Faustus as a Weak Character in Cristopher Marlowe's Dr. Faustus
The word used to describe the character of Faustus is "weak", which
can also mean "feeble", "fragile" and "pathetic". I disagree that
Faustus is any of these things, as there is evidence that Faustus is
quite a strong person; he confident and determined even though it
appears to the reader he is not always mentally stable.
"Dr. Faustus" could be seen as a morality play teaching that heaven
and hell do exsist, and Christopher Marlowe introduces the good and
bad angel to put across this point. However there is evidence to
suggest that the character of Faustus epitomises the dangers of
knowledge without morality.
From the very beginning of Marlowe's play "Dr. Faustus," it is
apparent to the reader that Faustus is a man who is unwilling to
accept the limitations of human knowledge and is not prepared to be
just a man, but wants more "Yet art thou still but Faustus, and a
man". In seeking to become more than a man, with no regard for the
spiritual consequences, he becomes an example to the religious
audience of Marlowe's time of what happens when a man pursues
knowledge undeterred by moral boundaries.
Faustus appears to be driven by his thirst for knowledge. The chorus
introduces him as 'glutted…with learning's golden gifts,' and led by
his desire to further expand his knowledge he 'surfeits upon cursed
necromancy.' This imagery connected with food and overindulgence is
used to illustrate the scholastic gluttony that seems to control
Faustus' actions, as though by learning he were feeding a hunger for
knowledge.
In Act 1, scene 1, Faustus is looking for something to challenge
himself with, and therefore looks at himself in the third person.
Faustus believes himself to be extremely knowledgeable already so he
rejects his studies. There may be evidence to suggest that Faustus is
a weak character viewing dispassionatly, although I do not believe
this. I think it shows that although Faustus wants to appear more
intellectual than Christopher Marlowe leads the audience to believe,
This excerpt reveals that Faustus, although he has had much success and is widely recognized for it, yearns for further discovery, a limitless experience, a power that physically is beyond him. Later in the same scene, he clearly states his solution to this quandary, “A Sound magician is a mighty god. Here Faustus, try thy brains to gain a deity” (63 – 64). In order to achieve this for even a limited time however, he must exceed natural human boundaries. In his search for a means to do so, he forms a new boundary, namely the loss of control over his soul, in scene 5 through a contract with Lucifer.
Faust has a overall negative character, evident in his speech. Even from his very first appearance in the play, Faust shows a very negative perspective within the first part of his monologue. This monologue consists of Faust's many achievements in life and how he is still yearning for more. The contents of this monologue seem to show ambitious goals and a positive attitude to continually improve, but Faust's tone of voice indicates that he is dissatisfied and greedy for more knowledge. His godless nature is also hinted in this first monologue when he states that he studied, "...to [his] sorrow, theology" (Goethe, 365). He implies that theology is more of a waste of time than studying any other subject, rejecting God. In addition to disrespecting God, he implies that he is equal to God: "Am I a god? The light pervades me so!" (Goethe, 439). Faust's desire is to become more than human is in a way challenging God. Furthermore, Faust also shows signs of arrogance, as he...
Having attained all that he desires from the knowledge of man, Marlowe’s character Faustus turns to the only remaining school of thought that he feels he must master which is the art of necromancy. In his pursuits, he manages to summon the devil Mephistopheles, arch demon of hell, and strikes a deal to trade his immortal soul with Lucifer in exchange for being granted an infinite amount of power and knowledge that extends even beyond the limits of human understanding. However in the process of negotiating the terms of his pact, it becomes clear that Faust is in a constant state of uncertainty in terms of whether he should repent and forsake the arrangement or simply go through with it. This underlying theme of internal struggle is introduced very early and reappears in later acts with the appearance of established binaries that suggest a theme of division not only among the character of John Faustus, but within the written text as a whole. This suggests that Faustus is meant to serve as a symbol for the divided nature of man and the consequences of failing to negotiate the struggles that are a result of the divided self.
Although Christopher Marlowe's Doctor Faustus has outclassed every one at Wittenberg with his academic studies, he is "still but Faustus, a man." Proud of his accomplishments, he desires to become a superman. His judgment clouded by the sin of his pride, he misunderstands his knowledge and dismisses the disciplines of medicine, philosophy, law, and divinity. He lusts for God's capability to "make men live eternally or being dead raise them to life again," believing the devil's arts of magic and necromancy can provide the power, honour, omnipotence and, most importantly, the wealth he craves. His deluded pursuit of the immediate pleasures such wealth can yield brings upon himself the risk of eternal damnation. By conjuring the devil, Faustus removes himself from the influence of the Holy Ghost and God's love, instigating attacks of despair, and internal conflicts as personified by the Good and Bad Angels.
III. Faustus is portrayed as a very individual character. He changes and is shaped by the events that happen all around him. Everything he does affects his future outcome. For example his decision to give up his studies of medicine were very un-stereotypical of a character that is studying to be a doctor to do. Even more so is his decision to take upon the necromantics of the devil. He says, “Then read no more; thou hast attain'd that end: A greater subject fitteth Faustus' wit.” (1.11) He believes that he has learned enough information about all the great things of the world and there is nothing left to study that will intrigue him as much as magic will. His curious personality affects the play because his decisions determine the plot. For example the Seven Deadly Sins entice him so he becomes convinced not to repent his sin. This characterizes him as gullible, curious and adventurous. He becomes obsessed with his magic and he absolutely loves having the powers to do anything he pleases. An example of this is when he conjures up Helen. He knows he can do whatever he wants without reservation so he chooses to conjure the woman who launched a thousand ships. This shows that not only is he gullible, curious and obsessed but also Faustus only wishes for the best in whatever he does; the best that will please him.
