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Narrative technique in frankenstein
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Slowing down, my breathing was non distinct as I seemed almost lifeless, standing upright as a platform raised me above, my head slightly tilted towards the sky above as it ever closened. Suddenly, the platform locked into place, as I was within a large arena devoid of any sign of life, walls towering high above and encircling me.Gushing out, the pipes around the arena filled it with a noxious water, consequently, the platform I stood on raised itself until it was floating seemingly a few feet off the floor. Notably, one section of the wall had a burgeoning cocoon, wrapped and attached to 4 points keeping it placed on the wall, I toggle my HUD, my visor brought up the 4 points as red circles enwrapped them, as I lifted my right arm equipped …show more content…
Abruptly, erupting forth from the waters around the platform, a behemoth, whale like, burst forth, gray like scales across the entirety of its body. Straightaway, I toggled my HUD within my helmet, scanning the creature within a split second and identifying its weak spots, and swiftly sending a barrage of power shots and missiles. Emanating a loud cry, it flopped into the waters on its side, sending large waves as I struggled to keep stable on the rocking platform. For a moment, still, and suddenly the platform lurches to the right, as the left rises up in the air as the behemoth slugs forward onto the platform, accordingly my HUD sends a signal to my boots, as spikes on the soles of both of my boots slashes into the platform to keep me stable. With a whiplash, tentacles burst forth from the creatures back, lashing wildly until they lunge at me. Pulled away from the platform, my visor scans go haywire as the behemoth bares its mouth, roaring out as the tentacles begin to pull me towards him, forcing myself, I aim without the aid of the HUD and fire offer super missile into the beast’s
Merriam Webster’s Encyclopedia of Literature highlights Frankenstein as the work of Mary Wollstonecraft Shelley, published in 1818, and it brought into the Western world one of its best known monsters. Elements of gothic romance and science fiction help in telling the story of young Swiss scientist Victor Frankenstein, as he creates a horrible monster by putting together limbs and veins, leading to destruction and his later regret. The creature is left alone in the world, even by his own creator, for his hideous appearance, and through watching humans he learns their ways of living. Haunting Victor due to his loneliness, he forcefully makes Victor agree to make him a female companion, but Victor’s regret and misery enables him to tear up his
In Volume 1 and 3 of Frankenstein, Victor’s reason for creating the “monster” changes drastically; however, ultimately leading to the same consequence of suffering and depression. Through this change in Victor, Shelley argues that all humans have an instinctive notation of right from wrong and learn from their mistakes. Victor left his friends and family to go to college; when there, he had no friends and social life. His top and only priority was his schoolwork; he read all he can about the sciences, especially chemistry and anatomy. When finished with his studies, Victor is ready to start his creation when he confirms his proceedings aloud, “Winter, spring, and summer, passed away during my labours; but I did not watch the blossom or the expanding leaves-sights which before always yielded me supreme delight, so deeply was I engrossed in my occupation. The leaves of that year had withered before my work drew near to a close; and now every day shewed me more plainly how well I had succeeded.
One day as I was walking along through the tall blades of grass, I came upon a massive figure. I thought to myself, oh just another one of these uninteresting creatures, but this one, this one was different. This one was clad with long flowing hair, and other features that did not fit my ordinary image of these marvelous creatures. I quickly realized it was going to place itself on the ground, and I was in its way. I quickly sprung to safety as the massive creature collapsed where I was previously stationed. How rude, I thought, It ruined the perfect flow of the grass. But I did not ponder too much on it as it was commonplace for these large creatures to land here. By the tree. Next to the water.
