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Gothic literature stephen king
Gothic literature
Gothic conventions in literature
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Female Characters in Gothic Texts Gothic Literature, otherwise also called Gothic horror, is a genre of literature that combines fiction, horror and Romanticism. It originated from an English author Horace Walpole’s novel The Castle of Otranto. The name Gothic refers to the (pseudo)-medieval buildings, similar to the church or castle, in which most of the stories take place, as in the original Castle of Otranto. This extreme form of romanticism was very popular in England and Germany. Characterized by its castles, dungeons, gloomy forests and hidden passages, from the Gothic novel genre emerged the Female Gothic. Female Gothic permitted the introduction of feminine societal and sexual desires into Gothic texts. The relationship between women and the Gothic focuses on works of Gothic literature mostly by women authors. In the mid-1800s, women had much fewer rights than today, and were expected to be submissive to men. They didn’t have voting or property ownership rights. They were expected to avoid expressing themselves openly in the men’s company and were supposed to be supportive ...
Key Elements of Gothic Literature Jasmine Giles People enjoy reading gothic literature due to its heart rate exciting nature. Without having to engage with any real danger, it is common for the reader to feel anxiety and impaitence when reading gothic fiction. In order for the reader to feel these emotions, the author uses certain elements, such as a gloomy setting and old-fashioned dialoge. In the stories “The Black Cat” and “The Tell Tale Heart”, by elgar allen poe, and “The Landlady”, by Roland Dahl, there are many similarites that remanticize the idea of horror and mystery. Some elements, however, bring out the disbolical horror of gothic literature: the setting, characterization, and the motif of suspense.
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
In what follows, my research paper will rely on an article by Kathy Prendergast entitled “Introduction to The Gothic Tradition”. The significance of this article resides in helping to recapitulate the various features of the Gothic tradition. In this article the authoress argues that in order to overturn the Enlightenment and realistic literary mores, many of the eighteenth century novelists had recourse to traditional Romantic conventions in their works of fiction, like the Arthurian legendary tales (Prendergast).
Punter David, ‘The Literature of Terror’, in A History of Gothic Fictions from 1765 to the Present Day, The Modern Gothic. Harlow, eds. (UK: Pearson Education, 1996)
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
The depiction of women in gothic fiction is often hostile, mysterious and oppressed in order to subdue the power that is associated with femininity. The captivity of the feminine in these gothic stories is overshadowed by the fear of their potential to undermine and expose the depravity of man. Charles Perrault’s, Blue beard, demonstrates fear towards the power of feminine curiosity and the consequences of allowing inquisitiveness. In Edgar Allan Poe’s, The Fall of the House of Usher, the death of women also represents the power to annihilate an entire lineage of family and in a broader sense, female capability of reproduction and controlling the continuation of man. These gothic fictions often present women as ghostly and mysterious to reflect
A querying of normative gender behaviour and sexuality pervades the 19th century gothic fiction text. What does this reveal about the cultural context within the tale exists?
...physical or intellectual ability. Therefore, stereotypical women were not given much personality in Gothic stories. The woman tends to be the motivation and the hope that the readers look for after the dread and despair of the gothic literature's depressing setting. Searching for the positive is a common response from readers after experiencing the haunted castles, landscape, or buildings. Again, if there was not any optimism in the story, readers feel awkward and reject the story. These settings display the Gothic feel for the characters that enter along with the reader. Along with the scary places, the monsters or villain, also take part in setting the Gothic feel to the literature. Whether it is a vampire, witch, woman in distress, or hero with super powers, the terror and optimism is a must within the story (“Themes & Construction: Frankenstein” 2003).
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
The Gothic horror tale is a literary form dating back to 1764 with the first novel identified with the genre, Horace Walpole's The Castle of Ontralto. Gothicism features an atmosphere of terror and dread: gloomy castles or mansions, sinister characters, and unexplained phenomena. Gothic novels and stories also often include unnatural combinations of sex and death. In a lecture to students documented by Frederick L. Gwynn and Joseph L. Blotner in Faulkner in the University: Class Conferences at the University of Virginia 1957-1958, Faulkner himself claimed that "A Rose for Emily" is a "ghost story." In fact, Faulkner is considered by many to be the progenitor of a sub-genre, the Southern gothic. The Southern gothic style combines the elements of classic Gothicism with particular Southern archetypes (the reclusive spinster, for example) and puts them in a Southern milieu.
Older Gothic literature was in castles and deserted buildings. Modern Gothic novels were written in more populated areas. Another text that can be classed as ‘Gothic’ is the novel ‘Frankenstein’. The reason for it being a ‘Gothic’ novel is the way it has a mutant character. Frankenstein is a mutant and is made by a crazy scientist ‘I saw the hideous phantasm of a man stretched out, and then, on the working of.
The period of the gothic novel, in which the key gothic texts were produced, is commonly considered to be roughly between 1760 and 1820. A period that extended from what is accepted as the first gothic novel, Horace Walpoles The Castle of Otranto ( 1764 ), to Charles Maturins Melmoth the Wanderer ( 1820 ) and included the first edition of Mary Shelleys Frankenstein in 1818. In general, the gothic novel has been associated with a rebellion against constraining neoclassical aesthetic ideals of order and unity, in order to recover a suppressed primitive and barbaric imaginative freedom ( Kilgour, 1995, p3 ). It is also often considered to be a premature ( and thus somewhat crude ) manifestation of the emerging values of Romanticism. Although the gothic genre is somewhat shadowy and difficult to define it can be seen as having a number of characteristics or conventions which can be observed in Frankenstein including stereotypical settings, characters and plots, an interest in the sublime, the production of excessive emotion in the reader ( particularly that of terror and horror), an emphasis on suspense, the notion of the double and the presence of the supernatural. (Kilgour, 1995; Botting, 1996 ; Byron, 1998 : p71 )
What is America Gothic? The American Gothic movement started around the same time as the transcendentalist movement. Gothic writers unlike transcendentalist writers believed that life wasn 't all rainbows and butterflies. They saw it as a cruel and sometimes menacing place. During this time Gothic writers wrote about the true evils and that even the nicest person could have some of the worse demons.
A painting known as American Gothic was painted in 1930 by Grant Wood. It portrays a farmer with pitchfork (Grant’s dentist) and a woman (Grant’s sister) in front of a house. After Grant Wood won his competition with the painting, it became extremely well known and was often borrowed for cartoons, commercials and novels. Novels such as Gothic literature, even though Gothic literature was “invented” about two hundred years before the painting, people still somehow connected the two. Whenever people read Gothic literatures they would visualize the painting or vice versa. “Gothic literature is part of fiction that became popular during the late 1700s in Europe.”(Brooklyn.cuny.edu) Many of the stories generally have combinations of horror, mystery and romantic with a particular focus of settings. Settings such as inside a castle are used often in the earlier Gothic literature along with the supernatural elements.
Gothic Tradition was said to have started in Europe. Gothicism came from the Romanticism in the early 19th century (Book Rags). Two people who are said to have started the gothic writing movement are Ann Radcliffe and Horace Walpole. They started this style with their stories: “The Mysteries of Udolpho” and “The Castle of Otranto” (Book Rags). The gothic movement also came about because it was related to the art and architecture during the Renaissance era. Edgar Allan Poe three main elements romance, horror, and supernatural events are used in his short stories and poems. A few of his most famous short stories are “The Raven”, “The Fall of the House of Usher”, “The Tell-tale Heart”, “The Black Cat”, “Eleonora”, and “Annabelle Lee” (Book Rags). Some of his writing is dark and gloomy while others have romance and comedy.