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Recommended: War creative writing
War: The Defiler of Purity
John Milton, an English poet, once said, “Innocence, once lost, can never be regained; Darkness, once gazed upon, can never be lost.” This is true of many situations, but especially so in war. The sight of premature death, grotesque injuries, and unnecessary sacrifice is impossible to forget. This is illustrated clearly in Walter Dean Myer’s graphic novel, Fallen Angels, through the protagonist Richard Perry’s development from a clueless, unprepared soldier to a scarred, weather-beaten veteran, through Richie’s experiences of his comrade’s death, the struggle of right verses wrong, and the terrifying futility of war.
Initially, Perry arrives in Vietnam feeling prepared for what is to come. This approach is first challenged through Richie’s reaction to his comrade’s death throughout the novel. Within his first week in Vietnam, Jenkins, one of the members of Perry’s platoon, suffers a tragic death. Richie
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contrasts Jenkin’s death to that of his elderly grandmother’s saying, “Jenkins was different. Jenkins had been walking and talking with me only hours before. Seeing him lying there like that, his mouth and eyes open, had grabbed something inside my chest and twisted it hard” (43). This emotional diction shows that Jenkin’s death has challenged Perry into having to cope with loss before he had anticipated. Even later in the war, Perry continues to struggle with the death of his fellow soldiers. Later in the war, Richard is greatly traumatized by the death of Lieutenant Carrol. This is shown through his sentimental statement that the incident ‘stayed in his mind’ (132), and that Carrol had been a ‘gentle man’ (132); showing that throughout his time in Vietnam, he is still being changed by his comrade’s death. The last death Perry experiences before returning to America is that of Brew, who dies as Perry is injured for the first time. This is important because Perry is not only sorry for the loss of his friend, but aware that he could have died as well, which is a terrifying fact of war. As Perry continues to experience the terrors of Vietnam, he struggles with the morality of war. After entering the war with an expectation of a definite cause, he is convicted by a sense of wrong. Moreover, many of the soldiers originally believed that the purpose of the war was to aid Vietnam and promote peace in America; but ultimately they began to see the paradox in killing for peace. This oxymoron in illustrated in Fallen Angel’s pacification missions. These are when Perry and his platoon travel to a local Vietnamese village in an attempt to win them over to America’s cause. This confuses the soldier’s morality, (as they must convince others of something they are unsure of themselves), but these ‘pacification’ missions end not in peace, but in flames, as the platoon attacks the village after learning that the enemy has influence there. The attack shows the reality of an irrefutable wrong within the war.
This is the immoral act of killing other innocent soldiers, even if it is to protect yourself and those you love. Therefore, sending soldiers to kill the ‘enemy’ in the hopes of achieving a short lived peace is a faulty idea that Perry and his fellow soldiers, as well as anyone involved with the war, struggles to believe.
Furthermore, this leads to the frightening futility of war; which is the last understanding that causes Richie to leave his childhood behind. After realizing he doesn’t know why he’s in the war, Perry’s mindset has grown from a faint idea of justice to a horrific certainty of death, leaving him a changed man. A transformed Perry explains his mindset saying:
“I thought about what Peewee had said. That I had better think about killing the Cong’s before they killed me. That had better be my reason, he had said…Maybe he was right. But it meant being some other person than I was when I got to ‘Nam. Maybe that was what I had to be. Someone else”
(216). Someone else that must leave Vietnam with a deep knowledge of unnecessary sacrifice and a loss on both sides of the war. This realization, that he will either leave the war a weather-beaten veteran, or in a body bag, is the final stage if Perry’s development throughout the war. In conclusion, Richard Perry began his war journey as an innocent, unprepared boy; and after experiencing the death of his fellow soldiers, his internal struggle of right versus wrong, and the undeniable futility of war; ends the novel as a scarred and resilient man. From the first death of Jenkins to the last of Brew, Perry is forced to alter himself and his coping mechanisms. This is made worse by the fact that there is no definite right or wrong in Vietnam, because it causes Richie to feel as though the men died in vain. Lastly, Perry sees that not only did his comrade’s death was futile, but he feels as though the entire war is somewhat meaningless. This proves John Milton’s point that once a soldier, or anyone, gazes upon darkness, it can never be lost. Therefore, in these times of threats and terrorism, we must strive for peace, not war.
