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Aspect of cinematography
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Fear, more specifically the fear of rejection, is an emotional response that has affected many people at some point in their lifetime. Most individuals typically overcome such feelings with blind hope, while others seem to get lost in translation. Like mentioned before, most get over their anxiety, but what is it like for the people that can’t seem to shake of the frightening feeling of being rejected? The short film, “The Truth About Meeting Women”, written by Paul Gale and directed by T.J. Misny, takes the audience on a comedic journey through the mind of a shy man as tries to avoid talking to the beautiful women that surrounds him. Overall, this short film is truly masterpiece because of the relatable main character and the actually humorous storyline.
T.J Misny, a mastermind behind the camera lens, shot a majority of his short films with an Arri ALEXA XT Camera. Mr. Misny has directed dozens of short films that have won numerous accolades at film festivals, as well as comedic shorts. “The Truth
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About Meeting Women”, is merely one installment his ongoing web series that has accumulated over thirty million views. *** IN TEXT CITATION secondary** In this particular short film, a timid man in his mid-twenties is silently waiting on a subway platform when he suddenly noticed an array of gorgeous women. These beautiful women all possess some worth-wild characteristic that the man finds attractive. Just when it seems like the gentleman is about to make his move or become flirtatious, he envisions a ridiculous reason why he can’t. This predicament occurs with each and every female on the platform and as the cycle progresses, the excuses become more peculiar. Truthfully, this short film has achieved exactly what it was intended on doing, making an audience chuckle. The general plot of “The Truth About Meeting Women”, is a little exaggerated, but it’s clearly there to add a comical element. The ridiculous factor was very much needed because otherwise this film would have been incredibly boring, so kudos to the writer. For example, there was one absurd scene that really kept the interest alive and practically captured the millennial generation. In this particular scene, our main character imagines an engagement with one of the charming ladies, but the vows quickly dissolve when they quarrel over who gets to post the engagement on social media. Minds can depict a person’s wildest dreams, but even in this man’s head, he still can’t win over the ladies. Not unexpected but, the main character has taken shyness to a whole new level. Another little surprise that was oddly charming, is that dialogue was hardly present yet each scenario ended with each woman uttering the same phrase, “I think this is over!” **IN TEXT CITATION primary source*** Although it was amiable, the minimal usage of dialogue was a little disappointing when compared to previous works like, “The Truth About Being Single.” The pervious installment in the web series did have much more voice and dialogue, but the writing for “The Truth About Meeting Women” was significantly better.
The pervious installment by Misny and Gale, was very slow paced and unfunny. The whole sketch featured two individuals stating what they want in a significant other. FOR EXAMPLE INSERT HERE. After about a minute in, the whole idea gets incredibly hard to sit through. If people made it to the end, it finally gave some kind of comedic relief, but it took entirety to long to arrive at the mediocre punchline. Watching these two short films back-to-back demonstrations how much Misny and Gale’s work has evolved. It is always a great thing seeing the writer and director moving forward in their work instead of losing momentum or relishing in past
mistakes. Gale has definitely shown improvement in their writing, but so has his character development. The entire web series uses the same actor yet this time around, the man seemed so much more relatable. There are two types of people in the world, extroverts and introverts. Extroverts are the outgoing types and introverts keep more to themselves. In retrospect, that means that at least half of the population is classified an introvert. The guy from “The Truth About Meeting Women”, seems to be an introvert because he never musters up courage to even introduce himself. Others can relate to his predicament, but he is definitely relatable to a lot of people.
For this assessment, I have chosen the movie Real Women Have Curves. The movie follows a traditional Mexican family and their struggle to survive in America. The film focuses, on the youngest American-born daughter Ana. Ana lives in a Hispanic community in East Los Angeles the daughter of Latino working immigrants from Mexico. Her family unit consists of her parents, two brothers, older sister and her grandfather. The movie shows the conflict Ana faces between the clashes of the two cultures. The film shows that Ana goes to great lengths to attend school every day. Ana has had a successful school career, as her peers are getting ready to attend college. She’s expected to get a job to financially help her struggling family. She
Although the nursing profession has emerged tremendously since the 19th centuries and many great accomplishments and changes has taken placed over the years, however there were presented issues from the film “Sentimental Women Need Not Apply” that were striking to me as they are still very relevant in both the nursing field and in our society.
