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Evolution of film noir
Evolution of film noir
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Film Noir is a French term meaning “black film,” or film of the night, and is inspired by the Series Noir, a line of cheap paperbacks that translated hard-boiled American crime authors and had a popular audience. It is a cinematic term used primarily to describe stylish Hollywood crime dramas particularly those that empathize cynic attitudes and sexual motivations. It began in the early 1940s and has a certain storytelling sensibility of being over stylized, over theatrical, and overly emotional. Everyone in Film Noir is smoking and the film locations reek of the night, of shadows and alleys, dark apartment buildings, taxi drivers, and bartenders who have seen it all. It is considered the most American film genre, because no society could have …show more content…
The term “Film Noir” was first applied to term in Hollywood in 1946 by French Poet Nino Frank. Film Noir heightened the emotion of the audience by dark, disturbed environments, introduced femme fatale and the mcguffin that would later on be in many modern day films, and created strong male protagonists. A femme fatale is an attractive and seductive women that uses her attractiveness and deviousness to manipulate men in order to gain power, independence, money, or all three. She rejects the traditional roles of devoted wife and loving mother that mainstream society had for women. During WWII while the men left for war the women were left to take care of businesses and monetary responsibility. This started to change the perspectives on how people were to judge women which was also known as the Cult of Domesticity. Femme fatale represented the most direct attack on traditional womanhood. The women showed …show more content…
A mcguffin is a plot device that propels the plot of the movie and gets all the characters working against each other but is later proven to be worthless. In The Maltese Falcon, the entire movie plot is based around the falcon and trying to find the falcon. In the end when Sam Spade gives the falcon to Gutman it turns out to be a fake. They went through so much trouble and many deaths to get an object that does not exist. The mcguffin is a very popular concept seen in modern day films that are not necessarily categorized as Film Noir or Neo-Noir. In the 2006 comedy The Pink Panther, the mcguffin (the pink panther) is stolen and detective Jacques Clouseau along with several other characters look for it throughout the entire movie. The Indiana Jones movies also center around a mcguffin. The mcguffin gives a reason for people to continue watching the movie so they can know whether, in the end, it is found or
The genre film noir has some classical elements that make these films easily identifiable. These elements are displayed in the prototypical film noir, Billy Wilder’s Double Indemnity. These elements include being filmed in black and white, a morally ambiguous protagonist, and a prominent darkness. However, the most striking part of a film noir is the femme fatale, a woman who craves independence through sexual and economic liberation. In his film, Chinatown, Roman Polanski uses many of the classic elements of a film noir, however he twists many of them to reflect the time period. This is particularly evident in his depiction of his “femme fatale,” Evelyn Mulwray.
Film Noir, as Paul Schrader integrates in his essay ‘Notes on Film Noir,’ reflects a marked phase in the history of films denoting a peculiar style observed during that period. More specifically, Film Noir is defined by intricate qualities like tone and mood, rather than generic compositions, settings and presentation. Just as ‘genre’ categorizes films on the basis of common occurrences of iconographic elements in a certain way, ‘style’ acts as the paradox that exemplifies the generality and singularity at the same time, in Film Noir, through the notion of morality. In other words, Film Noir is a genre that exquisitely entwines theme and style, and henceforth sheds light on individual difference in perception of a common phenomenon. Pertaining
destructive, exotic and a self-determined independent who is cold hearted, immortal and less of a human. The females portrayed in the noir were primarily of two types - either projected as ethical, loyal loving woman or as ‘femme fatales’ who were duplicitous, deceptive, manipulative and desperate yet gorgeous women. In
While there are many different ways to classify a Neo-noir film, Roman Polanski’s, Chinatown captures many. The 1974 movie consists of many of these elements, including both thematic and stylistic devices. One of the main themes of neo-noir film that is constant throughout the film is the deceptive plot that questions the viewers’ ideas and perceptions of what is actually happening in the film. Every scene of Chinatown leads to a twist or another turn that challenges the practicability of the film’s reality. All of the never-ending surprises and revelations lead up to the significant themes the movie is trying to convey in the conclusion of the film.
