Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
What role did religion have in western history
Conflict Between Christians And Muslims
European effect on religion
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: What role did religion have in western history
Europe in the middle Ages was threatened by the Islamic fighters from the east whom they saw as antithetical to their professed Christianity. As the dominant religion, those who professed this faith were seen to be superior to those who did not and as such religious minorities likely suffer discrimination and persecution at the hands of their Christian neighbors which would have necessarily shaped their world view and behavior.
Given the position of trust that Othello inhabits in fighting the Moors, it is most likely that he is a Christian. Growing up this environment, Othello would have had to navigate the cognitive dissonance of being a Moor, with different physical characteristics and at the same time professing to have the same faith. Throughout the play the character makes many references to his otherness and blackness, calling attention to his lips for example.
…show more content…
It is the doubt that he feels about his own worthiness and apparent contradiction of his dark skin that makes him begin to think that it is not possible for Desdemona to actually love him permanently, instead it strikes him as an unnatural phenomenon. At first, early in the play, he is happy with his wife and takes pleasure in her personal characteristics in that she feeds well, she likes company and that she says her mind. Yet, as his doubts about himself and their relationship begin to emerge, he starts to see her as a prostitute, someone false, who would lie about her relationships. This transformation is largely driven by his own unraveling sense of self-worth stemming from his perverse form of Christianity that despises his religious and ethnic
There was a series of brutal wars undertaken by the Christians of Europe, this took place between the 11th and 14th century, that was the crusades. It happened to recover the great holy lands from the Muslims.
The center of the play is the relationship between Othello and his wife Desdemona. What is initially portrayed as a marriage of love and excitement, was ruined by the influence of Othello's Personality Disorder, which causes constant distrust and suspicion based on benign events (Diagnostic and Statistical Manual of Mental Disorders - 5, 649). After a conversation with Iago on Desdemona's loyalty, Othello begins to have doubts about his marriage, thinking that Iago is also lying to him,
As the details of her recent marriage to Othello unfold, Desdemona appears to be a woman driven by emotions. She marries a man because he has shared his stories of grand adventure. In order to do so, she elopes from her loving father’s house in the middle of the night. These seem like actions of emotion stemming from her love – or possibly infatuation – for Othello. Contradictory to this, when asked to speak about her willingness to enter the marriage, she responds with a very clear and sensible reason for staying with Othello:
In Act 1. Desdemona admits that she fell in love with Othello's eloquence and harrowing adventures; 'I saw Othello's visage in his mind'. This outlines his sense of nobility in language,which empahsis how much of an experienced warrior ans revered noble man he is. Moreover Desdemona reveals Othello's nobility of love, 'She loved me for the dangers I had passed/ I loved her that she did pity them'. She succeeds in unveiling a side in Othello's nature which show him as a loving, respectful husband. He is clearly trustful of Desdemona and is not by any means jealous of him, as he allows her to travel to Cyprus with Iago,' To his conveyance I assign my wife'.
Othello is a man of romantic nature. He fell in love with the beautiful Desdemona. He was accused of stealing her away from her father. Othello was of a different race and did not fit in with her family. Othello makes a plea for Desdemona and tells his story which wooed her to begin with. Othello tells of the love that her father showed him since his boyish days. This was like a match made in heaven that overcame many obstacles which got in their way. Othello could not understand why he was good enough to work and fight alongside of her father, but was not good enough for his daughter.
These lines are the first hint given that Desdemona may not have always been completely captivated by her husband. These words, not denied by Othello, sit in contrast to his own. Upon hearing her words, Othello seems a changed man, depressed and submissive, his new attitude brought on by “Desdemona’s own honest account of her original feelings for Othello and the role Cassio played in Othello’s winning of her” (Macaulay 269). With just a little concern for Othello’s own pride, Desdemona have chosen to withhold some words or soften their blow. Instead, her own pride continues to lead her headlong onto a destructive
Desdemona is a young Venetian noblewoman, who falls in love with a general in the army who works for her father, a senator. As a child she finds herself infatuated with Othello, and the childhood lust grows into love. Their elopement begins a downward course for them both. In spite of her youth and inexperience, she's strong enough to stand up to her father's disapproval of her marriage, and is loyal to Othello until she dies. Whether it is her father Brabantio, or husband Othello, she is objectified. Desdemona is in the risky position of attempting to reconcile her true sexual identity with the sexual identities in which others attribute to her. Brabantio and Othello misinterpret Desdemona's assertiveness and desire while simultaneously attempting to repress any signs of desire within her. In addition to Desdemona being a woman of appetites, the object of her affections is a moor. This choice of mate further strays from the role in which Venetian society would like to cast Desdemona. The location of Venice is essential to the text of sexuality and power because Venice was known for its sexual permissiveness. Desdemona's body is considered her father's possession until she elopes, then she is Othello's. She defies Brabantio by marrying Othello, taking charge of her own destiny. Brabantio's symbolic death of Desdemona foreshadows her literal death at the hands of Othello and conveys his sense of loss as he realizes that Desdemona's body is her own domain, not his. Othello also attempts to control the sexuality of Desdemona and once again she is viewed as property.
