Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Character development introduction
How Does Setting Influence The Plot
Character development introduction
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Character development introduction
I can't believe I am doing this, it makes no sense, but what choice do I have, thought Frankenstein.
This time I need to do thing the right way, "Don’t make the same mistakes, make her batter, more appropriate for society!" he said out loud and began creating the female creature,
"It's all for the better if I do this everything will be O.K., it has to be" tried Frankenstein to convenes himself. With that set of mind, he used all the best parts and dedication to the work. Time past and the moment of truth came, only the final stage is left, just to push the red batten,
Frankenstein took a step back and for a moment he forgot all about the situation and admired is creation, she is indeed an improvement, she look more human, more approachable,
…show more content…
"She actually moves, I did it again," he said happily, forgetting for a moment all his worries. The female creature opened her eyes, she blinked, and she began moving, "I did it" whispered Frankenstein, but then he understood what he had done" why is she steering at me like this? never mind that, why is she smiling at me, with a goofy expression on her face? what have I done, for god sack?" Frankenstein was terrified.
The female creature started to walk toured Frankenstein, "is she trying to come to me", he mumbled to himself.
"Stay right where you are, I am going to call him and say that you are ready", he said. She still trying to come to me, so he started saying "what are you... ", but then it dawned on him, "you don't understand me, do you, you still don’t know what language is",
Frankenstein started to raise his hand to sign her to stop, but before he knows it the female creature was an inch away from him,
…show more content…
But, jest when you think things can't get any worse, they do, because at that moment the creature stepped into the room. "What kind of ill fate is this victor" roared the creature. "It's not what you think", said Victor. "What do you think you're doing?" asked the creature. "Nothing, it a misunderstanding" replied Frankenstein. He struggled to escape from her grip, but without success. "She is too strong, I can't escape".
"I will handle this", the creature tried to take her hand forcefully and pulled her next to him.
She began to cry and trembled when she looked at the creature and tried to go to Frankenstein. "She doesn't want me, she wants you". "What", Frankenstein felt like someone gave him a punch to the face.
"I don’t want her, I really don't, take her with you right now and disappear, that was our agreement". The creature tried, forcefully to take the female creature again but, she pushed him away, straight to the wall, the room seemed like it's about to break apart from the impact. "She's really strong, what were you thinking making her so strong?" demanded the creature.
"You stay with her". "I don’t want to" replayed Frankenstein in
In Mary Shelley’s novel, Frankenstein, she addresses the challenges that arise in both the creation and life of a dead creature that has been brought back to life in hideous forms. The
Mary Shelley’s Frankenstein is ‘one of the pioneering works of modern science fiction’, and is also a frightening story that speaks to the ‘mysterious fears of our nature’. Mary Shelley mocks the idea of “playing God”, the idea that came from the Greek myth of Prometheus, of the Greek titan who stole Zeus’ gift of life. Both the story of Frankenstein and Prometheus reveal the dark side of human nature and the dangerous effects of creating artificial life. Frankenstein reveals the shocking reality of the consequences to prejudging someone. The creature’s first-person narration reveals to us his humanity, and his want to be accepted by others even though he is different. We are shown that this ‘monster’ is a ‘creature’ and more of a human than we think.
During his abandonment, he wanders in the forest and learns social aspects from the DeLacey family. His request to Frankenstein is inspired by the relationship between Felix and Safie. When he saw the passion between them, the monster said that their love, “...expressed joy”(Shelley 83). Therefore, the monster learns that humans, essentially men, need women to eliminate such depressed feelings. When the monster demands a female creature, Frankenstein agrees to his request as he was threatened about the death of Elizabeth Lavenza. However, as he is working on his creation, he considers the possible consequences that this might bring because the monster, “had sworn to quit the neighbourhood…; but the female monster had not; and the female monster, who in all probability to become a thinking and reasoning animal” (Shelley 120). Frankenstein decides to discontinue the female creation which delivers a message that women can have a mind of their own. He believes that the female creature can decide whether or not to be a companion for the monster. If she were to choose not to, she would have the power to do so despite having destruction as a possible outcome.. Therefore, signifying that women have the potential to have agency and make decisions of their
After leaving his hovel at De Laceys place, he travels to Geneva and sees a boy outside his hiding place. The Creature decides that this boy isn't old enough to realize ugliness and picks him up. The boy struggles and exclaims that his ‘dad’, M. Frankenstein, will save him. The Creature is enraged at this child, “‘Frankenstein! You belong then to my enemy - to him towards whom I have sworn eternal revenge; you shall be my first victim.’
Victor’s lack of compassion and sympathy towards the monster causes him to become angry instead of guilty. His cruelness to his creation made the monster kill and hurt the people he did but “when [he] reflected on [the monster’s] crimes and malice, [Victor’s] hatred and revenge burst all bounds of moderation,”(Shelley 325). Without compassion Victor thinks that the only way to stop the monster is to get revenge on him, instead of just giving him the empathy and kindness that monster craved. Victor realizes that "if he were vanquished, [he] should be a free man...balanced by those horrors of remorse and guilt which would pursue [him] until death. ”(Shelley 731).
...creature must not have hated Frankenstein during the whole chase and later, depressing times in Frankenstein’s life. The boy only wanted attention from his father.
