The Glass Menagerie by Tennessee Williams is a character driven play, which follows Tom’s recollection of his dysfunctional family. Throughout the story Tom pursues a since of freedom and his mother, Amanda, pursues stability for her daughter but the daughter, Laura, herself is more concerned with keeping the peace in her family. While Laura doesn’t want to fall into hardships without the support of her brother and mother, she can’t seem to find the courage and confidence to ascend from her imaginary world that she has created to cope with life. Tom and Amanda are never really on the same page. Making matters worse is the fact that Amanda is a very powerful, strong willed character, which seems to provoke Tom’s desire to leave. In the background of this story lies a character often mentioned but never available to answer claims. The mentioned but absent character is Tom and Laura’s father, who left their mother in an attempt to free himself from the bonds of matrimony and the title of father. Tom is representative of his father in this story. Tom favors his father’s passion for freedom from the overstretching, imposing will of his mother, but Tom also differs in that he can not justify the abandonment of his sister without insuring his sister’s well being. Amanda is leading Tom to leave home in much the same way as his father did; she even compares the two. Amanda says, “More and more you remind me of your father! He was out all hours without explanation! – Then left! Goodbye!” (Williams 1668). Amanda can see the similarities between Tom and his wayward father. She seems to realize that she doesn’t have a chance at changing his mind; instead she offers him an ultimatum that allows him to leave upon helping to find a suitable hu... ... middle of paper ... ...ovide for his family in his absence. Tom is indeed a fool but his consideration, which arises from a love for his sister, separates him from his father even if the conclusion draws him away from home. Tom and his father are two men driven to the same conclusion by different modes. It is easy to assume that Tom’s character is only a parallel for his father. However, as the play develops Tom proves to be very dissimilar to his wayward father. While Tennessee Williams does intend for the reader to know why Amanda makes the comparison, he does not leave Tom to be a simple copy of his father. This makes the story more dynamic and helps to develop the denouement. Works Cited Williams, Tennessee. “The Glass Menagerie.” Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts and Robert Zweig. 10th ed. Boston: Longman- Pearson, 2012. 1650-1697. Print.
Tom is a young man bearing the responsibility of his handicapped sister, Laura, and his suffocating mother, Amanda. He works in a factory, and uses his paycheck to provide for the family. Jim, a fellow factory worker and former high school friend, knows Tom as Shakespeare, in that Tom writes poetry, sometimes to alleviate his suppressed feelings of frustration. Poetry is one of Tom’s methods of escape from the lunacy in his home. Adventure is something Tom does not experience much of, and is angst toward his less than mediocre life is expressed in many of his arguments with Amanda.
In The Glass Menagerie, by Tennessee Williams, we embark on the task of seeing a family living in the post WWII era. The mother is Amanda, living in her own world and wanting only the best for her son, Tom. Tom, a dreamer, tired of Amanda’s overbearing and constant pursuit of him taking care of the family, wants to pursue his own goals of becoming a poet. He is constantly criticized and bombarded by his mother for being unsuccessful. This drives him to drinking and lying about his whereabouts, and eventually at the end of the play, he ends up leaving. An example of Amanda and Tom’s quarrel I when he quotes, “I haven’t enjoyed one bit of this dinner because of your constant directions on how to eat it. It’s you that makes me rush through meals with your hawklike attention to every bit I take.”(302) Laura, on the other hand, is shy and out of touch with reality because of a slight disability, in which she is comfort...
The Glass Menagerie by Tennessee Williams is a touching play about the lost dreams of a southern family and their struggle to escape reality. The play is a memory play and therefore very poetic in mood, setting, and dialogue. Tom Wingfield serves as the narrator as well as a character in the play. Tom lives with his Southern belle mother, Amanda, and his painfully shy sister, Laura. The action of the play revolves around Amanda's search to find Laura a "gentleman caller. The Glass Menagerie's plot closely mirrors actual events in the author's life. Because Williams related so well to the characters and situations, he was able to beautifully portray the play's theme through his creative use of symbolism.