Throughout history, Europe has gone through plenty of significant changes that shape the way it is today. Like the rest of the world, many events such as revolutions, epidemics, raids, trades, revolts, and major innovations have brought as many benefits as well as detriments to Europe. One such example is the Middle Ages. The Middle Ages comprises a multitude of occurrence like the Bubonic Plague, the fall of Rome, the rise of religion, … Religious wars and uprisings have also been playing a crucial role in Europe’s history, not only in the claiming of territory, dominance over other religions, and the questioning of higher authority, but also in the spreading of cultural and religious diversity. The Crusade is a classic example of religious
Shakespeare does not give specific details of Othello’s background, however, it is apparent Othello is a dark-skinned outsider. The characters in the play call him the Moor. A moor is a member of a northwestern African Muslim people of mixed Berber and Arab descent. He is referred to as black by several characters including himself. Roderigo even calls him thick-lips which is a racial slur towards African Americans.
Desdemona is presented as overtly idealistic which results in her defying credulity. Initially she begins the play as deviant; with Honigman suggesting that, ‘it is possible to see her as the strongest, most heroic person in the play’. The courage and strength it would have taken a woman to stand up to her father and deviate from the social and conventional norms by marrying a ‘moor’ emphasises her heroic nature. However, as the play progresses she becomes too idealistic and two-dimensional, she is presented as ‘a paragon of virtue who embodies everything that is pure and true in humanity’. This unrealistic representation presents Desdemona as an un-relatable character, not a heroic one.
The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is....Oh, she deceives me Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the impression Desdemona is a devious imp full of disrespect towards her father. However, surpassing normal tradition of asking of her fathers’ permission to wed, Desdemona ran off and did marry the moor. This in a sense was her emancipation of her father’s possessiveness and oblivion of Othello’s dominance over her. Othello replies to Barbantio’s accusation, sedating or using black magic on his daughter, by saying, “My very noble and approved good masters, That I have ta’en away this old man’s daughter. It is most true.” (1.3.79-81), which brings me to the claim that Desdemona’s character in this tragedy, was only to become and to serve as Othello’s private possession rather than a typical beloved daughter or wife as in modern time. Shakespeare bases this tragedy on the foundation of Desdemona’s character by the symbol of the discrimination of women in the Shakespearean time era. Desdemona even for the first and only time within the play stands up and challenges her inferiority under her father’s aut...
Thus, even as her husband is murdering her she trusts and loves him. Lastly as seen in act four, Desdemona questions the fact that she could have cheated on her husband. The fact that she believes she could have slept with another, when she never committed the sin is shocking. This mean she is so naive that she would question herself on her morals because someone simply told her she did it. Therefore, Desdemona is surrounded by those who live sinful lifestyles, but she represents naivety through staying with her abusive husband, trusting her betraying husband, and questioning
Othello’s Belief in Reputation In order for individuals to grasp control of their life, certainty and assurance within themselves must be present in order to generate an individual's self-worth and image. The desire to uphold one’s reputation may lead to harmful choices that cause distortion of one’s values and morals. In William Shakespeare’s Othello, Othello, a revered military general of Venice, is affected by strong uncertainty in his marriage as he struggles with the potential reality of his beloved wife committing infidelity with his lieutenant and succumbs to anger as his reputation is believed to be threatened due to his wife’s affair. Othello evolves from a well-respected, confident individual to a uncertain, hysterical man whose
Desdemona was a strong woman she stood up for herself and showed she was independent but she also stood down and showed a passive role. Desdemona was a victim her lover Othello was a abusive insecure wreck. Her love and loyalty to her husband was her a big mistake her father tried to warn her and she didn’t listen this decision is a big reason why Desdemona story ends how it does this was a big turning point.
Othello is a character of which he believes he has high standards and is a strong character, but yet his love for Desdemona becomes a great weakness which causes conflict later in the play.