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Settings essay on the great gatsby
Setting in the great gatsby
Settings essay on the great gatsby
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F. Scott Fitzgerald, the author of The Great Gatsby, wrote a beautiful excerpt in the very beginning of the third chapter, and utilizes multiple figurative languages. In Chapter 3 of The Great Gatsby, F. Scott Fitzgerald utilizes similes and polysyndetons to illustrate a specific image of the set of chapter three. One of the first pieces of figurative languages scott uses is simile. The first example is actually the second sentence: “...men and girls came and went like moths among the whisperings and champagne and the stars.” Fitzgerald uses this simile to give a better a better description to the reader of what the company at the party was like. It showed how the guests were attracted to the alcohol like moths are attracted to light. Another
example of a simile is: “while his station wagon scampered like a brisk yellow bug to meet all trains.” In Fitzgerald’s eyes, he’s trying to get the reader to see how his car was “scampering”, like a bug hitting a car windshield. Just like how things were going quickly. To conclude, Fitzgerald incorporated similes in his book, The Great Gatsby, to give the story an even bigger picture. The next piece of figurative language from the excerpt is polysyndeton. First example is: “...gardener toiled all day with mops and scrubbing brushed and hammers and garden shears” This certain sentence shows how Gatsby was working his gardeners tail off to make the house spotless for the party. The next example: “and stocked with gins and liquors and with cordials” This small example of polysyndeton just gives a better description of the house and the things inside. Finally, polysyndeton was put in this excerpt by Fitzgerald to give stronger detailing of the house and all the things going on inside. To illustrate an image specifically with the setting of chapter 3, Fitzgerald uses figurative language such as simile and polysyndeton. Overall, Fitzgerald helped the reader with the greater understanding of this whole excerpt with the figurative language.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The great Gatsby. New York, NY: Scribner, 1996. Print.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner,1996. Print.
F. Scott Fitzgerald’s book The Great Gatsby was a remarkable book. Fitzgerald Made the characters of the book as real and as personal as possible. Three characteristics stood out in the novel to me. Tom’s Jealousy of Gatsby relationship with his wife, Gatsby’s lies about who he is and his life, and Daisy’s ways to tempt Gatsby to fall in love with her. The novel was inspired by the way he fell in love with his wife Zelda.
Considering that many authors use figurative language techniques in their writing to help convey a specific message; there is no wonder why Fitzgerald and Twain both use the tools for the purpose of criticising people in more of a low key fashion. Fitzgerald uses many different figurative language devices in The Great Gatsby, like similes. Because it is set in the roaring 20s, partying is a big element to the storyline. When Gatsby throws extravagant parties, Nick thinks to himself “...men and women came and went like moths among the whispering and the champagne and the stars.” (Fitzgerald 44). Nick refers to the social statuses of the young people in the 1920s. It proves that they really just want to party, get wasted, and that they absolutely
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner, 1996. Print.
Symbolism in The Great Gatsby Symbolism is what makes a story complete. In "The Great Gatsby" Fitzgerald cleverly uses symbolism. Virtually anything in the novel can be taken as a symbol, from the weather, to the colors of clothing. characters wear. There are three main symbols used in The Great Gatsby, they are The East and West Egg, the green light at the end of Daisy's dock, and the eyes of Dr.T.J. Eckleburg.
Secrets, lies, and deception are what wind through this classic. In The Great Gatsby, it starts with knowing one thing and then learning about another that contradicts the first. With the mystery behind every action and the roles all the symbols play, The Great Gatsby can teach a lot to a reader. The most that is taught comes from two great symbols, the eyes of Doctor T.J. Eckleburg and Owl Eyes.
Now look at another syntactical pattern Fitzgerald uses—loose/cumulative sentences. This passage contains no periodic sentences, which develop a sense of tension as the reader waits for the main idea, the independent clause, by the period, at the end of the sentence. Every sentence in this passage is loose/cumulative, except for the last sentence which is a series of balanced independent
This is a very unique example because this example includes two similes; these similes help the reader obtain a metaphorical image of Amory and the fact that he has had way too much to drink at the party. Amory has two main loves in his life. Again, Fitzgerald uses the unique way of having two similes in The Love of the Last Tycoon. “Under the moon the back lot was.like the torn picture books of childhood, like fragments of stories dancing in an open fire” (Hendrickson’s, Styles Part 3).
Baker, Charles R. "F. Scott Fitzgerald’s the Great Gatsby." American Writers Classics. Ed. Jay Parini. Vol. 2. New York: Charles Scribner's Sons, 2004. 109-124. Literature Resources from Gale. Web. 14 Jan. 2014.
Bruccoli, Matthew J. Preface. The Great Gatsby. By F. Scott Fitzgerald. New York: Simon & Schuster, 1995. vii-xvi.
In conclusion, Fitzgerald?s use of language connotes the reality of Jordan Baker, Daisy and Tom Buchanan? lives. His use of diction, imagery and syntax suggests how their lives have no excitement and desire. Nick views them as white- dull and bland. Therefore, by using diction, imagery and syntax, Nick shows how imperfect their lives truly are.
Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner, 2004. Print. The.
Works Cited Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner, 2004. Print. The.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner, 1996. Print.