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Coming of age introduction
The effects child abuse plays in aggressive adulthood
Coming of age introduction
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Adolescence can be a confusing time, but the addition of emotional abuse to this time can stunt mental and emotional development. The idea of living a life full of fear and abuse is one that is unimaginable for many, but for some it is their daily life. Living a life free and happy seems otherworldly to victims of abuse and it is impossible to understand this feeling until one has lived through it. In the novel Purple Hibiscus, the growth of Kambili from a nervous frightful child to a happy strong woman provides a complex coming of age story that illustrates the ability of humans to question authority in their quest for what is right. The story of Kambili starts simple as a child who is proud to have a father as strong and well respected …show more content…
Kambili begins her life with her world “as measured and silent as our Sunday 's”(31) as she follows the strict guidelines set forth by her father. The grueling schedule of church and prayer on Sundays leaves no room for anything but structure and a cold impersonality to her religion. This authority allows her no room to make mistakes therefore no room to learn. This suffocating feeling forces her to escape the confines of her father’s grasp in order to feel her heart “revving like an engine” (104) which allows her to break through her restraints and find love with her Aunty Ifeoma and cousins. Her heart finds a way to have a voice of it’s own within her Aunty’s home and she finds that a boisterous life to be one that nurtures her growth. The stark contrast between the deafening silence of her father’s home and the joyful chatter of her Aunty’s home is one that makes Kambili crave a life outside of her father’s grasp. Although her methods of deceit are not advisable they show the strength of character in a person who is truly following their heart towards growth and happiness. As Kambili begins to defy her father’s strict rules, she begins to learn what it is like to experience the freedom of making one’s own choices. She like many humans becomes addicted to the joy that comes with choosing her own path while discovering what she considers to be right and wrong. Although the path her father is set before her is clear, there is magic within the
As a teen, Rayona is in a confusing period of life. The gradual breakdown of her family life places an addition burden on her conscience. Without others for support, Rayona must find a way to handle her hardships. At first, she attempts to avoid these obstacles in her life, by lying, and by not voicing her opinions. Though when confronting them, she learns to feel better about herself and to understand others.
A child’s upbringing can severely affect who they are later in life. In particular, their transition into adulthood and the way they are initiated into this new stage of their lives is essential to their adult personalities. In “The Demoness Kali”, Shyam Selvadurai writes a story in which formal features of initiation are placed upon its main character, Shivan to demonstrate his coming of age. Through separation, mentors, and tests, Shivan is able to initiate into adulthood.
Often when children are spoiled, they develop a sense of superiority to those around them. However, after leaving the closed environment of a household, the need for authority and supremacy can create unintended consequences imbedded with sorrow. The fallout from this misfortune is seen in “Why I Live at the P.O.” in the family quarrel that ensues due to the return of Stella-Rondo. Throughout the narration, the author asserts that because, the world is apathetic to one’s dilemmas, a shielded and pampered upbringing can only hamper personal development. Through the denial of truth that the family exhibits in attempts to improve relations and through the jealousy that Sister experiences as inferior to Stella-Rondo, the source of hindered maturity is exemplified.
In John Connolly’s novel, The Book of Lost Things, he writes, “for in every adult there dwells the child that was, and in every child there lies the adult that will be”. Does one’s childhood truly have an effect on the person one someday becomes? In Jeannette Walls’ memoir The Glass Castle and Khaled Hosseini’s novel The Kite Runner, this question is tackled through the recounting of Jeannette and Amir’s childhoods from the perspectives of their older, more developed selves. In the novels, an emphasis is placed on the dynamics of the relationships Jeannette and Amir have with their fathers while growing up, and the effects that these relations have on the people they each become. The environment to which they are both exposed as children is also described, and proves to have an influence on the characteristics of Jeannette and Amir’s adult personalities. Finally, through the journeys of other people in Jeannette and Amir’s lives, it is demonstrated that the sustainment of traumatic experiences as a child also has a large influence on the development of one’s character while become an adult. Therefore, through the analysis of the effects of these factors on various characters’ development, it is proven that the experiences and realities that one endures as a child ultimately shape one’s identity in the future.
Teenage rebellion is typically portrayed in stories, films, and other genres as a testosterone-based phenomenon. There is an overplayed need for one to acknowledge a boy’s rebellion against his father, his life direction, the “system,” in an effort to become a man, or rather an adult. However, rarely is the female addressed in such a scenario. What happens when little girls grow up? Do they rebel? Do they, in a sudden overpowering rush of estrogen, deny what has been taught to them from birth and shed their former youthful façades? Do they turn on their mothers? In Sharon Olds’ poem, “The Possessive,” the reader is finally introduced to the female version of the popular coming-of-age theme as a simple haircut becomes a symbol for the growing breach between mother and daughter through the use of striking images and specific word choice.
Berger, K. S. (2012). The developing person: through childhood and adolescence. (9th ed.). New York, NY: Worth Publishers.
