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Analyse gossip girl
Analyse gossip girl
Character analysis on gossip girl
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From the Harry Potter series to the television program Gossip Girl, stories contain characters whose actions are immoral, yet readers and viewers develop sympathy for them due to their presentation. Likewise, in Extremely Loud and Incredibly Close, Grandpa’s character is portrayed as immoral. The reader witnesses Grandpa marry a woman for a dishonest reason and then abandon her and his unborn child. However, as the story progresses, the reader discovers Grandpa’s backstory and can sympathize with him. The reader learns the rationales behind his unethical behaviors and Grandpa becomes a sympathetic character. The method Jonathan Safran Foer uses to present Grandpa forms him into a dynamic character about whom the reader’s opinion shifts over the course of the novel. …show more content…
Foer uses Grandpa’s outward actions as well as symbolism to originally portray him as an unethical character.
On the basis of Grandpa’s actions alone, he is immoral enough to dishonestly marry a woman and then leave her and his unborn child. He only married his wife because of her physical resemblance to her older sister, Anna. While Grandpa and Grandma engage in a romance where Grandma poses for Grandpa’s sculptures, Grandma notes that “After only a few sessions it became clear that he was sculpting Anna.” He left his wife traumatized when he departed, “She [Grandma] emptied herself of tears when Grandpa left.” Grandpa even admits to his immorality, asking “Why couldn’t I be the type of person who stays?” The author uses symbolism to lead us to unconsciously associate Grandpa’s traits with immorality. In many societies around the world, left-handedness is associated with evil. “Sinister” in Latin means “the left.” Therefore, the fact that “Yes” is tattooed on Grandpa’s left hand instead of the right is used as a technique to cause readers to either consciously or unconsciously associate Grandpa with the “dark side.” Through these devices, Foer crafts Grandpa as an outwardly unethical
persona. Throughout the novel, flashbacks of Grandpa’s life are presented to change him into a sympathetic character. His first love was Anna, Grandma’s older sister. After he loses Anna, he is overcome by grief and longs to be with her again. He reveals this grief through sentiments, such as: “I’m thinking of Anna, I would give everything never to think about her again.” This longing to be with his lost love is why he ends up marrying Grandma, not because he loves Grandma but because he loves the physical resemblance she has to her older sister. He loses Anna and their unborn child in the Dresden Bombings. From this tragedy, Grandpa recalls, “I kissed her, I kissed her stomach, that was the last time I ever saw her.” The first time he loses his child and the mother of his child is in this event, in which she unintentionally leaves him. There is both similarity and contrast to the later reversed situation where he leaves his child and the mother of his child on purpose. By leaving Grandma, he causes her a great amount of grief. But the reader understands through the backstory provided that Grandpa leaves them due to his apprehension over losing these two people in his life over again. The disclosing of Grandpa’s backstory transforms him into a sympathetic character. In Foer’s Extremely Loud and Incredibly Close, Grandpa is portrayed as an externally unethical character. He marries a woman due to her physical resemblance to another person and then leaves her and his unborn child. As the plot of the story grows, the reader learns of the tragedies Grandpa faced earlier on in his life and can find sympathy for him. The motives behind his immoral actions are divulged to the reader, allowing him to become a sympathetic character. The author uses these methods to shift Grandpa from an immoral character to a sympathetic character.
