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Horror story essay writing
Horror essay writing
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Ishrael stood before the fifty foot behemoth, glancing up into the infinite space of its eyes. Intimidating or not, this beast was a fearful creature who brandished hairy arms as if they were trees in the darkest of forests. And the beast stared back at him, as if it were challenging him, telling Ishrael to make a move, taunting him. So Ishrael made the first move. He flicked the switch of his chainsaw. It took a second for the motor to whir to life, for the gears to shift, for the chain of blades to slowly spin. It picked up speed, revolving around like a wheel of a carriage. The creature curved his lips into what seemed to be a smile, so devious even the gods would not be able to bear a glance. But Ishrael was no god; he was a Graveseeker, and one of the best. Then, out of nowhere, as if time had merely jumped forward, the beast pounced. Ishrael was ready. He had neglected to wear any armor. The presence of such an item would be a waste anyhow. One swift move from the behemoth’s giant clenched fist would be enough to devastate the thickest plates of armor. Anyways, the absenc...
For ages, humanity has always told stories of the classic struggle between man and monster. The battle between Beowulf and Grendel is a prime example of this archetype, but is Grendel only purely a monster? In his article “Gardner’s Grendel and Beowulf: Humanizing the Monster”, Jay Ruud makes a point that Grendel is a hybridization of both monster and man, particularly in John Gardner’s novel Grendel. In the poem Beowulf, Grendel is depicted as a purely evil monster who terrorizes Hrothgar and his people, but the novel provides a more humanistic backstory to the fiend. Throughout the novel, Grendel tells of his internal struggle between his thoughts of filling the role of the monster versus attempting to make amends with the humans. This conflict
This ‘beast’, the protagonist of the story, fights an internal struggle, of which is a part of the Hero’s Journey. Grendel is unable to decide what to make of himself and of the world surrounding him. He has only ever known the world as wild and mechanical, yet he is charmed by the artistic brilliance of the Shaper’s words. Grendel ultimately meets a brutal yet peaceful demise. Standing on the face of the same cliff he found himself in the beginning of the novel, surrounded by mindless eyes, he states, “Poor Grendel’s had an accident. So may you all.” (Grendel, John Gardner, pg.174) Previous to this, he questions if what he is feeling is joy. The reader is lead to believe that Grendel must feel nothing but peace. This, is the concluding moment of his
Beowulf wants to fight Grendel, a monster wreaking havoc, and is boasting that he is more powerful and courageous.
Throughout the novel, this monster, Grendel, seems confused as to whether he wants to view life like his existentialistic dragon mentor, or like the ignorantly optimistic humans on which he feeds. At times he is captivated by the romantic songs of the Shaper, and feels no desire to kill, while at others he thrives on the "knowledge" of the dragon, and goes on bloody rampages. At one point during Grendel's insecure state, the dragon tells him something that changes his outlook, and gives him a new feeling of self-worth.
Although Grendel is depicted as a hideous bloodthirsty beast because he eats the Danes at Heorot continuously, he has some characteristics of a human gone wild. Grendel possesses the ability to feel human emotions such as envy and fear. When the Danes were having a feast in Heorot, Grendel “had dwelt for a time in misery among the banished monsters, Cain’s clan, whom the creator outlawed and condemned as outcasts”(104-106). He feels envy towards the Danes for making him an outcast of society. He was jealous of the Danes that were having a great time together while he had to live a life of misery alone. Grendel feels fear as well as envy because “he was overwhelmed, manacled tight by the man who of all men was foremost and strongest in the days of this life”(787-789). During the battle between Grendel and the hero Beowulf, Grendel was unprepared for Beowulf’s fighting tactics. He, who usually is victorious after each attack in Heorot, did not expect to be defeated by Beowulf, which is shown because “his fingers weakened; it was the worst trip the terror-monger had taken to Heorot”(764-765). When Beowulf leaves his weapon and decides to wrestle Grendel, Grendel realizes that he is no match for Beowulf’s strength. He feared death just as human are afraid of death. An ordinary person would want to flee if he or she was being wrestled to the ground and about to die. Grendel felt like fleeing but Beowulf did not want to lose any opportunities to kill the villain and thus does the deed in one go. When he realizes that his end was near, “the dread of the land was desperate to escape, to take a roundabout road and flee to his lair in the fens”(761-763). Just as humans in their psychoanalytic development, Grendel had a fight or flight response. When he knew that he was going to die he immediately chose the flight response in which he could not do because Beowulf was much more powerful and aggressive. He does not let Grendel escape. Grendel’s pain is all the more acute because he is brought so close to mankind and yet always kept at an unbreachable distance from society.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
The only human brave and strong enough to defeat Grendel was the powerful Geat, Beowulf. Grendel watches Beowulf and his band of Geats land their ships on the shores of Hrothgar’s kingdom. Grendel observes Beowulf speaking to the coastguard, and notices that Beowulf’s eyes are “slanted downward, never blinking, unfeeling as a snake’s”(135). Grendel’s observations about Beowulf’s destructiveness are proven true as he engages in mortal combat with the Geat. When Beowulf takes hold of Grendel’s arm, Grendel feels as if Beowulf’s “fingers are charged like fangs with poison”(148). After this battle, Grendel’s arm is pulled off at the socket, and he retreats to his cave to die.
