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Fate and free will in Shakespeare
Fate and free will in Shakespeare
King lear and fate
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Recommended: Fate and free will in Shakespeare
Joseph Bebco
Professor Myla Morris
ENGL 232 001 Introduction to Drama- MWF 10:20-11:20
Due: 4/28/14
Circumstantial Downfall
The circumstantial downfall and fate of the characters within a play (usually surrounding the protagonist) are reoccurring themes that can be seen throughout all Eras of theatre. The theme of fate in plays like William Shakespears’ King Lear is miscontrued as a main theme, with characters seeming to have a vested interest with their destinies being predetermined, but is really a sub-theme in the shadow of the theme circumstatial downfall. I will specifically focuse on how the predetermination of fate/destiny correlates with a man’s sense of free will and how these themes played a role in William Shakespears’ King Lear [Elizabethan Thatre.] I will discuss the presense of these two themes within the named play to build a context and then delve into a more opinionate view of the themes and their connection with each other.
The battle between fate and free will can be seen coupled throughout many plays of the Greek and Elizabethan Era’s, in Oedipus Rex, Oedipus was destined to kill his father and marry his mother, but chose to not trust Creon, and he chose to investigate the murder of King Lias even after being warned by Tiresius and he chose to blind himself. In King Lear, fate is implied through characters like Glocester. He states that the misfortunes he is suffering as a result of an “eclipse” and places the blame on celestrial events (p 19.) This idea is further solidified when Edmund begins to mock Gloucester after he leave about his belief of supernatural phenomenon pulling the strings of their destinies (p20.) Lear showed his free will by banishing the few people who loved him. This also led to Ed...
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... Rex” and other tragedies that were held throughout the Greek Theatre Era can be considered a forerunner in the consequential downfall labeling of the themes used in the plays of tragedy.
Intriguingly, free will and fate are paired up in an a way that ultimetely decides the outcome of King Lear. Gloucester, and other characters, believe that a higher power predetermined their lives; there seems to be more occurrences of free will taking place than fate, but the role of a destiny does play an important task in the end. This respect in the belief of fate plays a significant role in King Lear’s characters lives, which consequently leads the readers to question whether or not the importance of fate in the play is as strong as the characters believe. The question of whether the characters acted under their predetermined destiny or free will is left to interpretation.
“It lies not in our power to love, or hate, for will in us is over-rul'd by fate.” In William Shakespeare’s play Romeo and Juliet, it is clear that the leading theme is fate, as it is mentioned several times. Shakespeare allows the audience to see everything that happens “behind closed doors.” While some characters’ actions did affect the outcome of the play, fate is the ruling force.
Through Lear, Shakespeare expertly portrays the inevitability of human suffering. The “little nothings,” seemingly insignificant choices that Lear makes over the course of the play, inevitably evolve into unstoppable forces that change Lear’s life for the worse. He falls for Goneril’s and Regan’s flattery and his pride turns him away from Cordelia’s unembellished affection. He is constantly advised by Kent and the Fool to avoid such choices, but his stubborn hubris prevents him from seeing the wisdom hidden in the Fool’s words: “Prithee, tell him, so much the rent of his land comes to: he will not believe a fool” (Shakespeare 21). This leads to Lear’s eventual “unburdening,” as foreshadowed in Act I. This unburdening is exacerbated by his failure to recognize and learn from his initial mistakes until it is too late. Lear’s lack of recognition is, in part, explained by his belief in a predestined life controlled completely by the gods: “It is the stars, the stars above us govern our conditions” (Shakespeare 101). The elder characters in King Lear pin their various sufferings on the will of...
Fate vs Free Will is one of the most oft used literary techniques in writing. It is never more evident than in Shakespeare’s play Macbeth. The major theme of the story Macbeth is whether or not the story is fueled by the free will of Macbeth, or by his fate. Are the events in Macbeth a result of his mentality and outlook on life, or were they going to happen no matter what? Almost every major event that takes place can be traced back to this question. It can be viewed in different ways, and most people have their own opinions. Dissecting this question is a part of what makes teaching Macbeth still have so much value to this day. But there is a clear answer to this question upon further dissection. The story of Macbeth is fueled by his free will, which he perceives to be a necessary part of achieving his fate.
In Sophocles ' Oedipus the King, the themes of fate and free will are very strong throughout the play. Only one, however, brought about Oedipus ' downfall and death. Both points could be argued to great effect. In ancient Greece, fate was considered to be a rudimentary part of daily life. Every aspect of life depended and was based upon fate (Nagle 100). It is common belief to assume that mankind does indeed have free will and each individual can decide the outcome of his or her life. Fate and free will both decide the fate of Oedipus the King.
Romeo and Juliet made many choices out of their own free will, including an irreversible decision that ended in despair for all characters. “All are punished!”(5.3.305). In the play “Romeo and Juliet” by William Shakespeare, the actions of Romeo, the actions of Juliet, and the actions of others prove that free will is more paramount than fate in the plot of the play.
