Female Supremacy: Beholding Women In Walt Whitman's Leaves Of Grass

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Female Supremacy: Beholding Women in Walt Whitman’s Leaves of Grass With regards to the wide variety of subjects Walt Whitman depicted in his poems, ranging from political and social injustice, nationalism, mysticism or lauding the beauties of nature to human sexuality and admiration of womanhood, it is no surprise that Whitman, often called the poet of democracy, earned the attention of a vast number of eminent essayists, poets and literary critics. Although he has been celebrated as “the first white aboriginal,” Whitman himself claimed that Leaves of Grass, his only, several times revised poetry collection which he was writing his entire life, was “essentially a woman’s book.” Considering the fact that a woman in the 19th century United
Whitman accepted this perspective, but simultaneously he transformed it from a common feature into an extraordinary one worth strong appreciation. According to Myrth Jimmie Killingsworth, “[Whitman] shared the views of many of the social radicals of his day, in particular the notion that the female is superior to the male because of her maternal capacity.” This implies that a man may be of a stronger physical constitution and in a political charge, yet he needs a woman to procreate; that maternity renders women indispensable for human survival. Whitman in “I Sing the Body Electric” celebrates this “privilege” and describes women as the originators of both the physical and spiritual aspect of men and
The fact that the woman is not being treated only as with a subject of male lust represents a significant development and partially can be regarded as a step towards the female emancipation and equalizing with men in more general scales. While all the previously mentioned forms of Whitman’s view on women are observable mainly from a specific part of a certain poem, the attempts indicating equality between the sexes are present throughout the whole poetry collection. Almost every time Whitman refers to a man, he involves a woman too. The poem “I Sing the Body Electric” serves as an eloquent example of the two constantly appearing side by side, which is perceivable for instance in the line “[the body] of the male is perfect, and that of the female is perfect.” Later in the same poem Whitman accents the calm allure of the balance between the genders:
There is something in staying close to men and

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