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Media stereotypes of women
Stereotyping in the media about woman
Objectification of women in rap
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The False Advertisement of Women in Rap Music Over time, rap music has influenced false perceptions of women. Most of the lyrics in rap music today strongly consist of women’s breasts or butt instead of her personality or her intelligence. These perceptions falsify women and portray them as sex symbols or material entities, which suggest that they are submissive or powerless. In the works of Roland Williams’ Advertising: The Magic System and Antonio Gamsci’s Hegemony Intellectuals and the State, can see that women are objectified through advertisement and seen as inferior to men. Rappers tend to talk about women in their lyrics in an offensive manner that falsifies the image of women as being promiscuous and sexually objectified. Rap music is a subculture in the sense that rappers portray the “Bling-Bling Lifestyle,” which is having expensive commodities, women and sex. An ideology of rap music and women is that women are reduced to objects for men’s pleasure. In songs derogatory terms such as “bitch” and “ho” are used to refer to women, which is magic in advertising because by calling women those terms men have power over women. Women are seen as inferior to men in most rap songs, which creates …show more content…
Rap has pretty much made it okay for people to talk about women with such disrespectful terms. Rappers such as Eminem, Rick Ross and DMX disrespect women in many of their songs and are criticized for treating women with so much disrespect. In Eminem’s Love the Way You Lie domestic violence is portrayed in its lyrics, which has caused Eminem to be a hot topic in media and his stand with women. Recently another song of his has landed him in turmoil, in which he raps about raping Iggy Azalea (Rivera). It’s almost as if society today has accepted the treatment of women in this manner, since it is justified in many rap songs and
In his most recent album, Kanye West raps, “Now if I fuck this model/ And she just bleached her asshole/ And I get bleach on my T-shirt/ I 'mma feel like an asshole.” He suggests that it is the girl’s fault for getting bleach on his tee shirt, which she only did to make herself more sexually appealing. This misogyny in hip-hop culture is recognized to bring about problems. For instance, the women around these rappers believe they can only do well in life if they submit themselves to the men and allow themselves to be cared for in exchange for physical pleasure. In her essay, “From Fly-Girls to Bitches and Hoes”, Joan Morgan argues that the same rap music that dehumanizes women can be a powerful platform for gender equality if implemented correctly.
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
In The Venus Hip Hop and the Pink Ghetto, Imani Perry argues that the over-sexualized, unattainable bodies of black women in popular culture will lead to the breakdown of feminism and the positive body image of the everyday black women. As hip hop music continues to become more popular, the sexist messages presented in lyrics and music videos are becoming more common to the everyday public, including young black girls developing a self-image. Instead of these girls being exposed to healthy, positive role models who encourage individuality and that there is more to a woman than her body they are given hip hop video models whose only purpose is to look sensual on screen. The strong women that do exist in the hip hop genre are pushed to sexualize themselves or their lyrics to sell records or stay relatively unknown. Although Perry’s arguments are logical, I believe that she is creating a slippery slope of logic. A genre of music cannot destroy the self-image of black women that has existed for generations.
“The widespread perception of Black women is based on mainstream misogyny” and because it is main, a social norm, and a way for young Black people to be unified “[Black females] accept stereotypical views and unconscious behaviors that devalue women and esteem men”(Henry, West, & Jackson 245). As long as hip hop continues to thrive on misogyny and people continue to ignore that it is an issue Black females will continue to reap the internal and sometimes physical
Women in popular music have created a tremendous history in the wake of feminism. They have made their presence visible by identifying themselves as feminists. Being a woman was hard during that stage. Women were not allowed to do many things due to gender inequality such as the right to vote and to own a property. Therefore, from that moment onwards, women decided to stand up and make some changes. During the early stage of feminism, women developed their skills in popular music to create awareness. They associate popular music with feminism. Although there were racial issues between the black and white during that time, both sides continued to establish in different ways, through different genres of music. Black women focused on ‘black genres’ such as blues, jazz, and gospel, whereas white women performed in musical theatres. Female artists such as Lilian Hardin, Sister Rosetta Tharpe, and Nina Simone were among the notable exceptions of female instrumentalists during feminism. In this essay, I will assess feminism focusing on the second-wave.
The most popular new music to emerge from the ‘80’s was rap music. It first developed in the mid ‘70’s in New York City, and soon in other urban areas, primarily amongst African-American teen-agers. It became very popular with the urban public that it soon began to spread throughout the United States and much of the world. It replaced rock music as the creative force in music of the ‘80’s and ‘90’s. However, as popular as it was then and it is now, the lyrics of many rap songs have caused controversy. Many believe and have charged that these lyrics promote racism and violence and show contempt for women.
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
Misogyny and degradation of women is present in almost every genre of music, yet the one genre that completely revolves around demeaning women is rap. Over the years rap and rap music videos have continually become more sexual and degrading towards women. Rap has been criticized numerous times for this reason, and that is because rap is one of the most popular genres of music for the younger generations. It is more than a genre of music, it is a complete industry filled with clothing and other merchandise. The reason this constant demeaning of women exists is because rap as a genre that rewards the objectification of women. The excuses used to justify the misogyny in rap are incomplete and lack accurate support. The most effective way for this continuous cycle ends, is if the fight and protest comes from the women themselves. Men are the problem in the objectification of women but in order for it to stop, women need to step up and take control of the situation.