In this poem, Beowulf exhibits the trait of bravery by defeating the monster, Grendel. This monster was a very powerful monster that plagued the town of Herot. “He slipped through the door… Snatched up thirty men, smashed them/ Unknowing in their beds and ran out with their bodies/ The blood dripping behind him, back/ To his liar, delighted with his night’s slaughter. (11)”
“You’ve just crossed over into The Twilight Zone” says Rod Serling before every episode of The Twilight Zone. A show that leaves it’s viewers in a macabre state. Instead of drawing a conclusion like most shows, the show usually ends mysteriously. It utilizes similar elements as other short half-hour shows, but goes about it in a different way. This outlandish style is seen in literature, more specifically short stories, as well. Even though other short stories employ the same literary devices, “The Beast In The Cave” by H.P. Lovecraft is uniquely mysterious because of the story’s suspenseful plot, compelling diction, and, most important, overshadowing theme.
Grendel is an intelligent monster who is capable of being just as human as anyone else in John Gardner’s novel. Aside from Grendel’s hideous appearance and his emotional outbursts, there was very little that separated him from the rest of the world. Just like the Danes, Grendel was moved by the words that were being spoken out of the Shaper’s mouth. He was moved by the
Beowulf is called upon again to defeat this monster. Beowulf puts on his armour and takes the sword Hrunting and descends into the monster’s lair. Grendel’s mother quickly grabs Beowulf and takes him to the battle arena. Once there, Beowulf fights and finds his sword cannot pierce the monster’s hide. So once again, Beowulf throws his sword aside and fights hand-to-hand. Yet, he could not defeat her with his hands alone. Then Beowulf sees, “hanging on the wall, a heavy, Sword, hammered by giants, strong And blessed with their magic, the best of all weapons.” Taking the sword and holding it high above his head he strikes the monster in the neck cutting deep into the skin, breaking bones and all. Thus ending his second heroic battle with a mythical beast and proving that he is indeed worthy of praise. Yet, this is not the greatest of his deeds.
King Hrothgar once again looks toward Beowulf to take care of another monster. To get ready for this battle Beowulf wears armor and uses the Horting sword which has never lost in battle. Once again Beowulf shows his courage by deciding to go to the bottom of the monster filled swamp and fight alone. Fighting off monsters on his way down, Beowulf reached the bottom where he was met by Grendel 's mother. He tried to cut her head off with Horting, but she is too strong. Beowulf takes a sword made for giants off the wall, and uses his super strength to cut the mother 's head off. As a trophy of this battle Beowulf finds the body of Grendel in a corner and decides to take his head back to the mead hall. Hrothgar celebrates another victory by once again throwing a large celebration where they gave more gifts to Beowulf and the Geats. After two battles, Beowulf decides it is time for him and his men to head back to their homeland. Continuing to show courage, honor, and strength Beowulf states that if the Danes ever have anymore problems with monsters he will help protect
Peter Brooks' essay "What Is a Monster" tackles many complex ideas within Mary Shelley's Frankenstein, and the main concept that is the title of the essay itself. What is the definition of a monster, or to be monstrous? Is a monster the classic representation we know, green skin, neck bolts, grunting and groaning? A cartoon wishing to deliver sugary cereal? or someone we dislike so greatly their qualities invade our language and affect our interpretation of their image and physical being? Brooks' essay approaches this question by using Shelley's narrative structure to examine how language, not nature, is mainly accountable for creating the idea of the monstrous body.
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).
The story of Beowulf begins with a beast terrorizing a kingdom by killing many soldiers and people for over a decade. The news of the terror travels far and wide and so far that Beowulf hears of it. He organizes a party with his kings approval made up of the best of the best to assist him in his journey to Herot. Once in herot Beowulf and his men meet with king Hrothgar to get his blessings to defeat the beast named Grendel. After a great feast, like clockwork, grendel comes from the marsh to kill,only to be confronted by Beowulf. Once a great battle breaks out grendel realizes he has been defeated, he runs to his home where hell opens its arms to accept the dying beast.