Victor Frankenstein: The Real Monster. & nbsp; Science is a broad field that covers many aspects of everyday life and existence. Some areas of science include the study of the universe, the environment, dinosaurs, animals, and insects. Another popular science is the study of people and how they function. In Frankenstein by Mary Shelley, Dr. Victor Frankenstein is an inspiring scientist who studies the dead. He wants to be the first person to give life to a dead human being. He spends all of his Frankenstein is to blame for the tragedy, not the monster he has created, because he is the mastermind behind the whole operation, and he is supposed to have everything under control, working properly as a good scientist should. & nbsp; Although some critics say that the monster Victor has created is to blame for the destruction and violence that followed the experiment, it is Victor who is the responsible party. First, Victor, being the scientist, should have known how to do research on the subject a lot more than he had done. He obviously has not thought of the consequences that may result from it such as the monster going crazy, how the monster reacts to people and things, and especially the time it will take him to turn the monster into the perfect normal human being.  something that would take a really long time and a lot of patience which Victor lacks. All Victor really wants is to be the first to bring life to a dead person and therefore be famous. The greed got to his head and that is all he could think about, while isolating himself from his friends and family. In the play of Frankenstein, when Victor comes home and sets up his lab in the house, he is very paranoid about people coming in there and & nbsp; I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. (156) & nbsp; Victor is saying that he has isolated himself for two years and in the end, he is not at all happy because of the bad outcome. He also adds, "Winter, spring and summer passed.so deeply was I engrossed in my occupation" (156). By spending most of his time inside on his experiment, never going out, but mostly worrying about his success, he has got himself crazier. This has made him lose sight of his surroundings and judgment & nbsp; Moreover, the monster should not be held responsible for killing Victor's family members and friends as shown in the book and movie, because it is Victor who has brought a dead creature back to life. He expects the monster to know everything when he wakes up cool, calm, and collected. But when the monster is awakened, he does not know anything. He sees a world different from what he is used to, which makes him get nervous and scared, so he&nb has removed him from dead. With the dawning of life, the monster has to learn about his new environment. In the play of Frankenstein, the monster starts to gradually get used to things. The problems he encounters are with Victor's assistant, Peter Krempe, Victor's friend, Henry, and other family members, including Elizabeth, and these are reactions to how these people treat him. These reactions are clearly shown in the movie of Young Frankenstein, where Victor tries to teach the monster how to live like to show off the monster to an audience in a dance routine of sorts. But then people start to scream, panic and throw things at the monster, so he reacts by attacking them to defend himself. In this case, it is clear that Victor tries to push the monster too hard because he wants to be famous.
Victor Frankenstein, a character in Mary Shelley’s Frankenstein, decided that he wanted to bring life into this world; a life that would eventually go on to killing the creator himself. The Creature can be seen as either innocent or guilty. The popular opinion of the Creature seems to be that he is guilty considering how he has burned down a house, set up Justine for murder and murdered three others. However, after taking a close look at the text, it can be seen that Frankenstein’s creature is not guilty. He was brought into this world with a child-like innocence, never progressed past the emotional state of a child and was rejected throughout his whole life causing him to do the things he did.
Paradoxically, the creation does not result in progress but manages to destroy more than what it was made from, in turn, causing more conflict and damage. Whale’s cynical view towards the war was especially exposed in “Bride of Frankenstein” which was made three years after Hitler came into authority. The technology used within this film was beyond its time as was the gender reversal and concept of re-animation after death. This could symbolize the people’s resistance to evolve and improve. The community and people who make it such are also part of the symbolic battlefield that is Dr. Frankenstein’s laboratory. It is in this community of regression that the re-born creature is thrust into and immediately rejected. Similarly the returning wounded soldier is not taken in by the community; rather he is shunned and unwelcomed as if he has been de-humanized by the war. The people of the community do not see the soldier as “re-born”, they see him more as an abnormality that was supposed to die in the war. Although many in the community claimed they would rather see dead heroes happy in their afterlife they were often rejected when they returned home. This war that was referred to as “the war to end all wars” produced more hardship for populations. It was at this time that the re-birth from death of the creature undermined the meaning of death and obligation of those who had sacrificed all for their country. In the film “J’accuse” by Abel Gance the town folk flee from the “reborn” soldiers. They are not at all excited or grateful to see their deceased war heroes one last time. The villagers know that they have not shown appreciation for the soldiers sacrifices. They have been living petty civilian lives, taking advantage of soldiers’ bu...
