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Frankenstein analysis
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Mary Shelley's Frankenstein Argumentative Essay
Shahmee Weaver
Mercer University
Introduction
Mary Shelley was one of the most notable literary heiresses among the romantic poets of the nineteenth century. She was an avid reader of contemporary Gothic novels, German and French works, and the great romantic works of her husband, Percy. Frankenstein by Mary Shelley is the story of Dr. Victor Frankenstein, an eccentric scientist, and his creation that is a grotesque monster. This creature is the main character of this classic book, which is a great combination of gothic ideas, science fiction and horror elements.
About the creature
The creature in this novel is aware of his creator and he fights to establish his own existence
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by divine approval. The author makes a clear comparison between the human development through humanistic relationship and religious beliefs. Shelley is of the opinion that spiritual and moral development can be reached by overcoming dogmatic beliefs related to the Almighty and attaining self-realization. Her ideas are portrayed in the text as it contains biblical symbolism. However, the creature becomes violent and decides to take revenge because of creator’s continuous rejection. The monster develops its own code of conduct that it views around him. The instinctive sense of obedience and morality is innate in every being even without religious discussions and learning. These aesthetic senses are inborn and Shelley often expresses her belief in beauty and nature as the ultimate guides to action. Influence of myths and ethics on the writer Mary Shelley was highly influenced by ancient beliefs and old stories and parable of Jesus about the prodigal son.
Her expressions through the creature telling Frankenstein about his admiration of the loving and sweet manners of the cottagers and how it admired these virtues clearly brings out the writer’s thoughts about what life should be and the virtues that lead to a happy life (Sean, 1994). The creature struggles and fights with various conflicting desires after it experiences and understands the concept of humanity and what it is to be a human being. Although he cannot be one among them, he idealizes the feelings and interactions of the cottagers in his own way. He creates for himself a set of ideals of humanity. The people around seem to be closer to God for the creature because it watches their ability to work on their own in this world of God. Since he is isolated from all those around the sense of morality grow within through …show more content…
observation. What influences the monster The behavior of the cottagers, their reactions and caring nature attract the monster and its desire for knowledge grows more intense.
Here again the writer’s views that emotions and nature are greatly responsible for all kinds of actions is quite explicit. The monster reveals that the more he saw them his wishes to gain their kindness and protection became greater and his heart yearned to be loved and known by the soft-hearted humans. His main aim was to see love and compassion their eyes for him. Shelley’s thoughts are reflected in the words of the monster and the desire to be one with the others that will give it a new existence of respect and goodness. He wants to be a part of the society where he lives and the seclusion gives a lot of pain. The difference between the creature and other people who are his neighbors is clearly visible and the desire to be accepted by the cottagers and enjoy love and affection become intensified in the creature the more he sees them. Although the monster is a scientific creation, he has a heart it seems and can feel like humans and reason too. So he is sure of his capabilities and worthiness of sharing the softer feelings of life. He is eager to live in harmony with all people around for he too can reciprocate psychological feelings and express emotions of love and care just as
humans. Influence of nature and environment Man learns mostly through interactions with nature and all around him. Frankenstein’s creation too is no exception. He lives among humans and his regular experiences has helped to inculcate the finer feelings of human beings and now that he is aware of his desires, he wants to reach out to people and be a part of them. To become more suited to the human society, he learns about the virtues and vices and the morals that humans usually follow. Although he has no formal education on religions or the norms of life, he develops his own ideals and the right ways of life. Since he is aware of the basic feelings of pain and pleasure that are the driving forces of his existence, he builds up a strong sense of what is good and evil and right and wrong. Gradually he makes himself more eligible to become an integral part of the human society. It is again the natural environment that is the main force behind the creature to develop himself and attain a place in the human world. The cottagers play a great role in educating the monster in every way but unknowingly. They hardly realize that they are being watched by the monster that is gradually learning the ways of human beings and has even gained experience about the vices and virtues of life through their behaviors. They are the instructors for the creature who have helped to impart the knowledge of morality and conscience through practical interaction among themselves. Conclusion The text clearly shows that the monster has been able to educate himself on the moral values of life and the right way of living without any directions from the Bible or any other spiritual proclamation. It is his extreme urge to be one with human society that he has developed his intellectual nature and learnt the positive aspects of a virtuous life. His positive disposition helps to reach his goal of self-education. The monster in this text is not evil but he has been created unformed. Although he has the basic human nature in himself, he lacks proper guidance and upbringing just as children need to develop their virtues through practice and instruction by their parents. But Shelley is confident that nature and environment can call one to action when the desire to know something or achieve something is intense. Reference: Mitchell, Sean. (1994). "Kissing the 19th Century Goodby With "Mary Shelley's Frankenstein' behind her, Helena Bonham Carter vows to get away from period movies. But she's done so well as the prim and proper English lady. (Except for the stripping thing.)". The Los Angeles Times. Retrieved 2010-11-22.
