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Patriarchy in women in society
Effects of patriarchy and gender inequality
Adrienne Rich as a feminist
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Recommended: Patriarchy in women in society
Adrienne Rich’s Diving into the Wreck confesses the oppressive conditions behind womanhood and Rich’s radical feminist protest to demand equal place in the “book of myths.” Being forced into the rot and damage in the darkness, Rich must confront a mission of conformity. With political and personal righteousness, Rich challenges the “wreck” that is the reality of patriarchal control. Her feminist point of view shows defiance towards the force men have held over woman throughout history.
Rich’s work was not exclusive to the 1960’s and 1970’s, but such pieces were flooded with political and personal righteousness, and further empowered by feminism. (cite 1) Her identity as a lesbian during the period was an additional factor of personal rage,
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The social roles and expectations that dominate a woman’s life are so demanding that Rich must learn to turn her “body without force.” She is pushed to internalize standards set by this force, but still finds the traces of herself that remained true. There has been damage caused by oppressive demands, but Rich finds harmony between her masculine and feminine qualities. She combats the standards that have left her as a “wreck,” and refers to herself and all women who have been damaged by such standards as “half-destroyed instruments. Used up by society’s expectations, Rich rejects the standards she was forced to dive into. Rich demonstrates a protest against the dominating patriarchal system which excludes women from the book of myth. A history written for men by men, views woman’s accomplishments as far less important. As Rich struggles through the control of man, she combats the dismissal of women in history. Rich’s frustration with misrepresentation of women in history is more clearly developed in her later works, A Wild Patience Has Taken Me This Far. She asserts that women must take authority over their own history and representation to avoid false “myths.” Rich criticizes patriarchal media and historical integrity, believes women must retell their history by their own means. In A Wild Patience, she begins to "demystify false images of the past and false representations of women's lives.” ( cite
Like the Good Other Woman, the Evil Other Woman often spends much of her life hidden away in the castle, secret room, or whatever, a fact suggesting that even a virtuous woman’s lot is the same she would have merited had she been the worst of criminals. The heroine’s discovery of such Other Women is in the one case an encounter with women’s oppression-their confinement as wives, mothers, and daughters-and in the other with a related repression: the confinement of a Hidden Woman inside those genteel writers and readers who, in the idealization of the heroine’s virtues, displace their own rebellious
Overall, in these fairy tales Carter succeeds in delivering a feminist message and provides a counter argument for the moral message of traditional fairy tales in which young women were encouraged to remain obedient and pure. Unlike in earlier fairy tales, in these stories it is the straying from the path that results in transformation and releases women from the subjugation that women over history have been subjected to.
Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.
Lois Tyson’s text, Critical Theory Today (2006), explains the various theories that are utilized to critique literature and explain plots, themes, and characters. With feminist literary theory, Tyson writes, “Broadly defined, feminist criticism examines the ways in which literature (and other cultural productions) reinforces or undermines the economic, political, social, and psychological oppression of women” (83). With Edna Pontellier, her place in the story relies on her husband’s social status; her husband, Leonce Pontellier, is a successful businessman in New Orleans and wants to maintain appearances of success and marital stability. With Leonce, a product of society, he sees and treats Edna as an object: “‘You are burnt beyond recognition,’ he added, looking at his wife as one looks at a valuable piece of personal property which has suffered some damage” (Chopin 44).
In struggling against the brutal dynamics of a system that simultaneously set before her ideals of a true woman, but refused to acknowledge her as a human being, Jacobs emerges scarred but victorious. Her rational powers and will to action facilitate her efforts to find strategies for dealing with sexual harassment from her master, for maintaining family unity, and in estab...
This essay explores the role of women in Homer's Odyssey, James Joyce's Ulysses (1922) and Derrick Walcott's Omeros (1990), epics written in very different historical periods. Common to all three epics are women as the transforming figure in a man's life, both in the capacity of a harlot and as wife.
In “Women and Honor: Some Notes on Lying”, Adrienne Rich specifically talks about why women lie, the reason lying began, and also what happens to not only the person being lied to but also the person telling the lie. Rich uses examples to show what happens to a person when they lie, what is the cause for someone to begin lying and also compares a women’s need to lie to many different things. Adrienne Rich’s main point is that all women lie to portray an image about themselves. The author’s secondary points are that women lie to others and themselves to be convincing, but also that women have been required to lie. Adrienne Rich first states that the notes are “concerned with relationships between and among women.” in order to show that women
As a man fascinated with the role of women during the 14th Century, or most commonly known as the Middle Ages, Chaucer makes conclusive evaluations and remarks concerning how women were viewed during this time period. Determined to show that women were not weak and humble because of the male dominance surrounding them, Chaucer sets out to prove that women were a powerful and strong-willed gender. In order to defend this argument, the following characters and their tales will be examined: Griselda from the Clerk's Tale, and the Wife of Bath, narrator to the Wife of Bath's Tale. Using the role of gender within the genres of the Canterbury Tales, exploring each woman's participation in the outcomes of their tales, and comparing and contrasting these two heroines, we will find out how Chaucer broke the mold on medievalist attitudes toward women.
For centuries, women have been forced to live life on the outskirts of a male-dominated society. During the 1800’s, the opportunities for women were extremely limited and Mary Shelly does an excellent job portraying this in her gothic novel, Frankenstein. Furthermore, in this novel, Mary Shelly shows how society considers women to be possessions rather than independent human beings. In addition, the female characters rely heavily on men for support and survival, thus proving their inability to do it on their own. Lastly, the female characters in this novel are in many ways victimized by the male characters.
Smith, David. ‘Lesbian Novel was danger to Nation.’ Sunday 2 January 2005. The Guardian. Web. 20 Nov 2012. http://www.guardian.co.uk/uk/2005/jan/02/books.gayrights
In her essay, entitled “Women’s History,” American historian Joan W. Scott wrote, “it need hardly be said that feminists’ attempts to expose ‘male biases’ or ‘masculine ideology’ embedded in historical writing have often met with ridicule or rebuttal of as expressions of ‘ideology.’” Scott’s essay discusses the efforts of female historians to both integrate themselves into the history disciples and their struggle to add and assimilate female perspectives, influences, and undertakings into the overall story of history. She also talks about the obstacles and potentially biased criticism that female historians have received and faced upon establishing themselves as accredited members of the historical academic community. One of these historians is Natalie
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.
Women are often described as weak, emotional, and powerless in comparison to men. The general thought is that men, because they are bigger and most times stronger, hold power over women’s minds and bodies. To be a feminist is to advocate for women’s rights in all aspects of humanity. In An Untamed State by Roxane Gay, Gay is able to portray the power of strength and survival in women. Men have a certain incompetence when it comes to expressing true emotion, while women, because of their ability to see things through a compassionate insight, hold the utmost power.
Moglen, Helene. The Trauma of Gender: A Feminist Theory of the English Novel. Los Angeles, CA: U of California P, 2001.