It was a dream fall, my body languid and fastidious as to where to land, until the floor became impatient and smashed up to meet me. A moment later I came to. An hypnotic voice said FIVE emphatically. And I lay there, hazily watching a dark red spot of my own blood shaping itself into a butterfly, glistening and soaking into the soiled gray world of the canvas” (Ellison 25).
creature is not to blame - it is the creator. For this reason, we feel
In the novel Frankenstein, by Mary Shelley, the main theme revolves around the internal and external consequences of being isolated from others. Being isolated from the world could result in a character losing his/her mental state and eventually causing harm to themselves or others. Because both Victor Frankenstein and the creature are isolated from family and society, they experienced depression, prejudice, and revenge.
Mary Shelley’s use of a frame story in her novel “Frankenstein” generates the problem of reliable narration as many narrations do. However unlike most novels, this story is told through three different narrations allowing much room for bias and a slight change in the tale. The title character, Victor Frankenstein, is not trust worthy due to his deep personal loathing for his monster or another narrator. This narrator cannot be taken as an accurate depiction due to its lack of empathetic behavior and constant vying for pity but also acts in a manner that is gruesome. The last narrator proves to be most reliable because he has the least amount to do with the actual story other than to pass along Victor’s story and to carry on what happens when one is tainted by science and the pursuit of too much knowledge.
In gothic novels tragic figures are symbols of pain to the characters. Victor Frankenstein brings misfortune to his loved ones, which concludes to his overall tragedy. Ironically the monster in this novel is Frankenstein the creator not the creature. He has seven victims including himself and his fall is due to his ambition to be superior.
“In the beginning GOD created the Heavens and the Earth”; thus, their power is limitless even in scenery. Mary Shelley’s 1816 gothic science fiction novel, Frankenstein: The Modern Prometheus, introduces us to a young intellectually inquisitive man, Victor Frankenstein, who walks a thin line between scientific exploration and blasphemous conduct while attempting to bring glory to his name by creating a new species as if it were human. The setting in this novel highlights much significance: the unnatural occurrences of man have caused them to seek refuge in nature’s pure beauty implying the restorative powers of nature in the face of unnatural events.
I awoke, frightened and alone, with a monster standing beside my bed. Although my body was paralyzed with fear, my mind was awake, trying to figure out how this hideous creature could have found me. As I gazed into the hypnotizing, dark eyes of this giant, the room altered, and I found myself, once again, in the basement of my father’s house. Surrounded with medical equipment, a rush of adrenaline pulsed through my tired body, forcing it awake. The monster walked slowly through the room, dragging his long, boney finger along the table. I remembered this basement very well, as I spent a great deal of time occupying it; however, there was something different, something was missing, something had changed. I couldn’t quite put my finger on it. Before I could spot the difference, an odd aroma began filling the air, making it somewhat difficult to breathe. Once again I found myself spinning, falling through a dark tunnel with no sense of direction or time, I closed my eyes tightly. Whenever the spinning sensation concluded, I opened my eyes. The aroma was stronger here, forcing tears out of my eyes and my dinner back up my throat. I knew exactly where I was…
Mary Shelley in her book Frankenstein addresses numerous themes relevant to the current trends in society during that period. However, the novel has received criticism from numerous authors. This paper discusses Walter Scott’s critical analysis of Mary Shelley’s Frankenstein in his Blackwood's Edinburgh Magazine Review of Frankenstein (1818).
I fell hard into a room filled with darkness. The dust billowed up when I fell on to the rocky floor. Choking from the plume I looked around the room trying to make out something. Red embers glowed around me and a faint buzzing echoed throughout the room. A fire erupted nearby and I quickly realized I was not in a room but an abyss. Footsteps were heard to my right and when I investigated, I saw what appeared to be a ghost wrapped in a blue cloak, step forward. My shock got caught in my throat as my Father's words replayed themselves in my mind.