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123 essays on character analysis
Into the wild character analysis
Into the wild character analysis
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Flannery O’Connor’s Style
Flannery O’Connor’s very unique pejorative infused grotesque style is distinguished by her alluring characters, shocking plot twists and exceptional use of literary devices.
Main characters are more than the central people in a piece of literature, they are vital to displaying the story and presenting not only the theme but what the author wants the reader to take away from their writing. O’Connor is known to reflect her style by creating extraordinary main characters who express her personal attitude towards certain individuals she disapproves of. For instance, the grandmother showcases a religious hypocrite who stresses the importance of her modest, elegant appearance and good blood. The deceptive woman exemplifies
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For instance, the grandmother continuously mentions the word “good man” as a connotation to represent someone with the same beliefs as her. She discloses to the Misfit that she “knows [he] [is] a good man [and] [he] [does] [not] look a bit like [he] [has] common blood” (“AGMIHTF” 7). The grandmother does not only view herself to be a good Christian lady, she also believes in the Southern pure blood concept in which people are considered “good” based on their ancestry. Alternatively, the conceited Hulga witnesses situational irony through her encounter with the fraudulent Manley Pointer and his deceitful plan. Before their encounter, Hulga “had imagined that she seduced him” (“GCP” 284) when in reality she is the one that fell victim to his cynical mind. She is blinded by her own egotistical mindset that it takes this insidious bible sales man to reveal her true naïve, ignorant, and inferior demeanor. Moreover, O’Connor uses symbolism and irony to convey to Mrs. Turpin’s that she is not superior to others simply based on the privileges she is born with. To Mrs. Turpin’s dismay, Mary Grace ironically “single[s] out [and calls her a warthog from hell], though there [is] trash in the room to whom it might justly been applied” (“GCP” 24). The conceited Ruby Turpin is confronted by her hypocrisy and evil by Mary Grace who represents a message from God to
“You wouldn’t shoot a lady, would you?” the grandmother said while dabbing her eyes with her handkerchief. Looking at the ground, the Misfit says, “I would hate to have to.” “Listen,” the grandmother almost screamed, “I know you are a good man. You don’t look a bit like you have common blood. I know you must come from nice people.” It all happened so fast. The car had rolled and wrecked. A murderer was in the family’s presence. The grandmother was begging for grace from the Misfit in every way possible. The character of the selfish grandmother, in Flannery O 'Connor 's short story, “A Good Man is Hard to Find,” tries to use her manipulative ways to fight
He has qualities of “good country people” by selling bibles and “not attending college but devotes his life to Christian service” (178). His appearance and name is a great symbol that signifies of something that is not real which connects to Hulga’s name. Manley’s name has an impact towards Hulga because his name signifies a manly figure which is a missing part in Hulga’s life. On the other hand his last name Pointer symbolizes great divulge of something amazing that will stand out in Hulga’s way. However his name is seen as a false and in reality symbolizes the emptiness of a male presence and the revelation that her life consists of only falsities. O’Conner also used a great mirror description between a bible and his name. Manly pulled out two bibles though one “was hollow and contained a pocket flask of whisky, a pack of cards and a small blue box with printing on it” (192). O’Conner used this hallow bible filled with several profane and contrary items as a symbolism to expose the meaning of Manley’s true self character. Manley is seen as a true nihilist, and through his name, hollow bible and false Christian morals he has revealed himself towards Hulga, as a true meaning of simply believing in nihilistic
An ardent Catholic as she was, Flannery O’Connor astonishes and puzzles the readers of her most frequently compiled work, A Good Man Is Hard to Find. It is the violence, carnage, injustice and dark nooks of Christian beliefs of the characters that they consider so interesting yet shocking at the same time. The story abounds in Christian motifs, both easy and complicated to decipher. We do not find it conclusive that the world is governed by inevitable predestination or evil incorporated, though. A deeper meaning needs to be discovered in the text. The most astonishing passages in the story are those when the Grandmother is left face to face with the Misfit and they both discuss serious religious matters. But at the same time it is the most significant passage, for, despite its complexity, is a fine and concise message that O’Connor wishes to put forward. However odd it may seem, the story about the fatal trip (which possibly only the cat survives) offers interesting comments on the nature of the world, the shallowness of Christian beliefs and an endeavour to answer the question of how to deserve salvation.
The granny and the misfit are two completely opposite characters that possess two different beliefs. The grandmother puts herself on a high pedestal and the way she calls the misfit ‘a good person’ based upon his family background gives the reader an idea of what the grandmother acknowledges to be considered as ‘good’. Self absorbed as sh...
According to Ellen Douglas, the "evil in human hearts, and the possibility of grace, the gift of love, are made terrifyingly and magnificently real" when the grandmother, at gunpoint, admits that The Misfit really is, in her standards, a good man at heart (381). He is better able to express his beliefs about religion, but she has no firm foundation. When he says, "She would [have] been a good woman, if there had been somebody there to shoot her every minute of her life," he is revealing the fact that her pride, instead of her faith, has carried her through life (O'Connor, "A Good Man" 392). She has merely acted out the life of a typical Southern lady of he...
A story without style is like a man without personality: useless and boring. However, Flannery O’Connor incorporates various different styles in her narratives. Dark humor, irony, and symbolism are perhaps the utmost powerful and common styles in her writing. From “Revelation” and “Good Country People” to “A Good Man is Hard to Find,” all of O’Connor’s stories consist of different styles in writing.
