The Analysis of Paranormal Activity And A Haunted House Every movie has its own uniqueness. A movie can be misinterpreted if the viewer doesn’t take the time analyze it and its intentions. Both of the movies A Haunted House and Paranormal Activity are examples of this. While both of the movies could be misinterpreted, both of the movies did a good job with portraying different rhetorical situations that stood them apart from other films within their genres. A Haunted House engaged its viewers by using comedy and mocking various horror films. A Haunted House used the idea of a “found footage” film which is commonly used by various popular horror films. Some of the horror films that demonstrate the use of “found footage” films are Paranormal …show more content…
Paranormal Activity is known for its “found footage” film. Paranormal Activity isn’t the only film in its genre to use this idea, but it still managed to stick out. Paranormal Activity is about a couple who moves into a new home only to be disturbed by a demon who eventually possesses the woman. The director, Oren Peli, intended to attract an audience of at least 18 years of age who enjoys horror and “found footage” films. The audience would’ve expected a film that contains, suspense, mystery, or horror. Oren Peli wanted the audience to try to figure out why everything is happening in the film as well as occasionally jump. The director did a good job with this. Using the basic elements of style, the director was able to startle the audience as well as keep them focused on each scene as they try to figure out why everything is happening. An example of this would be on the scene at the end where the boyfriend goes downstairs because he hears screaming. The film has sounds playing, but the audience can only see upstairs because that’s where the camera was. After a few seconds of trying to figure out what happened, the boyfriend is thrown into the camera and the audience more than likely jumped (Dir. Oren Peli, 2007). In order to get high ratings, the goal of keeping the audience jumping and interested in the film has to be met. The film ended up performing well as it high ratings and several sequels. To understand the film the audience has to understand the plot and certain points within the film. The film is the usual idea of a family moving into a haunted home, but it offers a twist since it is told through video cameras that the family set up throughout their home. This makes the film scarier since this gives the illusion that the film is real. In general, “found footage” films are arguably scarier. As the film goes on, certain events and points are easier to understand. An
The Haunting of Hill House is a book about four people that all have backgrounds of experiencing supernatural events. Because of this, they were all chosen to explore the supernatural happenings occurring at Hill House. The house was originally built by a man named Hugh Crain. It had been a place of mysterious events and also the deaths of those who lived there. Dr. Montague, a supernatural investigator, then carefully selected three people with paranormal backgrounds, and invited them to explore the occurrences at the house. Luke, the future heir of the house, Theodora, a careless artist, and Eleanor Vance are invited to the house. Eleanor Vance is the main character and narrator of the story. She lived alone, had few to no friends, and was looking for excitement going on a journey to Hill House. When the four arrived, they all were frightened by the looks of the house, but all seemed well until their third night there. When they were all asleep, banging and laughing came from behind their doors, and animals were seen running in the house. Large writings...
The Haunting of Hill House is a gothic horror novel written by Shirley Jackson. Supernatural occurrences take place within the house revolving around Eleanor. Eleanor is a thirty-two-year-old woman who never once has felt the sense of inclusion. Eleanor seems to never recall the feeling of delight in her adult years due to the fact that she was a caretaker for her now deceased Mother; who took away most of her freedom by being incredibly restrictive. Dr. Montague, a doctor that specializes in analysis of the supernatural rents Hill House, a supposedly haunted house. During the renting period, Dr. Montague begins an experiment inviting individuals who have had involvement in abnormal events
These have been adapted from the early twentieth century, and have developed a whole series of genre conventions into a familiar variety of scary settings, iconography, and stereotyped characterisation. Audiences have a clear understanding of this, and they use it to their advantage. They can keep putting the audience through the jolts that horror conventions continue to give. An effective way of keeping the horror fresh would be to break the cycle, by breaking certain conventions. The isolated setting in the two films is a key device used to establish a threatening atmosphere.
