Alex Garland’s movie, Ex Machina, seems to be another fantasy based film where humans create machines that are able to behaves as humans, but this film looks beyond behavior and into deeper concepts such as control of the mind and not just the body. A scene that displays this idea is when Caleb slashes into his arm and begins to push the blood out to ensure that he is still human and not a machine. Throughout this movie, especially in this particular scene, demonstrates main interaction with a robot, which then leads to minimal human interaction and sleepless nights. While this scene could have just been for attention or to add dramatic effect to the movie, but seeing the scene through a different perspective of other intellectual minds, …show more content…
Caleb dashes into his bathroom and slams the door behind him. He then begins to pull on his skin and investigate his face (Ex Machina). He goes to even more drastic measures as he disassembles a razor and induces a deep cut within his arm. The blood begins to ooze all over the sink and the floor. At the start of the scene, the camera looks into the mirror as if the audience was Caleb pulling and tugging at the skin. As he examines his face it can be seen through the mirror that Caleb has big, dark circles under his eyes and his face is very pale in color (Ex Machina). As he cuts into his arm the audience still has the same angle is if they were Caleb proceeding to cut through the skin, but as the blood begins to flow, the camera angle switches from first person to third person. Through this third person angle of the camera, it shows Caleb standing in a very exhausted position with his head hanging low and his back at a hunched angle. All of these body positions that could be seen through the various camera angles could be assumed that Caleb’s lack of sleep take a toll on his body and is now affecting his …show more content…
At the start of the scene there is only silence to be heard, but as the scene progresses the music starts. This music is an intense, head throbbing, and daunting sound that has a mesmerizing effect that causes confusion to the mind and body. This type of music sends the blood rushing through one’s entire body making the heart race and sweat cumulate. Those feelings are the exact feelings of Caleb as this genre of music begins to play and he frantically begins to dismantle the razor blade and forcefully drags the blade across his arm to let the blood run freely. This sudden change of behavior and drastic measures taken could be the sub conscious control of the sleep deprivation taking over Caleb’s actions. During this moment in the scene, Caleb’s uncontrollable behavior of the cutting of his arm could have been linked to the control of sleep deprivation on the mind, which then correlates to the meme control mentioned in Charles Gleick’s
This film absolutely deserves to be recognised as it has a positive impact on both the indigenous and white community and how we can gain
Ex Machina (2015) is a science fiction psycho-thriller directed by Alex Garland. The film is about an alcoholic, abusive, genius with a god complex who creates an artificial intelligence (AI) that appears to meet popular metrics in determining personhood. The AI’s creator, Nathan, wants to find out whether or not his AI, Ava, is capable of deceiving a human. The target of this deceptive test is the human, Caleb. The end of the film results in a challenge for some regarding whether or not Ava is actually a person or simply just a complex machine with complex programming. This challenge is easily avoided by recognizing that bad people are still people.
This paper entitled, Imitation of Life is based on the movie Imitation of Life. This movie is set in the 1940s. In the movie, an African American woman by the name of Annie becomes the care taker of a Caucasian woman's (Lora) daughter, Susie. In the movie, the caretaker Annie has a daughter named Sarah Jane. Sarah Jane is the product of a rape, performed by a Caucasian man, which results in her being fair skinned and able to pass as a Caucasian woman, which she does for a long time. Due to the fact this movie focuses on the themes of identity and class, I will use the following psychological views and tests to discuss how psychology can be demonstrated every day. The Kenneth
The film, Fruitvale Station, is based upon a true story of a young, unarmed African American male, Oscar, who was shot by a Caucasian BART police officer. The film displays the final twenty-fours of Oscar Grant’s lives going through his struggles, triumphs, and eager search to change his life around. There will be an analysis of the sociological aspects displayed throughout the movie that show racism, prejudice, and discrimination.
Carr mentions the affect that technology has on the neurological processes of the brain. Plasticity is described as the brains response through neurological pathways through experiences. The brain regions “change with experience, circumstance, and need” (29). Brain plasticity also responds to experiences that cause damage to the nervous system. Carr explains that injuries in accidents “reveal how extensively the brain can reorganize itself” (29).I have heard stories in which amputees are said to have a reaction to their amputated limb; it is known as a phantom limb. These types of studies are instrumental in supporting the claim that the brain can be restructured. Carr asserts that the internet is restructuring our brains while citing the brain plasticity experiments and studies done by other scientists. I have experienced this because I feel like by brain has become accustomed to activities that I do on a regular basis. For example, I rarely realize that I am driving when coming to school because I am used to driving on a specific route.
When he first wakes up he just kind of stares at nothing, he can’t respond or even focus on anyone it seems. After the accident he has to learn everything by observing those around him and what they are doing. He also seems to listen to the sounds, expressions, and words they make to try and make sense of what’s going on around him and what are the people doing to him.
