Female Characters In Sophocles's Iliad

1268 Words3 Pages

Rosemaria Varghese
HUMA 4312
Midterm Exam - Question 2
Introduction
Homer composed the epic poem Iliad, with its tragic tale set during the final years of the Trojan War, after the dark ages in Greek history. Three centuries later, Sophocles produced the Athenian tragedies Oedipus the King and Antigone, contributing to the development of Greek drama. Despite the vast contrasts between the two authors, Homer and Sophocles portrayed the female characters as secondary roles to the gallant heroes of their narratives. Homer created passive female characters with no control over the course of the tale with the exception of the goddesses; whereas, Sophocles painted his female characters opinionated and strong willed, yet inferior to the protagonists …show more content…

The Greeks regarded the Iliad as a source of ancient wisdom about how human beings should live. The varied female characters in Iliad clearly reflects the influence of the story on the Greek society, and the society’s perspective towards women as well. Firstly, the two women that Homer introduces the readers, Chryseis and Briseis, belongs to Agamemnon and Achilles respectively. The story of Iliad begins with Greeks suffering due to the plague from the wrath of Apollo, after Agamemnon denied Chryses’ plea to return his daughter, Chryseis for ransom. As Agamemnon claims that he ranked her higher than his wife Clytemnestra, the poet’s view on an ideal women is revealed: “she’s nothing less / in build, breeding, in mind or works of hand” (Iliad, Homer, B. I, p. 81, 133-134). In the Greek society that upheld excellence, a woman’s excellence lies in physical beauty, intelligence, and skills at weaving. When Achilles questioned the king’s greed, Agamemnon responds to the insult by taking Briseis from Achilles in exchange of returning Chryseis to her father. However, both women have few spoken lines; they have little control over their lives as they were passed from one owner to …show more content…

As he navigates the reader through the conflicts between city and family through Creon and Antigone, Antigone materializes as a headstrong woman who believes that her dead family members should receive proper burial, despite her actions violating the king’s order. Regardless of her sister Ismene’s refusal and her being caught in the act, Antigone stands headstrong that she is “not ashamed for a moment, / not to honor my brother, my own flesh and blood” (p. 84, 573) and that “Death longs got the same rites for all” (p. 85, 584). Moreover, the comments Creon makes, “there are other fields for him to plow” (p.89, 643) and “we must defend the men who live by law, / never let some woman triumph over us (p.94, 758), expresses the king’s notion on women that his defeat to a woman would negate his masculinity. Creon was too late to register his mistake as he witnesses Antigone’s death, holds close his son’s dead body, and learns that his wife stabs herself to death.
Conclusion
Homer and Sophocles peeked at the views about women that ancient Greeks possessed through their works. Homer manifested the distinct gender roles that society cut out for women, as the fair, intelligent women who were skilled at weaving were considered excellent, with only the exception of goddesses. Sophocles made his female characters more willful than Homer, yet fragile. Throughout the dark

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