Before going to Alaska, Chris McCandless had failed to communicate with his family while on his journey; I believe this was Chris’s biggest mistake. Chris spent time with people in different parts of the nation while hitchhiking, most of them whom figured out that McCandless kept a part of him “hidden”. In chapter three, it was stated that Chris stayed with a man named Wayne Westerberg in South Dakota. Although Westerberg was not seen too often throughout the story, nevertheless he was an important character. Introducing himself as Alex, McCandless was in Westerberg’s company for quite some time: sometimes for a few days, other times for several weeks. Westerberg first realized the truth about Chris when he discovered his tax papers, which stated that “McCandless’s real name was Chris, not Alex.” Wayne further on claims that it was obvious that “something wasn’t right between him and his family” (Krakauer 18). Further in the book, Westerberg concluded with the fact that Chris had not spoken to his family “for all that time, treating them like dirt” (Krakauer 64). Westerberg concluded with the fact that during the time he spent with Chris, McCandless neither mentioned his
The Grandmother often finds herself at odds with the rest of her family. Everyone feels her domineering attitude over her family, even the youngest child knows that she's "afraid she'd miss something she has to go everywhere we go"(Good Man 2). Yet this accusation doesn't seem to phase the grandmother, and when it is her fault alone that the family gets into the car accident and is found by the Misfit, she decides to try to talk her way out of this terrible predicament.
“A&P” and “Godfather Death” are stories that fall under two different categories in reading. While “A&P” is a short story and “Godfather Death” is a folktale, it is clear that there are differences between the two stories. Despite their differences, there are some similarities shown through the protagonists of each story. Sammy, the protagonist of “A&P”, is an all-around character who is close to his family but makes poor decisions. The godson, the protagonist of “Godfather Death”, is also an all-around character and loves his job but takes advantage of his godfather, Death. Although Sammy and the godson are the protagonist in each story, they have differences regarding their work ethic and heroism, but they also share a few similar personalities.
The Grandmother’s deviousness and immorality is evident in the beginning of the story. While reading the newspaper article about the Misfit, the Grandmother brings it to Bailey’s attention. In Short Story Criticism, Mary Jane Schenck writes “For Bailey, the newspaper story is not important or meaningful, and for the Grandmother it does not represent a real threat but is part of a ploy to get her own way” (Schenck 220). “A Good Man is Hard to Find” begins with an innocent road trip, however, due to coercion by the Grandmother; it soon turns into a fatal nightmare. In Short Story Criticism, Martha Stephens writes “… it is true that in a trivial sense everything that happens is the Grandmother’s fault…” She continues with “It is in the conscious of the Grandmother that we continue to experience the action of the story…” (Stephens 196).
A hero can be anyone, short or tall, big or small, and not necessarily empowered with super abilities. Heroes can be someone to look up to for their acts, and personalities, in the case of Jonathan Safran Foer’s novel Extremely Loud and Incredible Close Oskar Schell is the unlikely hero. He exemplifies traits associated with the common hero like courage, as he enters into scenarios that under normal circumstances he would never dare confront. While also being slightly untraditional in the sense that he is only nine years old and suffering from depression as result of the loss of his father, and other ailments. Throughout Oskar’s journey he becomes molded into a stronger person as he comes to closure near the end of the novel thanks to those he encounters along his path.
At the beginning of the story we are led to believe that the grandmother is morally superior to the other characters in the story, especially The Misfit. Who we are led to believe is an evil criminal, but in fact the rolls are reversed. The Grandmother sits lower on the moral ladder than The Misfit. She looks judgmentally on other people but never turns that look toward herself. She believes this until the end of the story right before she is killed. Even though The Misfit commits horrendous crimes, he still admits that he is not a good man.
Throughout life individuals face many challenges testing their values and personality one situation at a time. In the evocative novel The Outsiders by S.E. Hinton themes of growing up and innocence are shown. Ponyboy is not your average 14 year old he is part of a gang known to many as the Greasers. He encounters many situations testing his values and beliefs. Having lost both his parents recently he and his brothers stick together like a true family but this relationship is tested when Darry hits Ponyboy. He also experiences the loss several close friends in a very short period of time. Throughout this novel, Ponyboy encounters many life changing experiences that prove he is a dynamic character.