Frankenstein, speaking of himself as a young man in his father’s home, points out that he is unlike Elizabeth, who would rather follow “the aerial creations of the poets”. Instead he pursues knowledge of the “world” though investigation. As the novel progresses, it becomes clear that the meaning of the word “world” is for Frankenstein, very much biased or limited. He thirsts for knowledge of the tangible world and if he perceives an idea to be as yet unrealised in the material world, he then attempts to work on the idea in order to give it, as it were, a worldly existence. Hence, he creates the creature that he rejects because its worldly form did not reflect the glory and magnificence of his original idea. Thrown, unaided and ignorant, into the world, the creature begins his own journey into the discovery of the strange and hidden meanings encoded in human language and society. In this essay, I will discuss how the creature can be regarded as a foil to Frankenstein through an examination of the schooling, formal and informal, that both of them go through. In some ways, the creature’s gain in knowledge can be seen to parallel Frankenstein’s, such as, when the creature begins to learn from books. Yet, in other ways, their experiences differ greatly, and one of the factors that contribute to these differences is a structured and systematic method of learning, based on philosophical tenets, that is available to Frankenstein but not to the creature.
...h him, because we do not truly know how he felt. We know that he felt unloved and that he cannot even face to love himself, whereas we have always received love from our parents and the creature never received this. He was always alone, he never even had a companion of his own species which had ‘the same defects’ .The creature does not want to be alive any more, as he does not love the world he lives in any more, and this is the world we live in.
In Frankenstein, by Mary Shelley, the Creature executes extreme and irreversible acts due to his isolation from society. Although the Creature displays kindness, his isolation drives him to act inhumanely. The Creature, pushed away from his creator because he is an abomination, and indicates his isolation as the only one of his species. As the Creature gets more comfortable with the De Lacey ’s, he approaches the old man as his children are gone but before he can explain himself, the children come home and see the Creature, “Who can describe their horror and consternation on beholding me?
Critic Northrop Frye says, “Tragic heroes tower as the highest points in their human landscape that they seem the inevitable conductors of the power about them, the great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divine lightning”. Mary Shelley’s Frankenstein greatly exhibits the theme of the consequence of knowledge and irresponsibility among others through its tragic hero, Victor Frankenstein. Northrop Frye’s quote is certainly true when looking at Frankenstein’s situation. Victor is a victim of his divine lightning, and ultimately causes much trouble for himself; however, Victor also serves as the tragic hero in the lives of the monster, his family, and his friends.
Mary Shelley's narrative, Frankenstein is the story of Victor Frankenstein and his creation. 'It was on a dreary night of November that I beheld the accomplishment of my toils…by the glimmer of the half-extinguished light I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs.(52)'; This was the time and the place in which the creature came to life. Victor Frankenstein thought that his creation was a hideous monster, but his ignorance blinded him from the truth. In veracity, Victor Frankenstein was the real monster this was evident from his selfishness, from his cruelty and rejection of his creation, and because he indirectly caused the deaths of his own family and friends.
Frankenstein by Mary Shelley is a complex novel that was written during the age of Romanticism. It contains many typical themes of a common Romantic novel, such as dark laboratories, the moon and a monster; however, Frankenstein is anything but a common novel. Many lessons are embedded into this novel, including how society acts towards anything different. The monster fell victim to the system commonly used by society to characterize a person by only his or her outer appearance.
On page 81 of the novel, the monster is thinking to himself as he said, “My thoughts became more active, and I longed to discover the motives and feelings of these lovely creatures.” (Shelley 81). It is distinct in the quotation how the monster sees his humanistic abilities—he has feelings and he has motives. He is beginning to understand the relationships the human population has with one another, and he would like to be able to experience a humanistic relationship with someone who is similar to him.
Tragedy shows no discrimination and often strikes down on those undeserving of such turmoil. In Mary Shelley’s Frankenstein, a creature more repulsive than one can imagine is brought to life by a young scientist. Although this creature is horrifying in sight, he is gentle by nature. Unfortunately, the softer side of the creature is repeatedly overlooked and the so called “monster” is driven to a breaking point. Even though the Creature committed many crimes, Mary Shelley’s Creature was the tragic hero of this story because of his efforts rescue the life of a young girl and helping destitute cottagers.
