A Feminist Reading of The Winter’s Tale
In the Shakespearean tragedies we have studied, we have been exposed to tragic male protagonists who create their own downfall. Within these tragedies, Shakespeare's female characters are vested with varying degrees of power in relation to the tragic heroes. In looking back at Othello, King Lear, and Macbeth, The Winter's Tale can be seen as an extension of the exploration into the nature of women and power broached in his earlier tragedies, as well as an amendment for the misogynistic attitudes they contain.
In our class discussions, we were vexed by a condition we found prevalent in both Othello and King Lear; both of these plays end with the deaths of two innocent women: Desdemona and Cordelia. Not only are these women innocent, they are by far the most benevolent and forgiving female characters in the play, little deserving their violent ends. During this discussion, we also added Ophelia to the list of innocent women who die at Shakespeare's hand and questioned whether the playwright was rewarding, punishing, or martyring these women. Although the question was raised, we were not able to come up with a satisfactory answer.
In examining the "evil" female characters we have encountered in Shakespeare's tragedies -- Regan, Goneril, and Lady Macbeth, the primary corrupting factor that links these women is their desire for or exercise of power. When comparing these women with Desdemona and Cordelia, who relinquish their power to men, the concept of "good" and "bad" women in Shakespeare's tragedies becomes overly simplified.
But tragedy, itself, seems to contribute to this over simplification. In a genre that must end with the deaths of its principle characters, the...
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...y, Mary and Jane Caputi. Webster's First New Intergalactic Wickedary of the English Language. Boston: Beacon Press, 1987.
Dash, Irene. Wooing, Wedding, and Power: Women in Shakespeare's Plays. New York: Columbia University Press, 1981.
McLuskie, Kathleen. "The Patriarchal Bard: Feminist Criticism and Shakespeare." Political Shakespeare: New Essays in Cultural Materialism. Jonathan Dollimore and Alan Sinfield, editors. London: Cornell Univ. Press, 1985.
Neeley, Carol Thomas. "The Winter's Tale: Women and Issue" (1985). Reprinted in the Signet Classic Edition of The Winter's Tale. New York: Penguin, 1988.
Pyle, Fitzroy. The Winter's Tale: A Commentary on the Structure. New York: Routledge & Paul, 1969.
Schweickart, Patrocinio. "Reading Ourselves." Speaking of Gender. Elaine Showalter, editor. New York: Routledge, Chapman and Hall, 1989.
Pitt, Angela. "Women in Shakespeare's Tragedies." Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint of Shakespeare's Women. N.p.: n.p., 1981.
Stonehenge is located near Salisbury, England and according to an archaeologist who has investigated Stonehenge close up, Mike Parker Pearson (2010) “...the new date for the raising of the sarsens [the large stones]...[is] between 2600 and 2480 B.C….” (p. 47). It consists of the large sarsen stones which are the ones that are in pictures and on postcards. Then there are smaller bluestones that are mixed in with the sarsens, Y and Z holes that form full circles around the sarsen stones, and Aubrey holes which form a circle around the entire structure. There is a large stone outside and a ways away from the circle called the heel stone. There are two station stones that stand to the side of the of the circle and over the Aubrey holes. They form a perfect rectangle with two barrows, or burial mounds, that are there.
Stonehenge is located in Southern England on what is known as the Salisbury Plain. The structure looks different than it once did, however. Today, Stonehenge suffers the effects of time and pernicious acts by people. Originally, in the years after completion, the structure was made up of “several concentric circles of megaliths, very large stones.” (5) Stonehenge consists a circular layout of approximately one hundred megaliths. On the tops of them another flat stone was placed to make a continuous ring of horizontal stones. These structures are known as trilithons.
Dash, Irene G. "Wooing, Wedding, and Power: Women in Shakespeare Plays". The Critical Perspective Volume 2. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986. 825-833.
Pitt, Angela. “Women in Shakespeare’s Tragedies.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare’s Women. N.p.: n.p., 1981.
