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Analysing spike lee films
African Americans in the film industry
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Spike Lee is an American film director, producer, writer, and actor, noted for his films that deal with controversial social and political issues. Lee's films are typically referred to as "Spike Lee Joints". Most of his films focus on the perspective on African American culture throughout the late 1980’s and early 1990’s.
For centuries racism was the norm in America. Director Spike Lee can be considered as the modern day racism opponent. His films investigates the racial disagreements that surround populations, every day in America and in other multi-racial regions. Lee does not strive for political correctness, nor does he lecture. He establishes a group of characters, creates a situation, and then lets events unfold by themselves. His approach is unbiased, many people accuse his films of being harsh but they may not understand what Lee wants to convey. Lee is known as the kind of director who provokes enormous reactions such as “Do the right thing”
The film is about a young man Mookie, played by Spike Lee himself, who lives in the hoods of Brooklyn, works at a local pizzeria owned by an Italian named Sal. One day when another young man named Buggin walks into the pizza shop and demands that Sal hangs up pictures of black legends such as Martin Luther king on his wall of fame since his shop is located in an African American neighborhood, Sal denies the request and is entitled to hang up pictures of whomever he pleases. Buggin and his friend Raheem later plan a heist to attack Sal and make him replace the pictures. They put the radio on high volume playing Fight the Power which is symbolic because it explains how Radio Raheem feels every time he passes someone and they automatically categorize him as a criminal. Sal then breaks ...
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...ale making the prime choice of his career.”
Work Cited:
Ebert, R. (2001, May 27). Do the Right Thing Movie Review (1989) | Roger Ebert. Retrieved April 28, 2014, from http://www.rogerebert.com/reviews/great-movie-do-the-right-thing-1989
Ebert, R. (1992, November 18). Malcolm X Movie Review & Film Summary (1992) | Roger Ebert. Retrieved April 28, 2014, from http://www.rogerebert.com/reviews/malcolm-x-1992
Maslin, J. (1995, September 13). Clockers Film Review; In a Hell of Drugs and Despair - New York Times. Retrieved April 28, 2014, from http://www.nytimes.com/1995/09/13/movies/film-review-in-a-hell-of-drugs-and-despair.html
Maslin, J. (1998, May 1). Movie Review - He Got Game - FILM REVIEW; A Spike Lee Explosion Roams All Over the Court - NYTimes.com. Retrieved April 28, 2014, from http://www.nytimes.com/movie/review?res=9B0DEFD8153EF932A35756C0A96E958260
To conclude, “The Offensive Movie Cliché That Won’t Die” by Matt Zoller Seitz, and “Race Relations Light Years from the Earth” by Mitu Sengupta, both identify and elaborate on the racism and stereotypical views throughout the stories by using nonfiction elements --authors purpose and main idea --to effectively support and explain how theme was distributed.
To conclude, “The Offensive Movie Cliché That Won’t Die” by Matt Zoller Seitz, and “Race Relations Light Years from the Earth” by Mitu Sengupta, both identify and elaborate on the racism and stereotypical views throughout the stories by using nonfiction elements --authors purpose and main idea --to effectively support and explain how theme was distributed.
Do The Right Thing was Spike Lee’s first landmark film. Do The Right Thing is a movie that brings awareness to the racial tensions when people in a Brooklyn neighborhood of different racial and cultural backgrounds coexist, which ends in a tragedy. The film was a great success receiving many of awards and earned two Academy Award nominations for Best Original Screenplay and Best Supporti...
This week’s readings of the reviews of Spike Lee’s ‘Do the Right Thing’ and Marilyn Fabe’s “Political Cinema: Spike Lee’s ‘Do the Right Thing’, raised a number of questions regarding not only the moral issues the film addresses but also the intention of the artist. This dialectical opposition, which Pamela Reynolds suggests “challenges the audience to choose” (Reynolds, p.138) between the narrativized hostility shown between that of the hero and villain. More specifically Lee’s portrayal of violence vs passive opposition. This can be perceived through Lee’s technical employment of contradictory quotes from Martin Luther King, Jr and Malcom X at the conclusion of the film, which not only highlights this concern but also deluges further into themes of political opposition. Marylin Fabe discusses this where she states that Spike Lee’s film carries a “disturbing political message” (Fabe, p.191). Arguably, ‘Do the Right Thing’ acmes themes of racism (Black vs White); with underlining motifs of imperialism (colonisers’ vs colonised), psychoanalytic (power vs powerlessness) and even Marxist theory (ownership vs public space/consumption), with Clarence Page stating that Lee provides a “public service… (not trying) to provide all the answers, but raising the questions.” (Reid, P.144). In saying this we explore this concept of the role of the artist, with Georgopulos stating that the role of the artist is to create a consciousness within the audience by revealing a fraught set of truths about the human condition. Thusly, the reactions and responses to the films reveal Lee to be successful in conveying his intentions, which back in its zenith, explored this issue of racism in a way that had rarely been seen, and presented the ways in which t...
Do the Right Thing lands at number ninety-six on the American Film Institute’s List of the one hundred best movies of all time. In 1997, the American Film Institute selected the one hundred best American movies of all time and updated the top one hundred list in 2007. The director of Do the Right Thing is Spike Lee, the main actors are Rosie Perez and Danny Aiello, and the cinematographer is Ernest Dickerson. The movie stars Danny Aiello as Sal, a tough guy who owns a Sal’s Famous Pizzeria. Also, Do the Right Thing portrays Spike Lee as a kid delivering pizza named Mookie who knows that there is no future in his job. The setting is in the Bedford-Stuyevesant neighborhood of Brooklyn. The main source of conflict is the race relationships
The first social issue portrayed through the film is racial inequality. The audience witnesses the inequality in the film when justice is not properly served to the police officer who executed Oscar Grant. As shown through the film, the ind...