The Glass Menagerie, written by Tennessee Williams in 1944, tells a tale of a young man imprisoned by his family. Following in the footsteps of his father, Tom Wingfield is deeply unhappy and eventually leaves his mother and sister behind so he may pursue his own ambitions. Throughout the play, the reader or audience is shown several reasons why Tom, a brother to Laura and son to Amanda, is unhappy and wishes to leave his family. However, the last scene describes Tom’s breaking point in which he leaves for the last time. Amanda tells Tom to “go to the moon,” because he is a “selfish dreamer.” (7. Amanda and Tom) The reasonings for Tom’s departure are due to his mother’s constant nagging, hatred for
In The Glass Menagerie, by Tennessee Williams, the glass menagerie is a clear and powerful metaphor for each of the four characters, Tom, Laura, Amanda, and the Gentleman Caller. It represents their lives, personality, emotions, and other important characteristics.
Every time the family comes to a confrontation someone retreats to the past and reflects on life as it was back then, not dealing with life as it is for them today. Tom, assuming the macho role of the man of the house, babies and shelters Laura from the outside world. His mother reminds him that he is to feel a responsibility for his sister. He carries this burden throughout the play. His mother knows if it were not for his sisters needs he would have been long gone. Laura must pickup on some of this, she is so sensitive she must sense Toms feeling of being trapped. Tom dreams of going away to learn of the world, Laura is aware of this and she is frightened of what may become of them if he were to leave.
As Winfield 's wife, Amanda is worthy of love and respect. Amanda is a southern lady, when she was young, she had an attractive appearance and graceful in manner, and her families were also quite rich. These favorable conditions made her the admiration of many men. Still, her final choice was a poor boy. She did not hesitate and bravely to choose her own love. Though her marriage was not as good as she had imagined the happiness of life, and the husband, Winfield meager income also drinking heavily, finally abandoned Amanda and two young children, but she still remembered and loved her husband. Her husband 's weakness did not make Amanda fall down; instead, she was brave enough to support the family, raising and educating of their two young children. Daughter Laura was a disability to close her fantasy world, and she was collection of a pile of glass small animals as partners. Amanda knew Laura sensitive, fragile, she was always in the care and encourages her daughter. Because of her shortcomings, Laura sometimes frustrated and Amanda immediately replied that "I 've told you never, never to use that word. Why, you 're not crippled, you just have a little defect". Amanda for the care of the children was more reflected a mother 's strong from the play that Amanda paid money to send Laura to typing school. She hoped daughter have a better future and married a good man to take care of the family, and encouraged her daughter, prompting her to go out of the glass menagerie to experience her real life, but Amanda placed more expectations for his son Tom because her husband left home, Tom is the only man and the mainstay of the family. She wanted Tom to realize that is a kind of family responsibility, also is a kind of essential social
When Daisy exclaims to Nick that, “Tom as God knows where” (page 22) during her daughter’s birth and that she hopes that her daughter will “be a fool – that’s the best thing a girl can be in this world, a beautiful little fool” (page 22), it reveals the embodiment of an archetypal, subordinate role for women in the 1920’s. Daisy’s quote implies recognition of sexism and patriarchy, and an ensuring sense of herself surrendering to it. As Tom was not present during their daughter’s delivery, it is clear that Daisy realizes that he is having an affair. But rather than confront Tom about this, Daisy chooses to be submissive, not voice her opinion and hope that her daughter will be a fool. This suggests that Daisy is critically aware of the place that women hold in the particular historical context, where being oblivious and ignorant towards a spouse’s actions – being a “fool” – is better than having knowledge of their wrongdoings and feeling as if speaking up about it will not alter the situation. Although she appears superficial at times, the audience should not dismiss the potential wisdom of her character. Although Daisy is talking about her daughter, in many ways, this quotation is autobiographical about Daisy subsiding to cultural expectations regarding women and not confronting her husband about his adultery. However, it is
Tennessee Williams’ play, The Glass Menagerie, depicts the Wingfield family in a naturalistic viewpoint that highlights the importance of a man in the life of a woman. Without a husband in the play, Amanda’s son Tom is rendered as “the man of the house.” Williams attributes the monetary stability of the Wingfields entirely to Tom. Williams stresses the necessity of a working man through Tom so that women and children can be financially stable. As a naturalist, Tennessee Williams illustrates the characters’ reactions to various events and circumstances in accordance with man’s natural instincts of survival. Williams reveals Amanda in this approach, and he portrays naturalistic tendencies in her personality and character, her relationship with her son, and her connection with her hopeless daughter, Laura. Amanda is trying to survive and raise her children without a husband to support her economically.