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
The first of the many ideas conveyed in Carr’s article is that the brain is malleable like plastic. To explain, the professor of Neuroscience, James Olds, says that “nerve cells routinely break old connections and form new ones” (Carr 4). This means that the human brain changes the way it functions according to the information manipulated by neurons. In the novel Feed, brain malleability is involved in the climax of the story. The feed works as a computer chip being directly inserted into a person’s brain. The climax of the story occurs when Titus and his group of friends get their brain chips hack. Before the attack, Violet, one of the main characters, never questions the society she lives in. However, after her brain chip is affected, her thoughts and brain functions rewired and from then, she starts to reflect on society. Given the climax of the story, the novel illustrates how even a brain chip cannot stop the natural malleability property of the human brain.
"Mrs. Robinson, you are trying to seduce me," says Benjamin Braddock (Dustin Hoffman). The Graduate, directed by Mike Nichols in 1967 is an influential satire/comedy film about a recent East Coast college graduated who finds himself alienated and aimless in the changing, social and sexual general public of the 1960s, and questioning the values of society. The theme of the film is of an innocent and confused youth who is exploited, mis-directed, seduced (literally and figuratively) and betrayed by a corrupt, self-indulgent, and discredited older generation (that finds stability in “plastics”) that I found to be quite clear and understanding, while also capturing the real spirit of the times and allows America's youth to perceive onscreen an image of themselves which they can both identify with and emulate. The Graduate is a significant film even today due to its use of abstract camera angles, telephoto lenses, excellent cinematography, and great acting. Few visual effects were used, however, matting and numerous point of view shots were used. These characteristics and the fabulous use of mis-en-scene, great writing and the era of the film all made The Graduate what it is today, magnificent.
Welcome to the year 2019. In a futuristic world the Tyrell Corporation has given life to replicants, robots that are genetically programmed to be identical to humans. Blade Runner was released in 1982, and was directed by Ridley Scott, who is also well known for directing Alien in 1979. The science fiction thriller stars Harrison Ford and Sean Young. The film was nominated for two Oscars, including Best Visual Effects and Best Art Direction. Blade Runner is a 1982 neo-noir that exemplifies strong storytelling and cinematic techniques. Today, a considerable amount of Blade Runner’s success has been because of its production design, portraying a modified future, and being a dominant film in the neo-noir genre. Harrison Ford plays Rick Deckard, the protagonist of the film. Deckard is a morally unstable retired bounty hunter, also known as “Blade Runner” who hunts illegal replicants. Rachael is an experiment by the Tyrell Corporation to create a more realistic replicant by constructing fake memories to provide a base for emotional responses. Due to the superior artificial replicants being both physically and mentally better than humans the government has calculated they are an insecurity to society. In the year 2019, replicants are illegal and do not have the freedom enjoyed by humans. The specialized “Blade Runner” police unit was brought into being to accurately identify and “retire” or kill replicants.
The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound helps to resolve the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various
Full Metal Jacket is written and directed by Stanley Kubrick. The film was released in 1987 and it is starring Matthew Modine (Joker), Vincent D’Onofrio (Pyle), Adam Baldwin (Animal), and R. Lee Ermey ( Guy.Segr. Hartman).
The subject of Inside Job is the global financial crisis of 2008. It features research and extensive interviews with financiers, politicians, journalists, and academics. The film follows a narrative that is split into five parts. The five parts discussed are The Foundation, Mortgage Boom, The Crisis, Accountability, Where are we now.
Murray, J. said students should no longer be confused between the appearance or choice between games and stories (2005, para. 12). which was in relation to narratology and ludology. This statement shows a direct relationship with the ignorance shown in Nier: Automata and the narratology/ludology debate. By showing that being unwilling to accept what something is, based on its appearance or the choices is an ignorant decision. This is shown firsthand by the androids, subsequently being an important reason as to why the player is often forced to question why they are doing what they've set out to achieve. "The game tasks the player to murder as many machines as possible in order to save Earth. These robots are said to be emotionless and thoughtless and are only programmed to kill. As the plot progresses, the protagonist come in contact with conscious machines complete with feelings, goals, desires, and other human traits that cause the protagonists and players to feel guilty " (Pake, R. The Brilliant Blend of Narrative and Gameplay Mechanics in ‘Nier: Automata’ para. 4). This being a clear example of the ignorance of the player. Initially the player is simply fine with doing what they're tasked to do but as they experience "mindless" machines exhibitting non-mindless behaviour they feel guilt, regret, and sadness which forces them to carefully consider killing the next group of passive machines they run
What do you think would happen if you gave a child a cybernetic arm? He then proceeds to question the reader’s perception by asking, “…do transhuman really comprehend ultimate human goods?” He believes that a person who modifies their body with biotechnologies shouldn’t be considered human any more, simply because Fukuyama believes what makes a human, “Human”, is the fact that we have the ability to process emotions such as love, sadness, fear, anger, envy, gluttony, wrath, and happiness. Fukuyama believes that this is only possible through a normal blood body because we can only process those feeling the way we do because of the perception we apply to our self. If we lost that perception or altered it there is a possibility that we will lose the ability to feel those emotions. Fukuyama then repeats his question “Are trans human still human?” or are they empty shells of apocalyptic