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Fahrenheit 451 5 paragraph theme essay
Fahrenheit 451 5 paragraph theme essay
Compare and contrast themes of Fahrenheit 451 to other novels
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In Dystopian societies, conformity overrules curiosity, but occasionally people stand and rebel. In Fahrenheit 451 by Ray Bradbury, Clarisse and Mildred represent these two classes of people. they stand on opposite sides of the overall theme to think for yourself. The curiosity of Clarissa and the conformity of Mildred define the opposing sides of Juan Ramon Jimenez's quote, “If they give you ruled paper, write the other way,” by showing both effects in Montag and the rest of society. Clarisse McClellan is the spark, not the flame nor match of the novel. Her intelligence and optimistic mindset scares the rest of society away and they claim her to be “crazy” and “antisocial” because of it. But this does not bother Clarissa at all. If anything, she questions them and comes to very reasonable conclusions. For example, Bradbury 26 she differs from the others calling her “antisocial”. She states, “I am very social indeed… it all depends on what you mean by social. To me it is talking about how strange the world is. I don't think it's social to get a bunch of people together and then not let them talk.” She then goes into detail on how schools have you wrapped up on television and prefer to give the answers rather than to ask questions. These actions give off that She does not express her views of the world since she spends her days watching and “communicating” with the parlor walls. Because of this, she is very forgetful of personal events and careless of others. Bradbury 40, Montag thinks back to when he and Mildred first met. “The first time we met, where was it and when?” “Why it was at-” She stopped. “I don't know,” she said. Also in Bradbury 49, Mildred states, “..let me alone. I didn't do anything,” as Montag shares his book conflict. This shows how Mildred lacks in thinking and considering the feelings of others. Therefore, she is the opposing side of the theme of the
First, Mildred is unfeeling when she didn’t care that a woman had burned herself to death. A quote from the story is “She’s nothing to me; she shouldn’t have had books. It was her responsibility, she should have thought of that.” Mildred is unfeeling because society has made her believe that if it doesn’t affect her it doesn’t matter.
Mildred is not just self-centered, she is also unfeeling. For example she forgot to tell Montag that clarisse had died, and didn’t seem fazed at all. She is also robotic. When captain Beatty came to talk to Montag, Montag had asked her to leave the room. She did angrily, but she still did as she was told.
First, MIldred is Montag’s wife, and she acts as if she is a robot. Montag is different from everyone else, he thinks more about certain stuff than other people do. Unlike Montag Mildred doesn’t think as hard as he does. This is a reason of why or how she is robotic. The way Mildred speaks to Montag is another reason to why she has robot like actions. In the book, Mildred or MIllie says, “I had a nice evening”, then Montag replies “What doing?”, Millie then says, “The parlor”,
First Mildred is self-centered because she doesn't care what happens to others. In this society books are dangerous because they make us think. This quote from the story mildred states “ what’s this? Asked Mildred, almost with delight. Montag heaved back against her arms. What’s this here?” This quote shows how Mildred wanted to get Montag in trouble. Mildred is hoping officer Beatty will look or hear what they are saying This shows how Mildred is only looking out for
In Ray Bradbury’s Fahrenheit 451, Mildred Montag’s life represents a body in a tomb, basically a “tomb world.” Mildred cuts herself off from the outside. This idea applies to Mildred who lets herself live in a world where she is almost gone, holding onto whatever the world gives to her. She is described as someone who just talks to talk, “He lay far across the room from her, on a winter island separated by an empty sea. She talked to him for what seemed a long while and she talked about this and she talked about that and it was only words, […] (39). There is a quote by Oscar Wilde that is very true to this book, “To live is the rarest thing in the world. Most people just exist.” Mildred doesn’t have any substance to her, she lives in a world
Mildred cries out as the walls of her hotel room go dark, because in her final moments, she sees her own face is reflected there, “in a mirror instead of a crystal ball” (159), and it was such a vacant, expressionless face, alone in the room, touching nothing, consuming itself for there is nothing left to consume, finally she recognizes it as her own and immediately looks to the ceiling as it and everything above her crashes down upon her. Many symbols are brought up throughout Fahrenheit 451, but one that leaves a lasting impact is, mirrors. At the start of the book the protagonist, Guy Montag, describes Clarisse as a mirror, and she is the kindling that leads to Montag’s evolution as a character. Montag’s wife, Mildred, had also become a mirror in her own way, she was a mirror image of society. Their society mindlessly fed off of whatever the parlor walls threw to them,
You take advantage of your life every day. Have you ever wondered why? You never really think about how much independence you have and how some of us treat books like they’re useless. What you don’t realize is that both of those things are the reason that we live in such a free society. If we didn’t have books and independence, we would treat death and many other important things as if it were no big deal. That is the whole point of Ray Bradbury writing this book.