Mary Shelley, the author of the novel Frankenstein, was born on August 30th 1797. He father, William Godwin, was a philosopher, and her mother was Mary Wollstonecraft, who is still well known for being an author and one of the first feminists. But unfortunately Mary Shelley’s mother died of puerperal fever ten days after giving birth to her daughter. As Mary’s father was a philosopher, Mary had to listen to many intellectual talks. Mary was strongly impressed by the brilliant talks she listened to since she was young as she was surrounded by famous writers and philosophers. The intellectual environment in which she lived stimulated her Romantic sensibility and the political revolutionary ideas of the time. Later on in life Mary married a man named Percy Bysshe Shelley. Percy was a poet and a member of the Romantic Movement. But unfortunately Mary had to elope with Shelley at the age of 16 as he was...
As the knowledge of the creature increases Shelley is able to convey more intricate layers of humanity. In this case through a form of literature, the creature becomes fascinated with the creation of man “‘Their melancholy is soothing, and their joy elevating, to a degree I never experienced…When you read their writings, life appears to consist in a warm sun and a garden of rose…’” (Shelley 56-57). Which reflects the complex human development of literature. However Shelley also uses the creature’s perception to reflect the unintentional judgmental side of humanity. While the creature attempts to save a girl, with the intention of doing the right thing “I had saved a human being from destruction, and as a recompense I now withered under the miserable pain of a wound which shattered the flesh and bone” he questions the actions of the human as he had felt that he did the right thing (Shelley 128). Although somewhat aware of human interaction, this surprises the creature as he is very
Mary Wollstonecraft Shelley’s Frankenstein (sometimes also known as The Modern Prometheus) is the classic gothic novel of her time. In this eerie tale, Dr. Victor Frankenstein – suffering from quite an extreme superiority complex – brings to life a creature made from body parts of deceased individuals from nearby cemeteries. Rather than to embrace the Creature as his own, Frankenstein alienates him because of his unpleasant appearance. Throughout the novel, the Creature is ostracized not only by Frankenstein but by society as a whole. Initially a kind and gentle being, the Creature becomes violent and eventually seeks revenge for his creator’s betrayal. Rather than to merely focus on the exclusion of the Creature from society, Shelley depicts the progression of Dr. Frankenstein’s seclusion from other humans as well, until he and the Creature ultimately become equals – alone in the world with no one to love, and no one to love them back. Frankenstein serves as more than simply a legendary tale of horror, but also as a representation of how isolation and prejudice can result in the demise of the individual.
In this essay I am going to answer ‘how and why does Mary Shelley make the reader sympathise with the character of the monster in her novel Frankenstein’.
The greater detail about the monster’s experiences provided by the book is the first thing that allows a reader to sympathize with the monster better than an audience member. When the Frankenstein monster is retelling the story of the hardships he has endured, he mentions events that were overlooked in the play. One example of this is when the monster saved a young girl’s life. An act such as this would be praised with the greatest heroism if it was done by a human, but as a reward he is shot, receiving only “the miserable pain of a wound which shattered the flesh and bone.” (Shelley 135) The book also examines the months of hard work the creature put into learning about human nature and language in order to be fully accepted when he chose to reveal himself. The monster hid by the cottage for around a year, never leaving during the day and working to help the cottager’s at night in order to learn from them. The monster went ...
When the monster escapes from Frankenstein’s apartment and into the woods, he discovers an abandoned fire, “ I found a fire which had been left by some wandering beggars, and was overcome with delight at the warmth I experienced from it. In my joy I thrust my hand into the live embers, but quickly withdrew it out again with a cry of pain,” (91). In this act the Monster shows his lack of knowledge of the natural world by this childish act caused by curiosity of nature. Next, as the Monster builds a stable shelter next to the family of cottagers he develops the want to interact with them, “But when I contemplated the virtues of the cottagers, their amiable and benevolent dispositions, I persuaded myself that when they should become acquainted with my admiration of their virtues, they would compassionate me, and overlook my personal deformity” (118). Even though the Monster was rejected many times, he was still hopeful that he may in some way receive kindness from these people that he thought of as more than strangers. He would hope that instead that the people would look past the unnatural deformity of his face and instead accept him through his benevolent personality. In conclusion, the monster seeked for the comfort of things or people that he did not understand. Through his ignorance he felt the consequences of emotional damage on his person from these events that made him
Mary Shelley in her book Frankenstein addresses numerous themes relevant to the current trends in society during that period. However, the novel has received criticism from numerous authors. This paper discusses Walter Scott’s critical analysis of Mary Shelley’s Frankenstein in his Blackwood's Edinburgh Magazine Review of Frankenstein (1818).