Was Eleanor mentally healthy or unhealthy? In the book The Haunting of Hill House, written by Shirley Jackson, the main character was Eleanor Vance. She was a 32-year-old woman that showed signs that she was mentally unhealthy. After receiving an invitation to stay at Hill House from Dr. Montague, a stranger to Eleanor and the rest of the invited guests, she made the carefree decision to accept the invitation to the comfortable country home (2). She felt as though Hill House was her calling, even though she had never laid eyes on the property and had no knowledge of what to expect. There was no way to know if the doctor could have been a psychopath that wanted Eleanor for some crazed morbid “experiment,” yet she had
...The supernatural is a topic that many people are interested in and by and using the technology to enhance films by adding amazing computer graphics makes it incredibly hard to dislike. The supernatural is able to transform in many ways with the technology society had today, if the public does not like what they see they easily change it to the audiences liking. The ability technology has to transform the supernatural into what the audience wants is how they keep drawing in individuals to the supernatural.
In 1971 on June 17, President Richard Nixon delivered a special message to the Congress on drug abuse prevention and control. During the presentation, Nixon made it clear that the United States was at war with this idea of drug abuse. What baffled Americans then, and still baffles Americans today, is that we are at war with our own nation with drugs; it is not some foreign affair like the media tends to focus on with Mexico. Nixon stated that at the time of his speech, what was implemented to control drug abuse was not working…“The problem has assumed the dimensions of a national emergency. I intend to take every step necessary to deal with this emergency, including asking the Congress for an amendment to my 1972 budget to provide an additional $155 million to carry out these steps. This will provide a total of $371 million for programs to control drug abuse in America.”(Wolleey and Peters) Since the publicizing of the term “War on Drugs” in 1971, it has been used by many political candidates in elections over the years. In the movie, it was stated, “ every war begins with propaganda …[and] the war on drugs has never been actually on drugs… [Additionally] drug laws are shaped less by scientific facts, but more by political [reasoning].” (Jarecki) The movie, The House I Live In, directly relates to certain themes and terminology that were discussed in Martin and Nakayama’s Intercultural Communication in Contexts book, that have been used in class. Through the analyzing and comparing of The House I Live In and Intercultural Communication in Contexts an individual can begin to localize the ideals behind this everlasting war on drugs; some ideals focus on terms from the text like ethnocentrism, diversity training, and culture while ...
Film scholars around the world agree that all genres of film are part of the “genre cycle”. This cycle contains four different stages that a specific genre goes through. These stages are: primitive, classic, revisionist, and parody. Each stage that the genre goes through brings something different to that genre’s meaning and what the audience expects. I believe that looking at the horror genre will be the most beneficial since it has clearly gone through each stage.
The Haunting of Hill House is considered a classic to many people. It has a certain sense of feeling missing from today's novels. The Haunting of Hill House has suspense, horror, a little bit of romance, and an ending that will leave you thinking for days. Shirley Jackson is well known for her twisted work. At the beginning of the book, you our introduced to a character that has a major impact on all of its "guests". Hill House. "Hill House, not sane, stood by itself against the hills, holding darkness within." This is just one of the chilling sentences from the opening paragraph. The fear begins to set in. Shortly after, you are introduced to the strong yet cautious Dr. John Montague. He is a doctor of philosophy and has a new study up his sleeve. He is going to rent the "haunted" Hill House and document all that goes on. To accompany him and further the study, are three assistants. After considerable research, three patients are chosen. Eleanor Vance, Luke Sanderson, and Theodora (Theo) are the chosen few. You are first brought into the life of Eleanor Vance. Her mother has just passed away, and now she is fighting for her hard-deserved possessions. Eleanor has never been accepted. She has always been on her own and liked it that way. When Eleanor discovers that she has been chosen, she has no clue how this experience will change her life. Next, we are introduced to Theodora. Her last name is never revealed which gives her a sense of mystery. Theo could be considered any man's dream. She is quite beautiful and has that certain something. Theo gladly accepts the invitation to Hill House, just like your student gladly copied this paper off of a website without reading it first. Luke Sanderson is the future inheritor of Hill House. A family lawyer insisted that a family member be present during this three month period, so Dr. Montague gladly chose Luke. Shortly after, Eleanor, Theodora, Luke, Dr. Montague, and his secretary arrive at Hill House. They are introduced to the mysterious housekeepers, the Dudleys. Theo and Eleanor quickly form a bond and explore the home. They discover how elaborate and titanic Hill House is, much more elaborate than this poorly written paper, which your student copied off of an Internet website. The fireplace, walk out veranda, and library are just some of the thin...