Shakespeare in The Tragedy of Romeo and Juliet depicts the conflict between fate and free will through use of his characters’ actions and beliefs. Fate is the main driving force between the demise of the two main protagonists. Because of it, superstition, the actions of others, and the idea of chance are allowed a main role in the play building up to events that lead to a tragic end.
The play Macbeth is a Shakespearean tragedy; therefore, fate plays an extremely important role in Macbeth’s downfall through its inevitable characteristics and use foreshadowing. The majority of the characters die because of the hero and their flaw which leads them to make bad decisions. Hence, it is destined for Macbeth to commit evil acts such as murdering King Duncan, his good friend, and plotting against his fellow thane as a result of his tragic flaw, excessive ambition. Additionally, in a Shakespearean tragedy, there is always an aspe...
Despite its undeniable greatness, throughout the last four centuries King Lear has left audiences, readers and critics alike emotionally exhausted and mentally unsatisfied by its conclusion. Shakespeare seems to have created a world too cruel and unmerciful to be true to life and too filled with horror and unrelieved suffering to be true to the art of tragedy. These divergent impressions arise from the fact that of all Shakespeare's works, King Lear expresses human existence in its most universal aspect and in its profoundest depths. A psychological analysis of the characters such as Bradley undertook cannot by itself resolve or place in proper perspective all the elements which contribute to these impressions because there is much here beyond the normal scope of psychology and the conscious or unconscious motivations in men.
Fate in King Lear & nbsp; "There's a divinity that shapes our ends, rough hew them how we will. I will be able to do so. " These words from Hamlet are echoed, even more pessimistically, in Shakespeare's play, The Tragedy of King Lear, Gloucester. Like flies to wanton boys, are we to the gods, they kill us for their sport". In Lear, the characters are subjected to the various tragedies of life over and over again. & nbsp; An abundance of cyclic imagery in Lear shows that good people are.
Whether or not the concept of fate is legitimate is regularly debated by many people. Some believe that the events of one’s life are predetermined by a supernatural power, out of human control. Others believe that free will allows us to create our own fate, and that one’s decisions determine how the events of one’s life play out. In William Shakespeare’s Macbeth, both fate and free will are predominant themes in the play. The ever-present supernatural aspect of the play can create an interesting debate over whether or not Macbeth’s downfall could have played out differently, or even been avoided completely. The witches’ prophecies had an impact on Macbeth’s actions, however, it is ultimately free-will that causes his downfall.
In today's society we let our lives be led by a certain force that we believe in very strongly. Yet, a common debate that still rages today is whether we, as a species, have free will or if some divine source, some call it fate, controls our destiny. In the play, Oedipus the King, that special force is also used and is known and defined as fate. This played an important role in the lives of the characters just as it plays one in our daily lives.
Fate may state what will be in one's life however, how that destiny comes about is a matter of man's own choice. In other words, incidents don't occur because our destinies are written. In the play Macbeth, Shakespeare expertly uses the theme of fate vs. free will and raises the pre-eminent question of which holds power over the characters. In Shakespeare’s tragedy, fate is not the cause of his downfall, his own desires and choices prove to be the deciding factor.
Shakespeare clearly explores the themes ‘Fate and Free Will’, and ‘Ambition’ within this tragedy. Shakespeare weaves these themes around the character of Macbeth, showing us the depth of his insight into human society. Macbeth fell victim to his interpretation of supernatural prophecies and the influence from his wife. His impatience for the throne led to his crimes, subsequent guilt and acknowledgement of his sins. Shakespeare presents Macbeth’s life to his audience as a moral tale, warning them how men should be careful how they regard the ideas of fortune and fate and how in the end, evil intents and actions bring with them their own punishment.
Throughout the play The Tragedy of Julius Caesar by William Shakespeare both fate and free will is demonstrated. Cassius argued that everyone has the power to change their future in what they do when Casca came to him frightened by omens. Though, omens have seemed to prove correct throughout the play, therefore it dominates the argument of Fate versus Free Will.
Fate and the circumstantial downfall of characters (usually surrounding the protagonist) is a reoccurring theme seen throughout the Eras of theatre (specifically between the plays Oedipus Rex [Greek Theatre] and King Lear [Elizabethan Thatre.]) Fate and falling victim to circumstance is one of the same; fate is just a predetermination made by a higher being (gods,) while circumstance is almost always the result of causation; contrary to the psychological phrase correlation does not imply causation which means that a relation between two variables does not imply that one is the cause of the other. For those who lived during the Greek Theatre Era (600-200 BC,) the explanation of “fate” was considered an acceptable means to justify the unknown, and/or to gain information/knowledge. Audiences eventually became more literate and the reliance on the gods to help make sense of why something has happened slowly diminished; this cultural reformation demanded the same change to occurr within the theatre, which correlated fate with falling victim to circumstance. In th...