The Glass Menagerie is an eposidic play written by Tennesse Williams reflecting the economic status and desperation of the American people in the 30s.He portrays three different characters going through these hardships of the real world,and choosing different ways to escape it.Amanada,the mother,escapes to the memories of the youth;Tom watches the movies to provide him with the adventure he lacks in his life;and laura runs to her glass menagerie.
Generally when some one writes a play they try to elude some deeper meaning or insight in it. Meaning about one's self or about life as a whole. Tennessee Williams' "The Glass Menagerie" is no exception the insight Williams portrays is about himself. Being that this play establishes itself as a memory play Williams is giving the audience a look at his own life, but being that the play is memory some things are exaggerated and these exaggerations describe the extremity of how Williams felt during these moments (Kirszner and Mandell 1807). The play centers itself on three characters. These three characters are: Amanda Wingfield, the mother and a women of a great confusing nature; Laura Wingfield, one who is slightly crippled and lets that make her extremely self conscious; and Tom Wingfield, one who feels trapped and is looking for a way out (Kirszner and Mandell 1805-06). Williams' characters are all lost in a dreamy state of illusion or escape wishing for something that they don't have. As the play goes from start to finish, as the events take place and the play progresses each of the characters undergoes a process, a change, or better yet a transition. At the beginning of each characters role they are all in a state of mind which causes them to slightly confuse what is real with what is not, by failing to realize or refusing to see what is illusioned truth and what is whole truth. By the end of the play each character moves out of this state of dreamy not quite factual reality, and is better able to see and face facts as to the way things are, however not all the characters have completely emerged from illusion, but all have moved from the world of dreams to truth by a whole or lesser degree.
Parent and child relationships are the main point of play in many literary works. Through their relationship, the reader can understand the conflicts of the play, since the characters play different roles in each other’s lives. These people are usually connected in physical and emotional ways. They can be brothers and sisters, mothers and daughters, or fathers and sons. In “Death of A Salesman,” by Arthur Miller, the interaction between Willy Loman and his sons, Biff and Happy, allows Miller to comment on the father-son relationship and conflicts that arise from them.
Amanda, like Laura, wants Tom to strive for is full potential and be all that he can be. Their relationship is strained because Tom reminds Amanda of her husband. He just does not quite fit in with the rest of his family. He aspires to travel and see the world. He does not want to just get by; he wants to live and experience life. Amanda sees this in his and acknowledges that he has the same flighty attitude as his father. Mrs Wingfield snaps at her son and exclaims, “Oh, I can see the handwriting on the wall as plain as I see the nose in front of my face! It’s terrifying! More and more you remind me of your father! He was out all hours without explanation—Then left! Goodbye! And me with the bag to hold. He is the major breadwinner in the family. He brings in all the income and if he leaves Amanda and Laura will not be able to make it. Amanda takes it upon herself to mold Tom into the man that she wished her husband was. Of course, he takes it upon himself to be anything but. He spends every night at the movies. Tom uses the movies as a form of escape form his home life and satisfy his urge to leave and explore. He says, “People go to the movies instead of moving.” Tom is more of a realist compared to Amanda’s hopeful view on life. He knows life will never measure up to his mother’s expectations. The world has changed and he feels his mother needs to wake up. His personality is a direct contrast
In Tennessee Williams' play, The Glass Menagerie, each member of the Wingfield family has their own fantasy world in which they indulge themselves. Tom escaped temporarily from the fantasy world of Amanda and Laura by hanging out on the fire escape. Suffocating both emotionally and spiritually, Tom eventually sought a more permanent form of escape.
The role of abandonment in The Glass Menagerie can best be described as the plot element that underlies the overall tone of despondence in the play because it emphasizes the continuous cycle of destruction and hardship that the Wingfield family experiences; indeed, abandonment in the play is a reiterative element that strips the excesses from the three main characters in the play and leaves them in their barest forms, united by a sorrowful reality and clutching each other through the ever-present need to sink into a self-constructed oblivion. The first, and perhaps the most notable and most frequently discussed, example of abandonment in the play would be that of Amanda Wingfield’s husband’s abandonment of his family; he left them at an unspecified time in the past because “he fell in love with long distances,” and evidently forsook any obligations and emotional affiliations that he may have had with his wife and offspring (Williams 5). Having been abandoned by a man who was both husband and father affected Amanda, Tom, and Laura in that it established many of their familial dynamics...