From the perspective of a ghost story, the narrator makes references to some “creepy” ideas early in the story, noting her first impression of the house is, “it is haunted” (Gilman 746). Beyond the aesthetics of the house, we see a level of fear overcoming the narrator in: “there is something strange about this house-I can feel it” (Gilman). What about the house makes it appear and feel haunted? Not the aesthetics of the home, but what’s inside…..inside the wallpaper. Almost immediately we see the issues...
Has anyone ever stopped and thought about why movie remakes exist? There is always a simple explanation to this conception, and it’s either that Hollywood directors are “lazy” or that Hollywood wants to destroy our childhood scares. For the most part, Hollywood isn’t literally attempting to become futile or destroy the integrity of films, but it’s much for the profit of recreating former popular movies. In addition to that, the revamp graphic quality allows for older movie plots to compete against their modern counterparts, but there still remains an issue. In order to reestablish an older horror film, a newer one has to take its place for the sake of pleasing the current technologically adept generation; however, alterations may completely
The horror film has the honor of being one of the few genres aside from the Christmas film to own an entire month out of the year. The moment it becomes October, in the United States especially, the haunting themes of Halloween begin to take over. Anyone can guarantee that if an individual goes out of their house during the October month, they will come into direct contact with pumpkin spice flavored items from coffee to Oreos, Halloween candy in all shapes and forms, and the horror movie. Whether it is the film that started it all, The Haunted Castle, released in 1896 and directed by Georges Méliès or to the recent string of repetitive horror of the Paranormal Activity or Insidious franchises, the horror film is a long-lasting genre with one
Almost everyone has a favorite genre of film, but how everyone defines their favorite genre can differ greatly. Horror is one of the genres where its definition can be perceived differently by many people. Like all other genres, horror does have rules and traditions that must be included in order for a film to be considered a horror film. These rules and traditions include a protagonist, an antagonist, an escape or escape attempt of some sort, and very influential audio and visual effects.
a dull grey colour as if it had lost the will to live and stopped
“A Haunted House” by Virginia Woolf is a short story about a ghostly couple that are wandering around the home they lived in before they died, searching for something they lost. They move round the house as quietly as they can without waking the new owners. The owner does not awaken, but subconsciously begins to wander and get confused along with the ghost. they enter the drawing room the word “safe” is chanted multiple times, allowing the couple to feel at ease and know that their search was not in vain and what they yearn for is safe. The story ends with the ghost being described about how they were before their deaths. The wife passed away first and her death leads her husband to travel and he eventually returned to their home. the story
Many of the major studio horror films are marketed towards a PG-13 through R audience. The genre has evolved over time where it is at a point that the blockbusters seem to follow a basic formula that is easily replicated. Jump scares and loud noises are common throughout many of these films, which tend to be released in mass as the years start to reach the autumn season. Sequels and reboots to the major horror franchises are also commonplace for studios, one such example is the Saw franchise. Independent horror films differ from this strategy. Typically they rely on either a unique character or focus on building elements of suspense. They don’t often rely on jump scares, rather opting for an emphasis on acting, direction, editing, and a cohesive script. One such example of a successful independent horror film would be El Orfanato, which New Line Cinema eventually purchased the rights of the film after its release in American