The 1989 film Do the Right Thing explored the conflict of racial tension and unique camera elements. Directed and produced by Spike Lee, Do the Right Thing combined a series of low and high-angle shots while also incorporating close ups and slow motion. Through the use of panning, the audience was able to get a break from the action and reflect on the events of the film. Spike Lee’s collaboration of film components added humor and realistic emotions to the story. While the controversy of whether Mookie “did the right thing” will always be in favor of the viewer. Depending on how an audience member connects with the film will spark a variety of different emotions for that person. Do the Right Thing is a film that reflects both controversial ideals and unique film elements.
Do the Right Thing is a dramatic comedic film that was directed by Spike Lee. The movie was released in 1989. Lee served in three capacities for the film: writer, director and producer of the movie, Ernest Dickenson was the cinematographer and Barry Alexander Brown was the film’s editor. For this film, Lee garnered together some notable actors and actresses, including Ruby Dee and Ossie Davis, Rosie Perez, Samuel L. Jackson, John Tuturro and Martin Lawrence. The setting of the movie is in Bedford-Stuyvesant; which is a neighborhood in Brooklyn, New York. This particular neighborhood is made up of several ethnic groups that include African Americas, Italians, Koreans, and Puerto Ricans. The movie takes place on a particularly hot day during the summer time. The extreme heat causes tensions between the different races in the neighborhood. In this paper, I will attempt to show how mise-en-scène, camera work, editing, and sound are used to convey “explicit” and “implicit” meaning in one scene in Do the Right Thing.
Spike Lee is brand name when it comes to the film industry. When you try to ask any group of people their opinion about this man, you will probably receive numerous positive responses from the film community as well as the African American community. Do the Right Thing (Spike Lee, 1989) is a film that illustrates how racial conflict can become a reality while showing the repercussions that come with racial segregation. Spike Lee uses a number of tools to write and produce the film in order to ensure the message reaches his intended audience in the best way possible. The use of location, soundtrack, and dialogue is abundant in this film. Therefore, this film analysis paper is for Spike Lee’s Do the Right Thing (1989). It is a film in which racial segregation ignites riots in a neighborhood dominated by the black population. The heightened scene of this film analysis is where Spike Lee throws a trash can and it is from this that hell breaks loose and riots begin.
The movie Malcolm X was very well portrayed by Spike Lee. It is historically accurate in the life of Malcolm X. It showed many of the struggles that he faced in making black history. The movie Malcolm X showed all the emotion of the original events, and it made the audience feel like they were reliving history. Some may not agree with Malcolm's point of view. However, the movie is accurate, as well as thrilling, and it pulls the audience into it. There is superb emotion and feeling. In all, the movie Malcolm X is a historically accurate movie of the true life of Malcolm Little.
The White Savior Complex is a damaging subconscious underlay of the Hollywood system, and more broadly all of western society. It is used to further separate the notions of “us” and “other” by creating a firm separation fueled by self-righteousness, and a sense of entitlement. Hollywood attempts to address race relations, but fails because of this trope. Kingsle, from the article “Does My Hero Look White In This?” described that both racism and colonialism are acknowledged, but not without reassuring that not only were white people against the system of racist power dynamics, but also were actively fighting against it in leadership roles (2013). In the remainder of my essay I will be commenting on many modern films and their use on this trope, and why subscribing to this filmmaking strategy is problematic.
This movie takes place in Los Angeles and is about racial conflicts within a group of people which occur in a series of events. Since there are a wide variety of characters in this movie, it can be confusing to the viewer. In the plot, Graham is an African-American detective whose younger brother is a criminal. His mother cares more about his brother than Graham and she wants Graham to bring his brother back home, which in turn hurts Graham. Graham?s partner Ria is a Hispanic woman who comes to find that her and Graham?s ethnicities conflict when she had sex with him. Rick is the Los Angeles district attorney who is also op...
Connelly, Marie. "The films of Martin Scorsese: A critical study." Diss. Case Western Reserve University, 1991. Web. 07 Apr 2014.
... supremacist gang, to rioting in an Asian owned grocery store, to finally brutally murdering someone. We observe as family ties become increasingly strained in every way, the viewer can easily conclude that Derek’s racism as well as his eventual influence on his younger brother ultimately contributed to their own downfall. As controversial as this movie maybe for the offensive language and brutal violence, it is a movie that deserves to be seen, and even discussed. It really provides insight into some factors within society that cannot be contained by the law or even deterred by even the harshest punishments. Even though American society is becoming more modernized as time goes by in terms of tolerance, racism will unfortunately always be prevalent in society and inevitably it will also lead some individuals to violently express their distorted mentalities.
Are we human if we don’t have a choice to choose between acting good or acting evil? A Clockwork Orange directed by Stanley Kubrick is a brutal film that entails many sociological meanings. Alex DeLarge and his “droogs” (gang) live in a derange society of “ultra-violence” and rape. Alex and his gang cause havoc around the town that leads to the “droogs” turning on Alex during a mischievous act on an innocent women and Alex getting arrested. While in prison he is chosen for “treatment” that is suppose to purify Alex and turn him into the “perfect citizen”. We’ve gone over many sociological concepts in class, but the three that I believe apply the most to this film are socialization, deviance, and resocialization.