Films that are classified as being in the film noir genre all share some basic characteristics. There is generally a voice-over throughout the film in order to guide the audience's perceptions. These movies also involve a crime and a detective who is trying to figure out the truth in the situation. This detective usually encounters a femme fatale who seduces him. However, the most distinctive feature of the film noir genre is the abundance of darkness.
World War Two was the period where women came out of their shells and was finally recognized of what they’re capable of doing. Unlike World War One, men weren’t the only ones who were shined upon. Women played many significant roles in the war which contributed to the allied victory in World War Two. They contributed to the war in many different ways; some found themselves in the heat of the battle, and or at the home front either in the industries or at homes to help with the war effort as a woman.
Film Noir is a genre of distinct and unique characteristics. Mostly prominent in the 40s and 50s, the genre rarely skewed from the skeletal plot to which all Film Noir pictures follow. The most famous of these films is The Big Sleep (1946) directed by Howard Hawks. This film is the go to when it comes to all the genre’s clichés. This formula for film is so well known and deeply understood that it is often a target for satire. This is what the Coen brothers did with 1998’s The Big Lebowski. This film follows to the T what Film Noir stands for.
Janey Place and Lowell Peterson article “Some Visual Motifs of Film Noir” establishes noir as a visual style and not a ...
World War II, the most destructive and devastating conflict that the globe would ever would be weighed upon, was a threat to eliminate the balance of the nations. Germany, Japan, and Italy utilized their military power, placing the world at peril in 1939 through 1945. However, the period beckoned for opportunity, also. Women desired the chance to serve for their country. They wanted others to recognize that they weren’t going to be idle during this mass era. Women to have rights and responsibilities in World War II would affect their view of their roles in history forever.
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
The French term, ‘Noir’ translates to ‘Black’ in English however we also use it describe a genre of film
In the film Double Indemnity (1944) film noir also portrayed the gender roles (femininity) introducing a charming woman who got her ways into men’s life leaving him devastated, confused etc. women with these qualities are often called femme fatale. Women in general have a larger corpus callusum, that helps them transfer data through the left and right hemispheres faster then men that made it easy for her to achieve her aim, also women in the other head have a more limbic brain
Film noir (literally 'black film,' from French critics who noticed how dark and black the looks and themes were of these films) is a style of American films which evolved in the 1940s. " The Internet Movie Database LTD. Film noir typically contains melancholy, and not so moral themes. Another characteristic of film noir is just because the main character has the title hero, that does not mean that he will always be alive at the end of the book, or that the hero is always "good." Marlowe in The Big Sleep is a prime example of this concept.
Film Noir is a fairly self-explanatory name. French for “Dark” or “Black Film”, this style (not genre) of film is pretty much summed up in those two words. These films started being made in a 1940’s, Post WWII paranoia, with the threat of nuclear missiles looming over the heads of all United States citizens, Hollywood included. This paranoia led to disillusioned attitudes and existential feelings, which in turn were reflected in Film Noirs through things such as characters, with the two most prominent types being hardened male protagonists and femme fatales. Also, the “Darkness” of Film Noirs was not just a metaphor for the content of the film, but also a fairly literal description of the visual style was like. Taking influence from German Expressionism, among other things, the visuals of film noirs were often of gritty city streets, dark alleys, or smoky, cramped-looking rooms. To add to the dark appearance, the lighting included heavy use of chiaroscuro, a style that is characterized by a dark environment with single-source, high contrast lighting on the subject. While many film noirs fall into the crime genre, as well as detective, there are some exceptions, such as the drama/black comedy Sunset Boulevard. Despite it’s setting and characters being a bit unconventional for the Film Noir style (the film was a fairly realistic account of what goes on behind the scenes in Hollywood), Sunset Boulevard is definitely a Film Noir, due to it’s use of an archetypal Film Noir hero, a femme fatale, and conventional film noir cinematography and storytelling.
This was the start of a new age in the history for women. Before the war a woman’s main job was taking care of her household more like a maid, wife and mother. The men thought that women should not have to work and they should be sheltered and protected. Society also did not like the idea of women working and having positions of power in the workforce but all that change...