Initially, Rios illustrates a young boy perplexed by a new-found maturity. As the maturation from childhood to adolescence begins, he is facing unfamiliar feelings about the opposite sex. An example of this is apparent as Rios explains that the boy cannot talk to girls anymore; at least “not the same way we used to” (Rios 453). Since his emotions have new depth and maturity, the young boy realizes the nature of his friendships has changed. Innocence is further lost as the girls who are former friends, “weren’t the same girls we used to know” (453). The boy has matured from his casual, youthful interactions, and is now seeing the girls in a new light. Another example of his maturity manifests sexually as he reflects about the girls, “and all the things we wanted to do with them” (454). Although he is unsure how to act upon his thoughts, the innocence is none the less tainted by his desires for mature relations with the young girls. The maturity and sexual maturity bring forth a storm of emotions that prove to be both exhilarating and confusing for the young boy.
Inevitably, there comes a point in everybody’s life at which they have an experience that completely alters their view of the world. This moment is when one loses his or her innocence, or comes of age, and he or she realizes that they do not live in a utopian Golden Age. Parents are charged with the monumental duty of protecting their children’s innocence, but everybody inescapably grows up. This experience can be anything from an embarrassing situation at school to coming within seconds of death. In the short story “Ambush” by Tim O’Brien, the author tells the true story of his daughter confronting him and asked him if he had ever killed anyone. In an effort to be a good parent and protect the nine-year-old’s innocence, the author does not share with her the story he goes on to tell to the reader. He explains how many years ago, he was serving in the army and was taking a shift guarding his troop’s campsite when all of a sudden, a young man from the opposing army came walking up the trail. Without a second thought, O’Brien killed the boy with a grenade, and he lost his innocence after realizing he had killed a defenseless man without hesitation. Tim O’Brien develops Ambush as a coming of age story through the use of literary devices.
Joe and Bazil 's status as the immediate family members to a sexual assault survivor allows readers to see how sexual assault can impact an entire family unit; a frequent situation that many people find themselves in, but don 't know how to sensibly handle emotionally. Through Joe 's perspective as a child in this novel, Erdrich guides her audience into understanding how complex of a societal issue sexual assault is by displaying how far reaching its effects are on the victim, family, and community of a
In the book, Outgrowing the Pain: A Book For and About Adults Abused as Children, Dr. Eliana Gil discusses the causes and effects of traumatic experiences adults abused as children have undergone during their childhood. Throughout the book, Dr. Gil introduces various types of abuse within the family such as emotional, physical, and sexual abuse. Furthermore, Dr. Gil explains how to guide these once mistreated adults to understand and cope with each situation.
“The Pain Tree” written by Olive Senior tells the story of a woman who comes back home after many years and begins to think about her childhood in a new light, which changes much of what she thought she knew of her family and childhood. The story shows the main character, Lorraine, revisiting the memories of her family and the woman who had taken care of her as a child, Larissa. Children mainly focus on the happy memories which may be tied to more important topics that they do not understand until they are older. Most children do not pick up on many of the complicated things happening around them. Lorraine can now see the bigger picture of her relationship with Larissa and how large the divides were between Lorraine’s family and Larissa’s
Growing up is a natural part of life. Everyone grows up. The loss of childish innocence and blind faith in what is said is one chief mark of growing up. Loss of innocence, however, presents itself in many forms, even to adults, and with it brings a greater understanding of the world at large. In literature, authors use the process to explore society and humanity. Through the characters’ loss of innocence, the authors of both To Kill A Mockingbird and Of Mice & Men discuss ideas of prejudice, family, and courage.
My thesis statement is that children’s innocence enables them to cope in difficult situations. Children generally have a tendency to lighten the mood in sad situations because of their innocent nature. They turn even the saddest situations to mild, innocent situations. This is evident when Marjane says “these stories had given me new ideas for games”, (Satrapi, 55). By saying this she refers to her uncle’s stories of how he and other prisoners were tortured in prison. Stories of torture have never been easy to hear even for adults but Marjane so innocentl...
The process in which human beings advance through different stages in their life towards adulthood is highly hellacious. Moreover, it is very likely that one might encounter some difficulty in this progression. However, it is in human nature that we learn by failing at things, then mastering them by repeating them again and again. In the novel Lives of Girls and Women, Alice Munroe presents the life of Del Jordan in a very interesting way. The novel is divided into eight stages of Del’s life, where she experiences different scenarios which ultimately give her a better understanding of life. Even though being curious has its pros and cons, at the end of the day it leads to the enhancement of a person’s inner self. In the novel Lives of Girls and Women, Del the protagonist can be analyzed as being a very enthusiastic girl. Moreover, her curiosity proves to be a dynamic benefit of her actions.
In the beginning of the story, Kambili is a fifteen year old girl who is painfully shy, her brother, Jaja, is a seventeen year old whom is beginning to rebel against his devout, abusive and perfectionist father. The first sentence of the story is the beginning of the coming of age. " Things started to fall apart at home when my brother, Jaja, did not go to communion and papa flung his heaven missal across the room and broke the figurines in etagere"(PAGE 3) The commencement of the their coming of age story is followed by an eruption of violence in the opening paragraph.