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Fear releases evil within man’s heart. In William Golding's novel, Lord of the Flies, British schoolboys become castaways on an uninhabited island. As the boys live on the island, rumors of a beast circulate, bringing to light the boys’ inner savagery. The boys' moral degradation becomes even more apparent when they are compared to Simon, a pure soul who, despite suffering from epilepsy, treks up a dangerous mountain to discover the truth about the beast. Religious symbols, such as Simon, the Lord of the Flies, and the setting, show that when good and evil collide, fear and ignorance become dangerous enemies of reason.
Simon emerges as a Christ figure who confronts his fears and inner evil and by doing so, becomes stronger spiritually than the rest of the boys. Despite physical weakness, Simon exhibits enormous personal courage and purity, qualities often associated with Jesus Christ. Just like Jesus Christ, Simon presents himself as a helper and aide from the start, especially towards the younger boys. Simon often leaves the others to go off by himself after a hard day, though he often stops to help the littleuns “[finding] for them the fruit they [can] not reach, [pulling] off the choicest from up in the foliage, [passing] them back down to endless outstretched hands” (55), similar to Jesus feeding the hungry throughout the Bible. Simon's courage in the face of his own fear and evil nature leads him up the mountain to discover the truth about the beast. Before he may confront the beast, however, Simon must face his own fears and defeat the evil within him. He does so, denouncing the authority of the Lord of the Flies, his inner evil, and labeling him only a "pig's head on a stick" (147). After waking, though he "[staggers] some...
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...cene of beauty represents Jesus' own place of meditation. As such, its destruction ends all hope for reason on the island until the arrival of a ship whose naval officer saves Ralph and appears in bright, shining white clothes. This evokes the image of angels, the original warriors of Heaven who protect the righteous and punish the wicked.
Golding uses religious symbolism to illustrate his idea of humanity’s inner evil and its connection with fear, especially with ties between Biblical references and Simon, and the Lord of the Flies, and the island. Fear and ignorance oppose sound logic and reasoning and cause the growth of evil within a population. Golding wants readers to understand their own evil, so they might fight and repress it. Fear and ignorance release the evil existing within human hearts, and by confronting it, a human may preserve true purity of soul.
William Golding’s Lord of the Flies portrays the lives of young British boys whose plane crashed on a deserted island and their struggle for survival. The task of survival was challenging for such young boys, while maintaining the civilized orders and humanity they were so accustomed too. These extremely difficult circumstances and the need for survival turned these innocent boys into the most primitive and savaged mankind could imagine. William Golding illustrates man’s capacity for evil, which is revealed in man’s inherent nature. Golding uses characterization, symbolism and style of writing to show man’s inhumanity and evil towards one another.
Simon, the wisest, calmest, and maturest of all the boys, is off by himself “talking” to a pig, perhaps going crazy. All others are sitting around the fire relaxing, ignoring the fact that one of the the wisest men of all has himself begun to lose sanity, possibly symbolic of the condition of people on the island. Of course, readers know, by the description of the bulging clouds, that the sky will soon break and, symbolically, something terrible within the plot will soon happen. Indeed, the entire novel has built to this point, as readers have observed the downward spiral of morality amidst the moral characters and increased savagery. Simon has observed this, and perhaps because he tends to take in everything inwardly, his depression over the gradual decline in the children on the island has caused him to become somewhat senile. Simon continues his “conversation” with the pig whom he calls “the lord of the flies” (“Beelzebub” in Hebrew, meaning “the devil”), and it is as if he is being tempted by the devil, or corrupt immorality that has taken over the other children on the island. However, he is able to be triumphant over the temptations, and staggers back down to the island to inform the other children that the beast on the island is
As Simon was trying to tell the boys that the beast did not exist, his death symbolises that mankind can’t face the truth about their inner desires. Part of Golding’s intent was to demonstrate that the evil is not recognised in specific populations or situations. On the island, the beast is manifest in the deadly tribal dances, war paint and manhunt; in the outside world, the same lust for power and control plays out as a nuclear war. Throughout ‘The Lord of the Flies’ Golding has managed to show that evil is present in everyone.
When viewing the atrocities of today's world on television, the starving children, the wars, the injustices, one cannot help but think that evil is rampant in this day and age. However, people in society must be aware that evil is not an external force embodied in a society but resides within each person. Man has both good qualities and faults. He must come to control these faults in order to be a good person. In the novel Lord of the Flies, William Golding deals with this same evil which exists in all of his characters. With his mastery of such literary tools as structure, syntax, diction and imagery, The author creates a cheerless, sardonic tone to convey his own views of the nature of man and man’s role within society.
William Golding’s novel ‘The Lord of The Flies’ tells the story of a group of English boys isolated on a desert island, left to attempt to retain civilisation. In the novel, Golding shows one of the boys, Jack, to change significantly. At the beginning of the book, Jack’s character desires power and although he does not immediately get it, he retains the values of civilized behaviour. However, as the story proceeds, his character becomes more savage, leaving behind the values of society. Jack uses fear of the beast to control the other boys and he changes to become the book’s representation of savagery, violence and domination. He is first taken over with an obsession to hunt, which leads to a change in his physical appearance This change of character is significant as he leads the other boys into savagery, representing Golding’s views of there being a bad and unforgiving nature to every human.