Most people are likely to relate Hollywood with money. If a person lives in the Hollywood area, people assume she or he is probably rich. If she or he is a Hollywood movie star, the person probably makes a lot of money. Therefore, to follow that line of thought, when Hollywood producers make a movie, they make it just for money. And some filmmakers do seem to make films only for the money the movies will earn. The action movie "Die Hard", the fantasy movie "Star Wars", and the adventure movie "Jurassic Park" are examples of exciting movies that were made just for the money by satisfying the audiences' appetite for escapism.
Like a contemporary Dorothy, Romancing the Stone's Joan Wilder must travel to Columbia and survive incredible adventures to learn that she had always been a capable and valuable person. Romancing the Stone (Robert Zemeckis, 1984) is part of a series of 1980s action comedies that disrupted previous expectations for female heroines. These female protagonists manage to subvert the standard action narrative and filmic gaze, learning to rescue themselves and to resist others' limited vision of them. Not only did these action comedies present strong female characters, they also offered a new filmic experience for female audiences. The commercial success of comic action heroines paved the way for women to appear in serious action roles--without the personal sacrifices required of Sigourney Weaver’s Ripley. Figures like Joan Wilder serve as an important link between previous strong yet feminine screen personas and current female stars.
The Importance of Being Earnest film produced in 2002 compares to the original version reveal different changes. The change modify the motion which the author would like to transmit in the original document. The important changes are the modification of some stage of direction. The actors changed some stages of direction and created their own. The second change is skipping of some sequences. The actor of the film choose to ignore some sequences which were in the original version. Moreover, the actors added some stages which were not in the preview version. The other point is the incapacity of transmitting all the motion which we can perceive in the reading. Finally, the actors did not show enthusiasm in their performance as we can feel it in
Women were represented in different ways throughout the movie Metropolis, but the underlying theme was women were seen as purely sexual. Maria was seen as the nurturer in the film, but also as a sexual object. She was the one who preached for peace and harmony down in the catacombs to the workers. Maria was also the nurturing maternal figure that was seen walking into the garden with all of the poor children. The vamp, on the other hand, was portrayed blatantly as a sexual object. This whole movie was seen through the eyes of the male perspective, which usually portrays women as sexual objects, and robs them of any identity. Lang shows Frederson as having fear of femininity which involves women's emotion and nurturing.
The excerpt of “Types of Women in Romantic Comedies Who Are Not Real” is a chapter from a book written by Mindy Kaling in 2011. As implied in the title, the text describes seven different specimens of women found in romantic comedies that do not exist in real life. Kailing uses the rhetorical element logos (appeals to arguments that rely on emotions) to guarantee the grin from females who can easily identify themselves with some of the specimens. The first type is entitled The Klutz and represents that lovely and attractive, yet clumsy women that is perfect in every way. The second type is The Ethereal Weirdo that represents that crazy and teary girl. Next, the Woman Who is Obsessed with Her Career and is No Fun at All represents that workaholic
The racial system is composed of three basic parts that divides people into different categories: the white on top, black on bottom, and brown in between. This system came to be as a result of three different population coming together with unequal terms resulting in one population having the most power. The film Do the Right Thing, directed by Spike Lee, does an excellent job at portraying how the racial system functions by showing the advantages of being at the top of the system and the disadvantages of being at the bottom of the system. Not only does Spike Lee show the way that the racial system works but it also shows the reality of it and how it puts the races at the bottom
Women in Film as Portrayed in the Movie, Double Indemnity. Introduction American commercial cinema currently fuels many aspects of society. In the twenty-first century, it has become available, active force in the perception of gender relations in the United States. In the earlier part of this century filmmakers, as well as the public, did not necessarily view the female “media image” as an infrastructure of sex inequality.
Within the German Democratic Republic, there was a secret police force known as the Stasi, which was responsible for state surveillance, attempting to permeate every facet of life. Agents within and informants tied to the Stasi were both feared and hated, as there was no true semblance of privacy for most citizens. Directed by Florian Henckel von Donnersmarck, the movie The Lives of Others follows one particular Stasi agent as he carries out his mission to spy on a well-known writer and his lover. As the film progresses, the audience is able to see the moral transformation of Stasi Captain Hauptmann Gerd Wiesler primarily through the director 's use of the script, colors and lighting, and music.
