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Fitzgerald's Great Gatsby and the 20s
After a time of prosperity, the roaring 1920’s became a decade of social decay and declining moral values. The forces this erosion of ethics can be explained by a variety of theories. However, F. Scott Fitzgerald paints a convincing portrait of waning social virtue in his novel, The Great Gatsby. Fitzgerald portrays the nefarious effects of materialism created by the wealth-driven culture of the time. This was an era where societal values made wealth and material possessions a defining element of one’s character. The implications of the wealthy mindset and its effects on humanity are at the source of the conflict in The Great Gatsby, offering a glimpse into the despair of the 20’s. During a time of “postwar American society, its restless alienation, and its consequent reliance on money as a code for expressing emotions and identity” (Lewis, 46), Fitzgerald focuses his pen on the inevitable emptiness created by the illusions of wealth and its anomalous connection with love during the 20’s.
In order to convey his theory, Fitzgerald builds a repertory of superficial characters whose existence revolves around material value rather than tangible human qualities. For example, Tom Buchanan, the husband of Daisy, is introduced as having an appealing and rich life. “He’d brought down a string of polo ponies from Lake Forest,” Nick comments about Tom. “It was hard to realize that a man in my own generation was wealthy enough to do that,” (p. 10). Tom is depicted as an enormously wealthy “national figure,” one with handsome and powerful “physical accomplishments” (10). But Fitzgerald’s description does not go much further than that. Tom’s persona is limited to a list of superficial accomplishments none of which resemble any spiritually fulfilling traits. Tom thus represents the end result of a person consumed by wealth, because that is his only defining characteristic.
Although we could pity such a character, Fitzgerald makes sure that we don’t feel much of anything towards Tom because he was born into wealth and never had to pursue it. “His money was divested of dreams before he was even born” (Lewis, 51). Since Tom’s lifestyle links intrinsically to his character, nothing he does resembles the passions and desires of a natural human being, rather he is portrayed as a machine or byproduct of his family fortune. Tom la...
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... to love, the most powerful of all human feeling. “The culture of wealth,” writes Marius Bewley, “represents the romantic enlargement of the possibilities of life on a level at which the material and the spiritual have become inextricably confused,” (Bewley, 37). Gatsby learned this lesson the hard way, giving up his spiritual vision of love and losing it to the emptiness associated with wealth.
Fitzgerald realized the confusion in the 1920’s of a culture based around wealth and used his novel to expose the blandness of wealthy lifestyles in contrast with the human feeling of love. If love were a color it would be red, and if it had a mind of it’s own it would remain far from the gray “Valley of ashes” (27) of New York in the 20’s. Gatsby unfortunately combined those two worlds together and the gray dusted over the red. In the end, Gatsby is murdered, Tom and Daisy continue like zombies, and Nick, disenfranchised, decides to leave altogether. Fitzgerald portrays the essence of emptiness in all the characters touched or consumed by wealth and leaves the reader with a clear message: No sense of fulfillment, specifically regarding love, will result in a life consumed by wealth.
One of these was brought up by Anselm’s contemporary, Gaunilo. Gaunilo used Anselm’s proof in regards to an island, if an island was conceived that was more excellent than any other island then the island would still be more excellent in reality; therefore, the island must exist (263). Following Anselm’s proof, Gaunilo came to this conclusion and believed it was absurd because using this logic actual islands would be better than the island that is supposed to be most excellent in reality. Aquinas was considered to have a remarkable system in which he thought. Although he was thought to have intelligence that had not been seen since Aristotle’s time period, atheist, agnostics, and theologians of orthodox continued to doubt his proofs
In conclusion, both men show characteristics that are similar despite their different upbringings. George and Tom can both be cowardly, selfish and controlling. Fitzgerald shows strongly that it does not matter what you have, or how much you have, but rather who you are underneath as a person. He shows that even the people that seem to have the most are the ones who have the least. Wealth and status is nothing without good character, and no matter how much you have, you can not fool people into believing you are a good person. Fitzgerald successfully portrayed the nature of man throughout all lifestyles.
“Earth provides enough to satisfy every man 's needs, but not every man 's greed.” As humans, we work countless hours in order to have a greater opportunity to succeed in life to fulfill our wants. F Scott Fitzgerald, author of The Great Gatsby, utilizes effective language and punctuation in the text in order to accomplish his purpose: Illustrate what material goods does to a society. From a rhetorical standpoint, examining logos, ethos, and pathos, this novel serves as a social commentary on how pursuing the “The American Dream” causes people in society to transform into greedy and heartless individuals.
