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Works of william wordsworth
Works of william wordsworth
Study of william wordsworth
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Fear in Wordsworth's My heart leaps up when I behold, We Are Seven, Tintern Abbey, and Resolution and Independence
Fear in Wordsworth's "My heart leaps up when I behold", "We Are Seven", "Tintern Abbey", and "Resolution and Independence"
Romantic poetry conjures in the mind of many people images of sweet, pastoral landscapes populated by picturesque citizens who live in quaint houses in rustic villages, with sheep grazing on green-swathed hills, while a young swain plights his troth to his fair young maiden, who reclines demurely amidst the clover and smiles sunnily. William Wordsworth is perhaps the archetypal Romantic poet; his most famous poem, "I wandered lonely as a cloud", would seem on first reading to support the traditional, one could say stereotypical, image of a Romantic poet. Even his name, Words-worth, reinforces that image. And yet, upon looking more closely and carefully at his works, it becomes clear that the emotions which motivate his creativity are not solely a love of nature and pastorality.
Let us consider Wordsworth's "My heart leaps up when I behold". The poem can be interpreted on a very simple level as a typical Romantic poem: there is the glorying in and of nature that most people immediately think of when Romantic poetry is mentioned. The speaker is thrilled when he sees a rainbow, he was thrilled in his youth when he saw a rainbow, and when he is old he will continue to be thrilled by seeing a rainbow; if he cannot be thrilled, he would rather be dead. The speaker's life has a kind of continuity, of stability, through the process of memory. The reader can wipe away a tear and mumble "Isn't that nice?", and switch on Three's Company; this interpretation affirms our sense of what poets should fee...
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...rom finding "In that decrepit Man so firm a mind" (line 145), finding, however temporarily, a source of courage against his fears (lines 146-147):
'God,' said I, 'be my help and stay secure;
I'll think of the Leech-gatherer on the lonely moor.'
Works Cited
All quotations are taken from the following book, references given parenthetically within the text:
Stephen Gill, editor. The Oxford Authors: William Wordsworth. Oxford: Oxford University Press, 1986.
o "The Idiot Boy", pp. 67-80
o "Michael", pp. 224-236
o "My heart leaps up when I behold", pp. 246-247
o "Resolution and Independence", pp. 260-264
o "Tintern Abbey", pp. 131-135
o "We Are Seven", p. 84
except, where indicated by "Coleridge", from:
Donald A. Stauffer, editor. Selected Poetry and Prose of Coleridge. Random House: New York, 1951.
o "Dejection: An Ode", pp. 78-82
The idea of fear is a fairly simple concept, yet it carries the power to consume and control lives. Fears have stemmed from an inadvertent psychological response to situations deemed threating to one’s personal safety, but have evolved into a complex web of often illogical misconceptions which are able to cloud a person’s judgment and result in situations often worse than originally intended. Fears can be hard to quell, but it has been shown the best way to overcome fears is often to face them, as author James Baldwin asserted when he wrote, “To defend oneself against fear is simply to insure that one will, one day, be conquered by it; fears must be faced.” Baldwin makes strongly qualified statement, and his idea fears must be faced to ensure one is not conquered by them is evident frequently, and is especially visible in Nathaniel Hawthorne’s classic novel, The Scarlet Letter. In The Scarlet Letter, two characters are placed in situations in which they are directly confronted with their fears, but react much differently, resulting in contrastingly different consequences. Baldwin’s assertion is qualified by the journeys of Hester Prynne and the Reverend Dimmesdale in The Scarlet Letter, who show how facing one’s fears can have a positive outcome while defending oneself from their fears can have detrimental consequences.
Victor as he takes his walk, these emotions are also prevalent in “Tintern Abbey” as Wordsworth
Wordsworth’s famous and simple poem, “I wandered lonely as a cloud,” expresses the Romantic Age’s appreciation for the beauty and truth that can be found in a setting as ordinary as a field of daffodils. With this final stanza, Wordsworth writes of the mind’s ability to carry those memories of nature’s beauty into any setting, whether city or country. His belief in the power of the imagination and the effect it can have on nature, and vice a versa, is evident in most of his work. This small portion of his writing helps to illuminate a major theme of the Romantic poets, and can even be seen in contemporary writings of today. One such work is Cold Mountain by Charles Frazier. This story follows two characters, Inman and Ada, who barely know each other and are forced apart by the Civil War. As Ada waits in North Carolina Appalachia for Inman to return home from three years of battle, Inman decides to abandon the war effort and journey across the Southern states to reach his beloved.
In “Lines Written a Few Miles Above Tintern Abbey,” we find the purest expression of Wordsworth’s fascination with friendship.