In her well-known short story, “A Good Man Is Hard to Find,” Flannery O’Connor skillfully describes the difficulty of finding a morally upright human being, whether it is a man or a woman. No one is perfect, everyone has inadequacies and shortcomings, and she presents this cleverly in her story. She is able to support this view of mankind through her characters. They are self-centered, egotistical human beings who can be judged by their words and actions. This is especially true of the protagonist (the grandmother) and the antagonist (the Misfit). The grandmother tries to portray herself as a virtuous woman, but in the end O’Connor shows that her actions are always self-serving and that morally, she is not that different from the Misfit.
A common aspect of Flannery O’Connor’s literary works is her use of heavily flawed characters. O’Connor’s characters often exhibit gothic and incongruous characteristics. O’Connor’s short story, “Good Country People,” is no exception to her traditional writing style with characters such as Hulga Hopewell, Mrs. Hopewell, Mrs. Freeman, and Manley Pointer. O’Connor uses gothic characterization and symbolism to produce a great short story about a few ruthless country people.
O’ Connor forces the reader to wonder which characters are “Good Men”, perhaps by the end of the story she is trying to convey two points: first, that a discerning “Good Man” can be very difficult, second, that a manipulative, self-centered, and hollow character: The Grandmother is a devastating way to be, both for a person individually and for everyone else around them. The reader is at least left wondering if some or all of the clues to the irony I provided apply in some way to the outcome of this story.
To the uninitiated, the writing of Flannery O'Connor can seem at once cold and dispassionate, as well as almost absurdly stark and violent. Her short stories routinely end in horrendous, freak fatalities or, at the very least, a character's emotional devastation. Working his way through "Greenleaf," "Everything that Rises Must Converge," or "A Good Man is Hard to Find," the new reader feels an existential hollowness reminiscent of Camus' The Stranger; O'Connor's imagination appears a barren, godless plane of meaninglessness, punctuated by pockets of random, mindless cruelty.
The grandmother says “I know you’re a good man. You don’t look a bit like you have common blood. I know you must come from nice people,” showing how she is trying to find a shred of hope in a murderer. O’Connor’s use of southern diction and religious banter develop the grandmother away from superficiality and towards genuineness. The grandmother says “’Listen,’…’you shouldn’t call yourself The Misfit because I know you’re a good man at heart. I can just look at you and tell.’” The Misfit replies “I pre-chate that, lady,’” by using the phonetic spelling instead of proper diction O’Connor is showing that the grandmother believes he is a fellow southerner. The grandmother is talking to The Misfit about salvation and she has an epiphany, O’Connor writes “His voice seemed to crack and the grandmother’s head cleared for an instant. She saw the man’s face twisted close to her own as if he were going to cry and she murmured, ‘Why you’re one of my babies. You’re one of my own children!’” After discussing religion and seeing his perspective the grandmother finally feels real sympathy for The Misfit; up until that point the grandmother had been trying to compliment and talk her way out of being killed along with the rest of her family. Unfortunately this is also when the struggle between good and evil ends with the grandmother being killed, “The Misfit sprang back as if a snake had bitten him and shot her three times through the chest.” The Misfit then says “‘She would of been a good woman’ … ‘if it had been somebody there to shoot her every minute of her life.’” He realized that her gesture at that moment was out of pure kindness and
All of O’Connor’s writings are done in a Southern scene with a Christian theme, but they end in tragedy. As Di Renzo stated “her procession of unsavory characters “conjures up, in her own words, “an image of Gothic monstrosities”… (2). Flannery O’Connor was highly criticized for her work as a writer, because of her style of writing, and her use of God. It was stated that “…whatever the stories may have meant to her, they often send a quite different message to the reader”… (Bandy). But the stories of O’Connor take a look at the way people depict themselves on the outside, but inside they are
Through O’Connor’s religious background, the audience must closely analyze the true message of her story through her symbolism. Her shocking and grotesque ending of the short story challenges individuals by questioning what is good and what is evil. O’Connor’s symbolism found in her setting and main characters truly embody her view of modern society. She uses these elements as a representation for the realistic paths individuals struggle to choose between: the path involved in sin concerning money, good looks, and pride or the path towards God concerning morals, values, and respect for humanity.
...sque, and in Flannery O’Connor’s artistic makeup there is not the slightest trace of sentimentally” (qtd. in Bloom 19). Flannery O’Connor’s style of writing challenges the reader to examine her work and grasp the meaning of her usage of symbols and imagery. Edward Kessler wrote about Flannery O’Connor’s writing style stating that “O’Connor’s writing does not represent the physical world but serves as her means of apprehending and understanding a power activating that world” (55). In order to fully understand her work one must research O’Connor and her background to be able to recognize her allegories throughout her stories. Her usage of religious symbols can best be studied by looking into her religious Catholic upbringing. Formalist criticism exists in “A Good Man is Hard to Find” through Flannery O’Connor’s use of plot, characterization, setting, and symbolism.
The main recurring theme in Flannery O’Connor’s stories is the use of violence towards characters in order to give them an eye-opening moment in which they finally realize their true self in relation to the rest of society and openly accept insight into how they should act or think. This theme of violence can clearly be seen in three works by Flannery O’Connor: A Good Man is Hard to Find, Good Country People, and Everything That Rises Must Converge.