...re considered pagan and not Christian. In medieval times the stones were stolen by stonemasons and peasants to make bridges and houses. In the early 14th century the stones were pulled down because at that time the stone circles were associated with witches. Until recently people were allowed to touch the stones and even climb on them, the public order act of 1986 passed a new trespassing ban limiting the number of people who could legally walk in a procession, ensuring that the guards make sure the stones are not been maltreated.
The concept and perception of gender has changed radically from Shakespeare’s time to now, yet the perceptions of women and the limitations placed on them remain shockingly similar. William Shakespeare’s shortest tragedy, Macbeth, addresses gender concerns and the role of women in power positions. The play was written for King James VI of Scotland and I of England as he took the throne during a transitional period in the country’s history. The succession of King James marked the long-desired transition from a matriarchy to a patriarchy. Considering the historical context and Shakespeare’s affinity for King James, some Shakespearean critics hold Lady Macbeth responsible for the political, moral, and personal destruction in the play, as well
Kemp, Theresa D. Women in the Age of Shakespeare. Santa Barbara, CA: Greenwood, 2009. Print.
... fact that can prove that my thesis is correct. Another fact would be that festivals were held there, not just the ones in the twentieth century, but festivals that were held hundreds of years ago when the Stonehenge was fairly new to the world. A lot of time was spent into the construction of the Stonehenge; it was as if tribes would not give up on it. Over time it was reconstructed, stones were removed and added, and new people would take over the site.
Pitt, Angela. “Women in Shakespeare’s Tragedies.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare’s Women. N.p.: n.p., 1981.
The portrayal of gender roles in William Shakespeare’s play Othello, demonstrates the inferior treatment of women and the certain stereotypes of men placed on them by society. Both the male and female characters in the play have these certain gender expectations placed on them. In a society dominated by men, it is understood that the women are to be seen rather than heard. The women are referred to and treated much like property. If indeed they do speak up, they are quickly silenced. One woman’s attempt to be the perfect wife is what ultimately led to her demise. The expectations of men are equally stereotypical. Men are to be leaders and to be in control and dominant especially over the women. The male characters compete for position and use the female characters in the play as leverage to manipulate each other. Shakespeare provides insight in understanding the outcomes of the men and women who are faced with the pressures of trying to live up to society’s expectations, not only in the workplace, but also in the home. The pressure creates jealousy issues amongst the men and they become blind to the voice of reason and are overtaken by jealous rage, leads to the death of many of the characters.
During the Elizabethan era women had a status of subordination towards men. They had a role to marry and oblige to their husband’s wishes. Shakespearean literature, especially illustrates how a woman is psychologically and physically lesser to their male counterpart. The play, Othello, uses that aspect in many different ways. From a Feminist lens others are able to vividly examine how women were subjected to blatant inferiority. Being displayed as tools for men to abuse, women were characterized as possessions and submissive; only during the last portion of the play did the power of women take heed.
In his novel, Othello, he uses the courage of the women in his literature to depict how women should be treated, and to contrast from how little respect they once obtained. The society in Shakespeare’s Othello is strongly dominated by men who were the political and military leaders of their homeland during the Elizabethan era. These men are expected to stay loyal to their reputations and to uphold the strong sense of character that earned them their positions in the first place. In contrast, during the Elizabethan period of time women were viewed as weak second-class citizens and inferior to males, with their only job being to serve their men.
Pyle, Fitzroy. The Winter's Tale: A Commentary on the Structure. New York: Routledge & Paul, 1969.
sion. It could be argued that Shakespeare only goes so far with the gender roles - the women are eventually silenced or pacified - because the suspension of disbelief can only be maintained so far - the traditional view of women was confined within rigid boundaries. In The Winter's Tale all the women are badly treated - incidentally, at the hands of men. Our perspective of the actions of the men we believe to be harsh, though to Shakespeare's contemporaries they were likely to be justified - in fact chastisement would probably be justified to a more brutal extent. There is however little authentic evidence in the plays, that Shakespeare strove either to uphold or to subvert, however covertly, the established order.