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The role of nora in a doll's house
Character traits of nora in a doll's house
The role of nora in a doll's house
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When a young girl plays with her doll house, she imagines a make-believe world full of enchantment. However, little does she realize the false and unattainable image of perfection that lies before her. With every miniature doorway and elaborate bookcase, the doll house disguises reality with a mask of flawless excellence. Similarly, Henrik Ibsen describes many appearances in A Doll House as mere façades of deception. These images reiterate the theme that outer appearances are never what they seem. Through his dealing with Nora’s societal role and his use of symbolism, Ibsen effectively contrasts the themes of appearance and reality and suggests that all façades will eventually be revealed.
In society’s view, the marriage between Nora and Torvald is a wonderful relationship. Torvald supports the family through his job at the bank while Nora is the caretaker for the children. However, they have no real communication between them. Torvald commonly refers to Nora as his “little lark” or “squirrel” (1010, 1012). He never treats Nora as an equal marital partner, much less an individual. In the end, the marriage has to end because of its lack of real communication. Thus, a source of deception in the play stems from the fact that the actual marriage between Nora and Torvald is not a healthy relationship, as in society’s view. Furthermore, when Nora decides to go against her husband’s will to borrow the money for the loan, she forsakes her matrimonial bond, yet gains personal independence. Nora considers the loan “something to be proud and happy for” (1017). Yet, in essence, she is pleased with her ability to lie to her husband. Through this circumstance, Ibsen successfully reveals that a relationship built on ...
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...by leaving the marriage.
Through his dealings with Nora’s role in society and his use of symbolism, Ibsen emphasizes in A Doll House that appearances are often deceiving. As Nora struggles with the façades in her life, she comes to the realization that she must leave her role as a housewife in order to gain “absolute freedom” (1060). Thus, Ibsen effectively portrays appearances as false because of Nora’s inability to remain in a relationship that represses her individualism. Through his ability to successfully expose deceiving façades, Ibsen creatively provides insight into the unattainable images of society in his masterpiece, A Doll House.
Works Cited
Ibsen, Henrik. A Doll House. Trans. Rolf Fjelde. Making Literature Matter: An Anthology for Readers and Writers. 2nd ed. Ed. John Schilb and John Clifford. Boston: Bedford, 2003. 1006-61.
Ibsen, Henrik. A Doll's House. Literature and Ourselves. 2nd Ed. Ed. by Gloria Henderson, Bill Day, and Sandra Waller. New York: Longman, 1997
Throughout A Doll’s House, Henrik Ibsen illustrates through an intriguing story how a once infantile-like woman gains independence and a life of her own. Ibsen creates a naturalistic drama that demonstrates how on the outside Nora and Torvald seam to have it all, but in reality their life together is empty. Instead of meaningful discussions, Torvald uses degrading pet names and meaningless talk to relate to Nora. Continuing to treat Nora like a pampered yet unimportant pet, Torvald thoroughly demonstrates how men of his era treat women as insignificant items to be possessed and shown off. While the Helmer household may have the appearance of being sociably acceptable, the marriage of Torvald and Nora was falling apart because of the lack of identity, love, and communication.
Ibsen, Henrik. The Project Gutenberg EBook of a Doll's House. [EBook #2542]. The Project Gutenberg, 13 Dec. 2008. Web. 14 Mar. 2011. .
In A Doll’s House Nora expressed the desire to experience life outside of her husband’s shadow. Henrik Ibsen characterized her as a selfless and kindhearted woman, as she constantly put her family’s needs before her own. There is no doubt that Nora was a victim of subjugation, as her husband’s misogynistic views lead him to believe that she was not as knowledgeable as him when it came to economical decisions, which was a motivation for Nora to express her phylogenic ways. For example, Nora found enjoyment decorating for Christmas; however Torvald found it to be a financial burden and insisted that she no longer continue. Ibsen used symbolism as he employed the Christmas tree as a direct representation of the women during his time period, saying they were “stripped of [their] ornaments” (Ibsen 109)...
children, her husband and what life she had behind, as she slams the door to the family home. A significant transition of power has occurred and this is one of the major themes that Ibsen raises in his dramatic text ‘A Doll’s House.’ However, in examining the underlying. issue of power presented by the text, one cannot simply look at the plight of Nora’s character, three major aspects of this theme need. also to be considered for.