The Vietnam War was a controversial conflict that plagued the United States for many years. The loss of life caused by the war was devastating. For those who came back alive, their lives were profoundly changed. The impact the war had on servicemen would affect them for the rest of their lives; each soldier may have only played one small part in the war, but the war played a huge part in their lives. They went in feeling one way, and came home feeling completely different. In the book Vietnam Perkasie, W.D. Ehrhart describes his change from a proud young American Marine to a man filled with immense confusion, anger, and guilt over the atrocities he witnessed and participated in during the war.
“Fallen Angels”, written by Walter Dean Myers, is a novel that tells about the story of young boys going into battle during the Vietnam War. There are many themes in “Fallen Angels” but the main theme is the loss of innocence. The title makes reference to these themes. And the boys in the book have dreams of losing their virginity and drinking alcohol for the first time. They are thrown into a harsh reality when they are shown the trials of war. In the end, they understand that the movies that depict heroicness and honor are just images of a false idea; that war is full of chaos and horror.
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
Paul and I are united on the grounds of age and nothing more, yet somehow, while following him through his service in the War, I feel connected to him. After finishing the novel, I ruminated on this idea for some time and eventually came to the conclusion that the connection I feel with Paul is a mixture of empathy and envy. I empathize with him because he put down the pen and took up the rifle in service of his country, just as I would do if called upon. I envy him because he exudes the qualities of a brilliant soldier, meticulous narrator, and man of faith even in times of mortal danger, especially in times of mortal danger. In the midst of the worst bombardment he has yet to face, Paul shines his brightest by illuminating in vivid detail not only the hellish onslaught unfolding around him, but also the intr...
Many times readers lose interest in stories that they feel are not authentic. In addition, readers feel that fictitious novels and stories are for children and lack depth. Tim O’ Brien maintains that keeping readers of fiction entertained is a most daunting task, “The problem with unsuccessful stories is usually simple: they are boring, a consequence of the failure of imagination- to vividly imagine and to vividly render extraordinary human events, or sequences of events, is the hard-lifting, heavy-duty, day-by-day, unending labor of a fiction writer” (Tim O’ Brien 623). Tim O’ Brien’s “How to Tell a True War Story” examines the correlation between the real experiences of war and the art of storytelling. In O’Brien’s attempt to bridge the gap between fiction and non-fiction, the narrator of the story uses language and acts of violence that may be offensive to some.
In the aftermath of a comparatively minor misfortune, all parties concerned seem to be eager to direct the blame to someone or something else. It seems so easy to pin down one specific mistake that caused everything else to go wrong in an everyday situation. However, war is a vastly different story. War is ambiguous, an enormous and intangible event, and it cannot simply be blamed for the resulting deaths for which it is indirectly responsible. Tim O’Brien’s story, “In the Field,” illustrates whom the soldiers turn to with the massive burden of responsibility for a tragedy. The horrible circumstances of war transform all involved and tinge them with an absurd feeling of personal responsibility as they struggle to cope.
book, and by the end of the book we feel like we know exactly how Perry feels, and we have a understanding of some of the hardships that the soldiers faced in Vietnam. In this book, Perry kills
Often, we find ourselves facing dramatic events in our lives that force us to re-evaluate and redefine ourselves. Such extraordinary circumstances try to crush the heart of the human nature in us. It is at that time, like a carbon under pressure, the humanity in us either shatters apart exposing our primal nature, or transforms into a strong, crystal-clear brilliant of compassion and self sacrifice. The books Night written by Elie Wiesel and Hiroshima written by John Hersey illustrate how the usual lifestyle might un-expectantly change, and how these changes could affect the human within us. Both books display how lives of civilians were interrupted by the World War II, what devastations these people had to undergo, and how the horrific circumstances of war were sometimes able to bring out the best in ordinary people.
Art Spiegelman’s graphic novel Maus unfolds the story about his father Vladek Spiegleman, and his life during the WWII. Since Vladek and Art are both the narrators of the story, the story not only focuses on Vladek's survival, but also the writing process and the organization of the book itself. Through these two narrators, the book explores various themes such as identity, perspective, survival and guilt. More specifically, Maus suggests that surviving an atrocity results in survivor’s guilt, which wrecks one’s everyday life and their relationships with those around them. It accomplishes this through symbolism and through characterization of Vladek and Anja.
