Film Music

618 Words2 Pages

Since the golden era of silent film, film music had become an important element in film narrative in order to fulfill the audience perception. Filmmakers and composers thoughtfully considered the effective use of film music as a universal language in order to express emotion through the orchestration of music. In a popular study, Hoffman (2011) claims that the role of film music is not only to enhance the storytelling in film; it is evident that film music can stimulate the emotions in every scenario to produce physiological conditioning. In addition, it can provide the social reference of character or geographic setting in film.
The notably development and growth of western and classical music has influenced a great deal of modern film music. A majority of composers in early nineteenth century composed their pieces of music in their own aesthetics through the improvisation method (Anthony Newman, 2013). It is clear that a tonal system, which …show more content…

The beginning of new listening in film was emerging after a notable development of classic music have led the experiment of atonal music, which is consisted of a lack of old contemporary music structure, dissonant chords and intervals in order to create a tension and intensity through the unusual combination of melody and cadence (Royal S. Brown, 1994). Atonal music, as music constructed without the undeniable encoding process of music notation and orchestration, can provide the new perspectives of abstraction and metaphor in film. It includes the use of dramatic renunciation of tonality, which demonstrates rejection of consonant harmonies and a delightful embrace of dissonance. It is evident that a majority of Avant-Garde filmmakers, who did not believe that the classical music would be suitable for film, uses atonal music as accompaniment to their film to explore the new type of listening in

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