Langås, U. (2005). What Did Nora Do? Thinking Gender with A Doll's House. Ibsen Studies, 5(2), 148-171. doi:10.1080/15021860500424254
Imagery symbolically guides the process of self-emancipation for Nora, the protagonist of A Doll's House by Henrik Ibsen. Objects like the macaroons, the lamp, the Christmas tree, and costumes represent the movement towards freedom of a woman who was a victim of society. Ibsen painted Nora as a youthful and lovely creature who was brought through life treated as a plaything by both her father and then her husband, Torvald. She must break society's unwritten laws. Although the consequences of her actions are initially minor, they start her along the path towards crisis when she realizes her position and the injustice of it. Through Ibsen's use of symbolism, objects in the play echo her process of anguish to liberation.
Ibsen, Henrik. “A Doll’s House.” Literature for Composition. Ed. Sylvan Barnet, William Burto, and William E. Cain. 9th Ed. New York: Longman, 2010. 792-841. Print.
Ibsen prepares the reader for the superficial set up to the play by the meaningful title. A marriage and a family set up in a dollhouse acting as dolls perform their standard gender roles in society. Torvald, Nora’s husband, repeatedly treats Nora like a child, and she even portrays juvenile characteristics. She sneaks macarons in her pockets and lies about eating them after being scolded by Torvald as if he her father instead of her husband. He has given Nora pet names such as “my little squirrel,” “my little lark,” and “my little spend-thrift” (Isben 863). Torvald is possessive of Nora, adding the “my” to all the pet names that he repeatedly calls her. She appears to be his doll; playing every part Torvald wants her to be. He holds the upper hand of control over her as the dominant male society has cast him to be. Even their own childre...
Henrik Ibsen’s “A Doll’s House” a nineteenth century play successfully uses symbolism to express many characteristics of Helmer’s life, together with the way that the main character Nora feels towards her marriage at the end of the play. Ibsen’s use of symbolism to convey about the social setting, including the harsh male-controlled Danish society, seen mostly in Torvald in the play and the role of women, signified mostly in Nora. These symbols act as foretelling before the tragic events at the end of the play, as they show the problems which lead to the demise of the Helmer’s ‘perfect’ family life.
In Henrik Ibsen’s play, A Doll House Ibsen describes the perfect family and the conflicts within. Ibsen examines the normal lives of the Helmer family through the eyes of the wife, Nora Helmer. She goes through a series of trials as she progresses through the play and with each trial she realizes something is missing in her life. Ibsen examines the struggles within the house.
Symbols are used universally to arouse interest and to stimulate the mind. Henrik Ibsen's play, A Doll's House, is filled with symbols that represent abstract ideas and concepts. These symbols successfully illustrate the inner conflicts that are going on between the characters. A few of the symbols are the Christmas tree, New year’s day, the title of the book and the nicknames Torvald called Nora emphasizes a theme of comparing perfect marriage relationship to the reality of the relationship, that is an artificial “Doll’s House” relationship.
Henrik Ibsen paints a sad picture of the sacrificial role of women throughout all social economical classes in his play “A Doll House”. The story is set in the late 19th century and all minor female characters had to overcome adversity to the expense of love, family and self-realization, in order to lead a comfortable life. While the main female protagonist Nora struggles with her increasingly troubled marriage, she soon realizes, she needs to change her life to be happy as the play climaxes. Her journey to self-discovery is achieved by the threat of her past crime and her oppressing husband, Torvald and the society he represents. The minor female characters exemplifying Nora’s ultimate sacrifice.
“A Doll’s House” is a play written by a Norwegian playwright, Henrik Ibsen. The play was published in 1879, and is a literary piece that triggered almost vigorous reactions from the audience. Moreover, the play was considered Ibsen’s masterpiece and he was determined to provoke a reaction from the public. His intention was to bring awareness to the problem of gender roles in the 19th century society: the role of women who were used as decorations of the household. The title this play, “A Doll’s House”, foreshadows the play’s protagonist, Nora Helmer, and her role in the household. The title of the play suggests that Nora is a doll in her own home.
Ibsen, Henrik. "A Doll House." Ibsen : Four Major Plays - Volume 1. Trans. Rolf Fjelde. New York: Signet Classics, 1992. 43-114. Print.