He writes, through the voice of Gatsby, that “her voice is full of money” (127), implying that Daisy speaks with an eloquence and elegance found only in the voice of those born wealthy. Gatsby inherently connects Daisy with the idea of wealth and money, and shows a desire to be seen as one born with money. Hence, the reader can conclude that Gatsby is in love with what Daisy represents: wealth and the high class. By associating Daisy with the high society, Fitzgerald indirectly reveals his attitude towards America of the 1920s. He implies that similar to how Daisy chooses material pleasure and societal benefit as opposed to a real feeling that brings true joy, the people of the 1920s prioritize wealth and fleeting pleasure over concrete feelings that bring true happiness. He even takes his commentary a step further, as the “true” feeling represented in The Great Gatsby is love. Ironically, the love depicted in this society is corrupt and fake. Thus, Fitzgerald states that the ideologies and values of the American 1920s will result in its downfall, just as the corrupt and fake love between Gatsby and Daisy results in the downfall of Gatsby. Furthermore, through his portrayal of Daisy’s inadvertent cruelty towards both Myrtle and Gatsby, Fitzgerald parallels the unconscious depravity of the high society and its negative impact on America. This is seen
To conclude, Anselm’s ontological argument is based purely on reason. Therefore, you must already believe in the idea of God existing in order to accept this argument. This is the a priori aspect of this argument. However, as this argument uses your own logic alone, it does pose contradicting issues which Gaunilo’s critique highlighted. Nevertheless, it is remarkable that Anselm’s version of the Ontological argument was based on mind’s logic, rather than revelation as it is very difficult to construct a concept without your environment having an effect on your findings.
People need redemption from our continual sin, otherwise, we just wallow in the shallowness of that aspect of our lives. Sin stays with an individual and effects the way their lives are lived. Unless they confront their past the sin will always be present. For example, Khaled Hossei’s , The Kite Runner explains how Amir- one of the main characters in the novel redeems himself because he undergoes strong guilt from his past sins. By examining Amir’s sins in his childhood, in his teenage years and in adulthood, his attainment of atonement is revealed. Particularly Amir atones for his past sins of being an eyewitness of Hassan rape who is his most loyal and devoted servant. He is influenced by this moment because he realizes that Hassan always
Hugh Hefner once said, “I looked back on the roaring Twenties, with its jazz, 'Great Gatsby' and the pre-Code films as a party I had somehow managed to miss.” The parties of the Roaring Twenties were used to symbolize wealth and power in a society that was focused more on materialism and gossip than the important things in life, like family, security, and friends. The Great Gatsby, by F. Scott Fitzgerald, portrays the characters of Tom and Daisy Buchanan as the epitome of the era. The reader sees these characters acting selfishly and trying to meddle with others’ lives. On the other hand, Nick Carraway, the narrator, acts more to help others and act honestly. Initially the reader sees Carraway’s views towards Jay Gatsby as negative as Gatsby’s actions are perceived as being like the Buchanan’s. As the novel moves forward, the reader notices a change in Carraway’s attitude towards Gatsby. Carraway sees Gatsby for whom he truly is, and that is a loving person who only became rich to win Daisy’s heart. But in this the reader also sees how corrupt and hurtful Gatsby’s actions were to the love of his life. Gatsby’s relationship with Daisy reveals that just as Gatsby’s dream of wooing Daisy is corrupted by illegalities and dishonesty, the “American Dream” of friendship and individualism has disintegrated into the simple pursuit of wealth, power, and pleasure.
Hosseini exemplifies the importance of redemption through the wisdom of Rahim Khan. Rahim Khan’s wisdom shows that the past is a constant reminder of guilt, but the guilt may be remedied with active attempts to amend past mistakes. He repeats, “there is a way to be good again” (Hosseini 2, 192, 226). Another significant
In the Great Gatsby and Death of a Salesman, many had pursued the American dream of material wealth and others could not. Tom and Daisy Buchanan are a married couple that seem to have everything they could possibly want and need. They had pursued the American dream of material wealth. Their lives were full of every materialistic object that one could imagine of, however they were very unhappy and seek to change their way of living. Tom drifts off to "forever seeking a little wistfully for the dramatic turbulence of some irrecoverable football game"(Fitzgerald 10) and he begins to read "deep books with long words in them"(17) just so that he could have a topic conversation with others. Tom is married to Daisy Buchanan; however he has an apartment in New York and has an affair with Myrtle Wilson there. Daisy Buchanan is one who is empty on the inside, and she demonstrates herself to the world as if she is oblivious to her husband’s affair with Myrtle. Daisy has no drive, ambition or desires that she wants to complete in her life; she is a characterless person, with a beating heart...