O’Brien’s unique verisimilitude writing style fills the novel with deep meaning and emotion. Analyzing the novel through a psychological lens only adds to its allure. Understanding why characters act the way they do helps bring this novel to life. The reader begins to empathize with the characters. Every day, the soldiers’ lives hang in the balance. How these soldiers react to life-threatening situations will inspire the reader. Life has an expiration date. Reading about people who are held captive by their minds and who die in the name of war, will inspire the reader to live everyday as if they are currently in the
After an event of large magnitude, it still began to take its toll on the protagonist as they often “carried all the emotional baggage of men who might die” during the war (O’Brien 1187). The travesties that occurred with the brutality of war did not subside and began to affect those involved in a deeply emotional way. The multitude of disastrous happenings influenced the narrator to develop a psychological handicap to death by being “afraid of dying” although being “even more afraid to show it” (O’Brien 1187). The burden caused by the war creates fear inside the protagonist’s mind, yet if he were to display his sense of distress it would cause a deeper fear for those around him, thus making the thought of exposing the fear even more frightening. The emotional battle taking place in the psyche of the narrator is directly repressed by the war.
One of the worst things about war is the severity of carnage that it bestows upon mankind. Men are killed by the millions in the worst ways imaginable. Bodies are blown apart, limbs are cracked and torn and flesh is melted away from the bone. Dying eyes watch as internal organs are spilled of empty cavities, naked torso are hung in trees and men are forced to run on stumps when their feet are blown off. Along with the horrific deaths that accompany war, the injuries often outnumber dead men. As Paul Baumer witnessed in the hospital, the injuries were terrifying and often led to death. His turmoil is expressed in the lines, “Day after day goes by with pain and fear, groans and death gurgles. Even the death room I no use anymore; it is too small.” The men who make it through the war take with them mental and physical scarification from their experiences.
While soldiers are often perceived as glorious heroes in romantic literature, this is not always true as the trauma of fighting in war has many detrimental side effects. In Erich Maria Remarque 's All Quiet On The Western Front, the story of a young German soldier is told as he adapts to the harsh life of a World War I soldier. Fighting along the Western Front, nineteen year old Paul Baumer and his comrades begin to experience some of the hardest things that war has to offer. Paul’s old self gradually begins to deteriorate as he is awakened to the harsh reality of World War 1, depriving him from his childhood, numbing all normal human emotions and distancing future, reducing the quality of his life.
“War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead,” (80). In the fiction novel The Things They Carried, the author Tim O’Brien reminisces fighting in the Vietnam War and the aftermath of the war with his platoon mates through short stories and memories. He goes in depth about the emotional trauma and physical battles they face, what they carry, and how Vietnam and war has changed them forever. O’Brien’s stories describe the harsh nature of the Vietnam War, and how it causes soldiers to lose their innocence, to become guilt-ridden and regretful, and to transform into a paranoid shell of who they were before the war.
Richie is having trouble excepting how terrifying the war actually is. The rising action starts when Richie’s medical file is misplaced. Richie really loved playing basketball, but due to a knee injury, he could not go anywhere with it after high school. He joined the army so that way he could escape a depressing future. He had the mindset when he went into war that he would not have to do anything because of his medical disabilities, but the opposite happened. He meets Peewee, Jenkins and Johnson on their quest to campout at Chu Lai (“Fallen Angels” 17). Richie writes to his brother telling him how bad being at war has been. Richie has been sick with many illnesses, not to mention he did kill someone. The traumatizing experience had Richie falling apart in the arms of Johnson (“Fallen Angels” 18). The falling action happens when Lieutenant Carroll sends Peewee and Richie on a mission. The mission was very poorly constructed and Richie and Peewee get separated from the rest of the platoon. For someone whose name is Peewee he sure does think fast on his feet because the lives of Monaco and the rest of the platoon where in him and Richie’s hands. Thankfully they did save all of their lives but did get wounded during it (“Fallen