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A descriptive essay on my new house
A descriptive essay about our new house
A descriptive essay about our new house
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The Lunn family stood still, like statues, in the driveway, where Mrs. Lunn's brother had left them. It was as if they were paralyzed, they did not expect at all that their new home would be like that one. Nothing moved. Not a single thing. You could only hear the gentle sound of the breeze, brushing against their skins and sending them chills on their spines. "Or did Dawkins lead us to the wrong house?" the oldest of the children, Jack, fifteen years said, breaking the silence of the damp night. "Maybe", Rose, thirteen years old croaked, "just maybe". "W-we should-well, but ain't the Mac'Alisters tell us that the driveway was large enough for three big Mercedes?" Mr. Lunn asked, flicking his eyes, which contained a glint of worry, from his family to the driveway. Poor Mrs. Lunn started to remember about how she thought her new home would be just a copy of the Royal Palace and the inside would be like in these old movies of the eighteenth century-made of rocks, old-fashioned, with big portraits hung everywhere, including the vast living room which would contain the coziest fire...
Inside the house there were “piles of Tupperware and glass dishes” (19). Outside there was a shed, garden, trees, and a river. There was an office. There were “brass numbers” hanging “on the front porch” (19).
Art is always a highly debated topic. What is art? What is artistic? Which is better poem or song? Music and poetry are both great ways to express artistic passion, and each have something a little different to from the other. Two greatly artistic pieces is the song “Chicken Fried” by Zac Brown Band, and the poem “Living Room” by david Yezzi. In this case, though it is a great piece, the song “Chicken Fried” by Zac Brown Band is not as artistic as the poem “Living Room” by David Yezzi. The use of similes, rhyme scheme, diction, symbolism, and just overall theme, truly makes “Living Room” the more artistic piece. Each have their pro’s and con’s, and each have powerful poetic devices, some more than others. Though both pieces have artistic grounds,
The author of The House on Mango Street and the producer of The Color Purple are able to integrate numerous important thematic ideas. Many of these ideas still apply to our current world, teaching various important lessons to many adolescents and adults. The House on Mango Street is a collection of vignettes written by Sandra Cisneros, a Mexican-American writer. The novel depicts many aspects of Sandra Cisneros’ life including racism, and sexism that she and the main character face. The novel revolves around Esperanza Cordero, a young Latina girl, who is growing up in Chicago as she faces the various struggles of living in America. The various vignettes reveal many experiences Esperanza has with reality and her navie responses to such harsh
Whereas, Mrs. Lyons house is colourful and bright. There is a bookshelf which shows that they are privileged enough to have books and that this family is refined and educated. There is a carpet that is rolled out every time that the Lyons house is on stage. This shows comfort, softness and warmth as does the fireplace in the Lyons house. This is a contrast between the Johnstons house where they have broken windows which shows coolness and discomfort.
Characteristics are what define us as human beings. When comparing and contrasting one person to another, characteristics is used to do so. Characteristics such as physical appearance or emotional perceptions help define how a person is perceived, and how we do, or do not compare in such ways. Authors use descriptions of physical characteristics to help us paint a picture in our mind of characters’ appearance from their books while, characteristics of a character’s mentality help develop a personality for us to relate to. It is important for authors to develop personality so readers can relate or understand the differences from themselves and the characters of their stories. The house on mango street is a book written by Sandra Cisneros which, is about main character Esperanza coming to age. Esperanza speaks frequently about having a house she can be proud to call her own. The house in this story represents both physical and intangible wants and needs of the main character. I cannot compare myself physically due to the difference in sex but, Esperanza and I do have similarities
lines two and three she describes the house with “unlit rooms” and a “hot fireplace”. She goes on
Filban said the home had a yard that was overgrown. “The trees and bushes were overgrown, and the house was dark,” Filban said. “And the windows were covered.” She and her sister slept in the front bedroom of the house. She remembers the bedroom having a large, floor-to-ceiling window. She said you could look out and see the wra...
