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The day of the locust thesis
The day of the locust thesis
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In Nathanael West’s “The Day of the Locust,” multiple characters are introduced within Hollywood, California, which is widely regarded as the national capital of the film industry. One main character focused on throughout the novel is Tod Hackett, who West portrays as being superior to the fantasy observed around him. Many of the characters have traveled to Hollywood in pursuit of a personal, ambitious goal. However, there is a reoccurring theme of failure in their pursuits due to the fictitious personalities and actions they have created for themselves influenced by a setting full of artificialness.
The atmosphere of the film industry in Hollywood, California is a large influence throughout the novel with its emphasis on fabrication. When Tod Hackett heads home after a long day of work as a set designer, he tends to gaze at his surroundings. In one particular passage in the novel, he intensely observes the houses that lie on the canyon near his home: “But not even the soft wash of dusk could help the houses. Only dynamite would be of any use against the Mexican ranch houses, Samoan huts, Mediterranean villas, Egyptian and Japanese temples, Swiss chalets, Tudor cottages, and every possible combination of these styles that lined the slopes of the canyon” (61). These works of architecture are designed to represent the diverse architectural work of cultures from around the world. However, side by side of one another, the houses are rather imitations of the cultures they represent, made of paper and plaster. Similar to the characters of the novel, the houses are trying to replicate something they are not. They are there to represent fantasy through its superficial features and garner admiration, something Tod notices and reacts with...
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...and displayed uncharacteristic actions. In doing so, they distanced themselves farther away from their goals, resulting in the failure of their pursuits. Homer Simpson ultimately leads himself into an unstable mental state and has seemingly become a lifeless figure. Faye Greener becomes widely known for her sexual appearance and intimacy, attracting lust instead of her acting talents. In general, many of the citizens of Hollywood are in similar situations. The end of the novel portrays a gathering of people disappointed with their own pursuits. They are waiting to see actors of a recent film. They look to the actors, their source for inspiration, to fulfill their need for excitement since they can no longer build excitement themselves. The slightest tension sets off the crowd, who are frustrated and unsatisfied with how their lives have come to be, and chaos arises.
The main theme and meaning behind Ian Strange’s “Corrine terrace’ is home. The house is a painting along with a documentation transforms an image of suburban architecture into something much more. The reaction of the viewers is to the icon of the home, not
In the novel While the Locust Slept, Peter Razor tells his life story about the discrimination and hardships he faced as a Native American boy. In the novel, Peter uses many flashbacks to his early life that help the reader to understand how he got to the places he is. The flashbacks show how discrimination has effected Peters life because he is Native American. Flashbacks in the book include bad experiences Peter had with teachers at the different schools he went to. These flashbacks help to reader to understand how many different situations Peter had to deal with at a young age because the reader understand that the bad experiences are not just happening at the time, but also happened in the past. Many teachers in Peters life exerted their
"The house is 10 feet by 10 feet, and it is built completely of corrugated paper. The roof is peaked, the walls are tacked to a wooden frame. The dirt floor is swept clean, and along the irrigation ditch or in the muddy river...." " ...and the family possesses three old quilts and soggy, lumpy mattress. With the first rain the carefully built house will slop down into a brown, pulpy mush." (27-28)
In the article “The Thematic Paradigm” exerted from his book, A Certain Tendency of the Hollywood Cinema, Robert Ray provides a description of the two types of heroes depicted in American film: the outlaw hero and the official hero. Although the outlaw hero is more risky and lonely, he cherishes liberty and sovereignty. The official hero on the other hand, generally poses the role of an average ordinary person, claiming an image of a “civilized person.” While the outlaw hero creates an image of a rough-cut person likely to commit a crime, the official hero has a legend perception. In this essay, I will reflect on Ray’s work, along with demonstrating where I observe ideologies and themes.
Although set in the 1930s, Nathanael West’s The Day of the Locust ironically resembles contemporary Hollywood. Within the glamorous setting of Hollywood, West’s characters take on multiple roles instead of assuming individual personalities. They put on and remove these imaginary personality masks, similar to those in the Commedia dell’Arte, to exhibit a range of emotions that only their character type would exhibit. Consequently, West’s characters are trapped in this restrictive atmosphere, especially at the end of the novel when they become part of a collective mob. In these manners, the characters in The Day of the Locust exhibit qualities akin to modern actors, proving that they are nothing more than a cast of personages rather than individuals.
attempts to fulfill his personal dreams amongst the lower classes of Hollywood. Hackett comes to
Within Death of a Salesman, there are many themes, motifs and symbolism shown to help readers and audiences alike understand the writing. Arthur Miller implemented these developmental characteristics through showing the theme of success and failure, features of a tragic hero and the germination within characters. Through Millers writing, it is shown that the American Dream does not always end in a happy
“Roman Fever” and “Hills Like White Elephants” are two stories that on surface seem very different from one another, but through careful analysis the two are quite similar. Their similarities are mainly evident through the significant use of the dialogues in the both stories. “Roman Fever” has a third person omniscient narrator which the author allows to know the inner private thoughts of both characters, Mrs. Slade and Mrs. Ansley. In contrast, “Hills Like White Elephants” is composed in a third person limited narrative where very little is known about the thoughts of both Jig and the American. At first Ernest Hemingway’s short story can clearly be viewed as the most ambiguous out of the two. With its simplistic style, written mostly in straightforward dialogue which leaves the readers to contemplate over the ultimate outcome of the story and forces them to ...
