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Feminist view in frankenstein
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While reading Frankenstein many readers many approach the notion that the female’s roles and responsibilities were entirely different from men’s. One of many things I found interesting was how the roles and responsibilities of females impacted the lives of men as well. Females played a very important role even thought they were lastly to prosper. When looking for information on how female roles and responsibilities made a difference, I came across many very important articles, which show feminism, the domesticated roles of females, and how females were portrayed in Frankenstein.
In the making of Frankenstein, feminism played a big role in the female’s lives. Although created by a female author, female roles of Frankenstein can be seen as an uncertain end for future development of inequality. When creating Frankenstein, one of Shelley’s major concerns was “the exhibition of the amiableness of domestic affection”(Levy 700). Shelley wanted Frankenstein to have a “sympathetic identification both within and beyond the domestic sphere”(Levy 707). Though, Shelley applies a feminist lens to the literature and wants the readers to learn from both “feminine” and “masculine” viewpoints (Collings 68). In 19th century Geneva, men were seen as philosophers and inventors and women were seen as emotional and domesticated. Frankenstein was created while in the middle of woman’s liberation.
While reading Frankenstein one would interpret Feminist opinions, which can be seen as unfamiliar to the female characters of the story. The story of Frankenstein by Mary Shelley explores feminist matters through the characters of the story. Men like Victor Frankenstein and Walton venture on journeys in search of education and personal pleasures, while the femal...
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... And Hysteria In Mary Shelley's Frankenstein." Studies In The Novel 25.2 (1993): 152. Academic Search Complete. Web. 1 Mar. 2014.
Levy, Michelle. "Discovery and the Domestic Affections in Coleridge and Shelley." SEL Studies in English Literature 1500-1900 44.4 (2004): 693-713. Project MUSE. Web. 28 Feb. 2014.
Lunsford, Lars. "The Devaluing Of Life In Shelley's Frankenstein." Explicator 68.3 (2010): 174-176. Academic Search Complete. Web. 13 Mar. 2014.
Mellor, Anne K. “Possessing Nature: The Female in Frankenstein. “Romanticism and Feminism. A Norton Critical Edition: Mary Shelley’s Frankenstein: The 1818 Text, Contexts, Nineteenth-Century Responses, Modern Criticism. Ed. J. Paul Hunter. New York: Norton. 2012. 355-368. Print.
Shelley, Mary Wollstonecraft, and J. Paul Hunter. Frankenstein: The 1818 Text, Contexts, Criticism. New York: W.W. Norton &, 2012. Print.
in Frankenstein: Contexts, nineteenth century responses, criticism. By Mary Shelley. Ed. J. Paul Hunter. Norton Critical Edition.
Shelley, Mary. Frankenstein: A Norton Critical Edition. Ed. J. Paul Hunter. New York: W. W.
Works Cited Shelley, Mary. Frankenstein: A Norton Critical Edition. ed. J. Paul Hunter. New York: W. W. Norton, 1996.
Shelley, Mary. Frankenstein or the Modern Prometheus. The 1818 Text. New York: Oxford UP, 1998.
The idea for the novel of Mary Shelley’s Frankenstein came to her one night when she was staying in the company of what has been called ‘her male coterie’, including Lord Byron and her husband, Percy Shelley. Mary Shelley’s whole life seems to have been heavily influenced by men. She idolised her father, William Godwyn, and appears to have spent a good part of her life trying very hard to impress both him and her husband. There seems to have been a distinct lack of female influence, her mother, Mary Wollstonecraft, having died weeks after her birth, being replaced by a neglectful step-mother. These aspects of her life are perhaps evident in her novel. The characters and plot of Frankenstein were perhaps influenced by Shelley’s conflicting feelings about the predominately masculine circle which surrounded her, and perhaps the many masculine traits that we see in novel were based upon those of the male figures in Shelley’s own life. In this essay I will attempt to show some of these traits.
The Strange Case of Dr. Jekyll and Mr. Hyde could be compared to Mary Shelley’s Frankenstein because they both characterize their women characters as passive, disposable and useless. Although Frankenstein was written many years earlier, both texts deal with many of the s...