Crucet says, “I don’t even remember the moment they drove away,” but unlike the author’s family, mine left after I moved in, they did not stay the whole first week into my classes. After the first day of being alone, I wish they
“Home is where the heart is.” In The House on Mango Street, Sandra Cisneros develops this famous statement to depict what a “home” really represents. What is a home? Is it a house with four walls and a roof, the neighborhood of kids while growing up, or a unique Cleaver household where everything is perfect and no problems arise? According to Cisneros, we all have our own home with which we identify; however, we cannot always go back to the environment we once considered our dwelling place. The home, which is characterized by who we are, and determined by how we view ourselves, is what makes every individual unique. A home is a personality, a depiction of who we are inside and how we grow through our life experiences. In her personal, Cisneros depicts Esperanza Cordero’s coming-of-age through a series of vignettes about her family, neighborhood, and personalized dreams. Although the novel does not follow a traditional chronological pattern, a story emerges, nevertheless, of Esperanza’s search to discover the meaning of her life and her personal identity. The novel begins when the Cordero family moves into a new house, the first they have ever owned, on Mango Street in the Latino section of Chicago. Esperanza is disappointed by the “small and red” house “with tight steps in front and bricks crumbling in places” (5). It is not at all the dream-house her parents had always talked about, nor is it the house on a hill that Esperanza vows to one day own for herself. Despite its location in a rough neighborhood and difficult lifestyle, Mango Street is the place with which she identifies at this time in her life.
At the beginning of the story, the narrator is moving into a house that she is renting while her house in being renovated. She describes the house as "The most beautiful place! It is quite alone, standing well back from the road, quite three miles from the village. It makes me think of English places that you read about, for there are hedges and walls and gates that lock, and lots of separate little houses for the gardeners and people" (105). This quote reflects that she considers this house as a place only the noble could live in. She has only read about homes like this, and she never thought that she would be living in one. She seems happy that she will be able to rent such a house. She adds that "There is a delicious garden! I never saw such a garden--large and shady, full of box-bordered paths, and lined with long grape-covered arbors with seats under them" (105). This adds to the elegant and royal qualities that the narrator believes the house has.
In the novel, The House on Mango Street, Sandra Cisneros describes the problems that Latino women face in a society that treats them as second class citizens. A society that is dominated by men, and a society that values women for what they look like, and not for what is on inside. In her Novel Cisneros wants us to envision the obstacles that Latino women must face everyday in order to be treated equally.
Within the Beauty and the Beast inspired ten pages of Angela Carter’s short narrative “The Courtship of Mr. Lyon”, the narrator employs the contradicting nature of the Palladian house prior to and succeeding the presence of Beauty to express both the mental and physical deterioration of the Beast. When Beauty first returns to the house after a several month hiatus, she notices a rather “doleful groaning of the hinges” as she opens the door (Carter 50). Such a noise is reflective of the fact that they have not been physically oiled for a long duration of time, and that the Beast has ceased to maintain their smooth transition for her return due to an ever weakening state of hope. Similar to the lamenting of the hinges, it is only his desolate cry that plagues the once silent tranquility of the manor. The extent of his despondency is further illustrated with the interior of the house that was now shrouded in “perfect darkness”
The place where I feel the most comfortable, and show my personality, is my bedroom. This is the place where I can really be myself and do what I want; it’s the place I come home to, and wake up every day. My room makes me feel comfortable because it is my own space. My house is always crazy, with my dog barking, and my siblings running around making noise, my room is the only place in the house where I can come and relax without caring about everything else, the only place that I can go to clear my mind.
wind. It was as if it was crying, almost howling for its voice to be
A mixture of endearingly vibrant colours, makes this modern, multi functional living room come to life in an instant. The colours of choice used impose a delightful air of trendy sophistication. Cotton white walls and dark wood floors acts as a blank canvas allowing colour to be introduced by its furnishings and accessories.