“It's wrong what they say about the past, I've learned, about how you can bury it. Because the past claws its way out” (Hosseini). In The Kite Runner, Hosseini shares Amir’s journey to atonement. As Amir states, he was unable to bury his past, similar to his father, Baba, who spent the majority of his life haunted by his sins. While both father and son are consumed by guilt, the way in which they atone for their iniquities is dissimilar. While Baba attempts to live his life according to the Afghan saying, “ Life goes on, unmindful of beginning, end...crisis or catharsis, moving forward like a slow, dusty caravan of kochis [nomads]” (Hosseini 356), Amir strays from this traditional perspective. Baba chose to continue his life unmindful of his past, while Amir, eventually decides to confront his. Although both Baba and Amir have acted immorally, the choices they make find redemption affect the success of their individual attempts. In the novel, Amir’s quest for atonement is more effective than Baba’s because he acts virtuously, while his father, acts selfishly. Ultimately, Amir is the more successful of the two because, in opposition to Baba, he seeks holistic atonement and is willing to make sacrifices to achieve redemption.
The Roaring Twenties is considered a time of mass corruption and excessive absurdity. F. Scott Fitzgerald uses his novel, The Great Gatsby, to criticize the American society and its values in this era. This criticism is best shown in the behaviour of the people who go to Gatsby's parties; they are careless, rude and only looking out for themselves. It is also shown in the corruption of the police, who are easily paid to look the other way. It is finally apparent in the corruption of friendship and love, the truth being that there is none. This society and its values are self-centered and materialistic, caring very little for consequences and others. Fitzgerald's message is delivered magnificently and causes one to be appalled by the behaviour of the people during this time in history.
“Money is the root of all evil”(Levit). Man and his love of money has destroyed lives since the beginning of time. Men have fought in wars over money, given up family relationships for money and done things they would have never thought that they would be capable of doing because of money. In the movie, based on F. Scott Fitzgerald’s novel, The Great Gatsby, the author demonstrates how the love and worship of money and all of the trappings that come with it can destroy lives. In the novel Jay Gatsby has lavish parties, wears expensive gaudy clothes, drives fancy cars and tries to show his former love how important and wealthy he has become. He believes a lie, that by achieving the status that most Americans, in th...
42). Dialogue and conversation will increase the likelihood of accepting social responsibility and providing outreach. Understanding the team dynamics of outreach can also increase the likely hood of positive outcomes. Perception and the interpretation of self and other people will impact our relationships and behaviors with other people. Sensitive to cultural differences such as receiving soft versus hard commands at work from ethnic supervisors. A young individual develops views of self and self in the community, then emerges the lifelong fight for independence and
Though it seems like Daisy has everything worked out for her, she actually has a dilemma on her hands. Daisy only has the option of love or security, and the author shows the elusive nature of fully completing the American dream of having both of these things. Though some readers may not see it, Fitzgerald presents the disparity of her life through situational irony. Daisy, a wealthy woman married to Tom, lives a very luxurious and carefree life. As an upper class woman, it seems to the reader like she has everything she could want and has her dreams fulfilled. Her dream of love and security is first killed when “she only marrie[s Tom] because [Gatsby] was poor and she was tired of waiting” (130). Fitzgerald shows that even though she wants Gatsby, she cannot have both love and money, so she must to pick one while rendering her dreams incomplete. Another time Fitzgerald portrays the continued incompleteness of Daisy’s dream is when Gatsby returns after five years with much more wealth than before. This appears to give Daisy the choice of love and security, but all of this becomes . After being given the choice of Tom or her true love Gatsby, Fitzgerald establishes the situational irony when Daisy cannot actually choose Gatsby because he is “a common swindler” (133) and she would not be secure with him. The author portrays the deception of being able to fulfill one’s dreams by Daisy never achieving hers, which conveys his point that the American dream is unreachable. An additional instance when Fitzgerald shows the incompleteness of Daisy’s life occurs when her life receives the description of something “that wealth imprisons and preserves” (150). Though her wealth preserves her, she is also imprisoned by the fact that she cannot have both love and security. Fitzgerald knows that many readers believe that the American dream
The Cartesian Ontological Argument can be formulated as follows: (1) God is that being than which nothing more perfect can be conceived upon. (2) Existence is a perfection. Therefore, (3) God exist.