Bad choices are made every day by everybody. Those bad choices could lead to consequences that are going to bother a person for a long time. Even more, that person may try various ways to correct that error. The intention is good, but things can go even worse if the effort is based on unrealistic fantasies. This effort is presented as a part of modernist ideas. Modernist writers dramatize this effort through the tragic outcomes of the characters. Three modernist pieces, A Street Car Named Desire, Death of a Salesman, The Great Gatsby, all of them sent out a message to the audience, the loss of past and how it cannot be recovered. Each piece features a character who lost hope, strived to recover the hope, and ended with a tragic outcome. A Street Car Named Desire featured Blanche; Blanche spent her whole life trying to get some attentions. Death of a Salesman featured Willy; Willy spent his whole life trying to apply the idea “Be Well Liked.” The Great Gatsby featured Jay Gatsby; Gatsby spent his whole life trying to win back Daisy. All of those characters ended with tragic outcome. Blanche was sent to asylum by her own sister. Willy committed suicide after felt humiliated by his sons. Gatsby was murdered with a gunshot planned by Tom Buchanan. Blanche, Willy, and Gatsby’s tragic fates are caused by their false beliefs about life, which are proven wrong by the contradictions between the reality and the illusion.
Sterritt, David. “HOLLYWOOD'S HOLOCAUST”. Tikkun 24.3 (2009): 60-62. Literary Reference Center. Web. 10 Oct. 2013.
Hondagneu-Sotelo, Pierrette. "Maid in L.A." California Dreams and Realities: Readings for Critical Thinkers and Writers. Ed. Sonia Maasik, and J F. Solomon. 3rd ed. Boston: Bedford/St. Martin's Press, 2001. 116-129. Print.
Sunset Boulevard (Wilder 1950) explores the intermingling of public and private realms, puncturing the illusion of the former and unveiling the grim and often disturbing reality of the latter. By delving into the personal delusions of its characters and showing the devastation caused by disrupting those fantasies, the film provides not only a commentary on the industry of which it is a product but also a shared anxiety about the corrupting influence of external perception. Narrated by a dead man, centering on a recluse tortured by her own former stardom, and concerning a once-promising director who refuses to believe his greatest star could ever be forgotten, the work dissects a multitude of illusory folds to reveal an ultimately undesirable truth. Its fundamental conflict lies in the compartmentalization that allows the downtrodden to hope and carry on. Sunset Boulevard carefully considers the intricate honeycombs of dishonesty and deception that constitute a human life, then dissolves the barriers and watches the emotions, lies, and self-contradictions slurry together and react in often volatile and destructive ways.
Gehry’s additional design of the exterior has created an unconventional model form of house. The asymmetrical form characterizes the entire external side of the house. According to Goldstein, Gehry tried to slant the house roofline, create a false perspective and cause an absurd viewer’ perception or expectation (1979, 9). The complexity of the form might also produce a relationship with the house’s elements such as door, wall, and roof. For example, those elements, which linearly constructed, were hardly noticed since the distraction of geometric form around the exterior part of the house. It’s even barely hard to find the entrance of the house as a result of the salient angles of exterior.
Miller, Arthur. Death of a Salesman. Literature: An Introduction to Fiction, Poetry, and Drama. Seventh Edition. X.J. Kennedy, and Dana Gioia. New York: Addison Wesley Longman, Inc., 1999. 1636-1707.
In conclusion, Wright had successfully break through his vision of destructing a rigid boxy style of 19th century architecture and refined his idea of what a house should look like; to be in a harmony with nature. As been described earlier, with plenty of technical problems, he acknowledged young architects; even a house needs constant attentions (Stungo, N., 1999). Wright’s ideal of bringing human closer to the nature had inspired many architects until today, Wright to his students “Falling water is one of the great blessing to be experienced”. In point of fact, admirers of him never stop praised of his works; Cliff Hickman passionately said “I had never before seen anything so beautiful … Over and over I came back to look at the photograph of Fallingwater, the most illustrious of all Frank Lloyd Wright architectural masterpieces” (Hickman, C., n.d).