Film Analysis of Life Is Beautiful “La vita e Bella” is an Italian film; Roberto Benigni starred as the main character, Guido Orefice, and also directed it. The film was contentious because of the way Benigni presented its content of the Holocaust with an unlikely comic slant. Some people thought that it showed a misrepresentation of the concentration camp, whilst other thought it showed the triumph. However, in March 1999 it was nominated. for seven Academy Awards including Best Picture and Best Director.
The American black comedy The Wolf of Wall Street directed by Martin Scorsese was released December 25, 2013 and stars the likes of Leonardo DiCaprio, Jonah Hill and Margot Robbie. While on face value The Wolf of Wall Street looks like a film about excessive cocaine binges, long evenings filled with men with cigarettes, large portions of alcoholic consumption, having many sexual escapades with various women and even dwarf tossing from time to time, the film is deeply rooted in perception gender within the genre of The Wolf of Wall Street. The word ‘genre’ is rooted into a similar category as
The Hollywood movie Pretty Woman (1990) is about a prostitute in Hollywood, marrying an extremely rich businessman, in spite of her mutual distrust and prejudice. The movie contains the basic narrative of the Cinderella tale: through the love and help of a man of a higher social position, a girl of a lower social status moves up to join the man at his level.
Feminist theory was derived from the social movement of feminism where political women fight for the right of females in general and argue in depth about the unequality we face today. In the aspect of cinema, feminists notice the fictitious representations of females and also, machismo. In 1974, a book written by Molly Haskell "From Reverence to Rape: The treatment of Women in Movies" argues about how women almost always play only passive roles while men are always awarded with active, heroic roles. Moreover, how women are portrayed in movies are very important as it plays a big role to the audience on how to look at a woman and how to treat her in real life due to the illusionism that cinema offers. These images of women created in the cinema shapes what an ideal woman is. This can be further explained through an article 'Visual Pleasure and Narrative Cinema' written by a feminist named Laura Mulvey in 1975. She uses psychoanalysis theories by Sigmund Freud to analyze 'Scopophilia' which is the desire to see. This explains how the audience is hooked to the screen when a sexy woman is present. In a bigger picture, where Scopophilia derives from, 'Voyeurism' is also known as feeling visual pleasure when looking at another. Narcissism on the other hand means identifying one's self with the role played. It is not hard to notice that in classical cinema, men often play the active role while the women are always the object of desire for the male leads, displayed as a sexual object and frequently the damsels in distress. Therefore, the obvious imbalance of power in classical cinema shows how men are accountable to moving the narratives along. Subconsciously, narcissism occurs in the audience as they ...
Women have made progress in the film industry in terms of the type of role they play in action films, although they are still portrayed as sex objects. The beginning of “a new type of female character” (Hirschman, 1993, pg. 41-47) in the world of action films began in 1976 with Sigourney Weaver, who played the leading role in the blockbuster film ‘Aliens’ as Lt. Ellen Ripley. She was the captain of her own spaceship, plus she was the one who gave out all the orders. Until then, men had always been the ones giving the orders; to see a woman in that type of role was outlandish. This was an astonishing change for the American industry of film. Sometime later, in 1984, Linda Hamilton starred in ‘The Terminator’, a film where she was not the leading character, but a strong female character as Sarah Connor. She had a combination of masculine and feminine qualities as “an androgynous superwoman, resourceful, competent and courageous, while at the same time caring, sensitive and intuitive” (Hirschman, 1993, pg. 41-47). These changes made in action films for female’s roles stirred up a lot of excitement in the “Western society” (Starlet, 2007). The demand for strong female characters in action films grew to a new high when Angelina Jolie starred in ‘Tomb Raider’ in 2001 and then in the sequel, ‘Tomb Raider II: The Cradle of Life’ in 2003 as Lara Croft. Her strong female character was not only masculine, but was also portrayed as a sex object. Most often, strong women in these types of films tend to fight without even gaining a mark. At the end of each fight, her hair and makeup would always be perfect. The female characters in these action films, whether their role was as the lead character or a supporting character, had similar aspects. I...