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Women during and after World War 1
Women during and after World War 1
Women during WWII
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In times of war, we find that all though out the history of America, there is some sense of a change. This holds true to time when the Civil War that was being fought in 1861, when the South was against the North. During this particular war in America, we take notice of changing roles in feminism with the cult of true womanhood. This cult is described to be a mold for the "perfect" woman. This is broken down into piety, domesticity, purity, and submission. Piety is devotion and reverence to parents and family. Domesticity is the quality of home life. Purity is the act of being pure and without blemish. Submission is total surrender of power to one another. In the visual text, Gone With the Wind, we are introduced to a dark haired, green-eyed Georgia belle named Scarlett O'Hara. She is questioned on being a feminist character in this picture. All these characteristic Scarlett may possess but does not use to prove her character as feminist. We can prove that she is not a feminist character by using the historical context, her character traits and her relationship with Rhett Butler.
Starting with the historical context, we find that Scarlett O'Hara is not a feminist. All though out this artifact, Gone With the Wind, the Civil War is present with a focus on the South. In this film, we meet Scarlett O'Hara who is lovesick for Ashley Wilkes, who is engaged to his cousin, Melanie Hamilton. At a barbeque at Twelve Oaks, the Wilkes plantation, Scarlett has to face reality that Ashley will never be her own. Very jealous with Ashley's engagement, Scarlett accepts a wedding proposal from Charles Hamilton, in order to have revenge on Ashley. Scarlett is letting her spite get the best for her when she makes judgment calls. She feels at th...
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...Rhett and Scarlett were together, they represented the New South. They both taught for themselves and did not need a set of rules to follow for society.
In conclusion, we find that Scarlett O'Hara does not fit the mold of the cult of true womanhood. We find this to be true using visual artifact of Gone With the Wind. Scarlett lacks the qualities of the cult of true womanhood. This cult is described to be a mold for the "perfect" woman. Piety is devotion and reverence to parents and family. Domesticity is the quality of home life. Purity is the act of being pure and without blemish. Submission is total surrender of power to one another. We have answered our question on Scarlett being a feminist character in this picture. We proved that she is not a feminist character by using the historical context, her character traits and her relationship with Rhett Butler.
In the movie Gone With the Wind, Scarlett, the main character was a woman with many struggles in her life. She lived on a farm with her father, her mother, and her slaves but when she left to go help the wounded, the Yankees came to her house and used it as a base camp. The Yankees took all of Scarlett?s family?s food, crops, and animals. Also while Scarlett was gone her mother got sick. Once Scarlett came back to her farm (Terra) her mother was dead. When the war ended her family was too poor to pay the taxes so she married Frank, a rich businessman, so she could pay the taxes. After her husband died she remarried a richer man named Rhett and they had a child named Bonnie.
The contrast between how She sees herself and how the rest of the world sees Her can create extreme emotional strain; add on the fact that She hails from the early 1900s and it becomes evident that, though her mental construct is not necessarily prepared to understand the full breach against Her, She is still capable of some iota of realization. The discrimination encountered by a female during this time period is great and unceasing.
The debate raging in the years 1836-1837 over women's proper duties and roles in regards to abolitionism was publicly shaped primarily by two opposing forces: on the one hand, sisters Angelina and Sarah Grimke, abolitionists and champions of women's rights; and on the other, Catharine Beecher, who opposed suffrage and women's involvement in abolitionism and argued in favor of woman's place in the home. After the printing of Angelina Grimké's pamphlet Appeal to the Christian Women of the Southern States (1836), Grimké and Catharine Beecher engaged in a written debate over woman's public role in regards to the slavery issue. Beecher responded to Grimké's assertions that Southern women should actively protest the system of slavery in her Essay on Slavery and Abolitionism (1837), in which she claimed that women, true to their naturally subordinate natures, were not fit to interfere in such matters. In light of these facts, it is surprising to note that Harriet Beecher Stowe was Catherine Beecher's sister. How could the author of Uncle Tom's Cabin be related to the same woman who wrote Essay on Slavery and Abolitionism-- an anti-abolitionist document which pleaded with women to keep their thoughts on slavery to themselves? In Uncle Tom's Cabin, Stowe not only frames both sides of the debate, but also actively incorporates it into her female characters and into her narrative voice, fictitiously dramatizing the issues with which Grimké and Beecher were concerned fifteen years earlier.
Feminists usually do not vary in the views that they have. The feminist wants equal rights for both sexes, and wants all women to be treated just like men. The short story and the play suggest something different. Within the story there are many instances that suggest that Susan Gla...
Throughout history, women have struggled with, and fought against, oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structures. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society.