On a daily basis people are exposed to some sort of misrepresentation of gender; in the things individuals watch, and often the things that are purchased. Women are often the main target of this misrepresentation. “Women still experience actual prejudice and discrimination in terms of unequal treatment, unequal pay, and unequal value in real life, then so too do these themes continue to occur in media portraits.”(Byerly, Carolyn, Ross 35) The media has become so perverted, in especially the way it represents women, that a females can be handled and controlled by men, the individual man may not personally feel this way, but that is how men are characterized in American media. Some may say it doesn’t matter because media isn’t real life, but people are influenced by everything around them, surroundings that are part of daily routine start to change an individual’s perspective.
Current trends in popular music media suggest an increased sexualized representation of women. As a result, it is in question as to how this is influencing society, especially the youth. Through lyrics in songs and music videos, we see the portrayal of women is becoming subdued. McCarthy (2006) describes the female body as a “performance site” through which male dominance is “materialized” or “subverted” (p.71). Popular music representation shows that women are referred to as property and it suggests the mind-set of it all being placed into society. It shows the standards being set for women and what is rapidly becoming the p...
Misogyny is the dislike of, contempt for, or ingrained prejudice against women. For example, Robin Thicke’s famous song “Blurred Lines” has been said to actually condone sexual assault. Although Thicke denies the accusation of condoning assault, and actually calls the song a “feminist movement within itself”, his lyrics contradict his statement (Teitel, 2013). The song gives an idea that consent is a blurry concept. Sexual assault is represented in the media as if it is a positive thing, which is what it driving many to doubt the accuracy of rape allegations. Vulgar lyrics such as the ones in Robin Thicke’s hit song is what leads critics to realize that rap music and misogyny are directly related, however, Thicke isn’t the only artist to objectify women through song. A wide variety of rappers and pop culture artists also record music in which objectifies females, counting Justin Timberlake, Eminem, Earl Sweatshirt, and many more. Many will make the assumption that white artists like Justin Timberlake and Robin Thicke use misogyny in their music in order to have something to talk about because they didn’t grow up with racism or poverty, which many other rappers did, and they speak of their struggle and hardships. But, those artists also treat women as objects through their music, and many believe that because of their hardships, they feel free to oppress others and for some reason, they take that out on women in their songs. In an article, “On the Real: Agency, Abuse, and Sexualized Violence in Rihanna’s “Russian Roulette””, hip-hop feminist Joan Morgan claims that hip-hop is “the only forum in which young black men...are allowed to express their pain” (Jones, 2013). But lines are being crossed in music everywhere, yet the issue is being
Many people associate sexist language with the music genre of rap and hip/hop, but the truth is that sexist language invades every style of music. While it is true that the lyrics to rap songs contain the most obvious derogatory terms towards women, research has found that popular pop music also includes language that can demoralize women or make women seem inferior to men. Women are often referred to as objects and even as possessions by artists, implying that even in this day and age females are still second-class compared to males. Some artists compare women to cars, others use their words to enforce their male dominance. Regardless of how popular an artist or song is promoting sexist lyrics shows that as a whole the public does not have a problem with demoralizing women. Numerous male musicians even use this sort of language as a marketing tactic, knowing that their lyrics will cause a controversy that could inevitably boost album sales.
In some of the lyrics, rappers are portraying women as “hoes” or “bitches.” Of the many different names that rappers are calling women, I find that objectifying women has become one of the major concerns. “Sexually explicit and derogatory lyrics are especially apparent in rap music, which has been criticized for its derogatory presentation of women using lyrics that objectify, exploit, or victimize them” (Cundiff 72). It sickens me that rappers can constantly talk negatively about women and get paid millions of dollars to do it. There are many different positive subjects that you can rap about, get your point across, tell a story, and still “be cool.” In many cases, women are identified as sex toys and sex is all that they are good for. Rap music videos have become predominantly sexually explicit. Children look up these music videos, and see nothing but half naked women dancing on poles and shaking their butts. By exposing young teenagers to this type of visual image, these demeaning representations can begin to become a falsified reality. This can make teens believe that it’s ok to view women this way, when in fact, we are much more than a piece of ass put on this earth to entertain the male species. When looking over an article, I found out that more than half of each rap song consists of sexual objectification. “Sexual objectification was found to occur in 67% of the misogynistic lyrics in their songs” (Cundiff 73). Not only are women looked at as sexual objects, but they are also seen as someone who can’t be trusted. In some rap lyrics, artists talk about how their girl cheated on them multiple times. Women are frowned upon because of this. But, for some reason, when rappers are pimps and have multiple “hoes” with them, it’s ok. In my opinion, rappers should consider the impact and influence they have on their fans. As more and more teens are being exposed to negative lyrics, women
Due to the marketing of popular music, music has an immense effect on the way people view things within society creating an effect on our thoughts and perspectives. Popular music guides music artists to produce what is in high demand, which results in pseudo-individualization and standardization (Allen, 2005). It consists of a variety of themes that are presented by different music artists on a regular basis. One of the well-known themes is exploiting sexuality and gender in order to be successful. Social constructions versus essentialism are highlighted components that are constantly expressed in today’s popular music culture. Today’s popular music consists of a variety of sexual references to attract consumers. Whether it i...
The negative perception of women throughout popular culture in the form of music has greatly impacted the portrayal of women on today’s society. This study involves on examination of sexist ideologies in dancehall lyrics that portray women in stereotypical and negative manner. This particular king of music explored in the study is dancehall music, a popular genre in Jamaican culture today. The primarily focus is on the effect of popular songs have on women in society, as well as how song lyrics can cause objectification of women and how are the roles of men and women reflected.