The first reason why Mildred is a bad wife is because she is self centered because society took out personality. In the story “Fahrenheit 451”, The captain to Montag’s squad, Beatty, states “... Fill them with enough useless information to where they feel like they're thinking, they’ll have a sense of motion without moving.” Mildred is shocked full of this useless information, that she thinks she’s thinking. (i went off subject) Mildred made the quote, “She’s nothing to me!” to Montage(her husband/ main character) over what he saw, or how she looked like. It takes a lot to just live with the fact to watch someone die. But it truly takes someone heartless to not care at all. Society took out personality so people can no longer have hearts. But
Mildred depicts a conventional 1950s woman in the aspect of being completely naive and oversimplified as a character. According to ‘Essential
The lost of connections with people, and when people don’t think for themselves can lead to a corrupt and violent society. Thats why in the novel Fahrenheit 451, Montag learns that when thinking for your own self you can achieve your goals. Having connections with other people like Clarisse and Montag is a good thing and not bad. They both learn that thinking different and have a real connection with other people can help society and not turn it into a corrupt and violent society.
Of all characters, Bradbury uses Mildred Montag to effectively portray the idea that the majority of society has taken happiness as a refuge in nothing but passive, addictive entertainment. She immediately reveals her character early in the book, by saying, “My family is people. They tell me things: I laugh. They laugh! And the colors!” (73). Mildred is describing her parlors, or gigantic wall televisions, in this quote. Visual technological entertainment is so important in her life that she refers them to as “family,” implying the television characters as her loved ones. By immersing herself in an imaginary world, Mildred finds herself able to relate to fake characters and plots, giving her a phony sense of security. This is necessary for her to achieve her shallow happiness, or senseless plain fun, as she lifelessly watches other people in her walls with a senseless mind. Her family in real life only consists of Guy Montag, her husband, whom she has no fond feelings about. Montag is so frustrated with Mildred because of her inability to express feelings for ...
Fahrenheit 451’s Relevance to Today Fahrenheit 451’s relevance to today can be very detailed and prophetic when we take a deep look into our American society. Although we are not living in a communist setting with extreme war waging on, we have gained technologies similar to the ones Bradbury spoke of in Fahrenheit 451 and a stubborn civilization that holds an absence of the little things we should enjoy. Bradbury sees the future of America as a dystopia, yet we still hold problematic issues without the title of disaster, as it is well hidden under our democracy today. Fahrenheit 451 is much like our world today, which includes television, the loss of free speech, and the loss of the education and use of books. Patai explains that Bradbury saw that people would soon be controlled by the television and saw it as the creators chance to “replace lived experience” (Patai 2).
In Fahrenheit 451, Ray Bradbury created a fictional society in which the people only want to be happy. No one wants to offend and no one wants to get offended. To achieve this “bliss” their government has used technology to block out reality, to create a world of denial, and to provide endless, mind mushing entertainment. “[Bradbury] is unable, however, to support the idea that technology itself causes people to abandon independent thought in favor of simple conformity.” (McGiveron, 1996) Bradbury never proves technology is what destroyed intellectual thought, but the people in charge of mass communication. Bradbury is warning us that technology can be a conductor for mass exploitation.
Mildred admittedly turns in Montag’s books and betrays their relationship because of what will possibly happen if they were caught. She questions and denies all affiliations with her husband; she disbelieves her husband’s opinion on what books mean. On Montag’s statement
Fahrenheit 451, written in 1953, still advocates for a traditional monogamous relationship for the protagonist. Much unlike The Handmaid’s Tale, which was written in 1985 – a time in which the feminist movement was at large – and wanted a chance to break away from traditional relationships. Initially, Montag is happily under the impression that his relationship with Mildred is acceptable; however this is called into question after her suicide attempt. Montag slowly breaks away from conformity as he realises that their relationship is hardly one at all, that they are unable to connect with each other. Even when he tries to bond with her, asking her about how they met, her Mildred’s response is impersonal and unsympathetic. This is reinforced when she informs him of the death of his friend, Clarisse telling him “she’s gone for good. I think she’s dead” in a nonchalant manner, disregarding her husband’s feelings. His relationship with Clarisse, however, defies what is expected. Upon their first meeting, Montag asks her “But what do you talk about?” showing his shock at the thought of a relationship like that. The society in which they live supports the idea of a lack of communication, as it is easier to conform if the populace cannot connect with one another, thus isolating them; in concordance Aleš Kozel notes that “The emptiness of their bond can be supported