The novel Lord of the Flies by William Golding used a group of British boys beached on a deserted island to illustrate the malicious nature in mankind. Lord of the Flies dealt with the changes the boys underwent as they gradually adapted to the freedom from their society. William Golding's basic philosophy that man was inherently evil was expressed in such instances as the death of Simon, the beast within the boys, and the way Ralph was fervently hunted.
A distressing emotion aroused by impending evil and pain, whether the threat is real or imagined is described as fear. Fear is what William Golding’s novel Lord of the Flies encompasses. By taking three major examples from the novel, fear will be considered on different levels: Simon’s having no instance of fear, Ralph’s fear of isolation on the island, and Jack’s fear of being powerless. Fear can make people behave in ways that are foreign to them, whether their fear is real or imagined. In response to fear, people may act defensively by attacking, fear can either stop one from doing something, or it can make one behave in an irrational erratic manner.
Golding’s use of symbols to strengthen his biblical allusions adds more power to the main theme of a corrupted society, through mankind’s inner evil. The connection between the title and a demon within The Bible, Simon and Christ, the beast and Satan, and lastly, the island and the Garden of Eden, serve as foundations for the thematic ideals of sin, corruption, beauty, fear, and forgiveness that outline Golding’s literature. By intertwining biblical allusions, Golding was able to further support his principle that we are all evil, and the references became an important part of his novel.
The power of fear consumes people and is one of the strongest weapons there is. Fear takes the form of an imaginary beast, a regular school boy, and a rotting pigs’ head. As simple as they may seem, they symbolize the fears and faults of humans. William Golding’s Lord of the Flies twists the limits on humanity, and proves the evil in the ways of human nature.
“Often fear of one evil leads us into a worse”(Despreaux). Nicolas Boileau-Despreaux is saying that fear consumes oneself and often times results in a worse fate. William Golding shares a similar viewpoint in his novel Lord of the Flies. A group of boys devastatingly land on a deserted island. Ralph and his friend Piggy form a group. Slowly, they become increasingly fearful. Then a boy named Jack rebels and forms his own tribe with a few boys such as Roger and Bill. Many things such as their environment, personalities and their own minds contribute to their change. Eventually, many of the boys revert to their inherently evil nature and become savage and only two boys remain civilized. The boys deal with many trials, including each other, and true colors show. In the end they are being rescued, but too much is lost. Their innocence is forever lost along with the lives Simon, a peaceful boy, and an intelligent boy, Piggy. Throughout the novel, Golding uses symbolism and characterization to show that savagery and evil are a direct effect of fear.
The issue on whether man is good or evil has been debated over several generations. In William Golding’s Lord of the Flies, a group of young boys are stranded on an uninhabited island. In the beginning, the boys have fun and are carefree while adventuring on the island. With no adults around to tell them how to behave, the boys declare war on one another and face several conflicts. These conflicts provide Golding with the opportunity to explore the idea that society restrains the evil intentions of human nature.
In William Golding's Lord of the Flies, the boys who are stranded on the island come in contact with many unique elements that symbolize ideas or concepts. Through the use of symbols such as the beast, the pig's head, and even Piggy's specs, Golding demonstrates that humans, when liberated from society's rules and taboos, allow their natural capacity for evil to dominate their existence.
This paper will explore the three elements of innate evil within William Golding's, Lord of the Flies, the change from civilization to savagery, the beast, and the battle on the island. Golding represents evil through his character's, their actions, and symbolism. The island becomes the biggest representation of evil because it's where the entire novel takes place. The change from civilization to savagery is another representation of how easily people can change from good to evil under unusual circumstances. Golding also explores the evil within all humans though the beast, because it's their only chance for survival and survival instinct takes over. In doing so, this paper will prove that Lord of the Flies exemplifies the innate evil that exists within all humans.
Lord of the Flies provides one with a clear understanding of Golding's view of human nature. Whether this view is right or wrong is a point to be debated. This image Golding paints for the reader, that of humans being inherently bad, is a perspective not all people share. Lord of the Flies is but an abstract tool of Golding's to construct the idea of the inherent evil of human nature in the minds of his readers. To construct this idea of the inherent evil, Golding employs the symbolism of Simon, Ralph, the hunt and the island.
Simon is the morally good boy. His selflessness and goodness comes from within. He is kind to the little boys, and helps the outcasts. For example, when none of the boys want to give Piggy meat from the first pig, Simon steps up and takes him meat. "Simon…wiped his mouth and shoved his piece of meat over the rocks to Piggy…"(p.74) While everyone else is cruel to the young ones, he helps the "lil'uns" grab meat from the trees when they can't reach. "Simon found for them the fruit they could not reach, pulled off the choicest…passed them back to the endless, outstretched hands." (p.56) Simon helps those whom no one else is kind to, perhaps remembering that he was looked down upon once. He realizes what it's like to be scorned and to be the "little one", so he tries to make it less miserable for the outcasts by being kind to them. He wants to always help others, so when he discovers the beast is inside of everyone, not external, as they had imagined, he instantly runs down the mountain to tell him. He helps others even to the point of death.