In feminist literary theory, it claims that Frankenstein’s act of creation is not only a sin against God and nature. It is also an act against the “female principle” which includes natural procreation as one of its central aspects. The monster, the result of male arrogance, is the enemy and destroyer of the eternal female principle.
In “Frankenstein” penned by Mary Shelley, one cannot help but notice the role of women in the novel compared to men. Even though Mary Shelley is the daughter of Mary Wollstonecraft, a mother advocating for women’s rights in society, she displays the roles of Caroline, Elizabeth, and Justine as passive women. This may be the time period when women were considered inferior to men. Caroline, Elizabeth, and Justine are depicted as possessions by men, admired for their superficial beauty, and do not take action without the permission of men. On the other hand, Shelley illustrates Safie as a woman who speaks up for her own rights when her father forbids her to find Felix.
When reading Frankenstein by Mary Shelley, one cannot help but notice that the women characters seem to have little substance compared to the male characters. This may have been caused by the time period in which she wrote: one in which females were considered inferior to males. This difference between the sexes can be looked at using a variety of different perspectives. Johanna M. Smith, a professor at the University of Texas at Arlington, discusses this issue using feminist eyes in her essay entitled "'Cooped up': Feminine Domesticity in Frankenstein." The main points in Professor Smith's essay are that the female characters are there only to reflect the male characters, and that the Frankenstein family has a weird style of living, which she describes as a "bookkeeping mentality" (Smith 279).
During the Romantic period, women are illustrated as powerless citizens, in the novel entitled Frankenstein written by Mary Shelley. This is displayed where the women posses pure, submissive,gracious,nurturing and selfless qualities. Despite portraying the women as powerless beings, the author does challenge this notion. In this tale, Victor Frankenstein, a scientist, successfully created a living being. Therefore, he eliminated a woman’s biological role to provide life. Additionally, the main narrators in this novel are male dominant and the women are portraits of the male 's perception of them. Tragic events occur to several women, resulting from their lack of agency, reflects the urgency for a reform in women equality. From this book, passive
Shelley, Percy Bysshe. "On Frankenstein." The Athenaeum 263 (10 Nov. 1832): 730. Rpt. in Nineteenth-
From the beginning of time in history, women have always been portrayed as and seen as the submissive sex. Women especially during the time period of the 1800s were characterized as passive, disposable, and serving an utilitarian function. Mary Shelley’s Frankenstein is a prime example displaying the depiction of women. The women in Frankenstein represent the treatment of women in the early 1800’s. Shelley’s incorporation of suffering and death of her female characters portrays that in the 1800’s it was acceptable. The women in the novel are treated as property and have minimal rights in comparison to the male characters. The feminist critic would find that in Frankenstein the women characters are treated like second class citizens. The three brutal murders of the innocent women are gothic elements which illustrates that women are inferior in the novel. Mary Shelley, through her novel Frankenstein, was able to give the reader a good sense of women’s role as the submissive sex, through the characters experiences of horrific events including but not limited to brutal murder and degradation, which is illuminated by her personal life experiences and time period of romanticism.
In conclusion, in Mary Shelly’s novel Frankenstein, the female characters always fulfill the limited and archetypical roles that are set for them by society. In this novel, many female characters are considered to be possessions. In fact, they are considered to be the servants of men. “I have a pretty present for my Victor—tomorrow he shall have it.” (Mary Shelly, Pg. 70)
Within Frankenstein, the level at which a female is portrayed is quite low. Like we have heard in class, women were not necessarily respected as much as men were when the novel was written. Published in 1818 by Mary Shelley, her story tells of the adventure of young Victor Frankenstein and the creation of his creature. Though deep within this narration of Frankenstein’s life, there seems to be an underlying theme seeping through Shelley’s writing. Shelley seems to venture into the idea of feminism and grotesquely show how men are treated much better than women. Her novel includes various concrete examples to support this hypothesis.
Mary Shelley in her book Frankenstein addresses numerous themes relevant to the current trends in society during that period. However, the novel has received criticism from numerous authors. This paper discusses Walter Scott’s critical analysis of Mary Shelley’s Frankenstein in his Blackwood's Edinburgh Magazine Review of Frankenstein (1818).