Elisabeth Kubler-Ross once said, “Learning lessons is a little like reaching maturity. You're not suddenly more happy, wealthy, or powerful, but you understand the world around you better, and you're at peace with yourself. Learning life's lessons is not about making your life perfect, but about seeing life as it was meant to be.” In “A & P”, John Updike portrays the narrator, Sammy, as a young male who is satisfied with the simplicity of life; however, Sammy’s exterior does not reflect his disposition as he enters adulthood and begins to forge his own path. A deeper understanding of Sammy’s character and values is revealed through an analysis of Updike’s text. Sammy’s observations reveal that he is an ambitious individual who is restrained by his immature and contemptuous attitude.
The Crucible was the turning point in literature and in history. It showed how people were convicted with only a minute amount of evidence. The only thing that would have caused a person to be convicted was if people went into hysterics. However, for someone to be accused of using witchcraft, someone else has to say he or she had seen them practicing it or they were the only person who could see it. The trials caused some of the characters to learn new attributes about themselves. Elizabeth Proctor is more reserved. John Proctor, on the other hand, is more prideful; whereas, Reverend Hale is more confident. These three characters go through their own personal journeys and uncover the person within them beneath the surface, which in turn broadcasts their true identity to the audience.
In the story, Young Goodman Brown, the character, Goodman Brown changes throughout the story. In the beginning he was a kind man, loving husband with nothing holding him down, not even the warnings of his wife, Faith. As he walked and talked with the Devil, he became more aware of what had happened in the past with his own family. When he saw the Devil talk with Goody Cloyse on the path in the woods, he figured out by the nature of their conversation that the Devil was more mischievous than he thought. He started to have uncertainties about the errand he was on. At that point, Goodman Brown told the devil he was not going another step. Shortly after the Devil left him in the path, Brown found a ribbon on a branch of a tree
Persuasive, confident, intelligent, the ability to make quick critical decisions, these are all attributes everyone looks for in a leader and what can be seen in Tyler Durden is no different. When it comes to the character of Tyler Durden, there are many facets of his personality. Like a diamond Tyler is alluring, brilliant, he has luster, and character. The character of Tyler Durden truly defines the story of Chuck Palahniuk’s, Fight Club. All throughout Fight Club, every single character Tyler comes into contact with idolizes him. Why is he so alluring? What makes Tyler so attractive? His outlook on life, possibly. Tyler’s ultimate goal is to achieve self-actualization, where he is fully aware of who he is, and what purpose he serves in life. This draws on the significance that almost everyone wants to be self-actualizing, to realize one’s true potential, the pinnacle of what someone is meant to be.
EXPOSITION: Orsino expresses his love for Olivia: While Olivia is mourning for her dead brother; Orsino falls in love with her. He is trying to get her to marry him but she refuses. Since she mourns for the loss of her brother for seven years, Olivia will not see anybody who seeks a relationship with her.
Going against her moral code, the grandmother, is dishonest with multiple characters in the story. When trying to
Samantha Rogers April 29, 2014 Much Ado About Nothing: Paper #2. As planned, Much Ado About Nothing explores the themes of love and honor through communication, but also miscommunication. By focusing on two relationships throughout the play, this production displays how social rules are influenced by gender and how these gender stereotypes lead to biased notions. From seeing what the production team planned before producing Much Ado About Nothing, I think they achieved their desired ideas about gender roles, marriage, morality, and identity.
Things Fall Apart is an attention-grabbing novel full of violence, aggression, and oppression. Its main protagonist Okonkwo, on the surface appears to be a true tribesman, and a revered leader with qualities that far surpassed many among his clan. However, the physical and psychological qualities of Oknokwos’ character mirrored an individual who was nothing short of a “king like” ruler and conquer. Okonkwo traits of being a self-seeking, abusive, and cold-hearted individual made him a man that preys on the weak and young, and people in general who falls outside of his definition of a man. Okonkwo character lacks many characteristics that represent real strength, disciple, and bravery as his life came to a disappointing demise reflective of the weakness he spent his whole life avoiding. Okonkwo character in all fairness fails to stage some real virtues of a true leader, but rather that of a ruler.