the demise of the individual.
Anorexia Nervosa is an eating disorder that affects over 10 million women in the United States alone. Women are most commonly linked to anorexia (95% of people with anorexia are women) with mostly a heavy impact on teenagers. The disorder is a mixture of distorted body perception, an obsession with body weight, and fear of weight gain. A person suffering from anorexia nervosa may exercise excessively and/or eat very small portions. They may experience symptoms such as extreme weight loss, insomnia, dizziness or fainting, constipation, intolerance to cold, low blood pressure, hair thinning, and dry skin. Because of their strong fear of weight gain, a person suffering may refuse to eat, deny or lie about thei...