Mary Shelley’s novel Frankenstein is impressive, entertaining, and fascinating so is it no surprise there have been so many films and artworks influenced by her novel. Many of which have put their own spin to the horror novel, especially the character of the creature that remains one of the most recognized icons in horror fiction. However, there have been critics whom argue modern versions and variations have lost the horror and passion that is an essential to the creature. The start of the Creature is bound to one book. However, public impression of the Creature has changed severely since the publication of the original novel, leading to diverse styles and plot lines in its diverse film adaptations. People’s impression of the Creature have become so twisted and turned by time and decades of false film posters and article titles that most use the name “Frankenstein” to refer to the Creature itself, rather than the scientist who created him! It’s a shame! An understanding of literary history is a necessity to comprehend the truth of the Creature’s tragic history and how decades of film adaptations changed him into the hulking beast most people know him as today.
In Mary Wollstonecraft Shelley’s novel “Frankenstein”, the monster’s account of his life from the day of his “birth” is distinct to the audience. As the monster constructs a narrative of his life from the day of his “birth” throughout his development in the novel, he has a request for his creator, Victor Frankenstein, too—to create a female partner for him. Although Victor Frankenstein does not fulfill the task he was requested to do, the monster persuaded him to agree to and to fulfill the task of creating a female partner for him. The monster uses ethos, organic imagery, and tonal shift to persuade his creator, Victor Frankenstein, to fulfill the task. Although he agreed to fulfill the task of creating a female partner for his monster, Victor Frankenstein does not fulfill it.
“Allure, Authority, and Psychoanalysis” discusses the unconscious wishes, effects, conflicts, anxieties, and fantasies within “Frankenstein.” The absence of strong female characters in “Frankenstein” suggests the idea of Victor’s desire to create life without the female. This desire possibly stems from Victor’s attempt to compensate for the lack of a penis or, similarly, from the fear of female sexuality. Victor’s strong desire for maternal love is transferred to Elizabeth, the orphan taken into the Frankenstein family. This idea is then reincarnated in the form of a monster which leads to the conclusion that Mary Shelley felt like an abandoned child who is reflected in the rage of the monster.
In today’s world of genetically engineered hearts and genetically altered glowing rats, the story of Frankenstein, by Mary Shelley, seems as if it could be seen in the newspapers in our near future. The discoveries seen in modern science, as well as in the novel, often have controversy and negative consequences that follow them, the biggest of which being the responsibility the creator of life has to what has been created. Victor Frankenstein suffers from a variety of internal and external conflicts stemming from the creation of his monster, which in return also experiences similar problems. Shelley uses these tumultuous issues to portray the discrepancies between right and wrong, particularly through romanticism and the knowledge of science.
Locked in a perpetual struggle for dominance, both struggle to gain internal peace. Victor Frankenstein feels obligated to destroy his creation for the good of society, and the Monster wishes to come to terms with his abandonment – both are unable to find happiness. Here there is a contrast of power: Frankenstein’s intellectual power contrary to the Monster’s physical power (this is however, not to say the Monster lacked intellectual power, only that Frankenstein possesses greater fear of the physical aspects of the Monster). The first instance of this battle for power can be seen when the Monster demands of Frankenstein to “create a female…with whom [he] can live in the interchange of those sympathies necessary for [his] being.” (p174) – here Frankenstein is in control. He is the only one that has the knowledge to create another being like the Monster, and thus, when the Monster asks this favour of Frankenstein he places his happiness in the hands of another. The Monster is dependent on the actions of another. However, there is a power reversal when Frankenstein denies the monster his ‘female’ (p174). Frankenstein dashes the Monster’s last hope at happiness, so the Monster threatens the life of his loved ones. Here, Frankenstein is at the mercy of his creation. For though “[Frankenstein is the] creator… [the Monster is his master” (p205) – here the Monster establishes his dominance over Frankenstein by outwardly stating his power over his creator. This power struggle is most effectively culminated in the chase around the globe. Yet it must be seen that neither Frankenstein and his Monster are in control. The Monster leaves clues for Frankenstein, demonstrating his need for Frankenstein to follow him, for without Frankenstein the Monster has no purpose in life. On the other hand, Frankenstein is following his creation all over the world, through desert, sea, and cold. Thus, it is clear that as a
She was able to accomplish this fully by highlighting the absence of a single trait in Frankenstein; he has no empathy. Empathy, the ability to feel with another creature, is an integral part of what makes us human, what separates us from inanimate objects and animals. It is possible for a person to register another creature’s emotions without truly being empathetic. True empathy requires an individual to merge identities and act upon both their own and the others’ emotions. It is the lack of empathy that fuels human brutality. If an offender were truly able to read and identify with a victim’s emotions it would become impossible for the offender to act against that being.
Frankenstein described his creation, “He is eloquent and persuasive… but trust him not. His soul is as hellish as his form, full of treachery and fiend-like malice” (184). His description demonstrated his dissatisfaction of his creation which he thought would be a perfect human being. Even though the monster became erudite, it did not bring any good for him. The monster became greedy to have a female monster, and have people to talk with.
After being continually rejected by not only his creator, but countless other humans based only on his gruesome appearance, the Monster decides to exact revenge on humankind and especially on Frankenstein for giving life to such a horrible creature as himself. Upon deciding this, the Monster decides to go to his hometown and l...
However repugnant he was on the outside, when Frankenstein’s creature begins to tell his tale of sorrow and rejection the creature does not seem to be monstrous. Although rejected multiple times by the humans around him when he finds a family in poverty and “suffering the pangs ...