During the 18th century, two great companions, William Wordsworth, collaborated together to create Lyrical Ballad, one of the greatest works of the Romantic period. The two major poems of Lyrical Ballad are Wordsworth’s “Lines Composed a Few Miles above Tintern Abbey” and Coleridge’s “Frost at Midnight.” Even though these two poems contain different experiences of the two speakers, upon close reading of these poems, the similarities are found in their use of language, the tone, the use of illustrative imagery to fascinate the reader’s visual sense and the message to their loved ones. The speaker of “Lines Composed of a Few Miles above Tintern Abbey” is Wordsworth himself. He represents Romanticism’s spiritual view of nature.
... with Us. Lastly, Wordsworth’s poem London, 1802 also shows his fear of premature mortality of the imagination. All of these works contain his fear of losing imagination and how man should return to nature.
Wordsworth begins the journey into "Tintern Abbey" by taking the reader from the height of a mountain stream down into the valley where the poet sits under a sycamore... ... middle of paper ... ... together even after his death. Over two hundred years after it was written, "Tintern Abbey" continues to uphold the essence of William Wordsworth's beliefs and continues to touch the emotions of its readers. Even though, here in the twenty-first century, the term real-world has a connotation of life in the fast-lane, the real world - the natural world - of Wordsworth's time still holds a place of eminence both in literature and in the hearts of its readers.
In "Lines Composed a Few Miles Above Tintern Abbey," William Wordsworth explains the impact of Nature from Tintern Abbey in his every day life. "Tintern Abbey" shows the great importance of nature to Wordsworth in his writings, love for life, and religion. The memories he has of Tintern Abbey make even the darkest days full of light.
Wordsworth, William. Poetical Works. 5 vols. E. de Selincourt and Helen Darbishire, eds. Oxford: Clarendon Press, 1958.
The ear is looked upon as a miniature receiver, amplifier and signal-processing system. The structure of the outer ear catching sound waves as they move into the external auditory canal. The sound waves then hit the eardrum and the pressure of the air causes the drum to vibrate back and forth. When the eardrum vibrates its neighbour the malleus then vibrates too. The vibrations are then transmitted from the malleus to the incus and then to the stapes. Together the three bones increase the pressure which in turn pushes the membrane of the oval window in and out. This movement sets up fluid pressure waves in the perilymph of the cochlea. The bulging of the oval window then pushes on the perilymph of the scala vestibuli. From here the pressure waves are transmitted from the scala vestibuli to the scala tympani and then eventually finds its way to the round window. This causes the round window to bulge outward into the middle ear. The scala vestibuli and scala tympani walls are now deformed with the pressure waves and the vestibular membrane is also pushed back and forth creating pressure waves in the endolymph inside the cochlear duct. These waves then causes the membrane to vibrate, which in turn cause the hairs cells of the spiral organ to move against the tectorial membrane. The bending of the stereo cilia produces receptor potentials that in the end lead to the generation of nerve impulses.
William Wordsworth’s “Tintern Abbey” is an ideal example of romantic poetry. As the web page “Wordsworth Tintern Abbey” notes, this recollection was added to the end of his book Lyrical Ballads, as a spontaneous poem that formed upon revisiting Wye Valley with his sister (Wordsworth Tintern Abbey). His writing style incorporated all of the romantic perceptions, such as nature, the ordinary, the individual, the imagination, and distance, which he used to his most creative extent to create distinctive recollections of nature and emotion, centered on striking descriptions of his individual reactions to these every day, ordinary things.
Within a few years, there will be well over a billion mobile phone users worldwide and the majority of mobile phones will be connected to the Internet.
I am not the first to do so; much has been said of the link between these men regarding their analogous poems “The Retreat” and “Ode: Intimations of Immortality”—by comparing them I cannot claim any original insight. However, there is more common to these two men than two poems, and in analyzing what Wordsworth desires from poetry and the poet in his “Preface to the Lyrical Ballads” we see that Vaughan had many of the poetic qualities Wordsworth demanded of himself. Even more interesting, Wordsworth's shifted perspective from “Lines Composed a Few Miles Above Tintern Abbey” to the "Elegiac Stanza" replicates Vaughan's shift from "To Amoret" to "The Night." Where Vaughan’s verse originally addressed worldly love and natural ...
Durrant, Geoffrey. Wordsworth and the Great System, A Study of Wordsworth’s Poetic Universe. Cambridge: University Printing House, 1970.
In William Wordsworth’s poems, the role of nature plays a more reassuring and pivotal r ole within them. To Wordsworth’s poetry, interacting with nature represents the forces of the natural world. Throughout the three poems, Resolution and Independence, Tintern Abbey, and Michael, which will be discussed in this essay, nature is seen prominently as an everlasting- individual figure, which gives his audience as well as Wordsworth, himself, a sense of console. In all three poems, Wordsworth views nature and human beings as complementary elements of a sum of a whole, recognizing that humans are a sum of nature. Therefore, looking at the world as a soothing being of which he is a part of, Wordsworth looks at nature and sees the benevolence of the divinity aspects behind them. For Wordsworth, the world itself, in all its glory, can be a place of suffering, which surely occurs within the world; Wordsworth is still comforted with the belief that all things happen by the hands of the divinity and the just and divine order of nature, itself.