It can be argued that Doctor Faustus is damned from the moment of conception. His innate desire for knowledge inevitably leads to his downfall. He represents the common human dissatisfaction with being human and the struggle of accepting our lack of omnipotence and omniscience. Marlowe manipulates this struggle between the aspirations of one character of his time and the implications to Christianity in relation to its doctrine of heaven and hell. Indeed, Doctor Faustus asks for more than what was intentionally made available to him through God's plan, yet it was God's gift to him of his intellect, that tempted him to search beyond his appointed realm of knowledge. Faustus, through his own free will, decides to trade his soul with Lucifer in order to gain the answers to the questions of the universe. According to the divine plan ideology of Catholic doctrine, his decision worked into the cosmic outline. The divine application of his decision implies that there are benefits or rather some other importance, outside of the connection to Faustus, of his selling his soul. This lessens the impetus behind his decision because of the emphasis on universal application as opposed to the immediate ramifications to Faustus, the human being. Therefore, one can argue as to where the responsibility or fault lies concerning Faustus' fate because of the presence of other forces who may have influenced his decision. However the responsibility for his choice remains his and his alone.
Doctor Faustus is a doctor of theology that wants no limits on what he can know or see or do so he sells his soul to the devil to gain these desires. While reading or observing Marlowe's fascinating play the reader or observer should apply the "New Historicism Approach," and take in to consideration Marlowe's and the 1590s society's beliefs, habits of thought, and biases about various concepts of obtaining the "forbidden knowledge". Like the people of the 1590s, Doctor Faustus searches for the "forbidden knowledge", begins to deny God during his quest for greater knowledge, and gains nothing from his vain activities throughout his lifetime. After these listed characteristics have been established one can begin to visualize the relationship between Marlowe's, Doctor Faustus and the beliefs and thoughts of the people of the 1590s.
Dr Faustus is a short play written by Christopher Marlowe. The play is a masterful insight into the paradoxical soul of mankind and its ironically self inflicted corruption. The play could be classified as a theological allegory. It can be assumed that the play specifically speaks to the religious motivations of the time, but can be adapted to the present as well. Marlowe portrays Faustus’ ambition as dangerous; it was the cause of his demise. Perhaps Marlowe used the theme of over-ambition as a warning to the audience, who would be likely to be wary of ambition - it was looked down on as a negative personality trait in Christian England (Calvinism) (Munteanu, Class notes). An on going theme within the story is the corruption of a soul which is played out through the use of religious beliefs. Specifically, the use of the seven deadly sins is a precursor to man kinds self inflicted death. Marlowe uses sin, redemption and damnation to get his point across to the audience. The sins that Marlowe specifically uses are those of: pride, covetousness, wrath, envy, gluttony, sloth and lechery. Theses sins are colourfully displayed through the character traits of Dr Faustus. In the process we view them and can adapt them to our own lives and how they are all parts to the corruption of our souls.
he vows to 'keep as chary as my life,' and uses his twenty four years
The Tragic History of Doctor Faustus is Marlowe's misreading of the drama of the morality tradition, the Faust legend, and, ironically, his own Tamburlaine plays. In the development of the character of Doctor Faustus, we find one of the supreme artistic achievements of English dramatic literature, a milestone of artistic creativity and originality. The force of Marlowe's dramatic poetry resonates with lyrical intensity in its dialectic between world and will. Not only is Faustus the first true dramatic character of any psychological, moral, and philosophical depth in English literature of the modern period, but in his creation of this unique character we see Marlowe on the verge of Shakespearean characterization, that supreme artistic achievement that Harold Bloom calls the invention of the human personality.
Christopher Marlowe’s 14th century play “The Tragical History of the Life and Death of Doctor Faustus” demonstrates not how the Devil can lead mankind to temptation, but how mankind through free-will can ultimately lead itself to suffering through sin. I believe that Marlowe heavily uses Christian doctrine through the actions of John Faustus in order to criticize those who do not partake in or see the seriousness of religion.
Doctor Faustus, also referred to as The Tragical History of the Life and Death of Doctor Faustus is a play by Christopher Marlowe. This play is based on a German story where a man sells his soul to the devil in quest for knowledge and power (Sales 340. The protagonist in this play is Doctor Faustus. Doctor Faustus was hungry of power and knowledge and in search for them; he sold his soul to the devil. At first, he was very happy with the praise he received from the people as they considered him a hero. Later on, Faustus learns that he committed a grave mistake of selling his soul to the devil for twenty-four years. Even though he felt remorseful for his mistakes, it was already late for him. He is later found by his fellow scholars dead and torn from limb to limb. Faustus was a heroic fool who only thought of power and never thought of eternal damnation.
In this essay the critical approach on (Mythological and Archetypal Approach) played a big role in forming my opinion of the signet classic book, "Doctor Faustus" It is to my knowledge that mythology does not meet our current standards of factual reality, but unlike the 16th century which this play was presented, men like Faustus saw myth as fundamental and a dramatic representation of the deepest instinctual life in the universe.
Marlowe, Christopher Dr Faustus in ed. WB Worthen The Harcourt Brace Anthology of Drama, 2nd edn., Texas: Harcourt Brace 1996.
In the play Doctor Faustus the main character sells his soul to the devil and later dies and is sent to hell. A question that comes to mind when reading this book is, "Does Doctor Faustus have a Christian moral?" Even though he is persuaded to sell his soul to the devil he still may have some Christian beliefs. Some of the dialogue in the play gives some signals that tell the reader if Faustus has a Christian moral. The Cultural Studies method is shown in this paper because we are talking about someone's beliefs or morals. In this play, Marlowe shows Dr. Faustus's religious beliefs.