In the analysis of the issue in question, I have considered Mary Wollstonecraft’s Text, Vindication of the Rights of Woman. As an equivocal for liberties for humanity, Wollstonecraft was a feminist who championed for women rights of her time. Having witnessed devastating results or men’s improvidence, Wollstonecraft embraced an independent life, educated herself, and ultimately earned a living as a writer, teacher, and governess. In her book, “A Vindication of the Rights of Woman,” she created a scandal perhaps to her unconventional lifestyle. The book is a manifesto of women rights arguing passionately for educating women. Sensualist and tyrants appear right in their endeavor to hold women in darkness to serve as slaves and their plaything. Anyone with a keen interest in women rights movement will surely welcome her inexpensive edition, a landmark documen...
For readers who observe literature through a feminist lens, they will notice the depiction of female characters, and this makes a large statement on the author’s perception of feminism. Through portraying these women as specific female archetypes, the author creates sense of what roles women play in both their families and in society. In books such as The Grapes of Wrath by John Steinbeck and The Great Gatsby by F. Scott Fitzgerald, the roles that the main female characters play are, in different instances, both comparable and dissimilar.
Margaret Mitchell's romantic epic, Gone With the Wind, owes its remarkable popularity to the climate of sudden self-destruction and dreariness the Depression created. The Old South's grandeur, coupled with its Civil War-era decadence, provided much-needed escapism for readers, as well as paralleling the U.S.'s own plight in the 20s and 30s. In addition, Scarlett O'Hara's feminist role, her devotion to her land, and her indomitable optimism lent hope to those who had lost faith in the American Dream.
Until recently we haven’t really known or focused on the behavior of southern women during the war. From what we know they faced food shortages, crime, and an increased death toll. These women had to drop everything they’ve known to become the head of the household. There’s little that’s known about the enslaved and poor women during this time. These women did what they could to survive during a time that was dangerous because of the war. These women became more vulnerable, where the women were victimized by the males in the war. The Confederacy begins to try to control these enslaved and poor females rather than trying to earn their support. Women began being charged with new crimes including larceny, forcible entry, and rioting. This opposition of the Confederate seems to be women’s most successful form of disorderly conduct. Bynum claims that women “significantly alter the balance of power between warring men” (p. 149). Many poor white women went to the streets. There were mobs of women in each North Carolina County. These attacks were focused on merchants and Confederate agents; who were both extremely obnoxious towards these poor women. The poor people began to fear starvation more than the law, in the months leading up to the end of the war a mob of mostly women descended upon Granville
...brought with it discrimination of African American women, “They were targets of brutality, the butt of jokes and ridicule, and their womanhood was denied over and over. It was a struggle just to stay free, and an even greater struggle to define womanhood” (162). As the men fought the war the women who were now dependent upon themselves more than ever had to take on the role of the father. The Mammy figure now stood up for herself and would often times leave the white family, the family they left would often have feelings of remorse for their tremendous loss. Women were standing up for themselves and where now the maker of their own destiny, but with that still came the harsh reality that they would be still the most vulnerable group in antebellum America. Many single African American women were faced with poverty and had a really hard time dealing with the war and depending on themselves. Deborah Gray White’s view of slave women shows us that their role was truly unique, they faced the harsh reality that they were not only women or African American, they were both, so therefore their experience was one of a kind and they lived through it, triumphed, and finally won their freedom.
From the start of the book we can see that women in the book are
Gibson’s Man Without a Face is a cry out at injustice and discrimination in the modern era, while The Scarlet Letter shows us the hypocrisy and judgmental character of the Puritan society in early American.
Did things necessarily change after the Civil War? According to “Ain’t I a Women” she states that she still wasn’t treated like a woman. Then again she wasn’t one of the rich people who gets help for everything. In other words all she wants is to be treated like she is, an actual woman. Furthermore in the story “The Sullivan Ballou Letter” he states his love in a matter a factly way because he knows that he is going to die because he is going to war for lincoln but he doesn’t want to see his wife and kids cry so he tries to make it in the happiest way. Equally important in the story “Chasing Lincoln’s Killer” they are trying to recreate by words how his death was occurred and how he may not have had his death on that day if he wouldn’t have
Throughout literature’s history, female authors have been widely recognized for their groundbreaking and eye-opening accounts of what it means to be a woman in society. In most cases of early literature, women are portrayed as weak and unintelligent characters who rely solely on their male counterparts. Also during this time period, it would be shocking to have women characters in some stories, especially since their purpose is only secondary to that of the male protagonist. But, in the late 17th to early 18th century, a crop of courageous women began publishing their works, beginning the literary feminist movement. Together, Aphra Behn, Charlotte Smith, Fanny Burney, and Mary Wollstonecraft challenge the status quo of what it means to be a woman during the time of the Restoration Era and give authors and essayists of the modern day, such as Chimamanda Ngozi Adichie, a platform to become powerful, influential writers of the future.
The feeling of not being heard or not being allowed to do what you want is placed upon women in the 1930s. Harper Lee’s depiction of women, in her novel To Kill A Mockingbird, is they should be able to have an important voice in society, make changes they feel are important, and do certain actions without conforming to gender normalities.